Filed under: 2026, A Bit Of Inspiration, Advertising, Attitude & Aptitude, Brand Suicide, Comment, Communication Strategy, Community, Complicity, Conformity, Consultants, Crap Campaigns In History, Creative Development, Creativity, Culture, Customer Service, Management, Marketing Fail, Planes, Planning, Reputation, Research, Resonance, Respect
Way back in 2006 I wrote a post about what exclusivity means.
Not the marketing version of it … but what the people who can afford to have it, really want and expect from it.
The reality is this group of people don’t care about showing – or sharing – their success with the masses. They don’t have any desire to be ‘aspirational’. In fact what they want couldn’t be more different – because all they really seek is to keep the masses as far away from them as is physically possible.
I entitled the post, FUCK YOU MONEY, but really it should have been called FUCK OFF MONEY … because that’s the spirit that defines exclusivity to them. The ability to live in a world where the only people around them are equal people.
Or said another way, they like to practice economic racism.
It’s part of the reason LVMH lost cache in China when they opened stores in lower-tier cities.
It’s part of the reason Bentley lost long-term customers when they became the car-of-choice for rappers.
And it’s part of the reason why Air New Zealand have scored a massive own goal with their most valuable customers with this billboard rolling out all across NZ.
For those who don’t know what Koru is … it’s Air New Zealand’s new Frequent Flyer Program and Koru Black is their highest tier.
To be fair to Air NZ, Koru is genuinely one of the best frequent flyer programs of any airline in the World … so with that in mind, I get why they think offering the public the opportunity to get more points to get closer to ‘black status’ is appealing.
However, it isn’t for the fuckers who already have achieved that status.
For them, they’ll not only see it as Air NZ allowing more people to be part of their club’, they’ll see it as Air NZ allowing ‘lesser people’ to be part of it given they ‘won’ their place via a promotion rather than ‘earned the right to be there’ as they will no doubt tell themselves they achieved
Is that bollocks?
Sure, but that doesn’t mean they don’t think it, which is why one of the best bits of airline research I’ve ever read was when the wonderful David Lin – who worked for me at Wieden, and is now Mr Important at Apple – told me that ‘business class was the politest way to say ‘fuck off’ to everyone who always wanted their time or attention.
But there’s more …
Because added to this is the fact many Koru Black members feel annoyed they already have to share ‘their’ airport lounge facilities with people from other airlines who happen to hold a business class ticket – which results in situations where there’s no seats available to rest in – and you start to think Air NZ may not understand their top customers as much as they may like to think they do.
What makes it worse is that it would have been so easy to discover …
The main one being just sit in the airport lounge and listen to the conversations when it’s full.
But it seems they didn’t. Or haven’t. Because what else would explain their disastrous decision to set all ‘black tier’ customers frequent flyer points to zero when they launched Koru.
Sure, they did a u-turn on when they discovered how angry it had made customers … but they still did it, which not only undermined their launch, but left customer with a horrible taste in their mouth they’ll remember for a long time.
I mean, you’d think it would be obvious to not do that, but apparently it wasn’t – which not only suggests Air NZ put their faith in the wrong research and creative partners – not to mention are incapable of evaluating standards with an objective, global perspective – it highlights how you can have all the data in the world, but if you don’t look for, or understand, the fucked-up, hypocritical truth of your customers, you’ve got nothing.
Also see every research company who announced with the upmost confidence that Trump wasn’t going to win the Presidency in his first term … either because they were arrogant, blinkered or simply failed to understand people rarely tell you what they think, instead they tell you what they think will protect them from revealing what they really believe.
Filed under: 2026, A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Colenso, Collegues, Creative Brief, Creative Development, Creativity, Perspective, Planners, Planning, Point Of View, Process, Provocative, Relationships, Resonance, Respect, Strategy, Technology
A few months ago, the lovely James Welch [stupidly] invited me to have a chat about my perspectives on creativity, technology and process.
Why? I have no idea … maybe he was being charitable.
Whatever the reason it ended up – surprise, surprise – being a ramble about why I’m a nightmare to work with, an ‘acquired’ taste and absolutely not an idea megalomaniac.
The good news is only one of these character evaluations came from James … which, on second thoughts, may not be such good news after all.
Anyway, I thought I’d post it …
Not because I have a career death wish, but because if someone out there is finding it hard to sleep, listening to it will help them drift off in no time … albeit having to endure some horrific nightmares along the way.
Not because of what I say – even if some of the perspectives are pretty bleak – but because you’ll hear my dulcet tones saying it.
You can watch it here.
Don’t say I didn’t warn you …
Filed under: 2026, A Bit Of Inspiration, America, Asia, Auckland, Authenticity, Bonnie, Cats, China, Comment, Content, Context, Craft, Creativity, Dad, Daddyhood, Death, Design, Emotion, England, Family, Freddie, Happiness, Harmony, Jill, LaLaLand, Love, Loyalty, Mum, Mum & Dad, Music, My Childhood, My Fatherhood, Names, Otis, Queen, Resonance, Respect, Rosie, Shanghai, Tattoo
I got my first tattoo when I was 42.
I was holidaying in LA, saw a tattoo shop and – after some encouragement from my friend Paul – went in and had a big one on the underside of my arm.
Hey, nothing like jumping all in eh.
But from that moment, the tattoo became something very important to me.
To be honest, I’d always wanted one but chickened out because of the fear of pain – but not only did it not hurt at all [in fact I fall asleep when I have them] I discovered it the ultimate way to express my sentimentality towards people, dates and things that held a very significant place in my life.
Since that day way back in 2012, I’ve had loads of tattoos.
Birthdays.
Postcodes.
Phone numbers.
Signatures.
Names, pictures and paws of pets.
Honoring Mum, Dad, Jill, Otis and China.
Personal philosophies and heroes.
Nottingham Forest and Queen.
Some weird shit for some friends.
And nods to LA, UK, NZ and Italy.
There’s not one that I regret because each and every one of them is there for a reason.
No ‘moments of stupidity’.
No ‘this would be good for a laugh’.
No ‘tribal or badly translated rubbish’.
Each tattoo represents something deeply important and significant to me – even if to the causal observer, it may look like I have a bunch of random and weird stuff across my arms.
I say all this because recently, Otis asked if I had any tattoos for him, to which I proudly pointed to the one of his name and his date of birth.
And while he seemed moderately pleased with this, it apparently wasn’t enough because he asked if he could design one … a tattoo that captured who he was and what he believed. And I stupidly said ‘yes’, which is why I am currently in negotiations with him to decide which of these will be inked upon my body in the next few weeks.
For the record, the reason the potential designs are all in type is because I don’t have any room on my arms for a picture and he wants to ensure it is something that can be – and will be – seen at all times, haha.
Now before you think I’m blindly pandering to my son’s whims and wants … he genuinely loves rice. In fact he has it every night for dinner which he claims is because he was born in China … so while his tastes may well change or evolve over time, ‘Rice Is Life’ does capture who he is and what he believes, which means – for me – it ticks all the criteria boxes needed to go out and make it a permanent symbol on my body.
The ad industry could learn from kids for their powers of persuasion.
Filed under: A Bit Of Inspiration, Advertising, Apple, Attitude & Aptitude, Auckland, Brand, Brand Suicide, Clients, Clothes, Communication Strategy, Content, Context, Craft, Crap Campaigns In History, Creative Development, Creativity, Culture, Design, Details, Effectiveness, Egovertising, Emotion, Empathy, Entertainment, Fans, Fashion, Film, Management, Marketing, Marketing Fail, Marketing Science, Media, Mediocrity, Metallica, Netflix, New Zealand, Premium, Privilege, Relationships, Relevance, Reputation, Respect, Standards, Steve Jobs
For 50 years, I never dressed particularly fashionably.
I had a ‘style’, but it was never one people looked at and thought, “I want to dress like that”.
Questionable t-shirts, ripped jeans and a pair of birkies tend to have that reaction.
Part of this is because growing up, I was never exposed to anything ‘fancy’. Despite my Mum being Italian and going to Italy a lot … my version of designer clothing was stuff from Burton’s and C&A and nothing more.
But over the years, I got more and more exposed to the high-end fashion houses.
Projects with Prada and Chanel introduced me to people, stories and experiences that taught me there was far more to who they were than big prices and even bigger pretentiousness. But even that was not enough to convince me this was something for me.
Hell, I still remember the utter shock I felt when I heard a mate tell me they’d spent 70 quid on a t-shirt.
Sure, this was a 1000 years ago, but back then I didn’t know how that was even possible.
T-shirts were 3 for a few quid from Asda so what on earth could justify 70 pounds for a single tee???
And that was how things carried on for decades until 2 events happened in my life:
I got healthy and I started working for the most successful and influential luxury and street-fashion investor on the planet.
And with those 2 things, everything changed …
I got to go behind the scenes of the highest level of the industry.
I got to talk to the creative directors of the houses and labels who define global fashion.
I got to meet the people who create, curate and craft the experiences that define how fashion makes us feel.
But most of all, (1) I could now actually fit in their clothes and (2) my client sent me shitloads of them for free.
Of course, I appreciate how lucky I am for that – and I massively appreciate that they were doing it to ‘keep encouraging me on my health journey’. But – and I say this with utter love and respect for them – I can’t help the real reason is because they didn’t want me turning up to their big meetings and fancy events dressed like a trainwreck. What maybe triggered this was the time I found myself sitting next to Phoebe Philo, ex-creative director of Celine and founder of her own label, who – on seeing my t-shirt, featuring a cat logo – said:
“I love this, who is it by?”
To which I replied:
“My son made it, and that’s our cat”.
To be fair, she was brilliant but I can’t help but imagine she was also thinking, “who the fuck is this nutter I’m next to?”
Bit like the time I was in the lift with members of the Prada family.
They were – literally – the best dressed people I had ever seen in my entire life.
Me? I was wearing ripped jeans, some Nike’s and a hoodie probably from Asda.
Again, they were kind, warm and welcoming – and never once did I feel judged, in fact the opposite – but it was not long after that I started receiving a lot of fancy clothes – hahaha.
But the point of this post is not that I am more fashionably dressed person than I’ve ever been in my life.
Nor is it that I am one of the luckiest bastards on the planet.
No, it’s that the last few years have completely changed my perspective of the industry.
Where once I may have just seen it as pricey and poncy, I now have a deep appreciation, understanding and respect it..
The creativity, the craft, the inspiration, the statements, the history, the details, the obsession.
Put simply, the belief that EVERY detail matters, no matter how big or small.
Steve Jobs once talked about the importance of ‘painting behind the fence’ – the belief that even if no one ever sees or recognizes the care and consideration you have put into your work, you know and that matters – and in many ways, he could have been describing the luxury fashion industry.
You only has to watch the Netflix Documentary ‘7 Days’ – specifically the episode about Chanel’s couture catwalk show – and you’ll see how much thought goes into how every single detail is presented.
Not simply because image is important to them, but because they want to honour the work they have created.
Make sure it is represented, seen and felt exactly as intended and created.
It is a similar approach Metallica have to their music.
It’s why they bought the best vinyl printing plants in the World.
It’s why they invested in the best live concert sound-system in the World.
It’s why they own the rights to all the music they create and have ever created.
It’s not ego. It’s not hyping. It’s about ensuring they honour the work they’ve made so everyone experiences it exactly as intended, versus letting someone else determine that.
So where the fuck is this all going?
Well, it’s because recently I saw this.
Yep, it’s a billboard for the movie Devil Wears Prada 2.
BUT WHAT THE FUCK IS GOING ON WITH THAT IMAGE???
How is a movie centered around the world of luxury fashion and media using such a badly designed, stretched and distorted billboard like that?!
Looking online, I can tell you that’s not the official image – at least as far as I can tell – plus I should point out the image has accentuated the lines of the digital billboard, which weren’t visible to the human eye.
But that aside, the image used looks like someone at the local distributor, media agency or billboard company decided, for reasons I don’t understand, to create – or adapt – their own version of the official artwork; the result of which is a visual that makes Devil Wears Prada 2 seems more Poundland than Prada.
Which highlights two very important reminders:
1. Everything communicates who you are and what you value.
2. For the best result, make sure all who work for you – or with you –know who you are and what you value.
I’m not saying price or speed doesn’t matter, of course it does … but what price does sloppiness, misunderstanding or a need-for-speed end up costing?
And to those who say that doesn’t matter, because no one cares … I say this in return.
Not only do you not understand marketing …
Not only do you not care about your company …
You sure as shit don’t understand your customers.
Which gives us one final thing to remember …
For all the systems, processes and marketing practice methodologies you can use … if you forget who its for and what its for, then you’re truly wasting your money.
Filed under: A Bit Of Inspiration, Advertising, Comment, Creative Development, Creativity, Distinction, Effectiveness, Emotion, Empathy, Marketing, Marketing Fail, Perspective, Planners, Planning, Point Of View, Relevance, Reputation, Resonance, Respect
As it’s Monday, let me start this post with some good news.
This is the last week of posts for a while as I’m flying off to Europe on Friday.
Not for a holiday.
Not for Colenso.
But for a stream of meetings in LA, London, Amsterdam, Milan and Berlin.
All in 8 days. Darrrrrling.
God, what an asshole humble brag. That isn’t even humble.
Which is why I am not asking you to feel sorry for me because [1] I’m not stupid and [2] 8 days or not, it’s a fucking dream gig. However – if it makes you feel any better – while all of these trips are at the invitation of a range of different VIP’s, I’m only going because they want me to be their cat litter tray rather than be a valued guest.
Did that make you feel less loathing towards me?
What about making the darkness of Monday morning feel a bit brighter?
No? OK … better move quickly on.
So not too long ago, I wrote a post about the brilliant Trevor Beattie and his brilliant analysis of the modern Specsavers creative work.
Specifically, the strategic shift from ‘what it was’ to ‘what it is’.
And while he didn’t say the current work doesn’t live up to the standards of the original work, his central point highlights – at least to me – why I don’t think it does, exemplified by this piece of work that I saw near our office recently.
I should point out this gives me no joy to say whatsoever, because:
1. Specsavers played a significant role in saving my sight by recognizing my disease early and then writing a referral letter for me to urgently see a specialist.
2. Specsavers has continually proved the commercial and creative power of s great idea.
3. The shift Trevor highlighted, may – for reasons I don’t quite understand – be deliberate.
But whatever is behind it … going from the comedic potential of not seeing properly to laughing at the incurably stupid … has potentially resulted in moving the brand from friend to foe.
Or worse, bully.
Now whether they meant this to happen or not is anyone’s guess.
I’m assuming not.
Which reinforces the need to always understand the nuance of an idea – because if you don’t do that, you don’t just undermine years of craft, care and rigor, you undermine the very value you are being paid to elevate.
See my recent post about the billboard for the movie, Devil Wears Prada 2.
There’s too much complexity in our business. But solving it with simplistic interpretation doesn’t help anyone either.
Which suggests every creative, strategist, suit and marketer may need to go to Specsavers to see how to do their job properly.
With craft.
With rigor.
With care.
With an ability to actually – ironically – see it.
And with an understanding of the nuance behind the idea so your work – whaever role you play – is always building the brand up rather than tearing it down.