Filed under: A Bit Of Inspiration, Advertising, Auckland, Brand Suicide, Crap Marketing Ideas From History!, Crap Products In History, Creativity, Dad, Experience, Imagination, New Zealand, Packaging, Perfume, Relevance, Unexpected Relevance
Over the years I’ve written a lot about scent companies – both for men and women, both good and bad. Or should I say, terrible.
And while it has been more focused on preposterous nature of their advertising – I mean, who can forget the car crash that was Gerard Butler’s ‘Man Of Tomorrow’ bollocks for Hugo Boss – I’ve covered everything from when Mont Blanc decided to go from ink to stink when Moschino thought the perfect bottle design to convey the sophistication of their scent was a detergent bottle to the absolute insanity of this.
DO NOT CLICK THAT LAST ONE IF YOU ARE AT WORK. INSTEAD GET A – ERRRRRM TASTE – OF WHAT I’M TALKING ABOUT BY CLICKING HERE OR IF YOU ARE FEELING A BIT BRAVER, THEN YOU CAN CLICK HERE. BUT YOU PROBABLY STILL DON’T WANT TO DO THAT IF YOU’RE AT WORK.
Now, to be honest, nothing in the universe will ever beat that last example … but recently I did see something that wanted to give it a run for its money. Not in terms of smut, but stupid.
Now I admit, I’m not the biggest fan of the Friday 13th movies – or horror for that matter – but even if I was, I don’t know if I’d like to smell of it.
Though what the smell of it still is unknown.
Is it of corpses?
Is it of blood?
Is it of the desperation of whoever was behind this to try and make a quick buck.
On one hand, I am kinda-in-awe they did it because let’s be honest – the business case for it must be pretty niche. Plus they went all out on the packaging because it comes in a box designed to look like a VHS video tape.
However, if I can find this product in New Zealand – a place on the other side of the planet with only 5 million living here – then the peeps behind this product must have spent pretty big on it, which begs the question, WHO THE FUCK DID THEY THINK IS GOING TO BUY IT?
Well, according to the literature, it’s potential serial killers who think murder is fun. I quote:
Warner Bros Horror Friday The 13th Eau de Toilette is a fun and fearless scent that allows you to discover the safe deeper inner you. Comes boxed in a VHS to bring you back memories as well as scents. Perfect for any special occasion.
And they have the audacity to say it’s ‘perfect for any special occasion’.
Maybe it is if your special occasion is the homocidal murder of people at a kids camp, but for any other occasion, I’m not so sure.
Which reminds me of something my Dad once said to me.
“If you think people on the streets are crazy, try looking at people in the boardroom”
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Communication Strategy, Creativity, Devious Strategy, Experience, Food, Marketing, Packaging
I’ve always been fascinated by the art of the upsell.
The ways different companies attempt to psychologically increase the average order size of their customers.
One of the most famous is McDonald’s … who basically have kept the classic ‘small, medium and large’ sizes but over the years, have changed the volume of what each represents. So what is now McDonald’s ‘small’ was once McDonald’s large, meaning they get more liquid into their customers mouths, even if the customer is continually buying the ‘same size’.
But where I get the most intrigued is how companies label their small, medium and large sizes.
That doesn’t have to always be in terms of portion size, but also proposal.
One of the most common approaches is ‘Gold, Silver and Bronze’.
Even though the intention is so transparent, it is amazing how often it works because ultimately, the goal is to upsell people from bronze than downgrade people from Gold.
But the best one’s tend to be in Asia – where they tap into all manner of cues to influence the decision making process.
One of my favourites – if that’s the right word – was this Valentine’s Day ad in Hong Kong from years back.
Positioning the ‘wife’ as worthy of only the smallest sized jewellery and the mistress the largest – with mothers in-between – was definitely a unique approach. Though arguably, it may also have been the most honest given the proliferation of mistresses in certain parts of Asia.
But recently I was in Chengdu airport and I saw a worthy new competitor. This.
Vintage, Rare, Precious is all kinds of genius.
Because unlike other approaches, you don’t feel you’re being a complete cheap bastard regardless what version you buy.
Of course, that could also be seen as a flaw, however given in China, everyone knows everything you do says something about you – and the underlying message of these options is old, limited edition and show-off – I think it works in ways other approaches can only dream of.
Which means, as often is the case, China leads the way and maybe … just maybe … Western companies and brands could start giving them credit for stuff they’ve been doing longer than we have been a civilisation.
[Which I covered off years ago in Sydney when I spoke at the Mumbrella conference. You can be bored by watching parts 1, 2, 3 and 4 here]
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Authenticity, China, Colleagues, Communication Strategy, Content, Context, Craft, Creative Development, Creativity, Culture, Customer Service, Differentiation, Emotion, Empathy, Experience, Food, Happiness, Honesty, Imagination, Innovation, Italy, Leadership, Love, Loyalty, Management, Marketing, Mischief, Packaging, Resonance, Singapore, Social Divide, Standards, Strategy, Viz, Wieden+Kennedy
In the UK there was an adult comic called Viz.
It was filthy, hilarious and – for a long time – very successful.
And while they had many ‘star’ characters … from Sid the Sexist to errrrm, The Fat Slags … my favourite part of the magazine were the publishing company details.
Tucked at the bottom of a page, in extra small font, were a list of the people behind the magazine. Most people wouldn’t even see it, let alone read it … but if you did, you found magic in that small print.
Mischief. Personality. Information.
Nothing told you how much this was a labour of love for the people behind the magazine than their dedication to instilling their personality into every nook and cranny they could find … whether people would see it or not.
Brilliant stuff.
I say this because I saw a label a friend had put on a product they were selling at their shop.
Ai Ming was a planner in my team at Wieden+Kennedy.
She was very good … but decided one day, it was time for a change and so she went back to Singapore to open a Cheese Shop.
I know … sounds a bit random … but wait, it get’s better.
You see Ai Ming had an idea.
A way to combine her love of cheese and travel and be paid for it.
So she started The Cheese Ark … a cheese shop in Singapore, dedicated to selling cheeses from small, independent makers across Europe.
Oh but that’s nowhere near the end of the story …
So when she left Wieden – and before she returned to Singapore – Ai Ming went to work on a small farm in Italy for a few months. [I think]
While there, she discovered how amazing cheese tasted when it was made by people who loved and nurtured their product.
To her, it was a whole new world of taste and made every other cheese she had tried, feel unworthy of being labelled as such.
But she also learned something else …
You see she discovered many of these small, independent cheese makers were in danger of going under, because they didn’t have a way to compete with the big boys.
Said another way … this incredible tasting cheese could become obsolete.
So rather be sad, she decided to do something about it.
Enter The Cheese Ark … a shop that only sells cheese that originates from these small independent farms. A shop that is one of the only places in the World where you can get your hands on this incredible produce. A shop that charges enormous amounts of money to own a piece of their incredible cheese … not simply so you can have your taste buds tingled in ways you could never imagine … not simply because it allows you to show off to your friends about your good taste and status … not simply because it pays for Ai Ming’s travel, shop, employees and profit … but because by buying so much from each of these small farms across Europe, she can ensure that these small, independent cheese farms not only survive, but thrive.
Hence it’s called ‘The Cheese Ark’ … because its literally saving the lives of cheese.
How fucking incredible is that?
But Ai Ming is not just a creative business thinker, she’s full of personality and passion … which leads me to the point of this post.
You see I recently saw something that reminded me of those Viz publishing details I loved.
Something that communicated more than just the necessary details.
It was this …
How good is that?
I bloody love it.
A notice on a packet of cheese that’s more interesting, engaging, compelling and charming than 99% of ads – or any marketing material – out there.
Sure, not many people will see it.
Most may actively choose to ignore it.
But for those who do, they’re not just rewarded with the thrill of discovering something as enjoyable as the product inside it, they know they’re dealing with someone who really cares about what they do.
And they do. Because what Ai Ming has created is the Noah’s Ark of Cheese.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Audi, Authenticity, Brand, Communication Strategy, Corporate Evil, Culture, Honesty, Luxury, Management, Mediocrity, Metallica, Packaging, Premium, Resonance, Respect, Standards, Status, Strategy
A lot of luxury brands, invite a lot of mocking.
It might be what they make.
It might be the prices they charge.
It might be the way they look at the world.
But whatever your opinion, at least they commit.
Walk into a proper high-end luxury brand and you see high-end standards and experience.
Everywhere.
[The Netflix series ‘7 Day’s’ perfectly demonstrates this, as I wrote about here]
Innovation. Craft. Details. Service. Packaging. Training.
You might not like it.
You might not value it.
But you can’t say they’re not committed to it.
Now compare that to companies that like to position themselves as ‘premium’.
Sure, some live up to it … but my god, most don’t.
The only premium-ness is often only in their pricing and ego.
Big talking to the public, short-changing everywhere else around them.
Now I get you have to look after the pennies in business, but when you claim to be premium – it should mean you recognize the value of premium standards and service in those around you and with you. And if you don’t – or you don’t think the people you are dealing with offer that – then why the fuck are you dealing with them?
I’ve written about this before, but once-upon-a-time I was asked to work on a freelance project for a high-end German brand.
I submitted my estimate to which I was met with the following reply:
“Your fee is higher than other partners we use, please lower it”.
That was it. Not even an indication of the costs they were comparing me too.
Now while I value what I do, the costs weren’t excessive.
Infact they were a fraction of the cost of one of their lowest priced products.
But more than that, I’d agreed my fees with the CMO before I submitted them to procurement, so I thought., ‘fuck this’ and wrote the following response.
“Your products are higher priced than other brands I could choose, please lower it”.
I know … it was cheeky, but I just thought they were incredibly arrogant in their attitude, especially in the way they wanted to undermine my experience.
And guess what, almost immediately they replied with,
“We accept your rate and look forward to working with you” … which is the exact moment I saw through the hype.
Brands who value quality don’t benchmark costs against the lowest market rates.
I get it’s a negotiation tactic, but it also reveals their hypocrisy and insecurity.
It’s why my experience with Metallica was so shocking … despite the fact what they do and value all makes total sense but the way most business operates means it felt so bizarre.
Actually, Metallica are a great example of a brand that values who they are.
Everything they do is focused on respecting the quality of what they do.
For example, to make sure their vinyl is always of the highest quality – they bought the best vinyl printing press company in the world.
Same with their live shows …
To ensure their sound is of the highest quality, they had the highest-quality live speaker system in the world built.
Rather than approach investments in terms of ‘what can we get away with’, their attitude is to put highest quality first … which is why they buy stuff rather than lease it because not only does it ensure their creativity is given the highest possible quality [rather than the best they can get away with] it ensures they always have priority access to it. And when they don’t need to use it, they get people like me to work out how to make it pay for itself, which often ends up leasing it to other bands who don’t have the same needs/standards or values as them.
Metallica understand standards better than most brands.
But then they understand who they are better than most brands.
Which is why everything they do is focus up to the quality not down to the price.
That’s a proper premium brand … one who makes decisions that reflects who they are not who they are pretending to be.
Christ, I recently saw a rep from a coffee brand get into their gold Audi.
It stood out to me because it was a errrrrm, gold Audi.
And while some may look at it and say,
“If they drove a Prius, maybe their coffee prices were lower”
… not only are they unlikely to be people who buy their coffee, they are also unlikely to care about the difference of coffee.
That’s not a diss … I like Nescafe with Coffee Mate … but it also doesn’t mean that my taste is reflective of everyone else’s either.
Whether true or not, my impression of a brand giving their rep this choice of car was they had a different perspective on standards. Rather than give their reps the lowest priced car they could get away with, they found the most efficient car of the standards they live and operate in.
Of course many may slate or disagree with me for this view …
I also appreciate some may find their choice a reflection of their pretentiousness, which they find fucking annoying.
And in some way I agree with them.
However I feel a lot better about pretentious assholes when that’s who they actually are rather than those who do it to look like they’re premium when everything else highlights they’re anything but.
Commitment costs.
You might not want to pay it … you might not understand the reasoning for it … but at least you’re dealing with people who believe it rather than those who are exploiting you for it.
Filed under: Advertising, Attitude & Aptitude, Communication Strategy, Corporate Evil, Creativity, Cunning, Design, Distinction, Packaging
Toblerone.
The chocolate you only see – and buy – at airports.
The chunky triangular pieces that are guaranteed to give you lock jaw.
And while you may think nothing has changed with that chocolate for 10,000 years, a lot has.
Not in taste.
Not in ingredients.
But definitely in reputation.
You see in 2016, the Swiss chocolate brand quietly increased the gaps between the pieces so they could use less chocolate and maintain their price.
On one hand, that’s a smart way to do it.
However on the other, by not telling anyone that’s how they were doing it, left Toblerone’s owners – Mondelez – look like they were trying to pull a fast one.
A year later, Mondelēz went a step further and reduced the number of triangular peaks in each pack from 15 to 11.
But that’s not what this post is about …
You see, Mondelez shifted a large amount of Toblerone’s production outside of Switzerland.
However, in 2017, the Swiss Government passed legislation that restricts use of Swiss provenance. To be able to market yourself as ‘made in Switzerland’, 80% of raw ingredients must be sourced from the country and the majority of processing take place there.
For milk and milk-based products – ie: Toblerone – the required quota is 100%, with exceptions for ingredients that cannot be sourced in Switzerland, like cocoa. Apparently products branded as ‘made in Switzerland’ can command a 20% premium compared to other comparable goods from other countries … with this rising up to 50% for luxury items.
Given the extortionate prices of all things Swiss, none of this is a surprise.
Anyway, because Toblerlone no longer meets the criteria to use Swiss iconography in its marketing, they have to replace the image of the Matterhorn mountain that has been a mainstay of their packaging for over 100 years.
The Matterhorn was used because of it’s near symmetrical pyramidal peak that mirrors the shape of the almond-and-honey-laced chocolate bar.
Anyway, in a perfect example of diversion marketing justification, just take a read of what an Mondelez say’s to explain this change …
I mean, I know they’re not wrong … but their ability to ignore the reason WHY they are changing the logo is the sort of corporate-toady that I both admire and loathe in equal measure.
Admire … because the willpower needed to be able to publicly sell-out your own morals and standards for the good of your employer is almost impossible to fathom.
Loathe … for exactly the same reason.
I have no problem Toblerone are producing their product outside of Switzerland … but I have a lot of problems with them trying to hide that fact under the guise of some packaging redesign.
But then that’s modern marketing these days.
Rather than opening up opportunities for more people to consider buying you, now it is increasingly about hiding the reasons people might not.