Filed under: 2024, A Bit Of Inspiration, Advertising, Agency Culture, Apathy, Attitude & Aptitude, Authenticity, Brand Suicide, Brands, Communication Strategy, Complicity, Confidence, Consultants, Context, Contribution, Corporate Gaslighting, Crap Marketing Ideas From History!, Creative Brief, Creative Development, Creativity, Culture, Delusion, Differentiation, Distinction, Effectiveness, Egovertising, End of Year, Experience, Fake Attitude, Honesty, Influencers, Leadership, Management, Marketing, Marketing Fail, Mediocrity, Only In Adland, Perspective, Planners, Planning, Point Of View, Positioning, Pretentious Rubbish, Professionalism, Provocative, Purpose, Relevance, Reputation, Research, Resonance, Respect, Ridiculous, Standards, Status, Status Anxiety, Strategy, Stubborness, Stupid, Success, Talent, Toxic Positivity, Truth
As tomorrow is one of those terribly indulgent ‘thank you and goodbye to ’24 post’ [the blog equivalent of boring someone with ‘what they dreamed about last night’], I thought today should be a RobMegaRant™ post … ending the year as I hope to start next year, hahaha.
So with that, take a look at this bloody amazing picture.
How awesome is it?
I have absolutely no idea where it’s from or when it’s from but I can’t stop looking at it.
The browns.
The clothes.
And then – of course – the egg salad machine.
You can imagine that at the time, this was a demonstration of innovation.
Of technological advancement.
Of commercial optimisation.
A glimpse into an automated world of high efficiency and effectiveness.
Removing barriers and friction to provide audiences with consistent, satisfying results.
Except it wasn’t was it?
Not in the long-term … and most likely not in the short-term either.
Oh sure, there’s machines that make industrial amounts of egg salad to shove in cheap and cheerful sandwiches you get at the local petrol station … but in 54 years of being on – and around – this planet, I’ve never once seen any ‘public egg salad maker/dispensers’.
Not even in Japan.
And that’s because it’s a shit idea, for a shit-ton of reasons.
Taste.
Quality.
Consistency.
Health and safety.
The fact no one wants egg salad every single day of their life.
And that’s before we even get to issues such as ‘appetite appeal’.
Looking at the picture and you can’t help but wonder, “what the fuck were they thinking”?
Except our industry does a similar thing ALL. THE. TIME.
An endless production line of ‘proprietary’ systems, processes, models and formats … promising the world and promoted using almost identical language and benefits that was likely used for that bloody egg volcano machine.
Innovation.
Automation.
Optimisation.
Advancement.
Transformation.
Effectiveness.
Efficiency.
Put aside that in most cases, the only ‘proprietary’ element is the name that’s been given to it.
Put aside that in many cases, the people behind it have never created something of disproportionate value and impact.
Put aside that the vast majority of these ‘innovations’ are more about not being left behind rather than moving you forward. [Read: marketing transformation]
Put aside that in many cases, the real purpose of the product is to reinforce the ego – and/or bank account – of the person claiming to have all the answers.
Put aside that many of the companies who flock to it tend to be those who choose to abdicate and outsource their responsibility for decisions and choices.
Don’t get me wrong, there are some really good innovations in our industry. There are also far too many people who dismiss change simply because they don’t like it. And we cannot forget that we unfairly expect new ideas to deliver the results of established ideas.
However, when certain parties peddle their products, tools, services, models, formats with the attitude of it not just being the right way, but ‘the only way’ – where they guarantee success regardless of category, country or spend – then frankly, not only should we see their declarations as an admission of [at best] blinkered thinking or [at worst] evidence of being a chancer and/or hustler … we should be asking ourselves why the fuck are we blindly trusting the self-serving voice and opinion of those whose only major commercial achievement is elevating their own name and image.
I am over efficiency and optimisation being peddled as innovation and progress.
I am over process being regarded as more important than output.
I am over loose association being reframed as expertise.
I am over easy being more valued than quality.
I am over people thinking being good in one thing means they’re excellent in all things.
We need to stop thinking of insurance salesmen as pioneers.
Sure, the good ones have a role to play – especially when companies are downgrading training for their employees – but it’s not as a leader of marketing/brand/creative innovation. Even more so when the reality is many are either riding on the efforts and achievements of someone else or simply communicating the 101 of particular disciplines under the guise of it being at the highest academic standard.
Forgive me for my skepticism, but even if it was true – which it isn’t – I don’t see many universities achieving cultural status and influence through their marketing approach. Hell, most universities don’t even know how to differentiate themselves from each other.
Please don’t read this as being anti-education. God no.
The reality is the industry needs more teachers. Or should I say better ones.
Not the self-appointed guru’s who peddle their self-serving blinkered services for profit, but those who have been there and done that. Who have consistently done things at a standard that goes way beyond just basic levels of achievement. Who can talk from the perspective of being at the coalface, not from a pedestal. Watching on with their binoculars. We need to celebrate those with actual experience, not just assoicated opinions.
Or said another way, we need chefs not egg salad salesmen.
Lets hope in 2025, we get back to valuing the ingredients, not just the convenience.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Authenticity, Brand, Business, Collaboration, Confidence, Content, Context, Contribution, Creative Development, Creativity, Culture, Emotion, Empathy, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Music, Point Of View, Relationships, Relevance, Reputation, Resonance, Respect, Strategy, Stubborness
As many of you know, over the past 8 years, I’ve found myself working with a number of artists/musicians/bands on a whole bunch of projects.
The Black Keys.
Red Hot Chili Peppers.
Journey.
Metallica.
Muse.
Massive Attack.
Some have been one-offs assignments … some have been more long-term collaborations … some have been direct with the artists … some have been via their managers/record labels/third parties … but overall, bar the RHCP/Kiedis ‘experiment’, they’ve all been creatively challenging, fascinating, and fulfilling.
Now to be honest, there are many things I love about working with artists, however a couple of the things I love most are the questions they ask and the attitude they have towards what they want to do.
Their questions are never with an underlying agenda. Of course, I don’t doubt they’re capable of doing that … but I’ve never personally experienced it. Yet. Hahaha.
Personally, all I’ve ever heard are questions expressed with a genuine sense of curiosity behind them … a real desire and willingness to explore something that’s in their head and on their mind.
But more than that, there’s an openness to hearing what you think in response.
A willingness to discuss, debate and talk it out.
I think I’ve written about the first time I did a project for one artist who, frankly, hated what I’d done. Actually, hate is probably not a big enough word for how much they loathed it.
Not because it was wrong, but it was wrong for them in terms of their specific values, beliefs and approach to what they did.
Anyway, at the end of the meeting – thinking they were going to tell me this wasn’t working and we were going to ‘part ways’ – I asked, “so what should we do next?”
You can imagine my surprise when they responded with: “Well, now you’ve heard why we don’t like it, we assume you’ll take that into account with whatever you suggest we should do in your updated reccomendation .”
I was stunned. Not just by how they answered, but the impact their response had on me.
Because while they had made it very clear they didn’t like what I’d done, they made sure I understood their comment was purely in relation to the specific task I’d done rather than a judgement on my overall ability or approach. In fact they went further than that … through their choice of words, they actively showed their belief and support in who I am, what I do and what I could do for them that they may otherwise not be able to see or pull off.
Now let’s face it, it could have been so different.
We’re talking rockstars here, so its not hard to imagine that they could …
Dictate what I had to do.
Demand how I had to do it.
Dismiss my involvement and opinion.
… after all, we see clients try and pull that shit every single day. But instead, they let me walk away from a pretty bad meeting feeling confident, encouraged, inspired and ambitious.
For someone who has been doing this job for a very long time, I can tell you that meeting was up there with the very best experiences I’ve ever had with the very best clients I’ve ever worked with.
A sense of shared transparency, responsibility, ambition, expectation, standards and support.
And it’s a sense that has continued to this day, even though there’s been some more awful meetings in-between, haha.
But that’s not the point of this post …
You see I’ve recently started working with another artist.
An incredibly successful solo musician. A singers, singer – so to speak.
Anyway, I was involved in a meeting with them recently where they were discussing an opportunity, they’d been presented … and watching their thought-process as they decided whether they wanted to do it was amazing.
Halfway through the conversation, they said: “I don’t care if the audience are bored, I want to make sure I’m doing something that doesn’t bore me”.
Now I get that on face value, that can sound incredibly arrogant … but that isn’t the tone they said it in, nor was it what they meant.
What they were saying was they needed to find a way to make what they were being asked to do, interesting for themselves, because otherwise they could not work out why anyone would find what they did interesting.
In many ways, they could just turn up and people would be thrilled, but that’s not their approach, attitude or standard.
Of course, part of this explains why they are where they are … but it was a beautiful thing to witness.
Where so many brands seem to have an attitude of ‘minimum viable satisfaction’ [MVS], here was someone who felt praise was only worthy if they knew they’d done something they felt had been truly valuable to them too.
Not for ego.
Not for arrogance.
But for growth, fulfilment and expression.
Imagine if companies adopted that same attitude in what they did.
Some absolutely do. Most, sadly don’t.
Seeing effort as an obstacle rather than a door to incredible rewards.
Not just financial, but personal.
And while money makes the world go round, the key thing I’ve learned from the artists I’ve worked with is if you play repeat, you satisfy everyone but yourself.
Then you don’t even satisfy them either.
And that’s why for all the processes, systems, models and marketing practices being peddled and pushed, the foundation for a fulfilled future is being open to challenging yourself, rather than always playing to where you’re comfortable.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Colenso, Collaboration, Confidence, Consultants, Context, Creativity, Culture, Cunning, Distinction, Effectiveness, Experience, Honesty, Individuality, Leadership, Management, Marketing, Mediocrity, Metallica, Money, Perspective, Planners, Planning, Relationships, Reputation, Resonance, Strategy, Success
I recently interviewed a successful artist.
What made them especially interesting to me was less their fame and more the fact they’d left a very popular group to go out on their own.
Not because they were ‘guaranteed’ success, but because they didn’t like how their management and record company dictated what they had to do.
As they told me the thinking that went into their decision, they said something I loved:
“Working for yourself is like being an artist in a studio. You’re free to create … you’re open to possibilities. Where most people have a dream, those with the lust to go out on their own stand the most chance of making their dream happen. Even if I failed, I would have felt good I had failed on my own terms”.
How good is that?!
Of course, I appreciate that when you’re successful it’s dead easy to say you would be OK to have failed … but I believed them.
Part of that is because they walked away from a very successful group. Part of that is they did in the knowledge their contract stated they would no longer be eligible for royalties. Part of that is before they launched their own career, they took time off to reclaim who they were. But most of all, I adore how they equated working for yourself as an artist who is in their own studio.
Despite having – and still – working for myself, I’d never thought of it that way and in the big scheme of things, the work I do for myself is the most indulgent, wonderful shit I have ever done. Not just in terms of freelance work, but in my whole career … and a lot of that has been pretty wonderfully indulgent.
But even with that, I looked at working for yourself much more in the way Michael Keaton looks at working for yourself …
Put simply, you love that you have more freedom, but you’re also aware you are the business … so every decision is weighted with more consideration or deliberation.
It’s why the two things that have helped me embrace what excites me rather than do what makes sense is Harrison Ford’s know the value of your value and the conversation I had with Metallica’s managers before I started working with them.
Now I say all this, but the fact is I also work for Colenso – however the reasons I did that were less about financial security and more about appreciating what makes me happy:
1. I need to work with people and build teams. I’m good at it, it makes me happy and I love seeing people grow and the reality is, when you work on your own, you rarely get the chance to do that.
2. Colenso is a place I’ve always loved and so to have the chance to work at a place that truly believes in creativity when so many just want to monetize any-old-shit was both hugely appealing and exciting.
3. They were totally open to me working a different way, which – for all the talk – few companies would ever consider, let alone allow.
4. When you work on your own, your development is more influenced by the projects and clients you work with, whereas when you are part of a team, your development is pushed and prodded every day. And I like that.
5. It offered us a chance to leave COVID-stricken Britain, even though within months … it hit NZ, ironically via the parents of a planner in my team. The second country brought to its knees by someone I’d managed. Oops.
So while I completely appreciate the privileged position I was in – and am in – the point is there was a lot of consideration about working on my own and working at Colenso … not just in terms of what I can gain but working out what I don’t want to lose.
Of course, there are going to be sacrifices along the way … but if you don’t think it through, you may find you’re running away from something rather than running towards something.
For me, that differentiation is a really important one to identify.
Don’t get me wrong, I get that sometimes you just have to escape the situation you’re in, regardless of where you’re going to end up.
I’ve experienced that situation twice in my life and it was horrible. Horrific even. And so getting away was real, urgent and necessary.
But I’m not talking about people in those situations, I’m talking about the folk who simply didn’t want to work for someone else. Didn’t want to deal with the expectations, the politics, the time pressures and the bullshit.
I get it.
I appreciate the appeal.
I basically covered it in a conversation with WARC back in 2020.
But there’s a major difference between not wanting to do things and creating the conditions to ensure you never have to do them and I’m surprised how often people haven’t done that.
Especially planners.
For example:
Do you know enough people at a high enough level who could be clients?
Do you have the experience that can command the rate you want/need to make?
Do you have the reputation that can protect you from commodification?
Do you have the expertise that ensures you don’t just shitty jobs no one else wants to do?
Do you have the network to ensure your abilities grow rather than stay where they are?
Do you have the commitment to keep learning and developing when it’s all dependent on you?
And while they may sound big questions, they’re not. Not really.
In many ways, they’re the difference between full independence and short-term escape.
I should point out I don’t mean this to sound like criticism.
I also don’t want this to be an obstacle to someone going out on their own.
My intent actually is the opposite. I want more people to prosper on their own terms … and by prosper, I don’t just mean financially, but also professionally and emotionally.
This is not because I am some wannabe Saint, it’s because it’s the only way creativity and strategy can regain the influence, credibility and power over the whims, wants and egos of agencies and companies.
Of course not all agencies and companies are like this … but sadly it seems more are than not.
And the more they try to commoditize the value of the independent professional – and boy, do they want to do that – the more we all end up paying the price.
Because suddenly people have to take whatever they can get.
Have to do whatever someone wants them to do.
Has to accept what someone wants to pay them.
I don’t blame them. Fuck, if I was in their situation, I’d do whatever it took – or whatever I could get – to put food on the table.
But it doesn’t have to be this way, or at least the odds can be improved if we – as an industry – talk more about how to think like an independent rather than talk about the benefits of it.
You see, while I love the sentiment of the artist I interviewed and their definition of ‘working for yourself’, I also deeply value the attitude of Michael Keaton. And maybe you need to embrace both to ensure you can be as free as you choose and be able to stay that way for as long as you want.
Because while the benefits of independence are very easy to see … it takes a fuckload of hard work to achieve it.
But it’s worth it. Or at least worth giving it the right shot to achieve it.
Just ask Zoe Scaman, Graham Douglas, Ruby Pseudo, Jason Bagley, Joy At Large.
And a million others who have done it. Not always the easiest way, but have done it.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Audacious, Authenticity, Bands, Brands, Business, Comment, Confidence, Context, Creative Development, Creativity, Culture, Differentiation, Distinction, Emotion, Empathy, Imagination, Individuality, Innovation, Leadership, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Metallica, Music, Provocative, Relationships, Reputation, Resonance, Respect, Talent
Recently I watched a documentary on a band.
A household name. Not just in America, but around the World.
It was pretty good … but the most interesting part of it was the interview with the manager.
Specifically how he described what he was there to do:
He said: “My job is to do one or two things that change your life. Not ‘good moves’ but change your life”.
And while they turned out to be arguably more focused on their own fortune than the artists they represent, it cannot be denied they achieved exactly what they said for the band in question … helping turn them into the biggest band in the world for a period of time. An accolade they have managed to forge into a long-lasting career that sees them continue to be at the top end of their industry.
Now of course, there’s a lot of things that go into achieving success like that.
Songs.
Talent.
Drive.
Concerts.
Fans.
Distribution.
Copyright ownership.
But a good manager has a huge influence and role to play in all of this … which got me thinking.
What if clients saw their agency partners as people whose role was to do the same as this manager?
To help them fundamentally change the trajectory of where their business is rather than continually communicating – and reinforcing – where they are.
Dramatic change, not incremental.
OK, there’s some clients who actually do that – and a lot more who think they are, but are doing the opposite – but the reality is for all the talk of ambition and change, so much of it what is done is about keeping things exactly where they are.
Part of this is because of the influence of ‘industry guru’s’ who have positioned themselves as business liberators when really they’re more insurance salesmen [made even more hilarious by the fact the vast majority have never created any actual creative work or built a brand of note] … and part of it is because of a narrative that’s been going around that suggests agencies care more about taking clients cash through excessive timelines and pricing.
As I’ve written before, this attitude is more bullshit than fact … shaped by a procurement process that doesn’t value quality of work – just the price of it – and a corporate attitude where the expectation is complicity not challenge.
Of course that doesn’t ignore the fact some agencies have also played their part in creating this situation by devaluing creativity, devaluing training and agreeing to whatever gets them the revenue – regardless of the consequences – which just reinforces what a mess we’re in.
It’s why I loved that managers quote so much …
The goal being to create the conditions to be ‘the exception’ by being exceptional..
Not ‘a little bit better than before.
Not ‘a little bit better than those around them’.
But to fundamentally change the context and rules of the game.
Champions, not just players.
Of course, it’s easier said than done … but I’ve had the pleasure of seeing it in action up-close-and-personal through Metallica’s management, which is why I know it can be done and I know you can increase the odds of it being able to be done.
Because in their case, what they’ve helped achieve is remarkable.
Put aside the fact they have worked with the band for almost 4 decades. Put aside they’re the most successful music management duo in music history. And think about how they’ve enabled 4 old men – who write what can best be described as ‘mass niche’ music – not just continue to live at the forefront of popular culture, but do it in a way where their creativity is deeply respected by all.
Hell, they’ve become the second most successful American group of all time.
OF. ALL. TIME.
But it’s even more than that … because they’ve also helped the band find new ways to push, explore and expand what they do with their creativity and how they can do it.
Incredible.
Of course, none of this would be possible without the band having the hunger and desire to keep pushing, but their relationship – and trust – of their managers is a key part of what enables it to be possible.
Which is why there’s a couple of things Peter Mensch – one half of their management team – said to me that has had as much impact as the quote that inspired this whole post.
1. “Our job is not to market the band, but to protect their truth”.
2. “We’re not paid to kiss their ass, we’re paid to tell them the truth”.
And maybe that’s a couple of the reasons why Metallica have been able to build a business and a brand [even though they would hate those terms] which is wildly more successful –culturally and commercially – than many brands who spend tens of millions trying to be.
Not just because music connects to people in ways brands rarely can, but because many brands don’t actually know who they are and don’t want to listen to anything that asks questions of them, they don’t want to acknowledge or accept.
So it’s little surprise an agency can change a brands life when brands so often choose to delude themselves with where they currently are … where their version of a relationship is based on how much you cost and how easy you are to deal with, than the quality of the advice and results you help them gain.
For all the systems and processes our industry has latched onto in a bid to prove our credibility and method behind our approaches … how many brands can we say have fundamentally ‘changed their life’.
One?
Ten?
One Hundred?
Certainly not as many as you would expect from the US$87 billion dollars spent on market research in 2023 delivered.
Which is why I leave this post with another music reference … another perspective that had a profound affect on me.
This time it’s from the band – albeit they were more artists than musicians – The KLF, who not only captured what I believe defines a great manager, a great agency and a great brand … but what also creates the chance for someone, anyone, to properly change their life.
“Don’t give them what they want, give them what they’ll never forget”
Filed under: A Bit Of Inspiration, Advertising, Ambition, Aspiration, Attitude & Aptitude, Audacious, Brand, Brand Suicide, Brilliant Marketing Ideas In History, Cannes, Collaboration, Comment, Confidence, Context, Creative Development, Creativity, Culture, Devious Strategy, Differentiation, Distinction, Emotion, Fast Food, Food, IMU, Innovation, Marketing, Marketing Fail, Packaging, Paula, Planners, Provocative, Qantas, Relationships, Relevance, Reputation, Resonance, Smell
Over the years, I’ve written a lot about collabs.
The good.
The bad.
The ridiculous.
But recently there has been one that has somehow achieved all three. AT ONCE.
That’s right, the glorious, overpowering flavor of Pickled Onion Monster Munch and Heinz mayo.
It’s the combination no one asked for … no one expected and no one imagined could work.
And it doesn’t, and yet it does.
It’s possible the unhealthiest and most unpleasant thing you could ever put in your mouth and yet – if you’re like me – and love Monster Munch, it’s something you could not possibly resist from trying.
Hell, when we moved to London back in 2018, it was literally the first ‘British’ food item I got Otis to try – literally the morning after we arrived – and the fact he liked them [at least he did, then] made me burst with so much pride, I could overlook his development of an American accent. Just. Check it out below..
But here’s the thing, similar to when the Absolut Disco Ball packaging made me buy alcohol, despite having not drunk anything since I was FIFTEEN YEARS OLD, this collab made me go to absolute lengths to get it into my hands.
You see you couldn’t buy it in NZ so I had to adopt different means.
I wrote to Heinz.
I joined their ‘fan club/DTC’ service.
I explored supermarkets in both America and Australia.
I contacted courier services about getting it and delivering it to me.
In the end, a plea on social media was answered by the incredible thoughtful Jestyn on Twitter/X … who not only got it for me, but sent it to me as well.
And while I would not get it again … the fact is I was not only more excited about it than 99% of brands out there, but I went to greater lengths to get my hands on it than I would for 99% of brands despite the fact I knew it was overtly bad for you and I’m Mr Healthy these days so I was perfectly aware that I’d only ever taste it once.
While there are many possible lessons we could learn from the creation of this, albeit, novelty product – be if fandom, communities or unexpected relevance – the real lesson is to follow, and then protect, the excitement.
The stuff that captures the imagination.
The stuff that changes the conversation.
The stuff that keeps people on their toes.
The stuff everyone keeps referring back to, even when logic tells them not to.
Because as Paula, Martin and I explained at our Strategy Is Constipated, Imagination Is The Laxative talk at Cannes back in 2023 … the greatest strategy doesn’t start from a place of logic, it finds the point of most excitement and works back from there.