Filed under: A Bit Of Inspiration, Agency Culture, Attitude & Aptitude, Authenticity, China, Chinese Culture, Creative Development, Creativity, Culture, Effectiveness, Film, Nike, Sport, Wieden+Kennedy
So the posts this week have been quite emotional.
Well, they have for me …
And – if you watched the hostage negotiation film in yesterday’s post – probably for you too.
And given I’ll be writing an emotional post on Friday – in preparation for what would have been my wonderful Dad’s 85th birthday on Sunday – I thought I’d take a bit of a lighter approach to today, because frankly, I’ve cried enough for this week.
This post is about case study films.
Specifically case study films by agencies for award submissions.
To be fair, there are some that are truly great. Mainly the ones that actually have the work to back it up rather than those that crank up the cliches and superlatives because they haven’t.
Even though I’ve made more films than Spielberg, this is one of my faves … even though it blows my mind it’s 11 years old now.
But even that … even with all it’s success is no match for what I’m about to show you.
A film that trumps 95% of all Cannes/WARC/Effies case study films.
Not just because it is clear, entertaining and informative.
But because it demonstrates more human insight than all those others put together.
Enjoy.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Authenticity, Communication Strategy, Creative Development, Creativity, Culture, Nike, Sport
My 8 year old, Otis, loves Rubik’s Cubes.
LOVES THEM.
Not only that, he’s bloody good at them.
To give you an idea of how good, take a look at this …
I know he’s my son, but that’s pretty amazing.
Hell, even when he shows me how to do it – move by move – I fail, and yet he can do it blindfolded!!!
Now it’s not just him that loves cubing, it’s back in a big way. A whole subculture that is thriving and evolving.
From Youtube influencers like Cubehead – with almost a million followers on Youtube – to more types of cubes than you could ever imagine.
From heat activated.
To shape-shifting.
To digital screens.
To a whole host of customisable cubes in different sizes and shapes to increase performance for competitions … competitions, that are literally being held in every country around the world.
Hell, even Nike have just released a shoe in cube colours to connect to its growth.
This last point is particularly interesting to me because I see more and more sports brands moving away from ‘competition’ to promote participation in an attempt to connect to a generation who are walking away from physical sports.
Except they’re missing the point …
You see recently I took Otis to a speed-cubing completion in Auckland.
It was packed. Full of kids, parents and adults … all messing with cubes at different standards and speeds.
But while they were all supportive and encouraging to everyone around them, be under no mistake they were competitive. More than that, they wanted to be more competitive.
And here’s what the sports brands are getting wrong.
Kids aren’t afraid of competition, they just want to beat their own limits rather than loudly and publiclly trash someone else’s.
Of course there’s exceptions.
Of course there’s contexts and situations.
But they be in a much better position if they stopped promoting passive participation and got back to what they were always about … just understood the best victory is when you out-compete yourself.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Culture, Finance, Michael Jordan, Nike, Sport
A few weeks ago, I saw this on Linkedin.
Given NIKE paid MJ US$250+ million last year for the sale of his shoes – despite [properly] retiring in 2003 – it’s fair to say:
1. He got NIKE to pay.
2. Nike know how to monetise athletes.
3. Jordan is a true cultural icon of sport.
What do I mean by cultural icon?
To be honest, I’m not sure.
It’s more than just about success … because there’s plenty of athletes who have achieved that. It’s more than their continued standing … because there’s athletes who have achieved that as well. And it’s more than simply being popular with people who are not interested in their particular sport … because there’s examples of that too.
OK, so it could be those rare athletes who could feature in all 3 of those filters … but even then I don’t know if it’s that.
If I really think about it, it’s probably about how they changed the game.
Not just in terms of what they won, but how they won.
Where their style of play becomes the benchmark all others are judged by.
Their ruthless competitiveness.
Their commitment and drive.
The level of attention opposing teams give them.
The excitement they ignite when they are in the game.
The athletes and/or teams who you never write off … the ones who can change outcomes, defy records and evolve the game.
There’s not many of those.
At least not in terms of being able to do it over a long period of time.
But MJ is one.
And he’s still doing it even when he’s stopped playing competitive sport.
Which is why MJ’s greatest talent may not be playing basketball, but knowing his worth.
Filed under: A Bit Of Inspiration, Apathy, Attitude & Aptitude, Brand, Brand Suicide, Communication Strategy, Crap Products In History, Creativity, Culture, Devious Strategy, Distinction, Effectiveness, Egovertising, EvilGenius, Experience, Innovation, Marketing, Marketing Fail, Mischief, Nike, Perspective
Before I start, I’ve been a huge fan of collabs over the years. Seeing what happens when two different artists or brands or artists and brands come together has been fascinating.
And for every terrible LG x Prada phone, there’s a Nike x Ben & Jerry’s sneaker.
But … but … it feels we’ve moved from collab to labelling.
Where it isn’t about what two parties can create with each other, but just renting space for another brand to slap their logo on.
Take these Travis Scott x Playstation x Nike sneakers …
Jesus Christ.
Where the Ben & Jerry’s felt crafted and cared for this is just … well, put it this way, it feels more like a bad promotional item than something that represents a true collab.
And the thing is, this approach is happening more and more – across all manner of categories – which is why I kinda love what Nobuaki Kurokawa has done with their first product launch from their CUGGL label.
Let’s be honest, they’re taking the piss.
Like, blatantly and unashamedly.
Not only does it look like it say’s Gucci, by making the design resemble graffiti, it feels like they’re also sticking two fingers up at the terrible and contrived Gucci/Balenciaga collab.
The Gucci x Belenciaga is especially horrific because individually, they’ve not really laid a foot wrong in building the value and position in culture of their brands. And then they do this.
Lazy.
Fake.
Obvious.
Out-of-date.
Dad at the disco rubbish.
Basically, the fashion industry version of this.
Which is why I like what CUGGL have done so much.
Punking the brands pretending to be punking fashion.
Of course, Diesel did something like that before – though their mischievous eye was aimed at the counterfeit industry [even though it kinda said ‘fakes may be real’, which is the last thing they needed to do] however in terms of greatest accolade for mischief, that prize should have gone to the band Blink 182.
I say ‘should have’ because they ended up pulling out of potentially the greatest burn ever.
In the early 2000’s, Axl Rose was making a new Guns’ n’ Roses album.
It was unique because the only original member of the band was Axl himself.
He had fired all the band and was basically at his most indulgent ego best.
The only thing he’d announced was the album was going to be called ‘The Chinese Democracy’.
For years and years nothing came out.
The album postponed time and time again.
At one point, his record label, Geffen, pulled funding … and yet the recording still went on.
Enter Blink 182.
They announce they were recording a new album and guess what they were going to call it …
That’s right, The Chinese Democracy.
Better yet, because Axl was taking so long to release his version – they could be sure they’d be first, so history would always make it look that Guns n’ Roses copied Blink 182.
Alas they went cowardly on the idea, which is a shame … because that would have set a benchmark CUGGL and Diesel could only dream of reaching.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Brand, Business, Chaos, Communication Strategy, Confidence, Content, Context, Creative Development, Creativity, Culture, Differentiation, Distinction, Emotion, Empathy, Experience, Honesty, Loyalty, Management, Marketing, Marketing Fail, Music, Nike, Packaging, Planners, Planning, Point Of View, Relevance, Resonance, Respect, Standards, Trust, Truth
I was recently interviewed by a music company about the work I do for artists.
They – quite rightly – wanted to know what I did and how it was different to what I normally did.
And I explained the difference was made clear pretty much in my very first meeting.
Because I was told this …
Now I can’t be sure they used those exact words, but that was the general premise.
And that was what was amazing.
Because when working with brands, they want you to use creativity to engage audiences, but with bands – at least the ones I’ve been exposed to – it’s the opposite.
I don’t mean they want to alienate people – though they understand the importance of sacrifice better than almost any brand marketer I’ve ever met – it’s just they are the creativity … they are the product … and so the last thing they want is some fucker placing a layer of ‘marketing’ on top of their artistic expression which can be twisted, diluted or fucked with so what they want to say and what it means to them, has no consideration whatsoever.
Now I admit I’m very fortunate the artists I’m working for are of a scale where they have the power to not just consider this issue but do something about it.
Many don’t.
However by the same token, when you’re of that scale, the potential for things to get messed up in some way is much greater.
Which is why they ensured I knew my role was not to market them, but to protect their truth.
Do and explore things that amplify who they are not just flog more product.
And because what they create is an expression who they are … they can express their truth without falling into endless streams of cliched brand consultant speak.
+ So no buzz words.
+ No ambiguous terms.
+ Just stories, experiences and considerations that have defined all they do.
And that’s why they don’t really care if you like their music. Sure, it helps, but they don’t want fawning fandom, they want people who understand what they value, believe and give a fuck about so everything associated with what they do expresses it.
Or said another way, they want people who can ‘speak their tongue’.
Now I am the first to admit there have been some mistakes.
Some things you go, “why did you do that?”
But in the main, I’ve not seen much of it and even when I have called stuff out, they have [generally] appreciated it, because – as I was also told on my first day – I’m being paid to give them truth not comfort.
I’ve always said people should not aspire to be a planner, but get away with the things a planner can get away with. And I’ve got away with a lot as a planner. Done all manner of weird and wonderful.
While I’d like to think that’s what helped me get this gig … the reality is I got it because of an introduction from someone I know.
And while in theory any strategist could do what I’m doing, how I do strategy and how I have been asked to view what it’s role is, has highlighted that’s not the case.
Not because of capability, but what the industry currently wants and expects.
And this is manifested in increasingly not being given the time, support or standards to do things right.
Where speed is more important than substance.
Process more valuable than output.
I wrote about this and more, here.
But it’s more than that, it’s also what clients think strategy is for …
Packaging rather than changing.
Wanting quick wins rather than long term value.
Targeting needs, not a point of view in the world.
Chasing convenience not authenticity.
If anything, doing this work has made me even more grateful to the bosses, agencies and clients I’ve worked with over my career.
Because when I look back, the truly great ones were basically like a band.
Born of belief. Defined by a point of view. Wanting to attract not chase anything popular.
And that’s a big part of why they have been able to remain at the forefront of their individual discipline, category and/or sub-culture.
Because they never saw strategy as a tool for marketing, but to amplify their truth.