The Musings Of An Opinionated Sod [Help Me Grow!]


What A Load Of Crap …

I met someone recently who said they bet I spent my money on crap.

To be fair to them, our conversation had probably led them to that conclusion based on something I did while I was talking to them.

But I still say it was because I was interested in knowing more about them, rather than just trying to avoid them – which I appreciate sounds like an excuse, but it’s not. Honest.

That said, I appreciate what I did could sound a bit ‘weird’ out of context and while I know many would suggest this is just one more bad purchase decision in a long line of bad purchase decisions [100 robot dogs and a windmill anyone?] … the reality is in both those cases, they – admittedly, amazingly – made me money, which means I’m a genius.

Or it would if they weren’t the exception to the rule.

But while I am sadly much more sensible with my spending these days [comparatively speaking] the reality is I do like buying things that appeal to me emotionally more than logically.

Not because I’m a psychopath.

And not because I have bottomless piles of cash.

But because I like going down rabbit holes of discovering what other people feel are important to do – even if I don’t initially understand why they would do that.

Which is my way of explaining my latest purchase. This …

Yep, it’s a book on toilets. Toilets from all around the World.

And why would I do such a thing?

Well, it’s not because it’s a book … it’s because it celebrates people who decided they wanted to do something special with the most functional room in their house or building.

At a time where efficiency and optimization are the most biggest influences in seemingly every decision being made these days, a book on magical bathrooms is – in some way – the politest way to say ‘fuck you’ to all of that.

A reminder you can be, to paraphrase Mr Weigel, functional as hell and not be boring as fuck.

We need more of that … especially at a time where even the Cannes Lions seems to have forgotten about the role and importance of creativity that sustains over time, rather than just communicates in the moment.

So here’s to a book of magical toilets all around the World.

It’s a greater reminder and educator on the value of creativity than almost 99.6% of the hot takes on Linkedin.

Including this one, haha.

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Rigor Is More Than Knowing What You’re Doing …

When I spoke at the conference in Berlin, I talked about rigor.

The main reason for doing that was because while our discipline talks a lot about rigor, more often than not – it seems the emphasis is far more on the adoption of marketing science principals rather than putting in the time and effort to really get under the skin of our clients situation and the context and understanding of the audiences they need to embrace.

The obsession with ‘sprints’ is part of the problem …

Because it seems clients care more about having fast answers than they do right answers.

Oh, I know they claim to give us all the information we need to move forward, but – as Dan Lyons pointed out in his brilliant book, ‘Disrupted’ – too many companies don’t know ‘who they are, who they’re for and what they do’, so the result of that is we are encouraged to make work that appeals to who they wish they were, rather than who they are.

Hence the need for rigor.

To be given the time and space to understand what the hell is going on.

Now of course, I appreciate time is money … and what we do can cost a lot of it … but while you can definitely take too long to do things, you can also not take long enough, which is why briefs need to be more about what we need to change than what we want to say.

And while there’s more data out there than you could ever use, the reality is nothing – and I mean nothing – has the impact of spending time with the people who are deeply entrenched in the category/product/brand that you’ve talking about.

They’re the ones who know what’s going on.
They’re the ones who see the challenges and problems.
They’re the ones who evolve what and where things can go.

And while they may well be at the far edge of where the category is, more often than not – they’re also the people who bring the masses along with them.

Or said another way, they’re the ones who can help you listen and understand like a fan. An educated fan.

Because the more you do that, the more you are exposed to the textures and nuances that reveal the truth, power and possibilities of what you are dealing with. Truth, power and possibilities that – in the obsession with speed – often get overlooked or devalued in favor of quick wins and convenient answers.

It’s basically how Rick Rubin has always approaches his job …

Understanding the artist’s truth and pushing/elevating it, rather than simply having a singular format that he adopts regardless of who he is working with or the situation they are currently in.

And before you dismiss this, there’s 2 important things to remember:

1. What he is doing is basically strategy.
2. What he has achieved – by any criteria you want to measure him by – is beyond almost anything any strategist in our industry has.

Now it is important I point out that I don’t have a problem with marketing science …

It has a place in the strategic process and has lessons/considerations that are valuable and important.

My problem with it is far more about how it is presented, specifically by the people who have a vested interest in promoting their ‘methodology’ … because they suggest it is the only way to liberate a brand’s potential when that is not the case and – generally – it is designed to not go wrong, rather than to elevate how far you can go.

Which is why we need to stop confusing ‘marketing science’ as strategic rigor when it’s more strategic 101. Valuable, but foundational.

It’s also why, I have a sign in the Colenso ‘strat’ department that reminds everyone that true strategic rigor requires us to be …

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Welcome To The 80’s. Again …

The last 2 posts of this week have been pretty heavy … or, even angry.

And I make no apologies for that when I see how the talent in our industry are being undermined by people who only care about themselves than elevating the real value of what we do.

But even I need a rest from it, which is why I thought I’d talk about this …

This is the window display of a shop near the Colenso office.

Now I know they say New Zealand is 20 years behind the rest of the world but even then, it’s mind-blowing this is still up.

I mean, look at it?

It’s to even the overly sexualized image, it’s how fucking rubbish it is.

Like an outtake from this old Hagen Diaz ice cream ad by BBH, putting aside the production quality of this spot FROM 1992, is still better than this suntanning bullshit …

On one hand I’m almost impressed, because it takes a lot of delusional confidence to use this image, and while I get that I ‘noticed it’, that doesn’t mean it’s smart. And that’s where a lot of people go wrong with creativity – thinking that anything that stands out means it’s justifiable. Because while there are moments where ‘shock’ has a strategic rationale, it loses its value when [1] it’s for something no one gives a fuck about because it’s pure superficiality and [2] when every other fucker is adopting the same approach, because then you’re not standing out – just blending in.

Creativity is far more about smartness and sharpness than blatant attempts at shock value … but in the hands of those who don’t know or care what creativity can do – or be – for them, you end up with shit like this.

Or the Heinz/Heineken bullshit collab.

The thing they marketed as ‘the collab you’ve been waiting for’ – hahahahahaha, yeah right.

Of course I appreciate some people will read this and say I don’t know what I’m talking about, to which I will ask who is saying that.

Because I am pretty certain the majority of them will be people who’ve never made any actual creative work, let alone anything of note.

Work can be powerful, differentiated and impactful in a whole host of ways … starting with knowing the people you’re specifically talking to.

And that’s the problem, too many companies have no idea who they’re talking to, so try to talk to everyone.

Which is why you end up with that ketchup beer bullshit – or worse – that Maxwell House disaster.

Don’t get me wrong, I love causing mischief as much as the next guy. Probably more.

And I have probably done more of it than most … including some utter disasters, including the infamous ‘KitKat Royal Break’ nightmare.

But as I said, great creativity is inherently smart, sharp and surprising – rather than just playing the ‘superficial shock’ card – which is why whenever I am in this situation, I always remember something the great Rupert Howell – no slouch in provocative approaches – once said to me:

“Robert. One of the most important lessons to learn is ‘just because you can, doesn’t mean you should”.

Reinforcing why we need more people educating the industry on ‘taste and trouble’ rather than how to blindly follow a framework that has zero nuance, understanding or space for context, category or audience.

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How To Be A Great Client Who Creates Great Work …

I’ve been around.

I’ve been doing this strategy thing for longer than many who read this blog have been alive.

And of all the things I’ve learned, one of the most valuable has been to never doubt the importance of having a good client.

To be clear, a ‘good client’ doesn’t mean they never challenge you. Or place high expectations on you. Or resist the urge to add pressure to what needs to be done and by when.

The reality is good clients do all those things. The difference is how they do it and why.

Because a good client acts as a proper partner.
They take responsibility for what they need to make happen.
They calm and control the internal noise, voices and opinions.
They share your ambition for the work, not just for the desired impact of the work.
They welcome, encourage and invite truth and transparency.
They remove the barriers and fears that stand in the way of making something great.
The don’t blame, shame or complain – they stay the course and know when to get involved and, just as importantly, stay out the way.
They never dictate … because they’re always clear with what needs to be done and why.
And if things change, they tell you early and transparently.
Plus you know they will have done what they can before that situation occurred.
They always listen at least as much as they talk.
They brief with an actual document not just a casual conversation.
They give feedback that is objective rather than just subjective
They don’t let internal processes stand in the way of opportunities that come their way.
They trust you and your expertise and look for the best rather than seek out the worst.
And they never, never treat you like you’re a servant, commodity or low-level employee.

They do all those things.

All of them. All the time.

Which is why you can have all the processes in the world …

You can have all the systems, data, structures and efficiency tools …

But not one of those comes close to what a great client can deliver and do.

For the work.
For the business.
For the customers and employees.
And for making sure you do everything you can to given them the work of their lives.

We don’t talk about this enough.

And we certainly don’t teach it or train it.

Instead, we keep hearing how we must adhere to a singular process or format, regardless of category or context, even though it has often been created by people who have never made anything of note and if they have, in one area and one area only.

You can tell who they are because they love to sound like they are business liberators when – as I’ve said many times – they’re far more like insurance salesmen.

And that’s find if you want that sort of thing – but often that is never how it is sold. Now of course I understand there’s huge costs and risks associated with creativity and marketing … but there’s a major difference between playing to win and playing not to lose … which is why there’s a huge difference between a client who uses process and deliverables as a stick and those who operate via transparency, taste and trust.

And for those of you who don’t think one person can negatively – or positively – influence the output of a corporation, even if they have built an approach and format that has been tested over years, I refer you to the quote by the Dalai Lama.

“If you think you are too small to make a difference, try sleeping with a mosquito”

We need more training from the people who have made great things happen and over again …

Actual things, not just theories, self promotion or

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Why The Industry Needs To Go To Specsavers So We Can See The Difference Between An Idea And An Execution …

As it’s Monday, let me start this post with some good news.

This is the last week of posts for a while as I’m flying off to Europe on Friday.

Not for a holiday.
Not for Colenso.
But for a stream of meetings in LA, London, Amsterdam, Milan and Berlin.

All in 8 days. Darrrrrling.

God, what an asshole humble brag. That isn’t even humble.

Which is why I am not asking you to feel sorry for me because [1] I’m not stupid and [2] 8 days or not, it’s a fucking dream gig. However – if it makes you feel any better – while all of these trips are at the invitation of a range of different VIP’s, I’m only going because they want me to be their cat litter tray rather than be a valued guest.

Did that make you feel less loathing towards me?

What about making the darkness of Monday morning feel a bit brighter?

No? OK … better move quickly on.

So not too long ago, I wrote a post about the brilliant Trevor Beattie and his brilliant analysis of the modern Specsavers creative work.

Specifically, the strategic shift from ‘what it was’ to ‘what it is’.

And while he didn’t say the current work doesn’t live up to the standards of the original work, his central point highlights – at least to me – why I don’t think it does, exemplified by this piece of work that I saw near our office recently.

I should point out this gives me no joy to say whatsoever, because:

1. Specsavers played a significant role in saving my sight by recognizing my disease early and then writing a referral letter for me to urgently see a specialist.
2. Specsavers has continually proved the commercial and creative power of s great idea.
3. The shift Trevor highlighted, may – for reasons I don’t quite understand – be deliberate.

But whatever is behind it … going from the comedic potential of not seeing properly to laughing at the incurably stupid … has potentially resulted in moving the brand from friend to foe.

Or worse, bully.

Now whether they meant this to happen or not is anyone’s guess.

I’m assuming not.

Which reinforces the need to always understand the nuance of an idea – because if you don’t do that, you don’t just undermine years of craft, care and rigor, you undermine the very value you are being paid to elevate.

See my recent post about the billboard for the movie, Devil Wears Prada 2.

There’s too much complexity in our business. But solving it with simplistic interpretation doesn’t help anyone either.

Which suggests every creative, strategist, suit and marketer may need to go to Specsavers to see how to do their job properly.

With craft.
With rigor.
With care.
With an ability to actually – ironically – see it.

And with an understanding of the nuance behind the idea so your work – whaever role you play – is always building the brand up rather than tearing it down.

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