The Musings Of An Opinionated Sod [Help Me Grow!]


The Difference Between Brand And Band Strategy …

I was recently interviewed by a music company about the work I do for artists.

They – quite rightly – wanted to know what I did and how it was different to what I normally did.

And I explained the difference was made clear pretty much in my very first meeting.

Because I was told this …

Now I can’t be sure they used those exact words, but that was the general premise.

And that was what was amazing.

Because when working with brands, they want you to use creativity to engage audiences, but with bands – at least the ones I’ve been exposed to – it’s the opposite.

I don’t mean they want to alienate people – though they understand the importance of sacrifice better than almost any brand marketer I’ve ever met – it’s just they are the creativity … they are the product … and so the last thing they want is some fucker placing a layer of ‘marketing’ on top of their artistic expression which can be twisted, diluted or fucked with so what they want to say and what it means to them, has no consideration whatsoever.

Now I admit I’m very fortunate the artists I’m working for are of a scale where they have the power to not just consider this issue but do something about it.

Many don’t.

However by the same token, when you’re of that scale, the potential for things to get messed up in some way is much greater.

Which is why they ensured I knew my role was not to market them, but to protect their truth.

Do and explore things that amplify who they are not just flog more product.

And because what they create is an expression who they are … they can express their truth without falling into endless streams of cliched brand consultant speak.

+ So no buzz words.
+ No ambiguous terms.
+ Just stories, experiences and considerations that have defined all they do.

And that’s why they don’t really care if you like their music. Sure, it helps, but they don’t want fawning fandom, they want people who understand what they value, believe and give a fuck about so everything associated with what they do expresses it.

Or said another way, they want people who can ‘speak their tongue’.

Now I am the first to admit there have been some mistakes.

Some things you go, “why did you do that?”

But in the main, I’ve not seen much of it and even when I have called stuff out, they have [generally] appreciated it, because – as I was also told on my first day – I’m being paid to give them truth not comfort.

I’ve always said people should not aspire to be a planner, but get away with the things a planner can get away with. And I’ve got away with a lot as a planner. Done all manner of weird and wonderful.

While I’d like to think that’s what helped me get this gig … the reality is I got it because of an introduction from someone I know.

And while in theory any strategist could do what I’m doing, how I do strategy and how I have been asked to view what it’s role is, has highlighted that’s not the case.

Not because of capability, but what the industry currently wants and expects.

And this is manifested in increasingly not being given the time, support or standards to do things right.

Where speed is more important than substance.

Process more valuable than output.

I wrote about this and more, here.

But it’s more than that, it’s also what clients think strategy is for …

Packaging rather than changing.

Wanting quick wins rather than long term value.

Targeting needs, not a point of view in the world.

Chasing convenience not authenticity.

If anything, doing this work has made me even more grateful to the bosses, agencies and clients I’ve worked with over my career.

Because when I look back, the truly great ones were basically like a band.

Born of belief. Defined by a point of view. Wanting to attract not chase anything popular.

And that’s a big part of why they have been able to remain at the forefront of their individual discipline, category and/or sub-culture.

Because they never saw strategy as a tool for marketing, but to amplify their truth.

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Why Being Dangerous Is A Business Strategy …

There’s a brilliant documentary on the band The KLF.

For those who don’t know who they are/were, they’re a band formed in the late 80’s who wrote some of the early 90’s biggest selling singles.

Except, if truth be told, The KLF were more artists than musicians.

I don’t mean that in terms of them having many different business interests …I mean it in terms of them expressing their creativity in ever-more dramatic, provocative and intriguing ways.

From burning a million pounds to sampling without permission to firing a machine gun full of blanks at an audience live on television to delisting every song they ever made … and a whole lot in-between.

It’s a truly fascinating documentary, where you realise that everything they did – while not planned – was definitely deliberate.

But there’s one quote about them that stood out for me.

Not just because it captured who they were, but because it revealed what is missing for me in so much of the work the industry is producing.

I love that.

I love it so much.

But sadly, many in my discipline of strategy – and all the self-proclaimed marketing gurus – have killed that in the quest to flatter their own ego.

And it gets worse.

No, I’m not talking about the clients who value function, logic and attribution over shaping or changing cultures opinion, attitudes and feelings – though I could definitely talk about that – but the agency creative departments filled with people who want to make ads rather than use creativity to push boundaries.

The KLF may have been seen by the industry as anarchists … but for a band who had a few – albeit massive – hits in the 90’s, their work still is remembered, stands up to scrutiny and can be directly associated with cultural change which is more than pretty much anything our industry, or most industries for that matter, produces these days.

Of course, given the untold billions brands spend to have culture know them, value them and want them … this is pretty ironic.

Oh I get these brands still make a ton of money.

More than even The KLF could burn.

But this isn’t about distribution, habit or media spent, but influence, change and ambition.

This doesn’t mean the talent isn’t there to make something like this happen.

It is.

But it means nothing if the role it’s used for is to give clients what they want rather than what culture can never forget.




Accidental Legacies …

A few weeks ago, I read this:

It was said by Susan Ann Sulley, one of the singers in The Human League about their iconic song, ‘Don’t You Want Me’.

I have to admit, it has absolutely captivated me.

From the acknowledgement there was a real chance they could have put sleigh bells on the song if they thought it would chart over Christmas – which would have immediately made the song a novelty record rather than one of pop’s true classics – to her statement of simply being ‘an ordinary girl, doing her best’.

The level of honesty featured in those few lines is both breath-taking and disarming … especially given it comes from someone from within an industry that loves to big-talk itself, even when they haven’t had a Worldwide hit like Susan has.

To be honest, this openness is reflected in the entire article – which reinforces some ‘no nonsense’ Northern stereotype that adland likes to communicate over and over again.

But there’s something else I like about it …

Because while rigour and planning definitely increase the odds of success, the uncomfortable truth for all those companies, consultancies and self-anointed marketing masters who claim to have proprietary processes that ‘guarantee success’ is the legends, legacies and icons of culture owe far more of their good fortune to the beauty of happy accidents than an obsessive focus on the perfection of a process.

Said another way, they leave space for chaos rather than try to remove it.

I get it may sound counter-productive, but as Martin and I said way back in 2019 … chaos creates what order can’t.



A Reminder Of The Power Of Creativity …

Creativity is getting a bit of a kicking these days.

Oh, people talk about it.

They wax on about how valuable it is.

But then they dictate a ‘formula’ … something they say ‘optimises’ effectiveness and efficiency … conveniently ignoring they are actually promoting the total opposite of what creativity is and how it works.

Complicity.

Somewhere along the line, we’ve decided the value of creativity is not related to output at all … just input.

Now there is truth to that, creativity definitely starts with the mind, however that never includes an endless list of superfluous and superficial mandatories followed by dictatorial demands regarding terminology, talent and ‘category codes’.

You don’t liberate the power of creativity by weighing it down with factors that – at best – can come much later in the process.

And yet it is happening more and more.

Where success is people knowing your name and your corporate colours.

It doesn’t matter if they like you or feel something about you, it’s all function attribution.

And that blows my mind because creativity is capable of incredible things.

Making people care.
Creating value and intrigue.
Driving change and differentiation.
Literally open up possibilities that make people want you rather than you having to chase them down or brainwash them into submission with millions of dollars of spend.

That all these possible outputs are being dismissed in favour of following a pre-determined process and output blows my mind.

Of course one of the big reasons for this is control.

Creativity asks people to let go of comfort zones.

Asks them to be open to new ways to solve old problems.

Demands them to trust someone who isn’t at all like them.

I get it, that’s scary and hard … and there’s definitely a lot of people and organisations who have been burnt by other people and organisations who claimed to offer ‘creativity’ but weren’t really that creative.

[Though it you’re going to value creativity by price point or complicity rather than the impact it has on your business … what do you expect?]

However while everyone has some form of creativity, there are some who know how to harness its power in ways that can change how millions think or feel or want to live.

Sure that may include your brand becoming synonymous with a colour.

Or a set of words.

But it will be more than that, because they will find a way where people value you for what you have added to their world.

Not simply functionally … but how they see and feel what’s around and possible.

And while there is always a risk it might not end up quite as successful as you hope, it is still better to end up with something that means everything to someone rather than nothing to everyone.

That said, when you see the possibilities of creativity – like this magical mural by Brazilian artist Fabio Gomes – then you may accept people who see the World differently to you can create ideas that are far bigger and more powerful than your World could ever imagine.



The Power Of Pettiness …

Of all the types of revenge you can get, petty revenge is one of my favourites.

The beauty of it is that it’s petty. Meaning it’s for something the aggressor doesn’t even realise they have done. At least not until they experience the act of revenge.

The other wonderful thing is that the pettiness often extends to the act of revenge.

In most cases it’s about forcing some sort of ‘inconvenience’ upon the victim … even if organising it took longer than the actual inconvenience lasted.

It’s why the question asked of many revenge makers is, “was it worth all that time just to do that?”

And almost universally, the answer is “yes … it most definitely was”.

Over the years I’ve embarked on a reign of petty revenge terror. Seeking to even the score against people who have either inadvertently- or consciously – tried to fuck me or a mate over.

This has resulted in all manner of acts.

From stealing a single wheel from their desk chair so it was annoyingly lopsided … to having stickers printed so I could put the word “last” over all their out-of-date ‘agency of the year’ posters … to placing a ‘honk if you hate the police’ bumper sticker to the back of their car to having badges made that said “I’m a sexist twat” that we sent to every male boss who had harassed my female friends to – in the very old days – changing the keys around on their laptops in the knowledge they couldn’t touch type so every time they wrote words like ‘they’, it would type a very different word.

I would like to point out 3 things:

1. They all deserved it.
2. This was all a very, very long time ago.
3. I’m much more sensible these days.

Well, I say that, but when we lived in London, a neighbour denied they had taken delivery of my Amazon order – despite me being sent photographic evidence of them accepting it – so I spent 2 days signing them up to every catalogue I could find and I hope they’re still getting them. I added a nice touch by addressing it to, ‘Ima Lyer-Antheef’.

But compared to my friends, I’m still an amateur. The stuff they’ve done is incredible in it’s pettiness and time consumption.

There’s one involving a famous cereal manufacturer – that I can only say when on my death bed – that still raises a smile even though it occurred 16 years ago.

But all that pales into insignificance compared to this …

They say heroes wear capes.

Well sometimes they wear their pettiness on their sleeve.

All bow down to a true master at work. Bravo. Bravo. Bravo.