The Musings Of An Opinionated Sod [Help Me Grow!]


Stop Filtering Out The Weird, Because That’s What Makes Us Human …

I’ve written about this subject before, but one of the biggest issues I think is facing marketing strategy these days is the obsession with corporate logic.

The quest to create frameworks and messaging that ultimates dictates and demands order, consistency and control. Not to help clients build the brand, but to help clients feel safe and comfortable.

And while that may all sound great in theory, the reality is – as the owner of the store with the horn discovered – that it often backfires magnificently.

Because great strategy isn’t logical, its logic born from the ability to make sense of the ridiculousness of reality.

Whether that is amateur artists buying a Mona Lisa painting when they really want the frame or

And the beauty of that is it liberates the possibilities of creativity …

Whether that is an actor who lets the paparazzi see them every night to avoid being photographed by them to the Chinese Government adding a mini ‘scratch card’ on till receipts to get customers to ask for it so it forces the seller to put it through the till and the government can ensure they get their tax through to a beer that is an act of love.

I’ve been talking about the power of devious strategy for years … and while I’m not claiming it is anything extraordinary, when you compare it to what so many think passes for good – I’d choose it any day of the week.

Not just because it leads to better work, but because creative ridiculousness is becoming a far more powerful way to drive commercial effectiveness than corporate-appeasing, logic.



When An Ad For A Door Handle Is Better Than All The Super Bowl Spots Added Together …

A long time ago, I met a prospective client who absolutely loved Wieden.

They were besotted with them.

I was at W+K at the time and asked them what it was that they liked about us – expecting them to talk about NIKE or some other global work.

Instead they said this:

“Any agency that can make me care about a brand of milk is genius”.

The ad they were talking about was this:

Now while that was nice to hear, there were 2 things that led to them that point of view.

1. They worked in a different market and category to milk, so the fact they saw this, reinforced the stretch of great creativity.

2. They looked for the brand of milk in their local supermarket … which reflected the stickability of great creativity.

Of course, what they were really saying was the secret to great creativity … and that is it changes how you look at the world.

I say this because I recently saw a great example of it.

It may not have the charm of If Cats Had Thumbs.

And it certainly doesn’t have the budget.

But it’s up there with making you stop, think and reassess.

Isn’t that great?

A simple statement that has changed what I think of door handles and the importance of door handles.

Or said another way, it’s made me care – possibly for the first time in my life – about something I use every day of my life, without fail.

When you consider the ad is simply a photo of a bloody door handle, you not only realise how brilliant the idea of equating it to a ‘good’ handshake is, you realise how shit so much advertising must be when they’ve got tens of millions to spend and they still can’t make something you remember.



Why People Who Believe In The Metaverse, Need To Be Dire Straits Fans …

After the amazing drama of yesterday, I need to calm things down.

Not for you, but for me … because my heart can’t take nerves like that.

And yet it’s going to have to do just that in a little over a week.

Bloody hell.

So to slow things down, let me take you back in time …

Back in 1985, the band Dire Straits launched a song called Money For Nothing.

It became famous for a whole host of reasons.

It was the first song of theirs that actually sounded slightly modern.

It had ‘modern’ day references in the lyrics.

It had Sting – from The Police – singing on it.

It had this video …

Did you watch it?

You didn’t did you?

You lazy bastards …

Well, to get back to the point of this post, here’s a screen grab from it …

Now while that image may not strike you as cutting edge, back in 1985, it was revolutionary.

Digital characters living in a digital world, where their universe was a blend of normality and possibility.

Hang on, does that sound like something else?

Something that a huge amount of the tech and marketing industry have been wetting their pants over?

Something that sounds suspiciously close to this …

Did you watch this?

You didn’t did you?

You über-lazy assholes …

Well, to get back to the point of this post, here’s a screen grab from it …

Yep.

Yep it does.

A music video from 1985 by the most snooze-rock band ever formed, not only communicated the metaverse, it did it in a style pretty close to what Facebook and every other brand have shown as ‘the standard’.

How terrifyingly embarrassing is that?

All these hip, technologists, futurists and strategists trying to look like they’re on the edge of culture creation and all the bollocks they’re banging on about was expressed by bloody Dire Straits 37 years earlier.

THIRTY SEVEN YEARS.

Hahahahahahahahaha.

I mean … when that Zuck video first broke, I wrote a post about how it was missing the point by showing things we can already do, but now – thanks to errrrrm, Dire Straits, I realise it was even worse than I imagined.

Don’t get me wrong, I believe technology and – the metaverse, even though what is being celebrated as it, isn’t what it is – will have the possibility to make a huge, positive difference to humanity. Eventually.

But making – and lauding – a film and idea that looks awfully similar to a bloody 1985 music video isn’t doing them any favours. If anything, it shows how much of this industry is filled with individuals who crave attention or adoration or just desperately seek relevance.

Not helped when you learn that, unsurprisingly, the main reason Zuck is so into the Metaverse is not for changing the world but upping his bank account.

Given how much Facebook tried to label Apple as ‘anti-business’ for the amount they charged creators and partners – which is a lot less than 47.5% – it makes the whole Meta situation even more laughable.

Don’t get me wrong, I know the new is often misunderstood.

And new technology should not be judged by the standards of established technology.

But when the ‘icons and industry leaders’ stand on soapboxes and stages to promote the future in a similar way that Dire Straits brought to the World almost 4 decades ago … it’s only fair to question if these people care about the future or simply their own career image.

Even though, sadly, we keep seeing hyping can get better career growth, than grafting.

If the Metaverse could fix that, then maybe we’d all sign up.

Then again …



The Future’s Bright, The Future’s Neon …

One of the things I’ve found fascinating over the past few years is watching consultancies AND platforms mock the value of advertising and then increasingly try and enter that space.

And while you could argue it’s because they saw an opportunity to do it ‘properly’, the way they have embraced it – and executed it – has shown they seem to want to be more like the beast they wanted to slay than the beast they are.

What do I mean?

Go to Cannes and the whole place has been taken over by corporations.

All the best locations, beaches, hotels are the domain of tech, consultancies and platforms.

Now you could say that’s because they’re the ones with all the money – and that’s true – but what is amusing is WHAT they do.

Because rather than reflect ‘a better way to do what those ad agencies used to do’ … they seem to be doing the same thing ad agencies used to do.

Parties.
Give-aways.
Celebrity talks.
Expensive dinners.

In fact the only thing that is different is how desperately bad their attempts to show ‘they’re creativity’ actually are.

Nothing brought this home more than a poster I recently saw promoting an advertising festival.

An advertising festival representing the ‘modern’ world of the industry.

This was it …

What. The. Hell?

Seriously … what is it?

I’m not just talking about the design and colour palette that could make a 1987 acid house party feel embarrassed … I’m talking about all of it.

The email automation masterclass.

The ‘scale your YouTube’ talk.

The $15 million ad storytelling formula class.

And let’s not forget the ‘thumb-stopping’ direct response scripts.

Look, I get small business may get something out of some of this.

And I appreciate there are many elements to run a successful business.

But this all comes across as used car salesman shit.

Worse, used car salesman shit where their office is a portacabin on a muddy industrial estate in Slough.

In all seriousness, what I find astounding is this must be what the people behind this conference must think is creativity. And don’t get me started on what it says about the people presenting there.

I include Scott Galloway who said ‘brands are dead’ and then not only invests in elevating his own brand, but starts selling courses on how to approach better brand strategy.

[For the record, I respect Scott Galloway hugely but when he said that – like when Mark Ritson said his advertising course was a ‘mini MBA’, when it is nothing at all like a MBA – I couldn’t help but feel their focus was becoming more about building their own cult than building better marketers. In fact, given their approaches have now been so optimised, systemised and codified … you could argue it’s actually undermining brand building because everyone is following the same approach and the result is passive corporate conformity. But I digress …]

I guess what I’m saying is that for all the smarts of modern marketing, the people behind this conference – and potentially the people at it – are revealing they know jack-shit about creativity or culture.

And you know what? That would be fine if they didn’t pretend they otherwise.

But for all their big Cannes events … agency buy-outs … and talk about advertising, the reality is they view creativity as a ‘wrapper’ for their engineering type processes.

A belief there is a singular approach to engage and grow – regardless of audience or category. That the features around a brand are more important than the brand. Or as I told WARC, that the condiments are more valuable than the steak.

Do not get me wrong, advertising has a lot of problems.

It’s got a lot it can learn from platforms and consultancies.

But at our best, we know how to use the power of creativity and culture in ways so many of thehaven’t got a clue about.

Now some may say that statement shows how out of date I am.

How contemporary business doesn’t care about all that.

And maybe that’s right … but while I could point out the vast majority of brands who are infectious to culture were not born anywhere near a ‘consultants proprietary marketing playbook’ … all I have to do is point at the AdWorld poster and say, “Look at that shit”.

Don’t get me wrong, I know there will be a bunch of valuable stuff at the conference.

I am sure it will attract tens of thousands of people.

It may make the organisers a shit-ton of cash.

But for all the smarts appearing at Adworld, they sure as shit don’t have any appreciation of style. And I would like to point out that I say this as someone who was wearing an ironic Celine Dion T-shirt when I typed this.

And with that, I wish you a good weekend … which only gets better for you when I let you know there is a national holiday here on Monday so there will be no post till Tuesday [I know, I just had 2 days off for national holiday – deal with it] … so with that, I leave you with a sneak-peak of the Adworld virtual after party dance floor.



It’s Better Oop North …

Ad blogging was once a rich, vibrant community.

It was amazing how much people looked out for each other.

A lot was driven by Russell Davies … but the effect of it was something pretty special.

I met a lot of people because of that community … some, still even come on here.

Occasionally.

But when you compare it to the toxic, ego-filled bullshit of ad twitter … I can’t help but feel the blogging community was a much more valuable and positive resource for adland.

Especially if you were a junior.

While there are many positives of social media, learning the strategy discipline through 280 letter tweets is not really going to drive the craft forward.

Nowadays there seems to be only 2 people still blogging.

Martin and me.

Or said another way …

Nowadays, only Martin writes a blog that has real value and depth for the industry and discipline.

One of the people I am saddest at having stopped blogging is Andrew Hovells. Better known as Northern Planner.

I’ve written about him a lot in the past.

From how much I respect him to how much I liked trolling him by sending him to see Queen in concert, when he absolutely hates the band.

But I revisited his blog recently and there’s just so, so much amazing stuff on there.

Stuff for people curious about planning.
Stuff for people just starting planning.
Stuff for people having a career in planning.
Stuff for people leading work and teams in planning.
Stuff for every level and need in planning.

And while there are many other resources for this sort information on the internet, Northern Planner’s is especially good for 3 reasons:

1. It comes from someone who could have worked at pretty much any of the best agencies in London, but didn’t and instead chose to stay ‘oop North’ and bring the planning discipline to a part of England that [i] didn’t have it and [ii] needed a lot of convincing to see it’s value. Not only did he achieve that – and validate the discipline for more people in the region to become a part of it – his work gave the supposed London ‘superstars’ a run for their money.

[He also turned down coming to cynic, which still devastates me, because he would have made such a difference to us. But it also shows how smart he is. Unfortunately]

2. He doesn’t give you a process to follow, he gives you a way to look at the discipline and the roles within it. Meaning you’re developing your own planning style and voice … not regurgitating someone else’s.

3. All of it is free. Every last bit of it.

Given the amount of amateurs ‘flogging’ their questionable, superficial and inauthentic courses that don’t have the right to even be in the same universe – let alone industry – as Andrew’s generous, considered and carefully explained lessons and insights … I know who I recommend people spend their time learning from.

I really miss Northern and his blog.

But the planning community should be missing it even more.