Filed under: A Bit Of Inspiration, Attitude & Aptitude, Cannes, Colleagues, Creativity, Effectiveness, Embarrassing Moments, Martin Weigel, Paula, Perspective, Planners, Planners Making A Complete Tit Of Themselves And Bless, Planning
In 2019, WARC made the stupid mistake of inviting Martin and I to talk at their event at Cannes. I was so confident that this would be the only time it would happen, I even asked the audience if I could take a photo to commemorate this once-in-a-lifetime moment.
Now, it’s fair to say The Case For Chaos talk went down quite well – hell, I even got a Getty Image of me out of it [number of sales: 0] – but I also think it’s fair to say the reason Covid happened is so Cannes would be cancelled for a few years spot the industry could get over WARC’s shocking mistake.
However, as time goes on, there is more and more evidence that long covid is a thing … where the virus continues to live within people and causes long term negative effects.
I say that because this can be the only explanation as to why WARC have asked us back to present at this years Cannes Festival.
Yep … it’s happening.
June 22 at 3:30pm.
God help us all.
But before you all run off to tell George Bush you’ve discovered a real weapon of mass destruction … there’s good news and bad news.
The good is both Martin and I know we don’t stand a chance of saying anything remotely interesting by ourselves. Because of this fact, we went out and asked/blackmailed/paid if our dear friend – the brilliant Paula Bloodworth – would be a part of this with us.
As anyone who listens to OnStrategy will know, Paula, Martin and I meet up every week on Zoom to put the world to rights. Or bitch. Or ask each other for advice. So we used one of these sessions to beg for her brain and charisma to help make this something people would want to see and would actually get something out of it.
And – because we caught her when she was tired – she said yes!!!
However, it’s because she was tired that we got her to agree what our talk would be called.
Which leads to the bad news.
Because while all the other invited speakers are giving talks about the role strategy in terms of it’s future, it’s role in driving business and effectiveness, the emerging roles, trends and opportunities for the discipline, our talk is called:
Strategy is constipated. Imagination is the laxative.
And while we haven’t written a word of it yet, I’m not joking.
I’m so sorry …
For Paula.
For Martin.
For WARC.
For the discipline.
For all the attendees.
But hey, at least I’ll get another photo op out of it, even if it ends up looking like this:
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Brand, Brand Suicide, Cannes, China, Colenso, Comment, Confidence, Consultants, Content, Context, Creative Development, Creativity, Culture, Devious Strategy, Differentiation, Distinction, ECommerce, Effectiveness, Honesty, Innovation, Insight, Loyalty, Management, Marketing, Marketing Fail, Metallica, New Zealand, Perspective, Planners, Relationships, Relevance, Research, Resonance, Strategy, Wieden+Kennedy
There’s so many agencies, consultancies and self-appointed guru’s out there who talk about how to be successful at business.
They all have their models, eco-systems, philosophies and proof points.
And yet so few have ever done it for themselves.
They’ve chosen to ‘succeed’ under the safety-net of anothers money, reputation or effort.
That doesn’t mean what they do or think doesn’t have value – of course it does – but it also doesn’t mean their viewpoint is the only one worth counting.
And yet, every single bloody day, that’s how it is presented.
Recently someone wrote a piece on how they had used their proprietary research methodology on a Cannes winning TV ad and declared it would not deliver sustainable growth for the brand in question.
Putting aside the fact they were judging work that had won a creativity award rather than an effectiveness one … the thing I found funny was their confidence in proclaiming their view was the ultimate view.
I am not doubting their smarts.
I am not doubting their data.
But I am doubting their breadth of business appreciation.
And yet somehow, the voices of a few have positioned themselves as the be-all and end-all of effectiveness.
Don’t follow us and you fail.
Don’t follow us and your brand will lose.
Don’t follow us and you will be labeled foolish.
Now I am not denying these people do have a lot of experience and lessons we can learn from, but they’re not infallible.
But that’s how the industry approaches them.
Lording them like they are Yoda’s of the future.
But they’re not.
Don’t get me wrong, they are very good at evaluating effectiveness from a particular perspective and set of behaviours. Offering advice that can be hugely important in the decision making process.
But there’s a whole host of brands and business that have adopted totally different models and achieved ‘effectiveness and success’ that leaves others far behind.
Incredible sustainable success.
From Liquid Death to SKP-S to Gentle Monster to Vollebak to Metallica to name but a few.
Oh I know what some will say …
“They’re niche” … “they’re young” … “they’re not that successful”.
And to those people I would say maybe you don’t know what you’re talking about … because in just that list, it includes the biggest selling brand on Amazon, the fastest selling brand in their category on earth and the second most successful American band in history.
But there were two things that really brought the issue of mindset narrowcasting to me …
The first was the launch of a book that was basically about creating future customer desire for your brand/business.
Now there’s nothing wrong with that … but no shit Sherlock.
Has the market got so short-sighted and insular that the idea of doing things that also drive your future value and desirability become a revelation?
It’s literally the most basic entrepreneur mindset, and yet it was presented like it was Newton discovering the laws of gravity.
This person is super smart.
They’ve done a lot of good stuff.
But it just feels the actions of some in the industry are driven by the fetishisation of icon status … even though, ironically, what it does is highlight their experience may be narrower than they realise.
But at least the book had good stuff in there.
Stuff that could help people with some of the basics.
A desire to look forward rather than get lost in the optimisation circle-jerk.
This next one was a whole lot worse.
Recently an ex-employer of mine went to see a current client of mine.
Specifically the founder and CEO.
Apparently they went in to tell him he was missing out on a whole host of business and they could help him get more.
They then proceeded to present a massive document on how they would do it.
He looked at them and told them it was very interesting but they were wrong.
He told them their premise was based on a business approach he doesn’t follow or believe in.
A business approach that didn’t reflect the industry he was in, only the industry they were in.
He then informed them he had the most profitable store on the planet and so while he appreciated their time, he had faith in his approach and it was serving him well.
But it gets better.
As they were leaving – and I’ve been told this is true by someone who was apparently there – the person showing them out informed them their boss had a personal net worth of US$36 billion and based on their companies current share price, that meant he was more valuable than their entire group.
Was it an asshole thing to do?
Yep.
Do I absolutely love it?
Oh yeah.
Will I get in trouble for telling this?
Errrrrm, probably.
My point is the industry has decided ‘effectiveness’ can only be achieved and measured in one way and any deviation from that is immediately discounted or considered ‘flawed’.
Often by people who have never actually built a world leading business themselves.
Again, I am not dismissing the importance of what is being said, it’s HUGELY important – which is why I’m proud we won the Cannes/Warc effectiveness Grand Prix – but, and it’s a huge one, if we think that’s the only model and only use that one ‘model’, then we are literally adopting a single approach to solve every one of our clients every problems.
One.
That’s insane.
Not just because it’s stupid but because if everyone adopts the same approach, then impact will be influenced far more by spend and distribution that strategy.
Please note I am absolutely not saying we should burn the models or philosophies or systems that have proven their value to drive business. No. Absolutely not. I’m just saying we shouldn’t be praying at the feet of them … especially when many are simply focused on creating steady impact rather than spectacular.
Yes, I know ‘spectacular’ has a lifespan – which is why innovation is so important – but so many brands out there either aim for the middle … reinforced by processes, protocols and rules defined as ‘best practice’ by people in a particular industry … or they bake-in ‘limitation’ into their potential because they’ve blindly adopted rules they never challenge or explore from other industries or entrepreneurs.
At the end of the day, if a brand like Liquid Death can become the biggest selling water brand on Amazon because they found a way to make men actually want to drink water through a model and approach that is not only radically different to what so many of the industry experts say is ‘the only way’ … but is the opposite of it … then your brand may be inhibiting itself by following a model designed to make you fit in with it, rather than redefine how it fits in with you.
Filed under: Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Brand, Brand Suicide, Business, Cannes, Communication Strategy, Confidence, Consultants, Creative Development, Creativity, Culture, Design, Distinction, Effectiveness, Insight, Management, Marketing, Marketing Fail, Only In Adland, Presenting, Social Divide, Status | Tags: t
One of the things I’ve found fascinating over the past few years is watching consultancies AND platforms mock the value of advertising and then increasingly try and enter that space.
And while you could argue it’s because they saw an opportunity to do it ‘properly’, the way they have embraced it – and executed it – has shown they seem to want to be more like the beast they wanted to slay than the beast they are.
What do I mean?
Go to Cannes and the whole place has been taken over by corporations.
All the best locations, beaches, hotels are the domain of tech, consultancies and platforms.
Now you could say that’s because they’re the ones with all the money – and that’s true – but what is amusing is WHAT they do.
Because rather than reflect ‘a better way to do what those ad agencies used to do’ … they seem to be doing the same thing ad agencies used to do.
Parties.
Give-aways.
Celebrity talks.
Expensive dinners.
In fact the only thing that is different is how desperately bad their attempts to show ‘they’re creativity’ actually are.
Nothing brought this home more than a poster I recently saw promoting an advertising festival.
An advertising festival representing the ‘modern’ world of the industry.
This was it …
What. The. Hell?
Seriously … what is it?
I’m not just talking about the design and colour palette that could make a 1987 acid house party feel embarrassed … I’m talking about all of it.
The email automation masterclass.
The ‘scale your YouTube’ talk.
The $15 million ad storytelling formula class.
And let’s not forget the ‘thumb-stopping’ direct response scripts.
Look, I get small business may get something out of some of this.
And I appreciate there are many elements to run a successful business.
But this all comes across as used car salesman shit.
Worse, used car salesman shit where their office is a portacabin on a muddy industrial estate in Slough.
In all seriousness, what I find astounding is this must be what the people behind this conference must think is creativity. And don’t get me started on what it says about the people presenting there.
I include Scott Galloway who said ‘brands are dead’ and then not only invests in elevating his own brand, but starts selling courses on how to approach better brand strategy.
[For the record, I respect Scott Galloway hugely but when he said that – like when Mark Ritson said his advertising course was a ‘mini MBA’, when it is nothing at all like a MBA – I couldn’t help but feel their focus was becoming more about building their own cult than building better marketers. In fact, given their approaches have now been so optimised, systemised and codified … you could argue it’s actually undermining brand building because everyone is following the same approach and the result is passive corporate conformity. But I digress …]
I guess what I’m saying is that for all the smarts of modern marketing, the people behind this conference – and potentially the people at it – are revealing they know jack-shit about creativity or culture.
And you know what? That would be fine if they didn’t pretend they otherwise.
But for all their big Cannes events … agency buy-outs … and talk about advertising, the reality is they view creativity as a ‘wrapper’ for their engineering type processes.
A belief there is a singular approach to engage and grow – regardless of audience or category. That the features around a brand are more important than the brand. Or as I told WARC, that the condiments are more valuable than the steak.
Do not get me wrong, advertising has a lot of problems.
It’s got a lot it can learn from platforms and consultancies.
But at our best, we know how to use the power of creativity and culture in ways so many of thehaven’t got a clue about.
Now some may say that statement shows how out of date I am.
How contemporary business doesn’t care about all that.
And maybe that’s right … but while I could point out the vast majority of brands who are infectious to culture were not born anywhere near a ‘consultants proprietary marketing playbook’ … all I have to do is point at the AdWorld poster and say, “Look at that shit”.
Don’t get me wrong, I know there will be a bunch of valuable stuff at the conference.
I am sure it will attract tens of thousands of people.
It may make the organisers a shit-ton of cash.
But for all the smarts appearing at Adworld, they sure as shit don’t have any appreciation of style. And I would like to point out that I say this as someone who was wearing an ironic Celine Dion T-shirt when I typed this.
And with that, I wish you a good weekend … which only gets better for you when I let you know there is a national holiday here on Monday so there will be no post till Tuesday [I know, I just had 2 days off for national holiday – deal with it] … so with that, I leave you with a sneak-peak of the Adworld virtual after party dance floor.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Cannes, Chaos, Craft, Creative Development, Creativity, Culture, Effectiveness, Emotion, Empathy, Honesty, Marketing, Martin Weigel, Music, Strategy, WeigelCampbell
A few weeks ago, I read this:
It was said by Susan Ann Sulley, one of the singers in The Human League about their iconic song, ‘Don’t You Want Me’.
I have to admit, it has absolutely captivated me.
From the acknowledgement there was a real chance they could have put sleigh bells on the song if they thought it would chart over Christmas – which would have immediately made the song a novelty record rather than one of pop’s true classics – to her statement of simply being ‘an ordinary girl, doing her best’.
The level of honesty featured in those few lines is both breath-taking and disarming … especially given it comes from someone from within an industry that loves to big-talk itself, even when they haven’t had a Worldwide hit like Susan has.
To be honest, this openness is reflected in the entire article – which reinforces some ‘no nonsense’ Northern stereotype that adland likes to communicate over and over again.
But there’s something else I like about it …
Because while rigour and planning definitely increase the odds of success, the uncomfortable truth for all those companies, consultancies and self-anointed marketing masters who claim to have proprietary processes that ‘guarantee success’ is the legends, legacies and icons of culture owe far more of their good fortune to the beauty of happy accidents than an obsessive focus on the perfection of a process.
Said another way, they leave space for chaos rather than try to remove it.
I get it may sound counter-productive, but as Martin and I said way back in 2019 … chaos creates what order can’t.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Awards, Brand Suicide, Cannes, Colenso, Comment, Communication Strategy, Confidence, Crap Campaigns In History, Creative Development, Creativity, Culture, Distinction, Embarrassing Moments, Innovation, Insight, Management, Marketing, Marketing Fail, Relevance, Resonance, Technology
Being old, I’ve done more than my fair share of judging awards.
I enjoy it.
Yes it’s a major investment in terms of time, but when you come across an absolutely devastatingly good submission, it’s worth every second.
However it is also fair to say that over the years, there have been some real painful experiences. Either in terms of average papers being seemingly entered into every category in a bid to increase the odds of winning something or papers that have such a strong scent of scam, even Ray Charles can see how suspect they are. [Sorry Mr Charles]
I always laugh when I come across those. Specially at the agencies submitting them … because while they obviously think they are geniuses – or the judges are idiots – the reality is they’re wrong on both counts.
But here’s the thing, people can slag off awards all they like, but they matter.
For Colenso for example, they’re important.
We’re a small agency on the other side of the planet and being able to show our creativity and effectiveness is vitally important to keep demonstrating our validity to attract global clients.
But – and it’s a big but – it only works if its real.
And that only works if all the winners around it are also real.
Now I appreciate that different clients have different needs and budgets.
I appreciate different markets have different cultural traits, behaviours and media.
I absolutely appreciate some entries use a language that is not their native tongue.
And I think that is all brilliant – though I also think none-native English speakers are at an immediate disadvantage and the award organisers should be looking at ways to change that.
However, if you need to write 8456738585463 words to explain your problem or your idea or your insight or your results … you’re not helping yourself.
Nor are you if you are using the pandemic as your strategies main adversary – often followed up with the words, ‘how do we grow in an era of the new normal?’.
Of course I am not doubting the pandemic has caused havoc among categories of business all over the world. It’s definitely happened to me too. But if we don’t explain what the challenge is – how it has affected behaviour or values or distribution or competition or anything other than it ‘made things more difficult’ … then it’s as lazy as the time I judged the Effies in the US when Trump came to power and the opening line of 85% of all submissions was:
How do we bring a nation divided together?
[My fave was when a whisky brand used that as their creative challenge. HAHAHAHA]
I take the judging seriously because I want the awards to be valued.
I want the awards to be valued because I want the industry to be valued.
And I want the industry to be valued because I want clients to win, creativity to win and the people coming up behind me to have a chance of taking us all to better and more interesting places that we’re at right now.
And I believe they can if we don’t fuck up the chance for them.
I get awards are nice to have.
I get they can drive business and payrises.
But if we keep allowing bullshit a chance to shine – and let’s face it, we have time and time again – then all we’re doing is fucking ourselves over.
I’m fine with failure.
In fact I’m very, very comfortable with it.
Especially when it’s because someone has tried to do something audacious for all the right reasons … because even if it doesn’t come off, it’s opened the door to other things we may never have imagined. There’s even real commercial value to that.
But when agencies create, hijack or exploit problems to just serve their own means – then fuck them. Maybe – just maybe – if they did it at a scale that could make a real difference, you’d be prone to encourage it. But when it’s done to achieve just what is needed to let the creators win an award … then frankly, the organisers and judges have a moral obligation to call it out.
Asia gets a bad wrap for this. And over the years that has been deserved, but I can tell you no market is immune. Hell, I’ve even seen some in NZ recently – or one in particular – and what made it worse was it wasn’t even any good.
But as rubbish as that example was, at least it didn’t stoop to the levels we have seen previously.
Let’s remember it’s only 4 years ago an agency WON MAJOR AWARDS for an app they said could help save refugees on boats by tracking them in the sea … only for them to then claim – when later called out – that the app was in beta testing hence the information being sent back to users was not real.
Amazingly ignoring the fact they didn’t say that in any of their entry submissions and if they had, they wouldn’t have been eligible for the awards they entered in the first place.
Creativity can do amazing things.
Advertising can do amazing things.
But we fuck it up when we put the superficial on the podium.
Of course, this is not just an agency problem. Clients are also part of this. Because if they let agencies do what they are great at rather than treating them as a subservient production partner … maybe we’d not just see more interesting work, but even more interesting and valuable brands.