Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Communication Strategy, Corporate Evil, Crap Products In History, Creativity, Culture, Devious Strategy, Marketing, Marketing Fail, Premium
Artisan.
A relatively recent addition to the marketing lexicon.
The attempt to make an everyday product sound special.
The goal to appear you are offering individual craft and care.
The ambition to charge a premium for the smallest possible addition.
And that’s why we now have artisan burgers, cakes and now fucking peanuts … even though the reality is one has swapped a bread roll for a [bought] brioche bun, the other has put some hand-piped icing on the top of some cupcake and a packet of peanuts have had some salt and pepper chucked on top of them.
They’ll be claiming the artisan experience extends to the lorry drivers who chuck boxes of nuts in the basement of the local shop. Though they’d describe it as ‘our highly trained delivery operatives gently hand deliver our artisan nuts to establishments of repute, allaround the country, to maximise the taste experience and customer accessibility’.
This sort of shit does my head in.
What’s worse is it works. At least for some people and brands.
Not because people believe it’s really an artisan product, but because they want to believe they’re special and worth the ‘extra’.
Which says as much about the state of humanity as it does the state of marketing.
Filed under: A Bit Of Inspiration, Apathy, Attitude & Aptitude, Brand, Brand Suicide, Communication Strategy, Crap Products In History, Creativity, Culture, Devious Strategy, Distinction, Effectiveness, Egovertising, EvilGenius, Experience, Innovation, Marketing, Marketing Fail, Mischief, Nike, Perspective
Before I start, I’ve been a huge fan of collabs over the years. Seeing what happens when two different artists or brands or artists and brands come together has been fascinating.
And for every terrible LG x Prada phone, there’s a Nike x Ben & Jerry’s sneaker.
But … but … it feels we’ve moved from collab to labelling.
Where it isn’t about what two parties can create with each other, but just renting space for another brand to slap their logo on.
Take these Travis Scott x Playstation x Nike sneakers …
Jesus Christ.
Where the Ben & Jerry’s felt crafted and cared for this is just … well, put it this way, it feels more like a bad promotional item than something that represents a true collab.
And the thing is, this approach is happening more and more – across all manner of categories – which is why I kinda love what Nobuaki Kurokawa has done with their first product launch from their CUGGL label.
Let’s be honest, they’re taking the piss.
Like, blatantly and unashamedly.
Not only does it look like it say’s Gucci, by making the design resemble graffiti, it feels like they’re also sticking two fingers up at the terrible and contrived Gucci/Balenciaga collab.
The Gucci x Belenciaga is especially horrific because individually, they’ve not really laid a foot wrong in building the value and position in culture of their brands. And then they do this.
Lazy.
Fake.
Obvious.
Out-of-date.
Dad at the disco rubbish.
Basically, the fashion industry version of this.
Which is why I like what CUGGL have done so much.
Punking the brands pretending to be punking fashion.
Of course, Diesel did something like that before – though their mischievous eye was aimed at the counterfeit industry [even though it kinda said ‘fakes may be real’, which is the last thing they needed to do] however in terms of greatest accolade for mischief, that prize should have gone to the band Blink 182.
I say ‘should have’ because they ended up pulling out of potentially the greatest burn ever.
In the early 2000’s, Axl Rose was making a new Guns’ n’ Roses album.
It was unique because the only original member of the band was Axl himself.
He had fired all the band and was basically at his most indulgent ego best.
The only thing he’d announced was the album was going to be called ‘The Chinese Democracy’.
For years and years nothing came out.
The album postponed time and time again.
At one point, his record label, Geffen, pulled funding … and yet the recording still went on.
Enter Blink 182.
They announce they were recording a new album and guess what they were going to call it …
That’s right, The Chinese Democracy.
Better yet, because Axl was taking so long to release his version – they could be sure they’d be first, so history would always make it look that Guns n’ Roses copied Blink 182.
Alas they went cowardly on the idea, which is a shame … because that would have set a benchmark CUGGL and Diesel could only dream of reaching.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Brilliant Marketing Ideas In History, China, Chinese Culture, Communication Strategy, Confidence, Content, Context, Creative Development, Creativity, Culture, Cunning, Devious Strategy, Distinction, Government, History, Influencers, Luxury, Marketing, Perspective, Politics, Relevance, Resonance, Respect, Revenge, Truth
Once upon a time, when I lived in Singapore, I popped into the restaurant next to where we lived on Club Street, to get some takeaway.
As I was waiting for my noodles, I saw a man at the bar having a drink.
He had a nice face but the only reason I noticed him was because he had a mark on his head that made him look like Mikhail Gorbachev.
The next day I found out, it was.
While Club Street was blessed with lots of nice restaurants and bars, seeing the ex-head of the Soviet Union having a drink next door to where you live, was not the sort of thing you expect to see.
But then Mikhail was good at the unexpected.
Like the time, in 2007, he turned up in a Louis Vuitton ad.
Back in the days when being an ‘influencer’ meant you had done something to impact the world rather than existed to simply flog product.
But Mikhail was an inspired choice for a whole host of reasons …
One was the visual metaphor he represented for Russia’s journey from communism towards capitalism.
The symbolism of a new era in Russia. And the rest of the world.
And while this ad came out in 2007 – 16 years after he had seen the dissolution of the USSR – what he represented was still clear. Made even more obvious by placing him in the back of a car – in a photo taken by Annie Leibovitz – driving past the Berlin Wall … another symbol of capitalism triumphing over communism.
For many who read this blog, the impact of this change may fly right past you.
I get it, especially if you’ve lived in Western countries, so to give you some context, let me take you to Communist China.
The modern metropolis that you see in photos of China today is certainly not what I found when I first moved there. Especially when you stepped out of central Shanghai, Beijing or Guangzhou. Though, to be fair, that’s still the case in many parts of the country – including Shanghai, Beijing or Guangzhou – despite the Middle Kingdom’s incredible modernisation and rise.
Anyway, when I first moved there, Louis Vuitton had a reputation – and nickname – of being ‘the mistress brand’.
There was a simple reason for it …
People who owned it were seen as ‘girlfriends’ of high-level business people or government ministers.
Basically the belief was that because their lovers were one of the few people who were allowed – or could afford to – leave China with ease, they’d buy LV products on their travels and then give them to their lovers as presents on their return.
Was it true?
Not entirely, but there was definitely a ‘second wives’ economy that existed and likely still does.
There was a street near where we lived where every shop was allegedly funded by a generous ‘benefactor’. And you could believe it, because we never saw a customer enter a single store and yet the owners – always young and attractive – were driving the latest Bentley’s. Ferrari’s or Maserati’s.
It was a different world.
And while China has been the centre of the luxury universe for decades, I still remember the Government banning all luxury outdoor advertising in Beijing every now and then to both show their power to the luxury brands who make billions from them as well as reminding the people who live there ‘they were still a communist land’.
Sometimes.
What is interesting is that when Russia and China opened up, Louis Vuitton were one of the quickest brands to see what this could mean for them and their category.
They recognised very early the importance – and confidence – luxury brands could play in culture and so they upped the branding on their products dramatically.
And that’s why these ads, from Ogilvy, are so interesting to me. Because at a time where the cult of luxury was on the rise, these ads attempted to separate LV from the competition by trying to position them with greater significance and purpose.
Presenting LV almost as something you ‘earned the right’ to have rather than something anyone could just buy.
Treating the LV iconography as a badge of honour, not simply wealth.
Reinforcing status as much about how you live, rather than simply what you have.
Maybe this was a reaction to the way Putin was starting to shape Russia to his will.
If you look closely at the bag next to Mikhail, you will see a magazine with the headline ‘Litvinenko’s murder: They wanted to give up the suspect for $7000.’
That headline was on the magazine, New Times, a liberal Russian publication that regularly criticised the Kremlin.
That headline was a reference to Alexander V Litvinenko – the former KGB spy who died in November 2006 after being poisoned in the UK. The former KGB spy who had accused Putin of orchestrating his murder.
While Ogilvy and LV dismissed the significance of that magazine headline, I think it’s pretty safe to say that’s bullshit.
There is no way that is a coincidence.
I get why they said it, but the symbolism of Mikhail … with that magazine poking out his bag … driving past the Berlin Wall … was a pretty blatant message of how far Putin’s Kremlin had taken Russia back to the ‘bad old days’ since Gorbachev had left.
It may have been a condition for Mikhail to feature in the ad.
Only he, Ogilvy and LV execs would know.
But I do admire their stance.
Let’s be honest, there’s absolutely no way that would ever happen now.
Which is as much of a statement on how safe advertising and brands have become as it is of the dangers of Putin and his actions.
Filed under: A Bit Of Inspiration, Advertising, America, Apathy, Attitude & Aptitude, Devious Strategy, Marketing, Marketing Fail, Mischief, Point Of View
So recently, someone sent me this from the US …
It definitely raised my eyebrows reading it.
Mainly because – regarding Prince Andrew – it was absolutely true.
And while it was definitely done for ‘attention seeking’ purposes … and the company behind it has, as far as I can see, absolutely no connection to the Royal Family in any way … it is STILL better than most brands trying to hijack a cultural moment for their own benefit.
Maybe it’s because of the subject matter, one few would dare to play with.
Maybe it’s because they went all in with their headline, rather than blandom bullshit.
But when a mini-storage billboard – using terrible font and imagery – still produces something much better than the ads from brands trying to ‘hijack’ the Boris resignation, you realise 3 things.
1. The corporate desire to blend in more than stand out.
2. The lack of pointed headlines in communication.
3. The phone-it-in approach to comms planning.
Don’t get me wrong, I wouldn’t advocate using Prince Andrew as a figure in any of my clients ads either … but I’ll remember that billboard far more than whatever BK and countless others did during a mass ‘high profile’ moment.