The Musings Of An Opinionated Sod [Help Me Grow!]


Why Too Much Marketing Theory Lives In An Ego Filled Vacuum …

Once upon a time, I was asked to help a client based in Thailand.

They were very successful – having made Thailand the most profitable market in the World for their particular brand.

Anyway, part of the project involved a workshop and part of that workshop was about identifying new variants for their product.

So far, so good.

Until I realized they weren’t looking at this to expand who could become a customer of theirs, but how to get existing customers to buy more of what they make.

Even that was OK, until it became apparent they believed their product was so loved, their customers would continually fill their shopping baskets with 3 or 4 different versions of the same product because they just liked the ability to consume it in more places at more times.

In short, they believed the more versions of their product they made, the more volume of products their customers would buy.

Every time.

Forget that people have a finite amount of money.
Forget that people have other bills, items, people to look after.
They believed, if you made it … people would just blindly buy.

It’s the same blinkered approach that some sales organizations have.

Where they believe if one salesman brings in a million dollars of revenue a year, hiring 11 more will mean they achieve 12 million dollars of revenue.

It’s both blinkered thinking and wishful thinking.

Or – as my father used to say – “the expansion of logic without logic”.

I say this because it feels companies are viewing the subscription model in a similar way.

Once upon a time, subscriptions were seen as the exciting new thing for business.

A new way to charge for your products and services … regardless that ‘direct debit’ payments had been around for years.

There were 3 key reasons why repositioning cost as a subscription was so appealing:

1 It lowered the barrier to entry, so it could appeal to more/new customers.
2 They knew that while customers ‘could’ cancel at any time, data showed most wouldn’t.
3 It could, in theory, allow them to charge more per month than their old annual fee.

And they were right, it proved to be a revelation … until it wasn’t.

Right now, everything is seemingly a subscription model.

Food.
Clothes.
Streaming.
Gym and health.
Car purchasing.

But the one that really is making me laugh, are phone apps.


It’s almost impossible to download anything without it being a subscription service.

And that would be OK, except the prices they want to charge are getting out of control.

I recently downloaded a recipe app that wanted $14.99 A WEEK. A FUCKING WEEK.

$60 a month just so I could send it healthy recipes I see on social media and have them all in one, easy-to-access place.

Hahahahahahahahahahahahahahaha.

Sure, it had some features that would make it more convenient than just putting it into a saved folder on instagram … but it sure-as-shit isn’t worth me paying more than it costs me for Netflix, Disney+ and Spotify PUT TOGETHER.

I appreciate everyone thinks their product is the best product.

I acknowledge it takes a lot of hard work and money to make a new product.

But the removal of any ‘human reality context’ – ie: how much money do people actually have available to spend, and the hierarchy of importance they place on the things they spend – is not just stupid, it destroys the potential of good ideas.

Of course, part of the reason for this is because of how tech investment works.

Basically investors want big returns, very fast … so this pushes developers to build economic models based on a ‘perfect scenario’ situations.

For perfect scenario, read: not real life.

So they show things like:

The economic value of the health industry.
The impact of social media on diet choices.
The rise of health-focused products and services.

And before you know it, they’ve extrapolated all this ‘data’ to come up with a price point of $60 per month and said it not only offers good value, but will generate huge returns on the investment in collapsed time.

Except …

+ All this is theory because they haven’t talked to anyone who would actually use it.

+ They probably haven’t identified who they need to use it beyond ‘health seekers’.

+ And they absolutely haven’t understood it costs a lot of money to be healthy and so an additional $60 subscription for the average person is a cost too far … especially when things they use ALL THE TIME – like Netflix [which they already think is too expensive] – is a quarter of that cost FOR THE MONTH.

I get no one likes to hear problems.

I appreciate anyone can find faults if they really want to.

But being ‘objective’ is not about killing ideas – when done right – it’s about enabling them to thrive, which is why I hope business stops looking at audiences in ‘the zoo’ and starts respecting them in ‘the jungle’ … because not only will it mean good ideas stand more chance of becoming good business, it also means people will have more access to things that could actually help them, without it destroying them in other ways.

As perfectly expressed by Clint, the founder of Corteiz …

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The Commercial Value Of Protecting The Excitement, However Weird It Sounds …

Over the years, I’ve written a lot about collabs.

The good.
The bad.
The ridiculous.

But recently there has been one that has somehow achieved all three. AT ONCE.

That’s right, the glorious, overpowering flavor of Pickled Onion Monster Munch and Heinz mayo.

It’s the combination no one asked for … no one expected and no one imagined could work.

And it doesn’t, and yet it does.

It’s possible the unhealthiest and most unpleasant thing you could ever put in your mouth and yet – if you’re like me – and love Monster Munch, it’s something you could not possibly resist from trying.

Hell, when we moved to London back in 2018, it was literally the first ‘British’ food item I got Otis to try – literally the morning after we arrived – and the fact he liked them [at least he did, then] made me burst with so much pride, I could overlook his development of an American accent. Just. Check it out below..

But here’s the thing, similar to when the Absolut Disco Ball packaging made me buy alcohol, despite having not drunk anything since I was FIFTEEN YEARS OLD, this collab made me go to absolute lengths to get it into my hands.

You see you couldn’t buy it in NZ so I had to adopt different means.

I wrote to Heinz.
I joined their ‘fan club/DTC’ service.
I explored supermarkets in both America and Australia.
I contacted courier services about getting it and delivering it to me.

In the end, a plea on social media was answered by the incredible thoughtful Jestyn on Twitter/X … who not only got it for me, but sent it to me as well.

And while I would not get it again … the fact is I was not only more excited about it than 99% of brands out there, but I went to greater lengths to get my hands on it than I would for 99% of brands despite the fact I knew it was overtly bad for you and I’m Mr Healthy these days so I was perfectly aware that I’d only ever taste it once.

While there are many possible lessons we could learn from the creation of this, albeit, novelty product – be if fandom, communities or unexpected relevance – the real lesson is to follow, and then protect, the excitement.

The stuff that captures the imagination.
The stuff that changes the conversation.
The stuff that keeps people on their toes.
The stuff everyone keeps referring back to, even when logic tells them not to.

Because as Paula, Martin and I explained at our Strategy Is Constipated, Imagination Is The Laxative talk at Cannes back in 2023 … the greatest strategy doesn’t start from a place of logic, it finds the point of most excitement and works back from there.

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If You Want The Work To Lead You Forwards, Learn From Musicians Not Marketing Practice …

So we got through the first week of this blog in 2025.

Congratulations … we all survived and no one died. I think.

That said, the subject matters of the posts have been a bit of an emotional rollercoaster with things such as anger, frustration and loss. So with that in mind, I thought I’d end the week on a more positive tone.

Kinda.

One thing I have always actively rallied against is stringent strategic processes.

That doesn’t mean I don’t care about rigor or standards – obviously I do – however I don’t think that is demonstrated by blindly following a set process that has pre-determined what is or isn’t of value.

There’s 3 main reasons for this.

1. It automatically narrows and filters what can be used.
2. It ignores differing contexts, situations and categories.
3. You are actively stopping the chance for happy accidents and/or better answers.

It’s one of the main reasons I love working with artists, because at the end of the day – they are the creative – so for them, they determine success by what they FEEL is better rather than what the process tells them it is.

Nothing brought this home more to me than a scene in the documentary about the making of Do They Know It’s Christmas back in 1984.

Bob Geldof and Midge Ure had got together to write a song that they hoped would raise money for the starving in Africa. The single – launched in December ’84 – featured many of the up and coming posters of the era, ‘bullied’ into turning up by the irrepressible Geldof.

Over the space of a chaotic 24 hours, singers … duo … bands … all traipsed into SARM studios to record a song that had just been written and no one knew. Amazingly, there were few egos, with everyone focused on what they had to do, but it’s here that we see a brilliant example of letting the process play second fiddle to perfection’.

George Michael was at the mic and told how to sing his line.

He did it, but while sounding good, he felt it did not reflect the power he wanted to put into it.

So he suggested changing the intonation and sang it.

And he was right, it did sound better …

In fact, it became an iconic moment in the song.

But it might not have been if he was working with people obsessed with following the process than valuing what the process is supposed to deliver.

Fortunately, George was being produced by 2 other singers – and the incredible Trevor Horn, who owned SARM – who recognized that what they had suggested was no where near as good as what he had delivered. And so while it had an impact on how the following lines of the song were structured, they embraced it because ultimately, they knew it was better.

Have a look at this:

[As an aside, you should watch this fascinating interview where Geldof explains how self-awareness about his career meant he was uniquely positioned to identify the need and opportunity for the Band Aid single]

Now you may think this is obvious and I shouldn’t be making a big deal out of it.

And you’re right, it is … except we live in an age where too many companies focus more on the systems, processes and marketing practices than what they produce.

If you think I’m talking rubbish, ask yourself this.

Is there more conversation, debate and value placed on the process being put forward or the work delvered?

I would hasten a guess it’s the former.

It blows my mind.

As I said, process is important – but often its developed without any consideration to what it needs to create or change … blindly believing that if the process is ‘right’, then whatever comes out the other end must be too.

Which – as history and marketing has continued to prove – is bollocks.

Almost as bollocks as people sticking with whatever is made – even though they know it’s not as good as it could be – because ultimately they can point to ‘a process’ and outsource any responsibility of output to that.

How fucking cowardly.

But musicians don’t do that.

Musicians play for the song. Always.

Which is why they’re open to possibilities because the goal isn’t control, it’s expression.

Here are two other examples of it …

First Rick Rubin with his suggestion to Jay-Z on how to start 99 Problems

And Eddie van Halen, rearranging Michael Jackson’s ‘Beat It’ so the solo sounded better:

Let’s be clear here, Jay-Z is hardly a shrinking violet. Same for Jackson. And yet they were open to their guests making a suggestion because they [1] knew it was coming from a good place and [2] it was better.

How often does that happen in our line of work?

How often does someone with ZERO experience in a particular discipline tell someone with a track record how to do their job. How to make something better?

It’s why I laugh when people like Mark Ritson comment on what is/isn’t good creativity.

Don’t get me wrong, he knows a huge amount about marketing practice … he offers real value in developing important marketing 101 rules and behaviours, but he knows fuck all about creativity or innovation.

And I wouldn’t care a less if he didn’t bang on like he was God.

As I said, he is very smart and can make a huge difference to certain sorts of companies. But – despite what he likes to think – not all companies. And the reason why I will always value someone like Rubin more than Ritson is that Rubin plays for the work, not for his own ego.

Open to someone being better. Or smarter. Or just making a better idea.

Not because they don’t care about the process, but because they care more about what it’s supposed to deliver.

Musicians often get dismissed as ramshackle and chaotic.

But if you look at some of the approaches adopted by artists such as Bjork, Metallica, Miley, Travis Scott, ABBA, Radiohead, Dolly Parton, The Black Keys, Rihanna, Marillion, Kendrick Lamare, Prince, Queen, Def Leppard, Pharrell and a whole host more – covering everything from crowdsourcing, business models, brand extensions, distribution management, brand assets, copyright investment, differentiation and distinction, gaming, brand experience and overall innovation in communication to name but a few – you will see they have pioneered more business and communication approaches and practice than almost any of the brands and gurus out there. Or at least done it before most of them.

Part of that is because they’re driven by their need to express themselves with total authenticity. Part of that is because they’re very aware of the context they’re entering – rather than blindly thinking what worked before will automatically work again. And part of that is because the process stops when things outside the process offer something better.

Which is why if you want to increase the odds of making something truly special happen … think like a musician, not a marketing practitioner.

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Painting Pictures In The Mind With The Art Of Petty Genius …

I’m back.

Worse, I’m back and ready to make ‘amends’ for not writing any posts for 5 days … I’m going to be writing some extra-long ones. Even by my overlong standards. However the good news is – unlike my usual standards – they are pretty good. I think. At least some of them.

So years ago I worked with on a global project for Mercedes.

One of the people they said I should meet was a dealer principal of a local Mercedes dealership in Derbyshire, England.

To be honest, I was thrilled as many companies try to keep you away from ‘the coal face’ to ensure their carefully constructed ‘delusion of perfection’ can be maintained … but they were pretty insistent I met this person.

What made it even more intriguing is when I asked them why, they replied, “Oh you’ll see”.

So, a week or so later, I found myself on a train heading to Derby to meet this gentleman.

Now let’s be honest, car salesman have a certain reputation …

A lot of the stereotypes are most likely bullshit – or shaped by a few bad eggs rather than the whole industry – but I admit I went in slightly cautious as to who I’d meet.

But the person I sat down with was one of the sharpest marketers I’ve ever met.

I also loved that – despite owning multiple different Mercedes dealerships, something like 20 – he called himself a ‘car salesman’.

He was passionate about the brand and equally as passionate about selling them and didn’t want to hide that fact.

He also said his Mum had told him she was embarrassed he introduced himself that way to people … which had motivated him to be even more focused on making his business successful.

One of the best examples of his attitude was his story about how he chose where to build a new dealership.

He was going to open a dealership in a new city and wanted it to be where all the competitor car dealerships were located. His attitude was it was better to be where everyone goes than to try and convince people to go somewhere out-the-way, just for him.

Apparently, there were a few available locations he could have built, but he had his heart set on one place … next to the local BMW dealership.

They were something like number 110 and he was going to be 111. [I can’t remember the exact numbers, but you get the point]

Anyway, by his own admission, he overspent on buying the land – but for him, there were three major reasons he wanted to be there.

The first was that he knew BMW was his main competitor and so if he was located next to them, most people in the market for that level of car would end up visiting both dealerships.

The second was that he knew many people saw the BMW and Mercedes brand as interchangeable. By that I mean their ‘quality and status’ were pretty similar so often the choice of vehicle came down to service standards and/or price.

Which led to his 3rd reason …

Because he wanted customers to feel Mercedes was the more ‘prestigious’ car to own before they had even entered the dealership – to increase the odds/desire to own – and so by choosing that specific location, he could run ads that signed off with:

Visit your local Mercedes dealership. One up from BMW.

Yep, he spent all that extra money just so he could do that with his ads.

And you know what?

It worked, because it became the most successful Mercedes dealership in the UK.

Of course, these days no one would ever do that sort of thing – at least in terms of marketing – because you’d have some ‘guru’ state ‘when you use a competitors name in your advertising, you’re promoting your competitor’.

It’s the same myopic thinking that has led to certain clients having a negative reaction to anything they perceive as negative … even if it is [1] just in the brief and/or [2] being used to elevate the value of your brand.

Now you may think this post is going to take a dark turn, but it’s not …

Because I tell this story because I saw something wonderful on Twitter/X about Everton Football club.

A story that reminded me of that Mercedes car salesman and his commitment to always finding ways to paint a particular image in people’s minds.

And while I appreciate in this case, it is so subtle that many may miss it … once you know, you’ll not only node your approval for their genius but – if you’re an Everton Fan – you’ll feel pride that you got one over the ol’ enemy.


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Forget The Inside, Sometimes It’s The Outside That Counts …

This is the last post for a week because I’m off again.

I know … I know … it’s getting ridiculous, but consider my jet-lag, your mental health.

Talking of mental health … I’ve not had a drop of alcohol for 38 years.

THIRTY EIGHT.

But despite that, I do find myself buying it on occasion … mainly when those occasions are an extremely rare dinner invite and/or a desire to show gratitude towards someone in particular.

And when that happens, I remind myself how easily influenced I can be.

Because as we saw in 2007, my biggest motivator is the packaging rather than the quality of the product.

Well, I say that, but it has to be a brand I’ve at least heard of – a brand I associate with some sort of quality – but fundamentally, it’s all about the packaging.

Recently I wanted to get something for our old neighbour in LA.

It was his birthday … he’s an amazing human … and he invited me to his dinner. [I was in town, so it wasn’t some totally empty gesture]

So I rushed to a bottle shop and was immediately hit with a wealth of choices and options and so what did I end up choosing?

This.

Yep, a bottle of Veuve in a pseudo orange SMEG fridge.

Frankly it looked ridiculous … hell, it is ridiculous … but it’s also my kind of ridiculous, despite even my low-class tastes thought that for 2 brands that are supposedly ‘premium’, the way they combined looked cheap and tragic.

But unsuprisingly, my inner Dolly ‘it-costs-a-lot-of-money-to-look-this-cheap’ Parton, took over and I handed over my cash and walked out full of smugness and slight humiliation.

Now I don’t know the background to this collab.

I don’t know the process they took to get here,

And while on one level it makes some-sort-of-sense, it also is completely and utterly bonkers … and that’s why I love it.

Because in a world of sensible, it’s nice to see ridiculous win.

Yes, I appreciate Apple’s ‘ceremony of purchase’ packaging strategy is next level … but in terms of what I call, ‘social luxury’, the use of ridiculous packaging – as seen in the fragrance industry – is arguably, the most sensible thing they can do.

For all the processes, models and eco-systems being pushed by so many people right now, it’s interesting how few actively encourage searching for the weird edges. Ironically, they build approaches where the aim is to filter these out before they even have a chance to see what they can do. Which is why as much as the we laugh at the superficiality of fragrance companies and some alcohol brands, they can teach us more about standing out than all these models that seem obsessed with making sure we all ‘fit in’.

So who are the stupid ones now eh?

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