We have got to a point where ‘the idea’ is seemingly regarded as a superficial bit of nonsense.
A wrapper for marketing.
Something as interchangeable as a phone cover.
For some utterly imbecilic reason, ‘the idea’ is now seen as optional – a potential distraction to purpose, eco-systems, frameworks and anything else designed to elevate an idea rather than be the idea.
No wonder our industry is in such a state.
Not only have we sold the value of creativity down the river, we now have a business model based on selling condiments rather than meals.
This post isn’t about dismissing the different and the new.
There’s value in a lot of them – despite the fact most of them aren’t new, just in possession of a new name.
This is actually about being stubborn with the priorities …
Because an idea isn’t wrapping, it’s the fucking present.
Have a good weekend … we have Monday off here, so see you Tuesday.
Don’t worry, it’s just for today and tomorrow then we go back to normal.
So just as shit. Sorry.
Anyway this is about the state of the creative industry.
Whereas once, it was filled with companies all wanting to create wonderful things to put into the world – regardless of their individual discipline or expertise – the emergence of consultancies has led to the industry now falling into 2 groups
Those who can’t help finding ways to put creativity out into the world in interesting ways and those who seemingly do all they can to never put anything out whatsoever.
While I sort-of understand the theory why agencies would like the idea of being like a consultancy, what I’ve found especially bizarre is that in doing that, they’re seemingly happy to dismiss making any actual creativity at all.
At first I was really confused how they thought they’d stay in business.
I mean, there are as many competitors as there are in adland.
Their entire model is designed around making actual creative work.
The lack of C-Suite engagement is more individual than entire industry.
Then I thought maybe I was completely wrong.
That they did want to make work.
After all, why else would their excellent strategists continually write 100 page decks filled with charts, ecosystems, frameworks and playbooks to every single client meeting?
Surely that is a sign of a company actually wanting to make something.
But then on closer inspection, I saw a lot of those decks had no creativity mentioned in them whatsoever.
And the conversation around audience was simplistic, generalist and utterly contrived.
In essence, they talked a hell of a lot but actually said very little.
“What the hell was going on?” I would ask myself.
And then on a cold night one Wednesday, I worked it out.
Those planners aren’t writing strategic decks, they’re creating remuneration landfill.
Thank fuck for the others.
The ones who know who they are.
The ones who push rather than pander.
The ones who create opportunities not wait for them.
The ones who run to the edge rather than run on the spot.
The ones who finish interesting things to start making more interesting things.
Except it wasn’t just about the language you use in your work, but how you use it.
How you ensure you are writing a strategy that has colour, movement, clarity and provocation.
I’m doing it a disservice as it is basically a masterclass – as all Mr Martin’s brilliant posts are – on how to write strategy, with the end result being you not only have a greater understanding for how to do it, but a greater respect for doing it.
The craft.
The consideration.
The way to take people to a place they can see and feel and want to fuck with.
However, as brilliant as it is, I’ve heard some say, “it’s all obvious”.
And while there is an argument for that – because what Martin says isn’t a revolution on how to approach strategy, simply a focus on how to do it well – the reality is there’s a big difference between knowing the theory and actually doing it.
Which leads to my issue.
Our industry is filled with planners who talk about how to make world class creativity, but have never made any.
That doesn’t mean they don’t have a right to talk about it, but it does mean they don’t have a right to act like experts about it.
But they do.
And while I am not suggesting these people aren’t good at many other things and ‘world class creativity’ is about as subjective as you can get … in the area of actual making work that has defined brands in culture, I think if you looked at the reel Mr Weigel can put forward, it would be better than most agencies could present.
But here’s the thing …
World Class creativity isn’t specifically about work that has run across the globe.
Nor is it about work that is for a global brand … though, it should be noted, he has done this and done it brilliantly which is often far harder to achieve than work for a smaller client with far less politics.
It is simply about the actual work.
Not the theory of it.
The actual work and how it changed the way culture looked at the brand and how the brands fortune changed because of it.
Not one or the other.
Both.
That he has done this at the highest level and – arguably – on the most consistent level of any planner on the planet, means people who are looking to belittle it because ‘it’s obvious’ or because ‘he works at Wieden+Kennedy’ are idiots.
Maybe you can get to this level because of luck – especially if you’re male and white – but you definitely can’t stay there because of it.
Especially at Wieden.
What this piece of brilliance Martin gave us was an act of generosity.
Something designed to help the individual be better so that the overall work can be better.
Making work that fights indifference.
Making work that has a point of view.
Making work that we can all be proud of making.
So to all those who truly care about the work, follow the people who actually make it at the highest standards, because anything is easy for the person who never has done it.
A while back, I did a presentation for the Brazilian APG about the dangers of perfect.
Or more precisely, the boredom of it.
It was my usual rambling mess of random pictures that goes off on tangents a protractor would find hard to calculate … but I still liked the underlying point that perfection stops possibilities whereas acts others may view as stupid … creates them.
[If you’re mad, you can see a static version of the presentation here]
I say I liked the underlying point until I saw this.
I really, really like this.
I love the idea that flaws help us connect.
I love that imperfection can make us feel normal. That it is something to aspire to.
Of course, the reality is perfection is just an illusion.
One persons definition of what is the ultimate expression of an idea.
A temporary moment, where they believe nothing better has been explored or revealed.
The problems start when that definition starts being challenged.
While some embrace it – seeing it as a way to push the boundaries of what they thought was possible – many fight it.
Using their definition to control, limit or devalue the work of the challengers.
Sometimes it’s due to ego.
Sometimes it’s due to money.
But everytime it aims to oppress rather than liberate.
It’s happening everywhere.
From technology processes to agency ‘proprietary’ tools.
And while there is a lot to be said for being proud of what you have done, when you use it to stop people creating their own version, it’s not.
I’ve seen too many people in too many companies follow the orders of their bosses simply because it’s easier to do that. Where they know expressing a different point of view will be seen as an attack rather than an attempt for everyone to be even better.
So while perfect might be nice and shiny and make you feel good, it also has the power to stop progress.
Or as the brilliant chart at the top of this post states, stop feeling you can relate.
Not because it’s so far ahead, but because of the speed society evolves, it’s too far behind.
But even though they’re all pains in the arse, compared to what others have – and are – suffering, it was nothing. Hell, even turning 50 gave me the chance to do this.
When I originally wrote this post, I’d listed all the things that had happened to me this year.
It was a very, very long list.
And while I am super grateful for each and every one of those things – from new jobs to new houses to family happiness to Paul doing Frothy Coffee full time – it just felt wrong.
Not just because there’s a whole host of people going through a terribly shit time right now. Nor the fact I’m a over the self-promoting, self-congratulatory, soapbox shouting by people on social media. Or even because the brilliant Mr Weigel wrote it better than I ever could achieve [as usual] … but because of something I read in The Guardian Newspaper a few weeks ago.
Specifically the very first sentence.
Which was – utterly bizarrely – about me.
No seriously, and it went like this.
On a sunny Tuesday afternoon in July, Rob Campbell, 50, received a Zoom call from his boss at the advertising firm where he worked as a head of strategy.
Part of it was because I don’t think I am that age.
Part of it is knowing I am.
And maybe it was at that point I realised just how lucky I am.
Not that I was naive to it before, but it became more apparent.
Because losing your job at 50 is shit.
It doesn’t mean it’s all over, but it’s unusual to have so many good things happen and frankly, it all made me feel a bit embarrassed which is why I deleted the list of stuff.
It happened. I just don’t need to share it because I lived it.
And while it would only have been there to act as a reminder of all that happened should I – or Otis, later in his life – wanted to jog our memory about it, the spirit of this post and those before it say all that needs to be said.
So instead, I want to use the rest of this post to say thank you.
There’s so many people I am grateful to have in my life.
So many people who made the worst year, in many respects, one of my best.
People on here.
People in the industry – some I knew, some I didn’t.
People who just read my instagram and got in touch.
You may not realise it, but it made a huge difference to how I saw the future.
Then there is my amazing family. Their unconditional belief and support meant I never had to panic. I never had to worry. I mean, I did have moments of it – but that was all because of me, never them. Jill never expressed concern. She gave me confidence by simply being confident in me so the whole experience never felt scary – which is incredible when you think about it. Then there’s Otis. God, I love that kid. Seeing him come home from his new teeny-tiny school in the country filled with stories and giggles meant the house never had a chance to feel bad.
My mates were ace. A check-in here, a word of advice there, a dollop of pisstaking and a whole lot of love. They ensured I never felt alone, and while I was perfectly fine with the situation I found myself in, they made sure I stayed perfectly fine with the situation I found myself in.
Of course I can’t forget my old colleagues. Not just from R/GA … but also Deutsch, Wieden+Kennedy and Cynic. So many got in touch. Offered to help. Made me laugh. They didn’t have to do that – especially the way I had treated them when we worked together, hahaha – but they did and it meant more to me than they may ever know.
I want to give a particular shout out to Blake Harrop.
Not only is he the most handsome, clever man in the whole universe but he is also the MD of Wieden Amsterdam.
When he heard what had happened, he sent me an absolutely epic note. I’ve always regarded him as a special man, but this just took it to another level and I will keep that note forever.
And then my clients.
Past. Sort-of present. And now, future.
Fuck me … what an impact they had on my confidence.
Not just in their kind words, but in their actions. Signing long-term contracts, introducing me to others and – in the case of two in particular – collaborating with me to start Uncorporated. As I’ve noted in other posts, the work it has let me be a part of is unprecedented and I cannot say thank you to them enough.
Finally to the wonderful folk at Colenso.
To have one of the agencies I’ave always loved reach out and ask me to join them was simply the icing on the cake. They were open, warm, encouraging and honest throughout the process before topping it off with most well written job offer letter I’ve received in my life. Seriously, it was a work of art and if there was an award show for this sort of thing, it would be a Black Pencil winner for sure. I can’t thank Scott and the team enough for the opportunity to play with them and I can’t wait to be there in March and cause some trouble.
What all this means is that I have been surrounded by wonderful people.
Not just the ones I know, but people who just reached out to see if they could help.
I don’t know what I have done to deserve it all to be honest [it must be Jill and Otis] but I totally get why people say it’s better to be lucky than rich.
So to each and every one of you, I want to say thank you.
Jill, Otis, Paul, Michelle, Mr Weigel, Mercedes, Paula Bloodworth, David Lin, Carina, Winson and Wanshi, Nils, my wonderful old planning team at R/GA London, Lesley Cheng, Ryan and Sam, Mike and Sam, Trudie, Matt Tanter, Group Think, Scott and Levi and all at Colenso, Blake Harrop, Karrelle Dixon, John Rowe, Mr Ji, Richard Green, everyone at Q-Prime, Metallica, RHCP, Richard David James, Paul Colman, Flash, Rodion, Charinee, Debbie, Leon, Jorge Calleja, George, Andy, Baz, Lee Hill, Simon Pestridge, Steve Tsoi and PT Black, Patrick the Dirty Ram fan, Michael Roberts, Ben Major, Holly Day, Lindsey Evans, Dan Hill, Rach Mercer, Donn the grandpa jumper wearer, Ben Perreira, Maya, Chelsea, Bree, James Thorpe, Lani, Tarik at Onroad, Leigh, Nic Owen, Bassot, Judd Caraway, Gareth Kay, Pickens, Wes, Hoala, Brixton Finishing School, Mark Lester, Ros and Hiro, Lea Walker, Phil Jacobson, Maria Correa, Sam Clohesy, Ian Preston, Doddsy, Lee Hill, the inspirational Murray Calder, Wendy Clark and every single person who has insulted, laughed or ridiculed me on here.
While I am sure I’ve forgotten some names, I assure you I haven’t forgotten your kindness.
To be able to have all this at 50, in one of the worst years the World has seen is insane. I definitely feel some guilt over it so I hope that in 2021, everyone out there gets lucky … and if I can do anything to help that, give me a shout – because it COVID has reminded me of one thing, we’re better together than separate.
May you all have an amazing holiday season. Or as amazing as it can be.
I send you thanks, love and best wishes.
And I leave you with the 3 ads that gave me hope that creativity still is a more powerful and deadly weapon than all the frameworks, funnels and optimisation put together.
See you on the other side. Specifically on the 11th.