The Musings Of An Opinionated Sod [Help Me Grow!]


Growth Comes From Challenges, Not Just Lecturing …

Hello. I’m back.

And because you’ve had no posts for basically 2 weeks, this is going to be a long one.

Yes, I know my posts are already waaaaaaay to long. Sorry, but deal with it.

I had a great time in LA and before that Australia.

Well, I say Australia – but it was in Perth which is closer to Singapore than Sydney.

Met lots of people.
Had good conversation.

It was fun … so thank you State of Social, for inviting me to come over.

I have always loved to go to talks. The stress of putting it together isn’t fun … but for me it’s also about visiting new places, hearing new perspectives and just generally chatting to new people.

And on the rare occasion I get to do a talk with people I know and love, then I get the added benefit – as screenwriter/director Nora Ephron once said was one of the happiest feelings on earth – of enjoying dinner with friends in a city or country none of you live in.

It’s one of my favourite feelings too.

And that’s why Cannes was so special to me.

The event – if I’m being honest – wasn’t that great. Certainly compared to previous times I’d been … and I’ve never really liked it in the first place. But this time it felt the whole industry was in full-on heads-in-the-sand mode.

Nothing highlighted this more to me than the relief/confidence the industry media reported a comment made by Torr – from Apple – in his speech when he said Apple will always need and use agencies. That may be true, but it doesn’t take a data scientist to realise Apple are doing more and more creative work in-house and even their specialist agency – MAL – is seemingly doing less for them.

But I digress …

Because my favourite thing of doing a talk at Cannes was this …

I love these two.

And I love this photo … me, Paula and Martin.

I didn’t exactly have to bully them to do the talk, but I knew I only wanted to do it if they said yes. And the reason for that was we would get to hang out properly for the first time ever.

By that I mean, physically be in the same place … because throughout our time together, we’ve either only met on Zoom or been in situations where just 2 of us would ever be in the same place/country.

So it was special. It was also different.

Because being in the same place – away from the responsibilities of time/life – meant we could properly connect. A deeper way to interact … argue … debate. I totally get why some people prefer working from home. I appreciate the financial impact of travel and time – but you get something more out of being with others ‘in the flesh’, so to speak.

Just like you can learn about other countries from the internet … it’s not the same as actually going there or working there.

But many are discounting this. Claiming they can do their job perfectly well from the comfort of their home. And they probably can … but the question is whether they’re growing and evolving doing it that way. OK, so many will think they are … and many may not care … but there’s a massive difference being immersed in an environment rather than sitting on the outside of it.

I still remember trying to hire someone for W+K Tokyo. They were keen but it was their first overseas move so were rightfully apprehensive. They eventually turned it down and when I asked why, they said they had spoken to someone they knew and they’d advised against it. So I asked if that person had ever lived overseas and they said no – but they’d ‘visited a ton of countries’.

And I am sure they had, but just like looking up a place on the internet doesn’t give you a full understanding about the culture or nuances of a country, either does ‘visiting’ one for a week or two on holiday.

Of course there’s huge amounts you can learn from wherever you are. And there will be stuff that is amazing, important and unique to your situation and nation. But to think there is nothing to learn from outside experiences, perspectives and interactions, is crazy.

And that’s why being with Paula and Martin was so wonderful.

Because we’re bonded by what isn’t common.

We come from different countries.
We all live in different countries from where we were born.
We have all lived in multiple different countries – in my case, double figures.
We [now] all work at different companies and on different clients.
We all have different experiences that has led to different viewpoints.

And while by today’s nationalistic philosophies, it shouldn’t work – in fact we shouldn’t even want to interact – it does. Because perspective and growth comes from the environments, interactions and challenges we embrace … even the stuff that isn’t comfortable.

Sure, it’s all about how you do it – and we do it with respect for the global experiences, exposure and standards we all bring to the table and the knowledge no one is doing it to hurt the other, but to expand perspectives and considerations – but it still can be challenging and we may still may not agree.

Then there’s the fact that we are three, white, privileged adults … so despite having lived in multiple countries and worked with brands on a whole range of challenges and audiences … there’s still huge amounts we want to learn from others outside our frames of reference or understanding.

And while I totally appreciate some don’t want to – or can’t do that – to discount its value says more about the people putting up the barriers and blinkers than it does about the value of the alternative.

And that’s why things like Cannes is important.

The engagements and lessons and interactions.

I wish it wasn’t so expensive so more people could immerse themselves in it rather than just play on the outskirts of it … but wanting to be grow is a noble thing.

And while we were talking at Cannes and had an opinion we wanted to share … we went there wanting to grow too.

And that’s why it was so good to be there. With them.

To listen. To learn. To debate. To argue.

But most of all, to want to be challenged, so we can grow.

I’m lucky to have them in my life. I’m even luckier I got to spend time with them in person.

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It’s Not What You Do, It’s How You Do It That Reveals Who You Really Are …

In the UK there was an adult comic called Viz.

It was filthy, hilarious and – for a long time – very successful.

And while they had many ‘star’ characters … from Sid the Sexist to errrrm, The Fat Slags … my favourite part of the magazine were the publishing company details.

Tucked at the bottom of a page, in extra small font, were a list of the people behind the magazine. Most people wouldn’t even see it, let alone read it … but if you did, you found magic in that small print.

Mischief. Personality. Information.

Nothing told you how much this was a labour of love for the people behind the magazine than their dedication to instilling their personality into every nook and cranny they could find … whether people would see it or not.

Brilliant stuff.

I say this because I saw a label a friend had put on a product they were selling at their shop.

Ai Ming was a planner in my team at Wieden+Kennedy.

She was very good … but decided one day, it was time for a change and so she went back to Singapore to open a Cheese Shop.

I know … sounds a bit random … but wait, it get’s better.

You see Ai Ming had an idea.

A way to combine her love of cheese and travel and be paid for it.

So she started The Cheese Ark … a cheese shop in Singapore, dedicated to selling cheeses from small, independent makers across Europe.

Oh but that’s nowhere near the end of the story …

So when she left Wieden – and before she returned to Singapore – Ai Ming went to work on a small farm in Italy for a few months. [I think]

While there, she discovered how amazing cheese tasted when it was made by people who loved and nurtured their product.

To her, it was a whole new world of taste and made every other cheese she had tried, feel unworthy of being labelled as such.

But she also learned something else …

You see she discovered many of these small, independent cheese makers were in danger of going under, because they didn’t have a way to compete with the big boys.

Said another way … this incredible tasting cheese could become obsolete.

So rather be sad, she decided to do something about it.

Enter The Cheese Ark … a shop that only sells cheese that originates from these small independent farms. A shop that is one of the only places in the World where you can get your hands on this incredible produce. A shop that charges enormous amounts of money to own a piece of their incredible cheese … not simply so you can have your taste buds tingled in ways you could never imagine … not simply because it allows you to show off to your friends about your good taste and status … not simply because it pays for Ai Ming’s travel, shop, employees and profit … but because by buying so much from each of these small farms across Europe, she can ensure that these small, independent cheese farms not only survive, but thrive.

Hence it’s called ‘The Cheese Ark’ … because its literally saving the lives of cheese.

How fucking incredible is that?

But Ai Ming is not just a creative business thinker, she’s full of personality and passion … which leads me to the point of this post.

You see I recently saw something that reminded me of those Viz publishing details I loved.

Something that communicated more than just the necessary details.

It was this …

How good is that?

I bloody love it.

A notice on a packet of cheese that’s more interesting, engaging, compelling and charming than 99% of ads – or any marketing material – out there.

Sure, not many people will see it.

Most may actively choose to ignore it.

But for those who do, they’re not just rewarded with the thrill of discovering something as enjoyable as the product inside it, they know they’re dealing with someone who really cares about what they do.

And they do. Because what Ai Ming has created is the Noah’s Ark of Cheese.

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Filled By Friendship …

So I’m back.

Did you miss me?

Nope?! Don’t blame you to be honest.

But the past 10 days have been very special for me.

There was a couple of very hard moments, but being able to be there for it, was also special.

Another reminder that while I don’t have many mates, the ones I have are top drawer.

And our presentation appears to have gone down well.

I’m so happy about that … mainly because I got to do it with Paula and Martin and I adored it.

That was a very special feeling. Something I hope we can do a hell of a lot more of, very soon.

It was also so good to catch up with so many old faces I’d not seen in years.

While I actively stay in touch with people, I’m not the most social of humans … so seeing people in the flesh [so to speak] was pretty wonderful.

As I’ve said before, COVID was good to me.

I absolutely loved staying at home with my family and having breakfast, lunch and dinner with them every single day.

Of course, I appreciate we were very privileged in our situation … but that still doesn’t take away the specialness of the times.

At least for me.

But seeing all these people I knew … and hanging out with the people I love … acted a bit like a reset to me.

A reminder of how I feed off the energy of others. That it makes me feel better and happier and hungrier to do good stuff.

To be honest, that was one of the reasons I wanted to come to Colenso.

Yes, part of it was because they are one of the great creative agencies of the times.

And yes, it meant I could finally repay Jill for her generosity in following me around the World by bringing her closer to her Mum after all these years.

But another part was that the idea of being surrounded by a talented team was so enticing.

Put simply, I love it.

I love building a gang.

I love creating our own strategy identify on how we see the world and create for it.

You see after I got made redundant from R/GA, … I was fortunate to be given work that immediately made up the salary I had lost. Better yet, I could do that without having to leave the house as the clients funding me were mainly based in China and America.

I was, as they say, sorted.

But working on your own, is hard.

Even more so when you live in a village surrounded by nothing.

And even more so when you live in a village during COVID so you can’t meet anyone even if you wanted to.

Yes, I get compared to the issues many people face, it’s nothing – but it doesn’t mean it’s not real. At least for me.

Of course I could work on my own if I needed to. The reality is I’ve always done side projects through my career, so there’s been lots of times where I’ve done just that. But moments of working on your own is very different to always working on your own … so when Colenso reached out – knowing I’ve always loved them as I almost joined them in 2016 – the idea of being a member of something was immediately appealing.

Trouble was I loved the projects I was doing … working directly with music, gaming and fashion royalty.

Basically, doing stuff I’d never done before that was incredibly exciting, challenging and creative with people who were incredibly exciting, creative and demanding.

So being a greedy bastard/only child, I asked if they’d be open to me doing both.

And they said yes.

There are many reasons for their decision – from knowing there would never be a conflict with the day-to-day work Colenso do through to knowing the timezones I’d be working in, would require my time at night, not during the day – but I am eternally grateful to them for being so open-minded and encouraging, because right now, I feel I have the best of many worlds.

To be honest that’s been a rare feeling for me.

My life seems to have either been great personally or professionally but rarely both at the same time.

And right now, I’m having that.

This is all coming across like I’m a smug-bastard and that’s the last thing I wanted to do.

It was more a reminder that if you want to do something, you should ask rather than assume and being with people – whether friends, family or colleagues – is a special thing.

Yes, I appreciate that should be obvious, but it wasn’t for me … and this past few weeks, similar to the year before … has reminded me of that.

Of course it highlights what an idiot I must be, but I’ll take that for the lesson it’s just given me.

Which is why I both understand and am confused by those who actively don’t want to work in an office again.

I get it from a balanced life or health perspective – especially if you’re spending a lot of time and money on commuting – but I don’t from the benefits of people and connections.

Of course there are a million reasons that can influence this, but while technology does allow us to be close when we’re not … physical space enables happy accidents and incidental conversations to happen which aren’t just sometimes great for the work, but also the soul.

And mine is full for now.

So thanks to all who helped remind me – and refilled me – over the past couple of weeks.

Let’s see how long it lasts before the grumpiness comes back.

Though, sadly, the long posts are definitely going to remain.

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The Further You Are, The More You Care …

So let’s start with the good news …

This is my last post until the 26th June.

That’s over 2 weeks of peace and quiet!!!

You lucky people. [Though who knows if anyone reads this now comments have stopped]

The bad news is this post is going to be loooooooong. Proper long.

And possibly ‘jealousy inducing’ … or at least insult igniting, given the blagging I’ll be acknowledging.

But there are valid reasons behind it all. Honest.

First up is that I have a bunch of birthday’s to acknowledge …

First of all is mine, because on Monday, I turn 53.

FIFTY FUCKING THREE!

This means I am closer to 70 than 30 …

Normally that would be depressing as fuck, but I was recently given the best present ever when Metallica’s management said I was, “immune from maturity”.

Of course, I appreciate under normal circumstances this would be a big diss, however at my age – and when they represent genuine Rockstars – this may be the best compliment ever.

Let’s be honest, it’s going to have to be because there’s not many more reasons to be happy.

But 3 days later, it’s my darling Jill’s birthday.

Whereas I get more immature with age, she gets more wonderful.

I wish that was simply my attempt at being a romantic husband … but she really is.

I would love to detail how, but as I’ve mentioned before – she hates the attention on her, especially on this blog – so just know it makes me very happy to see because she’s the best thing that has ever happened to me and is more than I deserve.

Happy birthday my darling Jill, I hope you have a wonderful, wonderful day.

Now you may think I have suddenly become a soppy-sod – and I am OK with that – but you may feel a bit differently when I tell you that on the night of Jill’s birthday, where most people would be having a celebratory dinner – I will be waving goodbye to her, getting on a plane and flying to England because the next day it’s …

Paul’s birthday.

That’s right, for the first time since 2020, I’ll be spending Paul’s birthday with him and seeing him and Shelly for the first time in over a year.

I’m so, so happy I can do that. I’m also so excited to see them.

The older I get, the more I want to be closer to them – even though I appreciate how ironic it is to say that when I have chosen to live just about as far away from them as I possibly can.

Who knows what will happen in the future to change that [actually, I do, I just don’t know when] but I’m thrilled I’m going to get to spend Paul’s special day with him and hang out with him and Shelly for a few days.

That I get to be with 2 of my most special and treasured people on their birthday .. means that however hard 2023 is, it is going to be a great year for me.

Thank god for horrific timezone difference between NZ and UK.

Which all leads to the final journey of my blog silence …

And that is me leaving Nottingham to fly to Cannes to present on stage with 2 more special and treasured people – Paula Bloodworth and Martin Weigel.

Like Paul, the last time I saw them in person was a year ago, so to not just see them … but present with them … is an utter thrill.

I say that, but at the time of writing this post, we have only written 4 slides so unless we pull our finger out, it may be a case of being happy to see them but a total nightmare to present with them – hahaha.

And finally, as much as Cannes can drive me nuts, it gives me an opportunity to see a bunch of old friends from my past which will be bloody wonderful – especially as George and Lee will be there and so it can feel like I’ve let comments back on this blog, haha.

So there you have it.

That’s why I’m not writing any posts for a couple of weeks.

And while some of you will claim its a massive holiday, it’s actually me reconnecting to life.

That’s honestly how it feels.

I appreciate that sounds overly dramatic … after all, it’s not like I don’t talk to them all pretty much every week.

And obviously, in the case of Jill, I get to see here every single day.

I also appreciate the privilege of being able to fly over there to see the rest of them – not to mention I am the one who put myself in the position of being away from them.

But this is more than just being in their physical company – which will be special in itself – it’s about the undivided time.

No zoom time limits … or snatched moments before the next interruption … actual time.

Time to go on endless tangents.
Time to go down multiple rabbitholes.
Time to enjoy the pregnant pauses.
Time to talk shit … rather than maximise the time allocated. Or allowed.
Time to be cocooned away from the other stuff that likes to interrupt and dictate.

And while many may think they get this every day, I’m not so sure.

Yes, being physically close to people you care about does – in theory – make this easier to do.

But proximity doesn’t automatically equate to intimacy.

You have to want it. Demand it. Not be satisfied with a different version of it.

And most of the time that’s not the case …

We don’t even realise it’s happening because we get so caught up in the whirlwind of life.

Dealing with the pressures, demands, expectation and – for some – the self-importance of our own lives.

And that’s why there is something to be said about living away from those that matter.

I know … that sounds the opposite of what I’ve just written … but hang in there.

You see I used to think the benefit of living around the world was that you could discover and explore possibilities you never knew even existed … let alone were actually possible.

And it’s true.

I’m not exaggerating when I say everything I have in my life – outside of Paul and Shelley – is because I chose to explore the world rather than stay in Nottingham,.

Every. Single. Thing.

That doesn’t mean people who stay where they are from can’t also discover new possibilities, but it’s definitely going to be harder which is why I will be forever grateful for the opportunity – and my naivety – to go and explore what life was made of, despite not having the faintest idea of what I was doing.

It’s why I always tell people who have been offered the chance to live overseas that they shouldn’t let the things they’ll miss, hold them back … instead, they should think about all the things they may discover.

And I still stand by that.

But of course, missing the people you love is a big thing.

A huge thing.

I definitely missed my parents every single day and I went through a lot of emotional challenges on that journey.

But I was also extremely lucky my parents wanted me to explore.

Of course they missed me.
Of course they would have loved me to be closer.
But they wanted me to forge my own life, not be restrained by theirs, which is an act of love that still takes my breath away.

Even more so when they could have – and maybe should have – asked me to stay, given my Dad’s health situation that happened 6 weeks before I was due to leave for Australia.

I offered.
I meant it.
But they said no … and I swear it’s because they knew if I didn’t go then, I may never go at all.

That’s just so typical of my parents … always wanting the best for me while also understanding the reality of me.

And while part of this was them having faith in the values they’d taught me – for example, chase a life of fulfillment, not contentment – I think another part is they realised something I’ve only just started to discover.

Distance doesn’t make the heart grow fonder, it makes your relationships more present.

Greater focus, awareness and understanding on what makes you work together. The confidence to dismiss the differences that stand in the way of your connection. The willingness to be vulnerable – not just to enable greater intimacy – but to acknowledge their desire to want to help you, even if you feel they shouldn’t need to. And an openness to the uncomfortable in the knowledge, you’re not being judged … you’re reaching out.

I appreciate this all sounds like a post-rationalisation for being away from the ones I love and care about.

And maybe a bit is.

But as I’ve said before, creating space so the people who matter get the best of me rather than what is left of me is important.

It’s not easy.
It comes with challenges and sacrifices.
But while proximity keeps you near, maybe – just maybe – distance helps close the gap.

See you in a couple of weeks.

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Why Brand Assets Can Become Concrete Blocks …

Late last year, Metallica launched a new song called LuxEterna, from their upcoming new album, 72.

While it is a brilliant return to their roots, the choice of ‘yellow’ as a key colour was met with some negative commentary from ‘brand purists’.

I don’t mean fans, but brand and design folks.

This was amazing for 2 reasons.

The first is our job is to keep things moving evolving rather than continually replicating what’s gone before, so if anyone should be open minded to change, it’s brand and design folk.

[It also highlights my problem with people who keep banging on about ‘brand assets’, because they are confusing recognition with interesting. Or worse, thinking recognition beats being and doing interesting stuff for audiences]

Secondly, the album was designed – as many have been – by the brilliant folk at the wonderful Turner Duckworth … and given their body of work, if anyone knows about designing modern iconography, it’s them.

But overall, I just found the whole debate amusing.

Metallica have always approached albums as a way to express their current frame of creative mind … and given they always look to inject something new or challenging into their work, the choice of yellow seems the perfect way to communicate ‘next chapter’.

In the case of 27 Seasons – also known as the first 18, and arguably, most significant years of your life – James said this …

“There’s been a lot of darkness in my life and in our career and things that have happened with us … but always having a sense of hope, always having the light that is in that darkness, keeps us moving. Without darkness, there’s no light, and being able to focus a little more on the light instead of how it used to be and how horrible it is, that can only be a good thing. There’s a lot of good things going on in life — focusing on that instead helps to balance out my life. And there’s no one meaning to it — everyone has some sense of hope or light in their life, and, obviously, music is mine.“

When you read that, it’s not hard to work out that the use of yellow is part of a bigger idea around the album rather than a desire to build a one colour brand which some have claimed.

Unsurprisingly, they’re the same people who talk about brand assets like you can just buy them off the shelf rather than make them a byproduct of what you do, so that they have value in them that you also keep building.

By pure chance, I was asked by people connected to the band to do a talk to a music publishing company.

While not specifically related to Metallica, I was asked by someone in the audience for my opinion on their ‘new image’ and whether it risked upsetting their core audience.

I had thought this question may came up, which is why I had prepared an answer.

After informing them I had never known a brand – let alone a band – who knew their audience as well as them … and if you listen to the track, I doubt any of their fans would mistake a revitalised Metallica for Ed Sheeran … I said this.

“If Rock n’ Roll is about rebellion, then surely there’s nothing more rock n’ roll than Metallica using yellow rather than the category norm of black?”

It was met with applause.

And some disgust, hahaha.

But here’s the thing …

Brands – and bands – don’t move forward if all they do is give audiences the same thing over and over again. Nor will they if they just give audiences exactly what they want over and over again. Longevity is as much about keeping people on their toes as it is satisfying their passion and curiosity and you only stand a chance of achieving that by following what interests you, not what interests everyone else.

Metallica get this more than most.

It’s part of the reason they have stayed at the top … because by doing things that interest them, they do things that interests more people rather than just the same people.

As I wrote for MTV years ago, brands can learn a lot from bands … because while brands may think finding shortcuts or disguises allows them to optimise their efficiency, everyone else can tell it’s because they’ve run out of ideas or energy.

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By the way, 72 Seasons comes out tomorrow. This is not a sponsored post. Well, not directly anyway, hahaha.

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