The Musings Of An Opinionated Sod [Help Me Grow!]


When Hijacking Culture Is Copyright Theft In Disguise …

Love it or loathe it, but Wordle has captured the world’s attention. Whether it will continue to do that now the NYTimes has bought it, is anyones guess, but right now, it’s peak popularity.

Hell, even I love it and I HATE word games.

Crosswords? Hate.

Scrabble? Hate.

And yet whether it’s the last thing I do before I go to sleep or the first thing I do when I wake up, I’m playing the days challenge. And I’m brilliant at it. Hahaha.

Anyway, I was on Twitter when I recently saw this from Air New Zealand.

Look, I get it’s a competitive world.

I get brands are looking for anything that can help them stand out.

And I get ‘hijacking culture’ is a cheat way of doing this.

But there’s 2 reasons why this approach is tragic rather than magic.

First is it’s Air New Zealand.

Of all the airline brands out there, they are a pioneer. An innovator. A leader.

They’ve created, influenced and changed the airline industry in ways few have come close.

From being the first to make ‘in-flight safety videos’, entertainment to creating economy seats that turn into beds.

Ripping off Wordle doesn’t represent any of this.

If anything, it does the opposite.

But then, when I see the work they are putting out these days, maybe it all makes sense.

When a nation that prides itself as explorers and adventures has their National Airline promote their role in a post-covid world as being ‘we fly for you’ … you have to question if they realise what they’ve done or if they made a conscious effort to ditch the approach that made them great and forward thinking in favour of the sort of bland, contrived, unrealistic and meaningless twaddle of big corporation 90’s advertising.

Like this.

From 1991.

God I hope not. They are better than that and NZ needs them to be better than that.

Which leads to the other reason.

Hijacking culture.

What’s interesting is that so many brands do it.

As I said, I get why … but 99% of them have failed to understand how it really works and so we now live in a world where the approach is so common, it doesn’t surprise anyone.

If anything, it un-hijacks culture.

So how does it really work?

Well having worked with the brand and agency that arguably created the approach – or at least mastered it – the secret is to do something that adds to culture, not just steals from it.

Which means having an actual right to be there.

Then do something that opens things up, not just repeat what’s already happened.

Adding a point of view to the situation not just adding more noise and clutter to it.

Of course, even with all that, it still doesn’t mean it will work … but its definitely going to be better than the desperate amateur hour that so many brands favour.

Who think it makes them look cool but forgetting if you’re trying to be that, you’re definitely not ever going to be that.



Cowards Are Oppressors …

Many years ago, I did a campaign for Australian ‘youth’ radio station, Triple J.

Triple J was a government funded radio station, but what set it apart was that it had a mandate to play new artists, preferably Australian, who were definitely not part of the mainstream crowd.

Think John Peel, but Australian.

What I loved about them was how much they divided opinion.

To some they were hope. To others they were noise.

But as we delved deeper, it became apparent the people who thought it was noise were basically proud the followers of the mainstream. The focus-group designed. The beige and the blunted. The average.

Now I appreciate that sounds massively judgemental … but what I found interesting was how companies had basically messed with the meaning of average in a bid to make more cash from customers.

In the old days, average was an achievement.

The meeting point between quality and cost.

Democratisation.

Progression.

Access.

But now average wasn’t that at all.

It was mainstream mediocrity.

Designed for easy, passive appeal. Mindlessness. A strategy of making beige act like gold.

Which led to the point of view of the work: The enemy of average.

Directly targeting anything that had been designed to dumb down rather than lift up.

We got into all sorts of mischief …

From placing warning stickers on all ‘easy listening’ artists in HMV [that saw us being threatened with legal action] … to running ads during mainstream TV to tell viewers they’re being murdered by averageness … to images of mainstream mediocre products being placed in public toilets so you could literally piss on them. [Beige Volvo anyone?]

And while this may all sound madness – and this was the 90’s so tastes were very different – we knew the only way to attract more listeners was to ensure we did it in a way that made our existing fans see we were fighting for what we believe, rather than pandering to popularity.

The old reverse psychology trick.

And it worked because ultimately this was just an extension of who they truly were.

Stubborn, opinionated, mischievous, audacious and uncompromising.

A teen who was very comfortable in playing with the uncomfortable.

And what this did was help build the cult of the brand … helping Triple J enter a new phase of growth while never looking like they were chasing fame.

Of course, they’re not the only ones who have pulled this off.

Playstation did it … NIKE have done it … Supreme do it … but the key to pulling this off successfully is knowing who you are and knowing who you’re for and frankly, not many can brands – or agencies – say that, especially these days.

What makes this even more amazing is how many agencies and companies bang on about their authenticity and purpose … but the problem is they can’t see what they’ve become: a mediocrity pleaser machine.

Of course the signs are there if you just scratch the surface.

Generic, mass audiences.
An aversion for sacrifice.
A desire to remove any sharp edges or opinion.

And while many think making a brand as easy to buy is the greatest way to achieve success, the thing they need to remember is the future goes nowhere in the hands of cowards.



Design Changes Possibilities …

Yesterday I wrote about laziness in retail, well today I’m going to write about when you care deeply about it.

Have a look at this packaging:

Maybe it’s because I’m half Italian.

Maybe it’s because pasta is my undisputed favourite food.

Maybe it’s because the brand uses wheat from the region of Italy my family is from.

But how utterly glorious is it?!

It does everything packaging should do …

It is distinctive without trying too hard.

It shows the quality of the product inside.

It feels premium without being pretentious and charming without being childish.

It is a bloody masterpiece.

I love that because the pasta shape is an integral part of the packaging design, it allows the overall look to be clean while still being informative.

What’s even better is that while it started out as a project by Russian designer, Nikita Konkin … it ended up being turned into a real brand by German company, Greenomic Delikatessen, who bought the idea of Nikita.

Or said another way …

Creativity turned an everyday product into something with a highly desirable and distinctive commercial value.

Isn’t it funny how all those marketing training programs being flogged left, right and centre never talk about this sort of thing. Instead it’s all dot-to-dot processes to build identikit branded assets, eco-systems and strategy frameworks.

But then this also shows the difference between design and adland.

Designers identify real problems and look for ways to solve them with clarity, simplicity and distinctiveness. Whereas too many in adland choose what problem that want to solve and then add all manner of complexity to the solution in a bid to look like they’re fucking geniuses or to try and justify the ever decreasing fee the procurement department is forcing on them.

Remember Peggy?

The ‘innovation’ JWT Australia claimed ‘would allow their client to empower people to maximise their day through weather aggregation technology’. What that bullshit translated to was a ‘scam product and app’ that would tell you if it was going to rain so you’d know if you should hang your clothes out to dry

Yep, forget weather apps.

Forget USING YOUR EYES TO LOOK OUT THE WINDOW.

JWT was going to revolutionise the ‘washing line process’.

By making it longer, shitter and more expensive.

Hahahahahahahahahahahahahahahahahahahahahahahaha.

Unsurprisingly nothing happened with it because it was utter bollocks whereas everything happened for Nikita because he actually saw something that had real commercial value without extensive investment.

However in classic Russian melodrama style, he says he came up with the idea when he was “in love and perhaps this influenced me, though it could be just a coincidence” … which suggests he’s no longer in love and probably spending his time designing vodka bottles that look like your heart is dying. Or something.

I have written a lot in the past about the importance and value of design.

Whether it was the brilliant SONOS ‘sound waves‘ or the potential of using BK’s new logo as an emoji for food ordering.

Underpinning all of this is consideration, simplicity and craft.

Yes, I appreciate a personal project affords you more time than a client project … but designers are getting it right more often than adland and yet the talent in adland is there.

There’s tons of it. Everywhere.

And while there are still some amazing things coming out from the industry, I can’t help but feel design is pushing the possibilities of creativity more … which means the issue for adland must be something else.

Whether that is time, expectation, budgets or relationships, I’m not sure … but whatever it is, the attitude of ‘good enough is good enough’ is far too prevalent these days.

Or should I say, it is until someone like Nikita comes along and shows companies what they could have if they allow the experts to show them how they see the World rather than being told what to create by a committee of middle managers who value speed over quality and lack taste, judgement and real understanding of their audience.

It’s not easy to make something great.

But as a packet of pasta proves, it’s worth it.

Creatively, commercially and culturally.



A Badge Of Honour. Kinda …

For some reason, I like having badges made for my colleagues.

Or anything a bit daft.

Of course, it started with the stickers I had made when I left Wieden.

600 of the buggers, hidden throughout the office – and buildings of interest – which they’re still finding to this day.

Then there was the packing tape of Jorge and the guy who is in Love Actually – which is a massive compliment even though he thought it was a huge pisstake.

Then there were the Zaid badges, made and bought on a snowy night in Boston.

Then my leaving Deutsch badges.

Followed by the pencils for Mike and Sam.

And the ‘don’t mess with me’ badge for Meg … after watching how disgusted she was at a presentation she had to attend.

Thanks to COVID, apart from the ‘you’re a twat’ sexual harassment badges we had made and sent to men who had made inappropriate comments to women in the workplace, I’ve been nothing but mature.

Until now.

Lizzie is in my team.

She has many qualities.

She’s fiercely smart. An incredibly talented, multi-instrument playing, musician. Community soup maker.

Basically, she is everything I’m not … but there’s one quality that she has that shines above even those bright lights.

She can see a dark side in everything.

I don’t mean in a depressing, mean, nasty way …

Nor do I mean in a hurtful, inconsiderate, selfish way …

I mean that in certain circumstances, she sees the worst case scenario in things.

Of course, she will claim she is simply being a realist – and there is a lot of evidence to suggest she’s right.

For example, when lockdown happened, we were having a bet on when we’d go back to work.

Most said early October, a few early November … but Lizzie swooped in and said,

“We won’t be going back till the new year”.

We laughed at her, until we didn’t and realized she was right.

Again.

Damnit.

Which is why I decided to commemorate her insightfulness with this ….

And while some may say this is not the nicest thing a boss could do for a colleague, I see it a bit differently. To me, I see it as an investment in my team – an investment at the price of my sons inheritance – which means I’m basically boss of the year.

Sadly, that year in 1953.

Happy weekend.



Nothing Shows You Care Than When Things Are Shit …

Just like HR is often about protecting management from their people rather than the other way around, the same can be said for customer service.

Of course, no one says that, but there’s far too many examples of companies stating the importance of their customers, and then using their customer service department to completely undermine them.

As I’ve written before, real customer service is demonstrated when things are bad, not good.

Let’s be honest, when a company can spot a sale, the full charm-offensive is on display.But when things go bad … oh, that’s when the truth is often revealed.

The irony is that this is the exact moment you can create a level of loyalty that can last a lifetime.

I’ve talked about the time VW came good after my brand new Golf GTI had the gearbox collapse and the turbo blow up … and I’ve found another example of a brand making something bad, a little bit better simply because they looked at things from their customers perspective and acted accordingly.

Isn’t that amazing?

Considerate. Compassionate. Personal. Helpful. Generous.

At the worst of times, a company has found a way to not just solve a problem – but help relieve some of the pain, that wasn’t even of their own making.

If a pet food company can do that – with their relatively low priced product – then any company should be able to. But many don’t. Not because their staff don’t want to, but their bosses won’t let them.

Years ago I worked with a consultant called Geoff Burch.

He was a beautiful maniac.

What made him great was he challenged management to live up to their responsibilities – both to their companies reputation and their employees ability to be successful.

We were working on an Italian car brand together and at the client briefing, the CEO said the call centre staff were offering too many benefits to appease dissatisfied customers.

Geoff asked why they were dissatisfied and the response was their were reliability problems.

Quick as a flash, he replied:

“Maybe you need to realise your responsibility to your employees is more than just a desk, a roof and a paycheck, but making a product that is fit for purpose. I can’t help a company who wants to blame others for the faults they have created and protect”

It was incredible.

And while there was a very awkward atmosphere in the room after that outburst, the CEO – after what seemed like a lifetime – acknowledged he was right.

To be fair, it helped that Geoff had an incredible reputation, but he wasn’t saying anything truly revolutionary, he was simply saying ‘reputation is based on what you do, not what you say’.

And while that should be plainly obvious, it’s amazing how few companies still don’t get that. The companies who think making a few dollars more today is more valuable than a lost customer tomorrow.

Seriously, the way some companies operate, it’s like a bloody ponzi scheme.

Don’t get me wrong, I’m not suggesting you should ‘spend your way’ into customers hearts.

This is simply about valuing your customers perspective rather than purely seeing the World through your own.

Which is, unsurprisingly, the true definition of customer service.