The Musings Of An Opinionated Sod [Help Me Grow!]


To Be Innovative, You Actually Have To Be Innovative …

A few years ago, my wife – a designer – was working for a company on a freelance project.

She met them for the briefing and they told her, “We want people to see us as innovative”.

To which she replied, “I think the only way you do that is by doing innovative things”.

Now she wasn’t saying this to be an asshole, she was trying to be helpful … but, of course, they didn’t see that, even though she was absolutely right.

OK, some companies get away with it.

There’s one I know very well who position themselves as progressive … but look a little deeper and you see the innovation is more in their language and wrapping than anything truly ground breaking. And what’s more, they do the same thing – albeit with a different skin – for different companies time and time again.

To be fair, some of what they do/did is truly progressive, but that is most definitely the exception rather than the rule because their current business model appears to be far more about duplication and replication than innovation.

And that would be fine … except they position themselves as innovation pioneers.

It works because nothing attracts conservative companies than the ability to pretend/think they’re innovative or disruptive when – as Lee Hill once brilliantly observed – all they’re really doing is simply ‘modernising to the times’.

Or said another way, they’re simply catching up to where everyone else is, rather than leaving them behind.

It’s a commercial co-dependency.

They talk to you so you can think you’re innovative and you pay them to allow them keep thinking they are.

The reason I say all this is because I recently saw this in Pudong Airport …

It’s for Austrian/American chef Wolfgang Puck and his restaurant chain.

Now Wolfgang has achieved a great deal in his life …

He is the only chef awarded the ‘Outstanding Chef of the Year’ award on multiple occasions.
His 1982 restaurant Spago – which was a revelation – created the concept of the open kitchen.
He is responsible for serving celebrities a special banquet after the Academy Awards.

All good and grand.

However for all the ‘innovation and success’ Wolfgang has achieved, his Wolfgang Puck chain is anything but … exemplified by the fact that this hoarding claims, “To be truly original is to invent the future of food … to question, to experiment” and yet all the pictures accompanying this statement are about as basic as my dress sense.

Cheeseburger.
Prawn salad.
Steak.

Now I am not saying this food won’t be tasty. But I am saying it is not original and it most definitely is not inventing the future of food.

Of course, there is a lot of [bad] marketing that is underpinned by exaggeration and hype. And I totally appreciate China loves the superlative … however, as exciting as the people behind this restaurant may be about this concept and regardless how ‘new’ this may be to China [clue: it’s not] they’re selling the illusion of innovation rather than the reality of it.

And why do I care?

Because people are falling for this shit.

And while that is their issue, the result of this is the systematic downgrading of standards and ambition.

And truth.

Where more and more people are falling for average because it’s been sold to them as exceptionalism.

And it is convenient for them to believe that because it doesn’t challenge or question, it just comforts with convenience.

The result being those who are being innovative … the ones who are trying to do things differently … are met with immediate distain and dismissal. Judged, insulted and dismissed.

Please note I am not in any way claiming to be one of these people. But I know those who truly are. And so many have failed to achieve the impact and success they deserve because the business of illusion innovation is easier to buy than actual innovation.

And while I could say that is their problem, a lot of it is because of what they refuse to do.

Like guarantee results.
Or sell one-size-fits all process.
Or blindly accept the opinion and views of people because of their title.
Or follow research methodologies that are designed for totally different scenarios.

But that happens a lot. I’ve seen it. We all have.

Which is why I think the best thing that can save marketing is maybe to stop marketing.

Stop playing the games of how so many operate.

Stop valuing convenience, complicity and popularity in favour of truth, action and change.

Stop judging people on how much cash they bring in and more on what they’ve done/do.

Stop playing down to a price rather than up to a quality.

This industry is littered with brilliant creative, innovative, progressive doers and thinkers.

They’re everywhere and yet they rarely seem to be championed or celebrated.

At best they’re viewed as a novelty. At worse, a destructive force.

The Emperor’s New Clothes may get short-term economic results.
It may keep people employed and give the C-Suite big, fat bonus cheques.
But what it is also doing, is ensuring we fall backwards.

Not just killing our credibility, but denying a future to those who could bring us back.

And as acts of corporate hostility go, I find that one of the worst of all.

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WeDon’tWork …

Warning. This post is topical.

In fact, it may be the most topical post I’ve ever written on here for 20 years.

Please read, while sitting down in case shock overwhelms you.

This is the end of this public service announcement.

So over the years, at Wieden and R/GA, I had a few dealings with WeWork.

And while I admit at the very beginning I thought it was a genius idea – specifically the way they were creating a business that dramatically profited from sub-letting space that was designed to appeal to a particular audience who felt they deserved to work in a particular kind of environment – after I met them, I started thinking something didn’t quite add up.

Please don’t think I am trying to suggest I had any idea of the level of craziness that was going on because I didn’t … I just couldn’t understand why they kept talking about themselves as a tech company and experts in work environments and culture when they were just a new generation of business space renting organisation.

But billions were poured into them and they were the darling of so many – especially those investor/companies who love to talk about ‘disrupting categories’, despite the fact most are about as conservative as you can get.

But over time – as numerous books, documentaries and news reports have documented – WeWork was proven to be a case of Emperor’s New Clothes.

And founder ego and delusion.

Specifically one founder … because on the few occasions I met him, Miguel seemed decent and grounded, whereas Adam most certainly didn’t.

Zoom forward to today and the company has filed for bankruptcy protection.

All that money and they still fucked it.

Worse, the delusional, ego-maniac that is Adam Neumann – who took a good idea and killed it with his God complex – got to walk away with a level of wealth that will last a thousand lifetimes.

Multiple billions.

BILLIONS!

But this isn’t a post about unfairness or WeWork’s craziness – I’ve written loads about that – this is about the challenge to encourage new thinking while not being blinded by it.

We live in divisive times.

Everything seemingly turns into a war.

Those who believe and those who don’t … and that extends to new ideas.

The amount of time I’ve seen people immediately dismiss new concepts or thinking simply because they are not as perfect as something established that has had years to work through issues and train people to conform.

But by the same token, I’ve also seem people blindly back a new concept or thinking because they seemingly want to associate themselves with the topical.

We saw this last one on a grand scale with so many people on Linkedin suddenly announcing themselves as AI experts, in a desperate bid to exploit the market interest and the market lack of knowledge.

Which gets to the heart of this post which is the importance of independent, critical thinking.

Where you are supportive of new ideas and thinking but know it is OK to ask questions about actions and decisions. Not to tear things down, but to better understand what is being done.

Starting from a position of ‘they could be right’ rather than ‘they’re obviously wrong’.

Focusing on the business not the hype … which, as Lee Hill once told me … is often as simply as acknowledging ‘profit is sanity, turnover is vanity’.

Critical, independent thinking isn’t celebrated enough.

Oh we may think it is, but what often we’re seeing is blinkered ego thinking.

Not enough understanding.
Not enough knowledge.
Not enough homework.
Not enough questions.
Not enough patience.

WeWork has cost millions of people billions of dollars … and yet you can’t help but think it didn’t have to be that way.

Their original business idea was a good one.

But the promise of trillions seduced people to lose their ability to think.

Critically and independently.

I wrote about this years ago with a lesson from the master conman, Bernie Madoff:

“I succeeded because when you offer people a deal that’s too good to be true, they never want to look too hard into the facts. They say it’s because of trust. I say it’s because of greed.”

We need to encourage positive pessimism.

The ability to champion new ideas without blindly being seduced by them.

To want to help people succeed without falling into being an accomplice for any delusion or slight of hand.

It’s not hard … but the more we promote blinkered ‘framework and eco-system’ thinking, the more we lose the value of independent thinking and then everyone loses in every way possible.

Especially those who have exciting new ideas that just need our encouragement and time.

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Fashionista Rob …

I appreciate the title of this post sounds dodgy.

Not to mention that photo. Let’s face it, me and fashion are hardly bedfellows.

But that photo [which is real, by the way] is to celebrate that next week I’m in China to attend the WWD World Fashion Summit.

I know … I know … it all sounds like I’m making something up so I don’t have to write any blogposts next week, but it isn’t.

I am an invited guest at one of the fashion industries most important conferences.

Of course it’s not because of how I dress, but for the work I do for one of my clients … the godfather of global street culture and the founder of the most successful, progressive and innovative luxury [contemporary and street culture] retailers on the planet: SKP and SKP-S.

I wish I could talk more specifically about the work I’ve done for him over the past 3+ years … because it has been some of the most creatively rewarding, commercially informing and artistically collaborative times of my career.

Put simply, he is one of the most audacious people I’ve ever had the privilege of working with.

Even François-Henri Pinault – the CEO of Kering – calls him one of fashions greatest pioneers.

And he is …

Hell, when I met him, one of the first things he said to me was:

“I want people to get used to living on another planet, because one day – based on how we keep treating this one – they’re going to have to do just that”.

Sure, it’s the words only a billionaire can say, but who wouldn’t be captivated by that?

But he’s not crazy …

In fact, the more time I spend with him, the more I recognise his genius.

I could write a 1000 blog posts about what I’ve learned from him …

What real entrepreneurship is.

What true conviction in your beliefs means.

What category disruption and innovation really looks like.

What you do to ensure luxury embraces the influence of street culture.

But that’s maybe for another day. What I will say is that despite being one of the most important and influential figures in fashion, he also loves his anonymity – preferring to make statements through the work he does … from pretty much every up-and-coming street culture brand you can point a stick at … to helping build the next-gen of fashion icons like Fenty and Gentle Monster through to building the most brilliantly bonkers [and most profitable luxury store on the planet] SKP and SKP-S.

[To give you an idea of how bonkers, their new offering in China, features a tapestry of gardens – designed by the architects of The High Line, in NYC – that is ¾ of a mile wide. And the reason they were able to do that is because all the infrastructure has been placed beneath ground, so it’s invisible to the naked eye until you are in the place. And if you think that’s bonkers, every location is wildly different in look and theme … but connected by a unifying story that’s more Marvel than BusinessWeek.]

But if that wasn’t enough, I get to go back to China.

The last time I was there, was Jan 3rd 2020 … just before COVID closed the World.

I think everyone knows what China means to me. It is the most special place in my life.

Yes, I know there’s a bunch of fucked up stuff that happens there, but there’s a bunch of fucked up stuff that happens everywhere … and in my 7+ years of living in Shanghai, I can honestly say I was blessed with generosity, friendship and acceptance.

It’s why I am proud Otis was born there.

It’s why I will challenge any prejudice or ignorance spoken about there.

It’s why I am so happy that I get continue to work with clients who are based there.

Of course, I know a lot will have changed in the intervening 3 years.

We used to say that the speed of China was so fast, that it was like a new generation was born every six months. And while it’s not anywhere like that now, it’s still more dynamic than most countries … which is why it makes perfect sense to hold one of the most important global fashion conferences there.

For all the ‘superficiality’ people say about fashion, I can honestly say that the more I’ve spent deep in the industry, the more inspiring I’ve found it.

The craft.
The imagination.
The focus on society, art and design.
The openness to different influences and ideas.
The desire to continually explore, imagine and challenge.

Or said another way … the stubborn commitment to allowing creativity to thrive, wherever it may take you.

Like with Metallica, this client has invited me to places I never even knew existed, let alone ever imagined I could be.

Magical people … imaginative ideas … insane possibilities …

But what’s made it even more amazing is they have asked me collaborate with these people and ideas … to find new ways to allow creativity to flourish – be it architecture, robots or writing stories that unite different worlds in different ways.

I appreciate it sounds like I’m bragging.

I guess I am.

But the reality is it’s more shock and gratitude.

I do think I am good at what I do, but to have all this – especially at my stage of career – does feel like I’ve won some sort of creative lottery.

And in some ways I have.

But the prize is not simply the work – or the cash – but the reminder …

Because the ad industry often sees creativity only through the lens of ads.

Oh sure, we’ll talk about craft and design, but it tends to always be in the context of communication.

Hell, we bang on about ‘big ideas’ when all we’re really talk about is big ‘advertising’ ideas.

There’s nothing wrong with that … advertising is creative and important.

But creativity is more than ads.

It has the power to shape and influence.

To create new meaning to old things and ignite deep emotions in the new.

It values culture and imagination far more than media channels and eco-systems … which results in the work being far more than ‘packaging’ for selling stuff, but creating the things that are worth buying.

I love the industry I work in. It has given me a life richer than I could ever have imagined. But somewhere along the line, it seems we love everything but the thing we’re supposed to love. Distracted by terminologies and techniques that – ironically – makes more things the same than different.

But fashion isn’t like that.

My client isn’t like that.

Which is why – you will understand – I’m so happy I won’t be here to write any posts for another week.

For once, your gain … is also mine.

So until the week after next, have fun. I know I will be.

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Are Microsoft Turning Into Samsung?

I always laughed when people blamed Microsoft Powerpoint for bad presentations.

The idea that this program was purely responsible for you choosing to write 15,000 pointless words on a page in small font.

Sure, it had limitations … sure, it could encourage a certain ‘look’ for what you wanted to present … but fundamentally, that was on you, not it.

Don’t get me wrong, for a tech company … I’m shocked at how bad their user experience is.

If you think their classic platforms are bad, you should see the utter shit show that is a parents account on X-Box.

Or Microsoft Teams.

Oh my god, how can a company that can so carefully and considerately design an X-Box controller for those with disability make such a shit show of everything else.

I literally don’t understand it. Honestly.

Teams is the most user un-intutitive experience I’ve ever had.

Things don’t make sense. Things are unnecessarily complex. Things are hidden.

And yet, instead of fixing this – it seems their focus is to land-grab the video collaboration market, regardless if people like working with it or not.

You can’t go a week without being told Teams now offers a new feature.

Some – as you can see from the photo above – are relatively big things.

Most, aren’t.

A range of tools/functions that seem to only cater to the most niche or nerdy of Teams users.

It all feels like Samsung phones.

When you start one up, you see a bunch of apps that seem to serve no purpose whatsoever other than to be able to say you can do something with it that no one will ever want to do something with.

Ego rather than value.

And here lies the problem with Microsoft …

They claim all they do is about aiding collaboration, but in practice, it appears they have no understanding of how teams – or humans for that matter – actually work together.

For all the efficiency they claim they want us to be able to operate at, they are – arguably – making us more inefficient, either by making things more difficult than it should – or needs – to be, or trying to push us to answers without any capacity for giving the situation some thought to make things better.

And maybe that’s the next gen of their business model.

A desire to make efficiency about quantity than quality … a way to help their corporate clients keep their staff costs lower by not allowing any one individual to rise while also giving them more opportunities to sell tools, like their new AI model which will be incorporated in many of their products.

Yeah … I know, I sound like a conspiracy nutcase and I don’t really believe this is the reason, which means it’s something far worse.

They make for what they wish we did rather than who we actually are.

Or said another way, innovators of control, rather than efficiency.

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It’s Not What You Do, It’s How You Do It That Reveals Who You Really Are …

In the UK there was an adult comic called Viz.

It was filthy, hilarious and – for a long time – very successful.

And while they had many ‘star’ characters … from Sid the Sexist to errrrm, The Fat Slags … my favourite part of the magazine were the publishing company details.

Tucked at the bottom of a page, in extra small font, were a list of the people behind the magazine. Most people wouldn’t even see it, let alone read it … but if you did, you found magic in that small print.

Mischief. Personality. Information.

Nothing told you how much this was a labour of love for the people behind the magazine than their dedication to instilling their personality into every nook and cranny they could find … whether people would see it or not.

Brilliant stuff.

I say this because I saw a label a friend had put on a product they were selling at their shop.

Ai Ming was a planner in my team at Wieden+Kennedy.

She was very good … but decided one day, it was time for a change and so she went back to Singapore to open a Cheese Shop.

I know … sounds a bit random … but wait, it get’s better.

You see Ai Ming had an idea.

A way to combine her love of cheese and travel and be paid for it.

So she started The Cheese Ark … a cheese shop in Singapore, dedicated to selling cheeses from small, independent makers across Europe.

Oh but that’s nowhere near the end of the story …

So when she left Wieden – and before she returned to Singapore – Ai Ming went to work on a small farm in Italy for a few months. [I think]

While there, she discovered how amazing cheese tasted when it was made by people who loved and nurtured their product.

To her, it was a whole new world of taste and made every other cheese she had tried, feel unworthy of being labelled as such.

But she also learned something else …

You see she discovered many of these small, independent cheese makers were in danger of going under, because they didn’t have a way to compete with the big boys.

Said another way … this incredible tasting cheese could become obsolete.

So rather be sad, she decided to do something about it.

Enter The Cheese Ark … a shop that only sells cheese that originates from these small independent farms. A shop that is one of the only places in the World where you can get your hands on this incredible produce. A shop that charges enormous amounts of money to own a piece of their incredible cheese … not simply so you can have your taste buds tingled in ways you could never imagine … not simply because it allows you to show off to your friends about your good taste and status … not simply because it pays for Ai Ming’s travel, shop, employees and profit … but because by buying so much from each of these small farms across Europe, she can ensure that these small, independent cheese farms not only survive, but thrive.

Hence it’s called ‘The Cheese Ark’ … because its literally saving the lives of cheese.

How fucking incredible is that?

But Ai Ming is not just a creative business thinker, she’s full of personality and passion … which leads me to the point of this post.

You see I recently saw something that reminded me of those Viz publishing details I loved.

Something that communicated more than just the necessary details.

It was this …

How good is that?

I bloody love it.

A notice on a packet of cheese that’s more interesting, engaging, compelling and charming than 99% of ads – or any marketing material – out there.

Sure, not many people will see it.

Most may actively choose to ignore it.

But for those who do, they’re not just rewarded with the thrill of discovering something as enjoyable as the product inside it, they know they’re dealing with someone who really cares about what they do.

And they do. Because what Ai Ming has created is the Noah’s Ark of Cheese.

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