The Musings Of An Opinionated Sod [Help Me Grow!]


Sometimes The Best Things In Life Are Hairy And Cranky …

So on Saturday, it will be our cat – Rosie’s – 16th birthday.

Sixteen. For a street cat from Singapore, that’s amazing.

What’s also amazing is that she’s still in pretty good nick.

Yes, you can tell she’s getting old.

She’s slower … less mobile and definitely sleeps more.

But by the same token she remains cranky, vocal and remains as demanding as ever.

And if another cat comes anywhere near our house, she goes full gangster mode … hissing, growling and acting like she’s ready to fight despite the fact she’s behind a glass door.

Like those TikTok videos that show men loving family dogs they didn’t originally want their family to have … I was in a similar situation.

I didn’t really want us to have a pet.

Not because I’m a bastard, but because Jill and I were living in Singapore and I didn’t know how long we’d be there and I just was worried about the hassle of bringing it with us.

But Jill had always had pets and I wanted her to be happy, so while she originally wanted a dog, we settled on getting a cat.

She threw herself into the search.

It wasn’t just about getting any cat, she had to feel a connection to it … so after visiting various pet shops with their over-priced, pure-bred snooty moggies, she came across a little street cat that had been found by a family and was wondering if anyone wanted to adopt.

Jill went to see it and it is here that street cat did the best move of their life.

As Jill lifted her up to her face, Rosie moved her head forward so their noses touched.

Despite the fact Rosie would not show such love and tenderness for about 6 years, that ensured the deal was done and we were now a cat family.

I still remember sitting in a cab outside the apartment as Jill went to pick her up.

I was a bit anxious and nervous and eventually the door opened and there she was, in her little cat bag, where we both wondered what the fuck we had in store for each other.

And while there have been some annoying, painful and scary moments … it’s been generally nothing but joy.

Put it simply, I bloody love that cat.

There’s things I’ve done for her that I wouldn’t do for anyone. Literally anyone.

What things? Well how about some of this …

In HK we paid someone to pat her so she didn’t feel lonely. I did a project for an airline on the condition they flew her in the crew quarters rather than the cargo hold. We built ‘penthouses’ for her to hang out in. I gave an entire presentation about what a client can learn from her and her ways. I even got my office painted with her – and some of my colleagues moggies. And that’s just the tip of the sad-cat-bastard iceberg.

That said, every year I worry this is the year … the one where we have to say goodbye.

And while I know that will happen eventually, she’s doing OK.

Yes she needs some blood pressure medication, but apart from that, she’s in pretty good nick.

That said, I remember when we were moving to NZ I was worried that would be it.

Despite having flown from Singapore to HK … HK to Shanghai … Shanghai to LA and LA to London … London to Auckland is a whole different beast.

But bizarrely it wasn’t just the distance that worried me, it was that there was a stopover in Singapore – and given she was originally from there, my nihilistic side told me it was written in the stars that if there was any place she would reach the end, it would be where she started, like some fucked-up circle of life. Which – to be fair to me – is kinda what happened when Otis was born and my wonderful Mum died a few months later. Which – given I knew she was ill – was something my nihilistic side had also started to feed into my head.

Except with Rosie, it thankfully didn’t happen. [Fuck you, nihilism brain]

Better yet, we knew it hadn’t happened at the time because we had paid for a service that ensured at every stage she was checked and photographed.

Hell, even when we ended up in MIQ in NZ – where we spent longer in quarantine than she did – we got bombarded with pics of her and she looked to be having the time of her life.

Jetlagged … but happy, thanks to brushes and treats that I had already got sent to the quarantine place before our arrival.

But if you think this proves how much she means to me, you’re only partially right.

You see, at her age – which is 80 in human years – my attitude is she’s earned the right to do whatever she wants to do.

Which is why I’ll get up at 3am if she decides she wants a treat at 3am.
Which is why I’ll give her my chair if she decides she wants to be under the aircon.
Which is why I’ll buy her an extortionately expensive outdoor beanbag because she loves sitting outside in summer.

If we were her servants before, we’re her slaves now and I’m OK with that.

NZ is good for her.
She has a lovely, comfortable peaceful life.
Lots of places to go hang out, a big deck to sit and watch the birds and loads of food and water. And treats.

And where in the past you always felt she was disappointed in you, now you feel her gratefulness.

A cuddle here. A lick there. Meows, headrubs and sleeping on your hip.

Hell, she’s even totally chill that Sky – Otis’ budgie – is in the house.

It’s a lovely feeling.
A family feeling.
And while we give her so much, she’s given us – and me – more.

Happy Birthday my dear Rosie. Keep proving the critics wrong and us on our toes.


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Time Machines Suck …

I’ve written this blog consistently for 15 years.

FIFTEEN!!!

My god …

But it gets worse.

Because bar a few weeks of holiday, it is something that has been written every single Monday to Friday.

That means there has been over 3,900 posts of utter gibberish for over 780 weeks.

And as tragic as that all sounds, there’s an awful lot of people who comment on here who have been here pretty much all that time.

LOSERS!!!

Now, I have to say there are some lovely benefits to long term blog writing.

In some ways it’s like a diary … capturing what I was thinking or doing at any given time.

It also is a lovely way to see how my opinions and thoughts have evolved over time.

Plus there’s the hope that when I’m gone, Otis will still feel his Dad is close.

OK … OK … there are some posts I definitely DON’T want him to read, but there’s others I’d be glad for him to keep going back to.

Putting aside I basically write the same 3 or 4 posts over and over again … there is a lot of my life contained in these pages.

From getting married to losing my Mum to having my son.

Proper life-changing stuff … and that doesn’t even cover the moves to different countries, jobs and homes.

The best and worst of my life is detailed here which is why – despite all these big life events being sandwiched between endless amounts of shit – I still like it.

Occasionally I randomly click on a date and just see what I wrote.

Recently I did this and was reminded what a little shit I was.

OK, can be.

It’s this.

Yep, it’s the time I tried to auction off Martin Sorrell’s business card so people could send him stupid messages or texts.

On the plus side, I was offering to give any money to charity.

On the negative, I was working for WPP at the time.

If you think that’s stupid, there was the time I wrote a post featuring a photo of Sir Martin with a picture of Toad of Toad Hall under the caption ‘Spot The Difference’.

And the weird thing is that while I don’t agree with his approach to creativity, I do respect him. I have met him on a number of occasions and he was very, very impressive.

Though it’s fair to say that respect was only one way, Especially when there was an agency Q&A and I asked him ‘what do you spend all your money on?’

So Sir Martin … even though I know you would never read this blog [more proof you’re clever] I would like to take this opportunity to apologise for my stupidity. It was ridiculous … but if it’s any consolation, at least it wasn’t as bad as this.

I know … I know … this was a terrible post even by my standards.

So celebrate in the fact that tomorrow is Good Friday so I’m off till next Tuesday and you’re not going have to deal with any more of this shit till then.

I don’t know about you … but it’s the sort of news that makes you almost believe in God, doesn’t it.

Happy Easter, enjoy the sugar rush.



Cowards Are Oppressors …

Many years ago, I did a campaign for Australian ‘youth’ radio station, Triple J.

Triple J was a government funded radio station, but what set it apart was that it had a mandate to play new artists, preferably Australian, who were definitely not part of the mainstream crowd.

Think John Peel, but Australian.

What I loved about them was how much they divided opinion.

To some they were hope. To others they were noise.

But as we delved deeper, it became apparent the people who thought it was noise were basically proud the followers of the mainstream. The focus-group designed. The beige and the blunted. The average.

Now I appreciate that sounds massively judgemental … but what I found interesting was how companies had basically messed with the meaning of average in a bid to make more cash from customers.

In the old days, average was an achievement.

The meeting point between quality and cost.

Democratisation.

Progression.

Access.

But now average wasn’t that at all.

It was mainstream mediocrity.

Designed for easy, passive appeal. Mindlessness. A strategy of making beige act like gold.

Which led to the point of view of the work: The enemy of average.

Directly targeting anything that had been designed to dumb down rather than lift up.

We got into all sorts of mischief …

From placing warning stickers on all ‘easy listening’ artists in HMV [that saw us being threatened with legal action] … to running ads during mainstream TV to tell viewers they’re being murdered by averageness … to images of mainstream mediocre products being placed in public toilets so you could literally piss on them. [Beige Volvo anyone?]

And while this may all sound madness – and this was the 90’s so tastes were very different – we knew the only way to attract more listeners was to ensure we did it in a way that made our existing fans see we were fighting for what we believe, rather than pandering to popularity.

The old reverse psychology trick.

And it worked because ultimately this was just an extension of who they truly were.

Stubborn, opinionated, mischievous, audacious and uncompromising.

A teen who was very comfortable in playing with the uncomfortable.

And what this did was help build the cult of the brand … helping Triple J enter a new phase of growth while never looking like they were chasing fame.

Of course, they’re not the only ones who have pulled this off.

Playstation did it … NIKE have done it … Supreme do it … but the key to pulling this off successfully is knowing who you are and knowing who you’re for and frankly, not many can brands – or agencies – say that, especially these days.

What makes this even more amazing is how many agencies and companies bang on about their authenticity and purpose … but the problem is they can’t see what they’ve become: a mediocrity pleaser machine.

Of course the signs are there if you just scratch the surface.

Generic, mass audiences.
An aversion for sacrifice.
A desire to remove any sharp edges or opinion.

And while many think making a brand as easy to buy is the greatest way to achieve success, the thing they need to remember is the future goes nowhere in the hands of cowards.



Creativity Vs Complicity …

So many ads today end up just being fancy sales brochures.

A nondescript, stylish image that either has some meaningless line thrust upon it or a literal lift of the proposition from the brief to become the headline.

Clients love it because they think there’s no wastage.

That there’s no ‘thinking’ that the audience has to do to ‘get the message’.

I remember years ago – when I was working on SONY – the client kept referencing Mr Bean.

No, I’m not joking.

They kept saying Mr Bean is understood by all. Loved by all. Communicates a message without saying a word. They were really trying to push this until I pointed out that while that’s the case, no one would spend thousands buying a TV made by Mr Bean.

Then Balls got made and undermined my argument for years. Hahahaha.

And while I hate looking backwards, I can’t help but think the past was far more interesting creatively than where we’re at today.

These days Audi talk about ‘Future is an attitude‘ when once they talked about Vorsprung Durch Technik.

We have Chivas Regal going on about ‘every taste is an experience’ when once they talked about ‘giving Dad an expensive belt‘.

Heineken now ‘open your world‘ when they once ‘refreshed the parts other beers can’t reach‘.

We have countless other brands who were once so powerful with their brand voice who have now become bland.

[Nothing sums it up like this Audi ad for the same car with pretty much the same line]

What really gets me, is we have the talent in the industry to change this.

We have the hunger as well.

But while there are exceptions – and I mean it in terms of agencies who consistently bring the work rather than the odd bit of work getting through – somewhere along the line, we seem to have chosen a path of complicity.

Without doubt the research techniques becoming more and more favoured by companies plays a part in this. As our clients who are more focused on not making a mistake than making an impact. But it cannot be ignored that agencies have a lack of desire to stand up for what they believe is right. Preferring to be complicit rather than respected.

Which may explain why so few of them believe it is worth investing in finding out what is really going on in culture – preferring instead, to either outsource it or just accept the viewpoint of whichever ‘paid for’ 3rd party the client has hired to do the work for them.

What brought this all up was seeing an old Honda ad from the late 70’s/early 80’s.

OK, so Honda have a long history of doing great work – especially from Wieden London – but it’s always been a brand that has run to its own rhythm with its own idiosyncrasies. But even they – these days – are falling into the trap of rubbing off the edges that defines who they are to become like everyone else.

This ad – like so many of the truly great early 80’s ads – came from Chiat/Day.

My god, what an agency they were.

Sadly I say ‘were’ because as much as they still have great people in there and pull off the occasional truly interesting bit of work, when you compare them to what they were like decades ago, there is no comparison.

Brave. Honest. Distinctive. Creative as hell.

Hell, even when they lost, they did it in a way where they would win.

Every single person in adland – especially at C-Suite level – should read this brilliant article by Cameron Day, son of Guy Day … one of the founders of Chiat.

‘How Big Till We Go Bad’ is a fantastic guide on how to build a truly great agency. And then destroy it.

Anyway, I digress.

The Honda ad I saw of theirs was this …

No, your eyes are not deceiving you.

Once upon a time, car manufacturers – or at least some of them – understood equality.

No cliches.

No pandering.

Just treating their audience as adults and equals.

It’s not really that hard is is, but if you compare it to what we see today, it feels we’ve regressed. [Read more about car ad devolution – with a few exceptions – here]

I do not want to look in the past.

I believe my best creative work is ahead of me.

Or at least the potential of it.

To paraphrase Death of a Salesman – or the equally brilliant Nils of Uncommon – we shouldn’t be interested in stories about the past or any crap of that kind because the woods are burning, you understand? There’s a big blaze going on all around.

But the problem is, people have to see the woods are burning and I worry a bunch of the fuckers think it’s a sunset. Then again, it will be … because if we don’t push forwards, it will be the sunset on our industry and that will be the ultimate insult, because the past should never be more exciting and interesting than the future.



If Timing Is Everything, Planning Timing Is Nothing …

Despite being in this industry for 7,000 years, I still seem to get a couple of things wrong on a pretty consistent basis.

+ Creative briefs.

+ Estimating the time needed to do things.

OK, with the creative briefs, it’s less that I get them wrong … it’s just I end up writing so many different versions of them in an attempt to find the one that I think is the , most intriguing, infectious, provocative and sharp, that I end up feeling like I’ve just gone 12 rounds with a 50 foot robot octopus by the time I’ve finally finished them.

But in terms of estimating time … I remain, utterly rubbish.

I’m not saying I think something will take a day and it takes a year [though this one wasn’t that far off], it just means that I under-estimate the time needed for stuff by a day or two.

Is this because I over-estimate my capabilities?

Possibly.

But the real reason is that I tend to either find myself tumbling down rabbit holes that I find interesting or simply thinking there’s a better way to approach things and need to explore it rather than let it go.

While I appreciate this can be fucking annoying to my colleagues, I am a firm believer that rabbit holes have real value and nothing should be so set in stone that if something better comes along, you just dismiss it out-of-hand.

But all that said, it continually surprises me that I fall into this trap over and over again which is why I loved reading this:

66 years late!!!

SIXTY SIX!!!

When I read that, I immediately felt I had the precision of a German engineering company.

The efficiency of the Singaporean government.

And if I really wanted to feel better about myself, I could blame that 66 year delay on the creative team because the brief was written and accepted without hassle.

The thing is, while timing is vital, doing something well is even more important.

And while the evaluation of ‘well’ can be very subjective, I always feel that has to be judged by the person doing their work, the person they work into and the people who need to do something with it – ie: the creatives.

It’s not the client.
It’s not the producers.
It’s not the managing director.

That doesn’t mean you can take the piss or just blindly ignore their needs and wants, it just means the people who are doing the work need to feel the work they’re doing is the work they want to do.

And while they may never be 100% happy … and while they may face all manner of frustration from the people around them … the one thing I learnt from Dan Wieden, is when the work is great, all problems disappear..