Filed under: A Bit Of Inspiration, Craft, Creativity, Culture, Emotion, Family, Love, Mum, Mum & Dad, My Childhood, My Fatherhood, Otis, Parents
As you know, I love music.
I play it.
I make it.
I listen to it.
I used to make my living from it.
I work with people who play to millions while they do it.
Music is, in many ways, a version of oxygen to me.
However, while I like all manner of music … from heavy metal to opera … there are some bands I don’t really connect to. One of those is Radiohead.
Don’t get me wrong, I appreciate their talent and there are music/songs they’ve written that I feel are genuinely masterful. But do I think they are worth the reputation that so many people hold them to?
Hmmmmmn, probably not … which I appreciate is entirely subjective rather than anything approaching a considered point-of-view.
And yet, I recently saw someone perform one of their songs – the admittedly iconic, ‘Creep’ – that has had such an impact on me, that I literally burst into tears at a specific point of the song, every time I listen to it.
And I’ve listened to it a lot.
I should point out that while I have always liked that track, it’s less to do with the song and more to do with who performs it and how they perform it.
It’s this [with my tears starting at exactly 2 minutes 8 seconds ]
Oh my god, I’ve just listened to it again as I am writing this and the tears are streaming down my face.
Now I should point out I have form at crying to music.
My Mum used to tell me that when I was very young – like 6 months old – I would cry at classic music that she’d put on the record player. Not because I didn’t like it, but because I was overwhelmed by the emotion of it.
And here I am, aged 54, still doing it.
There are many reasons for it.
First it’s just fucking beautiful. Proper, proper beautiful.
It’s both so simple and yet so layered …
But it’s also how two totally different musical styles bend and blend into some sort of harmonious rapture.
Where different orchestrations seem to be going on their own paths and yet, at some point, come together.
Not mechanically, but with almost a slow motion to them … making the impact of it even more majestic.
But, if I am being honest, as amazing as that is, what really hits me is this is Son and Mum.
It makes me emotional just thinking about it.
Not just because it makes me miss my Mum so much, but because both of them have come together to create something special for each other. And I do think it started that way.
The son believing his Mother’s voice was incredible. The mum wanting to support her son’s musical talent.
A genuine interest in what each other is interested in.
No judgement.
No criticism.
Just interest and openness while being able to stay utterly true to who they each are.
And by doing this, they’ve taken their separate world’s and created something together. Something special. Something that elevates their relationship because it has opened the door to new ways to share and express their love that maybe they previously never imagined.
But it’s even more than that.
Because running all the way through those 3 minutes, 25 seconds is a celebration of love.
Not just because they’re bonded by blood, but because you feel the deep sense of pride, respect and adoration of who each other is and what each other does.
It’s similar to when Pink Floyd guitarist, Dave Gilmour, turned up unannounced to a pub in Brighton to support – and sing – with his daughter Romany and yet it is also very different.
Because where Dave and Romany sang a song that was a relatively faithful rendition of the original [not to mention something you imagine they’d done together in private for years – which is said with love, not judgement] the version of ‘Creep’ is something else.
A mash-up of totally different musical styles.
A creation of something not heard before.
Something that not only takes the song to a completely new place, but demands all who listen to it open their eyes and ears to a musical style that they may of never heard before or most probably never considered would be something they’d like.
But how can you not like this.
How can you not be moved by it.
Because while the song is about low self esteem, loneliness, and the struggle to accept yourself, it inspires, radiates and ignites pure love.
The sort of love surely everyone hopes they will one day get to experience, create, share or remember.
And that is what my tears are for. And that is why I’m so grateful for them.
Remember to tell the people who matter to you, what they mean to you.
Have a good weekend.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Aspiration, Attitude & Aptitude, Brand, Brand Suicide, China, Cliches, Clothes, Comment, Communication Strategy, Complicity, Consultants, Context, Craft, Crap Products In History, Creative Development, Creativity, Culture, Cynic, Delusion, Distinction, Equality, Fake Attitude, Imposter Syndrome, London, Perspective, Planning, Point Of View, Professionalism, Relevance, Reputation, Resonance, Respect, Wieden+Kennedy
This is a post about naming strategies.
Yes, I know I’ve talked about this before.
A lot of times before.
The processes.
The considerations.
The complications.
… but mainly it’s been about how certain branding consultancies charge an absolute fortune to come up with some utter nonsensical bullshit that they back up with 1000’s of pages of self-serving pseudo-science bullshit and still end up creating something pants. Kind of like the explanation of the Pepsi rebrand from 15 years ago. Or most Linkedin ‘guru’ pontification.
But the other side of this is when people choose to put no effort in whatsoever.
Hiding their recommendation behind terms such as ‘colloquial context’ or ‘cultural vernacular’.
Don’t get me wrong, there are times where a stripped back approach can be powerful.
A way to connect to society by taking their cultural references and contexts head-on.
Hell, cynic used to embrace an approach that we literally called, ‘unplanned‘.
However, while this was about removing any element of pomposity, it still had to elevate how people saw or connected to what we did. Any fool can churn out lowest common denominator stuff … but it takes a certain amount of skill and flair to develop something that not only connects and engages the masses, but does it in a way where the value of the product/brand is increased and improved to all.
We used to call this ‘massperation’ … which still makes me feel sick even today, hahahaha.
I say all this to justify something I saw recently.
Or should I say something Otis saw recently.
You see down the road from us there’s a house being built.
It’s in full-on construction mode and as it is on the way to Otis’ school, he passes it every day.
Anyway, one day he came and told me he’d seen the building site loo and was shocked with its name.
It was this:
That’s right, it’s called the ‘Shitbox’.
To be honest, I’m not sure if Otis should have been more surprised at the name or the fact it proudly states it’s a ‘high viz’ toilet box.
HIGH FUCKING VIZ!
Is the toilet going to be walking along the street late at night? Do builders have such bad eyesight they can’t find a 6 foot high toilet without it being painted bright orange? Are construction workers such bad drivers they need to be warned of where the portaloos are so as not to hit them?
WHAT THE ACTUAL FUCK?
Anyway, I digress.
The point is that while calling the portaloo a ‘shitbox’ may make sense … I can’t help but feel it is also playing into the builder cliche. Sure, cliches happen because they represent a common behavior or attitude that is played out over a sustained period of time … but often this is only a ‘perceived’ behavior or attitude [usually promoted by an individual or organisation who have found a way to monetise the acceptance of this view] that victimizes anyone who does not live upto the cliche.
I appreciate you may think I’ve gone full-on woke … but apart from the fact I don’t think considering others is a bad thing, I see this behaviour over and over again.
Hell, even Jaguar – with their ‘interesting’ rebrand did it by revealing their new concept cars in pink and blue.
PINK AND FUCKING BLUE.
They made such a big deal about how they ‘delete ordinary’, ‘break moulds’ and ‘copy nothing’ and then they actively, loudly and proudly reinforce the most basic of gender stereotypes. On the World fucking stage!
I totally appreciate you can go over-the-top with this stuff – especially given this whole post was inspired by a building site portaloo. I also get people may think I am suggesting we should name products/brands with words that offer no defining characteristic to avoid any potential stereotype. But neither of those are what I’m trying to say.
All I am attempting to point out is that words matter. And while I fully appreciate naming is a difficult task, I find it fascinating companies spend millions on ‘solutions’ that tend to fall into either pompous, basic or made-up.
Or said another way, names that define, limit or pander rather than celebrate those who use them and the reasons they do.
Filed under: Advertising, Agency Culture, Attitude & Aptitude, Brand, Brand Suicide, Collaboration, Colleagues, Comment, Communication Strategy, Complicity, Context, Craft, Creative Development, Creativity, Culture, Documentary, Emotion, Empathy, Equality, Management, Marketing, Music, Perspective, Provocative, Purpose, Relationships, Relevance, Reputation, Respect, Standards, Strategy, Stubborness, Stupid, Success, Teamwork
A while back, I did some work for the rock band Journey.
The ‘Don’t Stop Believin’ mob.
Anyway, without going into too much detail – though a lot of what I’m going to say is common knowledge so I’m not contravening my NDA, and trust me, I asked – it was a rather tension-filled experience.
Not Red Hot Chili Peppers – or should I say Anthony Kiedis – levels of tension, but definitely not chill, put it that way – hahaha.
This time though, it had nothing to do with me and everything to do with 2 of the band members being at loggerheads.
As I said, the fracture in their relationship has been well documented – and I had been warned before hand – but by the time I was involved with them, it was bordering on toxic.
At this point I feel I should point out they were nothing but kind and considerate to me, but like a guest at a dinner party hosted by a couple who had obviously had a major row prior to your arrival – you could feel the tension in every interaction.
But this is less about that and more about the management teams amazing ability to facilitate and negotiate a truce.
Obviously I can’t go into the specifics, but I watched something magical literally unfold in front of my eyes,
Think of it like a cross between the lessons in the hostage negotiation book, ‘Never Split The Difference’, and Kim Papworth.
For those who don’t know who Kim is, he’s the brilliant ex-ECD of Wieden+Kennedy London – and longtime partner to the brilliant-but-bonkers Tony Davidson – who had this incredible ability to keep ideas he believed in on the table … even when clients were initially protesting against them. But here’s the thing about him that was so good.
It was never through bombastic actions.
Never through threats or intimidation.
Never through pandering or false promises.
But always through listening, then gently providing context, clarity, understanding and perspective.
Nudging them forward, rather than pushing them back.
This is similar to what I saw with Journey, with the result of this approach being this:
I have to say the ability to achieve this outcome was inconceivable to me..
Let’s be honest, you can tell from the tweet that it was not something that was easy. Hell, you can tell from the tweet it was not something even the band members expected to achieve.
But it happened because of the work of the management team – who happen to also be Metallica’s long-term management, so are well versed in knowing how to deal with ‘human differences’ as well as musical ones.
Anyway, having seen this happen up close and personal, I can tell you it is more than a skill, but an art. Well, that and starting the whole process with the steadfast belief there was a solution to be found, even if it no one knewwhere, how or when it would happen.
[I wrote another post about this sort of mindset, also involving hostage negotiator, here]
But it is these two criteria that allowed them to help take opposing forces on a journey they likely never imagined they could go on, let alone initially want to. But to achieve that and then get them to be thankful for it while never feeling pushed, cornered, provoked or bullied … is, to put it bluntly, fucking incredible.
I say all this is because I feel too often the way our industry deals with conflict is with more conflict. Or, alternatively, just putting our collective heads in the sand.
Sure, there are occasions – and individuals – where you have to be aggressive.
As Gloria Allred – the powerful US lawyer, of which there is an interesting documentary about her – once said: “Sometimes, power responds to power”.
But that has to be the exception rather than the rule.
In the vast majority of cases, the goal should never be one person gets battered into submission by the other. The key objective has to be ensuring you have properly listened and understood the issues causing the friction … because with this, you can then help both sides appreciate, value and identify what a mutually advantageous outcome could offer for both parties so they feel positive about taking a step closer towards each other.
I say this like you are an intermediary, but I also mean it when you are the one in the conflict.
Now of course this approach won’t always work, but too often our default setting is ‘submit or savage’ and frankly, no one really wins when we adopt either stance.
I appreciate for some people reading this, they’ll be thinking I have a hell of a nerve writing all this when I can have an argument in an empty house – however, over the years I have [slowly] learned that if you want to increase the odds of making great work actually happen, it’s not just about being good at your job … or having taste … or identifying and valuing a good idea you fine tune with craft … you need to know how to deal and address conflict.
Doesn’t matter what job you have.
Doesn’t matter how long you’ve been doing it.
Doesn’t even matter what level of role you’re in.
The fact is, great opportunities are born more from unity, than friction.
So if you want to ensure you keep the tension in the work, rather than the relationship … learn the art of conflict resolution, because that will do more to help you actually create great work, brands and careers than any marketing process or ‘alleged’ mini MBA.
There’s no blog posts till Monday as there’s another holiday in NZ [I know, I know] … so have a great weekend and try not to get into any trouble.
Or if you do, use the context from this post to practice getting out of it, haha.
Filed under: Advertising, Agency Culture, Attitude & Aptitude, Colenso, Collaboration, Colleagues, Communication Strategy, Craft, Creative Brief, Creative Development, Creativity, Leadership, Love, Loyalty, New Zealand, Paula, Perspective, Planners, Planning, Play, Point Of View, Provocative, Relationships, Relevance, Resonance, Respect
So here we are. December.
9 days to my beloved son Otis’ 10th birthday.
18 days to the last blog post of 2024.
23 days to the festive season.
30 days to 2025.
Bloody hell. I mean … if I thought the last 11 months have gone fast, how quick are the next 30 days going to go? Worse, how quick will the gloriously long New Zealand summer holiday fly past.
ARGHHHHHH.
OK, before I wish everything away before I’ve had a chance to do it – and acknowledging I can’t write my ‘year in review’ post quite yet – I’m going to dedicate today’s post to my mob at Colenso.
Not Colenso – they will get that later – but my planning mob.
God they’re annoying.
A bunch of banter-loving, fault exposing, pricks.
But you know what else they are?
Smart, funny, caring, curious humans. All of them. Even the dodgy ones … of which there’s definitely more than one.
As I’ve written many times before, I’ve always been very lucky with the teams I’ve got to work with. Sure, there have been a couple who have been toxic wankers, but given I’ve been in this industry longer than dinosaurs, I take that as a massive win.
What I’ve loved about all of them is that rather than know interesting things, they’ve done – and do – interesting things. I adore that. I value that. I deeply respect their ability to jump head first into stuff and then naively tell me about what they did and what didn’t work in the naive belief I won’t hold it against them for the rest of their days.
They keep me young and make me old.
They teach me and frustrate me.
They challenge and want to be challenged.
But most of all, they give a fuck.
About the work.
The job.
The standards and each other.
That doesn’t mean it’s a love-fest, oh no … there’s competition. But when the chips are down, they’ll do whatever needs to be done to look after each other. And I mean that … because I’ve seen that. A lot.
Does this mean they’re perfect?
Hell no.
Can they be better at what they do?
Absofuckinglutely … but then, regardless who you are or however long you’ve been doing this, you can be.
Even Paula Bloodworth and she’s as near perfect as anyone I’ve ever met, let alone had the pleasure of working with.
But can you find a better bunch of humans?
Well that would be pushing it.
And the good thing about that is in my experience, the best people in this industry – by that, I mean those who consistently create the best work and ideas – tend to be great humans who just so happen to work in this industry.
They have varied lives, varied backgrounds and varied interests.
What makes them interesting is not simply how they think, but how they live in the world.
At a time where strategic thinking is seemingly being forced into an evermore formulaic approach, this gang of brilliant fools are all – in their own way – trying to break that apart.
It doesn’t always work. It doesn’t always go far enough. But where so many in the industry crave the comfort of the tropes and tribes of strategy, this bunch like to play in the messiness of life.
Or said another way …
They get that interesting lives lead to interesting thinking. Which is why they believe more in the power of creativity than whatever the latest framework, format or buzzword that is being banged on about on Linkedin by someone who has never made anything of note.
I love that about them.
I love we believe in a planning identify more than a process.
And we’re pretty good …
Good enough to have won Global Effies, Grand Prix’s and WARC awards.
Not as one offs, but on going.
Not bad for a teeny-tiny agency on the other side of the planet.
So to Martin, Meg, Gi, Augustine, Tobbi, Emma, Lizzie, T, Syd, James, Caitlin, newbie India – and not forgetting Amy – thank you. For being who you are, for turning down all the agencies who keep trying to hire you [oh I know which agencies you are and what you tried to do – cue: evil laugh ] … but most of all, for putting up with all my HR-violation shit.
Enjoy this, it literally will never happen again.
Filed under: A Bit Of Inspiration, Asia, Attitude & Aptitude, Comment, Contribution, Corporate Evil, Craft, Creative Development, Creativity, Culture, Emotion, Empathy, Environment, Finance, Government, Imagination, Perspective, Resonance, Respect, Values, Vietnam
Over the last year, I have fallen in love with walking.
What once I considered a waste of TV/Gaming/Eating time, now I prioritise it.
I take client calls on walks.
I do team catch-ups on walks.
I do a lot of my work thinking time on walks.
Walk, walk, walk, walk, walk.
And the benefits of this approach to life are plentiful.
I’m healthier – physically and mentally.
I have a skin tone that no longer makes me look like an anemic Dracula.
And I have got to connect more to the places I live and work.
I am not suggesting in any way others need to be doing this, just highlighting how it has had a lifechanging effect on me.
But one of the things I have really got to appreciate with walking is seeing the communities and streets around where I live and how – every now and then – you come across something that makes me stop walking and stare.
This is one of them …
Someone did that.
Someone decided to do that.
To make a little part of the pavement, a jewel.
And I have no idea why … and I have no idea who … but I love someone did.
Not just because they took the time, but they thought is was worth the time.
And that’s the thing I worry about where we’re heading.
Because everything is seemingly evaluated and valued by greatest and fastest ROI.
We’re seeing companies do it with their endless mergers and acquisitions.
We’re seeing tech firms do it with their blinkered focus on optimisation over possibility..
And we’re seeing governments do it with their disregard of the arts in favour of business.
And while, of course, money is hugely important … when the impact and value on how society feels and interacts is disregarded, the economic benefit ends up being even more short-term.
Some people won’t care.
Some people are only focused on what they can get out of something rather than what they can give or enable for someone else.
Which is why I’m so grateful to whoever made this piece of literal street art.
Because it’s far more than just decorating a bit of the pavement, it’s a reminder of the choice we have. Because while the ‘economically functional’ may be easier, cheaper, faster and more convenient, its the stuff that you know is born from someone’s passion that leaves the most lasting impression.
Talking of passion, I’m away next week in one of my favorite places in the World, Vietnam.
[I say that, it all depends on what the doctors say about my eye at today’s check up. Eek]
It’s exciting for 3 reasons.
1. I’ve not been there for years.
2. It’s where I helped create the ‘4×4 on 2 wheels‘.
2. It means that after 3 months of pain, my eye is doing well enough to travel again.
And before you ask, it is for work – even though I get to see friends there at the same time.
So while I’m off experiencing the place with the most infectious spirit, unstoppable energy and relentless optimism in Asia, I hope you have a week finding and celebrating the things that may make no economic sense to an accountant but make so much sense to your soul.
Because in these days of beige and boring, creativity is not so much about art, but an act of rebellion on behalf of the human spirit.
See you in a week.