Filed under: Advertising, America, Attitude & Aptitude, Creative Development, Creativity, Culture, Emotion, Empathy, Experience, Netflix, Relationships
I love documentaries.
I mean … properly love them.
I’ve not just watched thousands of them.
I’ve not just bought thousands of them.
I’ve even flown to other countries to meet the people who have appeared in them.
From murders to video games to losing artificial limbs … you name it, I’ve seen it.
There’s so many reasons I love them, one of them being that they act as a brilliant reminder that – as my parents always told me – everyone has a story. Something that reveals who the people are and how they got to where they are. A journey of enlightenment for either the person on the screen or those watching it. And sometimes both. Now I appreciate documentaries don’t always tell the whole truth – just the perspective of the director – but even then, they tell a hell of a lot more than a lot of the stuff my industry uses for ‘insight’.
Anyway recently I watched the documentary on Netflix on the TV show, American Gladiators.
Quite frankly, I never imagined it would take me on such an emotional rollercoaster. Triggering feelings that I never expected resided in me.
I won’t ruin it for anyone, but I would urge you to watch it.
Not just because it’s a fascinating story. Not just because it acts as a reminder that behind every story are a multitude of other stories that are more personal and interesting than the ‘main event’. But also because it may explain why I value creativity more than advertising.
Because put simply, creativity finds and expresses the interesting, whereas advertising often just manufactures it.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Audio Visual, Authenticity, Comedians, Comment, Content, Context, Craft, Creative Brief, Creative Development, Creativity, Culture, Documentary, Entertainment, Immaturity, Mischief, Netflix
Congratulations on surviving the first week back of this blog.
Remember, the good news is there’s no more posts till next Tuesday thanks to yet another holiday in New Zealand. If I knew I’d be having this big a break at the start of the year, I’d have moved here 6 years ago when I first had the chance.
It’s utterly mad, which is the perfect segue to another example of madness.
Have a look at this:
That, my friends, is apparently a genuine tweet.
Someone believes a video made by Mr Beast somehow proves the creator community is the ultimate in power, influence and success because – according to them – it got more views in less time than the original Netflix show.
How many flaws can we spot in that statement?
Look, I’m not doubting the creator community can have incredible influence over culture.
I’m not doubting the creator community can attract incredible amounts of ‘views’.
I’m not doubting the creative credentials of Mr Beast [who I do enjoy following].
But apart from the fact the Mr Beast video actually took 10 years and 7 weeks to make as it required Squid Games to be written, produced and streamed prior to Mr Beast being approached by a company to ‘re-create it’ for his channel … not to mention it didn’t make nearly as much money, or have as great an impact on sales of Van’s as the original … literally copying something someone else created is the absolute opposite of what ‘creator community’ is supposed to mean.
Don’t get me wrong, the creator community is a brilliant thing.
I genuinely love it.
But there are millions of people who are putting in so much effort to make ‘content’ and often only end up with a few likes rather than real revenue. And even those who do make it big, still earn less than the biggest stars of ‘traditional’ film making – so the promise of the community may not be as bright as some think it is.
At least right now.
I’ve blanked the name of the person who wrote the tweet to protect their delusion, but it kind of reinforces my post from last year about the fine line between entrepreneurs and parasites.
In the 80/90’s, a number of UK up and coming comedian created a group called ‘Comic Strip ‘.
The comedians were Rik Mayall, Jennifer Saunders, Adrian Edmondson, Dawn French, Nigel Planer, Peter Richardson, Jennifer Saunders and Alexei Sayle.
So basically the foundation of British comedy television for the next 30+ years.
Anyway, Comic Strip was basically a creative vehicle for them to make a bunch of programs for Channel 4.
One of them was called Bad News, a ‘rockumentary’ about a fictitious heavy metal band trying to hit the big time. Yes, the premise sounds awfully like the movie ‘Spinal Tap’ … however Bad News came out the year before that seminal movie, so it’s just a bizarre coincidence.
So in the show, the guitarist, Vim Fuego – played by Ade Edmondson – tells the interviewer that he is a better guitarist than Led Zeppelin’s Jimmy Page.
His reason for saying that is because he could play the solo to Stairway To Heaven when he was 13 but Jimmy couldn’t even write the song until he was 26.
Later in the program, he said John Lennon had visited him in a dream and gave him a song. He decided to call it Imogen. And when the interviewer said the name – and the melody – were suspiciously like the Lennon classic, Imagine … he claimed he’d never heard of it.
Of course, all of this was supposed to be great comedy, but with views like the twitter writer above, apparently it was simply an example of future human delusion.
Filed under: Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Brand, Comment, Content, Context, Craft, Creativity, Culture, Differentiation, Distinction, Honesty, Marketing, Netflix, Perspective, Planners
By now, everyone will have heard about Squid Game.
It is – if not already – Netflix’s most watched show.
Ever.
There’s many planners who are writing ‘thought pieces’ on why this happened … but at the heart of it, it’s a greatly entertaining – and incredibly dark – story, with brilliant production values topped off with fantastic characters and acting.
Over the past few weeks, there’s been all manner of news stories coming out about the impact the show has had on broader culture … from sales of white, slip-on Vans – that feature in the show – going up 7800% right through to their instagram going up from 410,000 to 16 million in a matter of weeks.
That said, my favourite ‘proof of impact’ is this insta from one of the stars on the show:
But none of this is the point of this post, the point is related to the picture at the top of this post.
Over the past few weeks, I’ve just been seeing more and more brands – and agencies, specifically TBWA – exploiting the success of Squid Game for their own benefit.
Worse, the vast majority of these brands and agencies have absolutely nothing to do with the show – or Netflix – whatsoever.
Now I shouldn’t be surprised … this sort of thing has been going on for donkey’s years. However, whereas once ‘hijacking’ was a new and exciting way to get ahead of the pack and drive awareness and attention … this approach has now become so expected that any element of ‘surprise’ has gone.
In fact, the overall impact of this act is either seen as desperate or just ignored.
It doesn’t have to be this way.
If people are willing to forgo their laziness for a second, they can look for ways where what they are ‘borrowing’ adds to the culture of the community rather than just stealing from it.
Better yet, they could collaborate with the people who actually created the idea and make something even bigger for culture to enjoy.
But that rarely happens because we live in an industry where speed is seen as being better than substance and stealing is viewed as being more valuable than building … and while there are short-term ‘benefits’ to that approach, all it does is continue to destroy the value of creativity … which is ironic, given all of these approaches are feeding off the power, value and influence of it.
There’s a saying that says ‘genius steals’.
While I know where it came from and what they were trying to say with it … it’s obvious that term is no longer valid.
Lazy pricks, steal.
While finding ways to help our work – and our clients needs – will always be important, if we want to be taken seriously, let’s be the creators, not the parasites..