The Musings Of An Opinionated Sod [Help Me Grow!]


Is There Anything As Fast As Someone On LinkedIn Declaring Their Expertise On Their Ability To Monetise, Explain And Define An Emerging Technology Despite Them Never Having Worked In Tech Or Done Something That Defined Any Tech?

I’m all for people expressing their opinion.

I’m all for people being excited about things they see as having great possibilities.

I’m all for people trying to find new ways to evolve, grow and make money.

But come on …

It’s getting to the point where Linkedin should be renamed Disneyland given how much fiction and fantasy are going on.

What’s worse is among all the ‘consultants’ and ‘new business development people’ claiming expertise, are a bunch of strategists.

Now I know as a discipline we think we have the answer to everything … but we don’t.

Fuck, even the people who are developing the technology, don’t.

But what bothers me is the reason behind why so many people are claiming expertise.

OK, so I know some have a real understanding of the technology and its possible implications. And in that, I include certain strategists – we all know who those brilliant people are.

And I also appreciate some mistakenly believe that because they’ve used ChatGPT, they think they now know everything about the technology.

But others – and this is potentially the majority of them – are doing it because they see it as a chance to personally gain from it.

In essence, their perspective is that as long as a subject matter is highly topical and others – especially companies – don’t know about it, then they can profit from it because they can say anything because no one will know enough to tell them they’re wrong.

You can tell who this group are because they’re the one’s who are either the loudest to declare their knowledge or the first to say they had identified the trend … despite never doing anything with their ‘expertise’ or because of their ‘vision’.

Putting aside how this sort of behaviour can damage the reputation of real experts, disciplines and entire industries … the issue I have is how it is often justified as hustle culture.

I’ve written my issue with hustle culture in the past, but the fact is, this isn’t hustling … it’s grifting and the impact of it is not just damaging people and companies, but it killing the potential of technology before it has a chance to find it’s real possibility.

I appreciate this is quite a heavy post from what was just a piss-take image of Homer … but the best comedy is always based on a truth we often like to deny.

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When Life Gives You Angostura, Make A Cocktail …

Recently I read the story behind Angostura’s strange bottle.

For those of you who don’t know what Angostura is, it’s a bitters used in cocktails.

For those of you who don’t know what is strange about their bottle, it’s this:

Yep, that’s their normal product.

A bottle, hidden inside fucking massive packing.

The story – as told by Abraham Piper – is the business was taken over by the founder’s sons in 1870.

To help grow its awareness, they decided to update the ‘look’ and enter the finished product into a competition in the hope the exposure would drive the business.

They didn’t have much time so to maximise efficiency, one brother designed the label and the other, the bottle.

One slight problem … they didn’t discuss the size.

Another slight problem … they didn’t realise until they brought both sides of their work together and by then, they didn’t have enough time to alter things before the competition was due to commence.

So they decided to enter it anyway.

Unsurprisingly, they lost.

Except one of the judges told them they should keep it exactly as it was because no one else was going to be stupid enough to make that sort of mistake … which means it was unique and would stand out.

So they did.

And that dumbass mistake – the sort of dumbass mistake that captures Dan Wieden’s classic Fail Harder philosophy, perfectly – was the foundation of a business that continues to evolve and grow to this day.

Now there is a chance this is not true.

They don’t mention it in their history timeline on their website for example.

But history is littered with happy accidents … from making Ice Cream to making Number 1 hit records … so there’s just as much chance it is.

And if that is the case, I’d bloody love it.

Because in this world where everything is researched to within an inch of its life, the products/brands that gain a real and powerful role and position in culture – not to mention whatever category they operate in – are increasingly the ones who keep the chaos in, rather than actively try to filter it out.

Whether that’s because they know it’s better to mean everything to someone rather than something to everyone is anyone’s guess. There’s a good chance they’re just lucky-accident dumbasses. Or they might understand the value of resonating with culture, rather than being relevant to the category.

Whatever it is …

The brands with the strongest brand attribution, assets and audience are increasingly the ones who never have to talk about it, let alone spend their marketing dollars trying to create it.

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When Advertising Said More Than Simply ‘Buy Me, Please’ …

Once upon a time, when I lived in Singapore, I popped into the restaurant next to where we lived on Club Street, to get some takeaway.

As I was waiting for my noodles, I saw a man at the bar having a drink.

He had a nice face but the only reason I noticed him was because he had a mark on his head that made him look like Mikhail Gorbachev.

The next day I found out, it was.

While Club Street was blessed with lots of nice restaurants and bars, seeing the ex-head of the Soviet Union having a drink next door to where you live, was not the sort of thing you expect to see.

But then Mikhail was good at the unexpected.

Like the time, in 2007, he turned up in a Louis Vuitton ad.

Back in the days when being an ‘influencer’ meant you had done something to impact the world rather than existed to simply flog product.

But Mikhail was an inspired choice for a whole host of reasons …

One was the visual metaphor he represented for Russia’s journey from communism towards capitalism.

The symbolism of a new era in Russia. And the rest of the world.

And while this ad came out in 2007 – 16 years after he had seen the dissolution of the USSR – what he represented was still clear. Made even more obvious by placing him in the back of a car – in a photo taken by Annie Leibovitz – driving past the Berlin Wall … another symbol of capitalism triumphing over communism.

For many who read this blog, the impact of this change may fly right past you.

I get it, especially if you’ve lived in Western countries, so to give you some context, let me take you to Communist China.

The modern metropolis that you see in photos of China today is certainly not what I found when I first moved there. Especially when you stepped out of central Shanghai, Beijing or Guangzhou. Though, to be fair, that’s still the case in many parts of the country – including Shanghai, Beijing or Guangzhou – despite the Middle Kingdom’s incredible modernisation and rise.

Anyway, when I first moved there, Louis Vuitton had a reputation – and nickname – of being ‘the mistress brand’.

There was a simple reason for it …

People who owned it were seen as ‘girlfriends’ of high-level business people or government ministers.

Basically the belief was that because their lovers were one of the few people who were allowed – or could afford to – leave China with ease, they’d buy LV products on their travels and then give them to their lovers as presents on their return.

Was it true?

Not entirely, but there was definitely a ‘second wives’ economy that existed and likely still does.

There was a street near where we lived where every shop was allegedly funded by a generous ‘benefactor’. And you could believe it, because we never saw a customer enter a single store and yet the owners – always young and attractive – were driving the latest Bentley’s. Ferrari’s or Maserati’s.

It was a different world.

And while China has been the centre of the luxury universe for decades, I still remember the Government banning all luxury outdoor advertising in Beijing every now and then to both show their power to the luxury brands who make billions from them as well as reminding the people who live there ‘they were still a communist land’.

Sometimes.

What is interesting is that when Russia and China opened up, Louis Vuitton were one of the quickest brands to see what this could mean for them and their category.

They recognised very early the importance – and confidence – luxury brands could play in culture and so they upped the branding on their products dramatically.

And that’s why these ads, from Ogilvy, are so interesting to me. Because at a time where the cult of luxury was on the rise, these ads attempted to separate LV from the competition by trying to position them with greater significance and purpose.

Presenting LV almost as something you ‘earned the right’ to have rather than something anyone could just buy.

Treating the LV iconography as a badge of honour, not simply wealth.

Reinforcing status as much about how you live, rather than simply what you have.

Maybe this was a reaction to the way Putin was starting to shape Russia to his will.

If you look closely at the bag next to Mikhail, you will see a magazine with the headline ‘Litvinenko’s murder: They wanted to give up the suspect for $7000.’

That headline was on the magazine, New Times, a liberal Russian publication that regularly criticised the Kremlin.

That headline was a reference to Alexander V Litvinenko – the former KGB spy who died in November 2006 after being poisoned in the UK. The former KGB spy who had accused Putin of orchestrating his murder.

While Ogilvy and LV dismissed the significance of that magazine headline, I think it’s pretty safe to say that’s bullshit.

There is no way that is a coincidence.

I get why they said it, but the symbolism of Mikhail … with that magazine poking out his bag … driving past the Berlin Wall … was a pretty blatant message of how far Putin’s Kremlin had taken Russia back to the ‘bad old days’ since Gorbachev had left.

It may have been a condition for Mikhail to feature in the ad.

Only he, Ogilvy and LV execs would know.

But I do admire their stance.

Let’s be honest, there’s absolutely no way that would ever happen now.

Which is as much of a statement on how safe advertising and brands have become as it is of the dangers of Putin and his actions.

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The Difference Between Brand And Band Strategy …

I was recently interviewed by a music company about the work I do for artists.

They – quite rightly – wanted to know what I did and how it was different to what I normally did.

And I explained the difference was made clear pretty much in my very first meeting.

Because I was told this …

Now I can’t be sure they used those exact words, but that was the general premise.

And that was what was amazing.

Because when working with brands, they want you to use creativity to engage audiences, but with bands – at least the ones I’ve been exposed to – it’s the opposite.

I don’t mean they want to alienate people – though they understand the importance of sacrifice better than almost any brand marketer I’ve ever met – it’s just they are the creativity … they are the product … and so the last thing they want is some fucker placing a layer of ‘marketing’ on top of their artistic expression which can be twisted, diluted or fucked with so what they want to say and what it means to them, has no consideration whatsoever.

Now I admit I’m very fortunate the artists I’m working for are of a scale where they have the power to not just consider this issue but do something about it.

Many don’t.

However by the same token, when you’re of that scale, the potential for things to get messed up in some way is much greater.

Which is why they ensured I knew my role was not to market them, but to protect their truth.

Do and explore things that amplify who they are not just flog more product.

And because what they create is an expression who they are … they can express their truth without falling into endless streams of cliched brand consultant speak.

+ So no buzz words.
+ No ambiguous terms.
+ Just stories, experiences and considerations that have defined all they do.

And that’s why they don’t really care if you like their music. Sure, it helps, but they don’t want fawning fandom, they want people who understand what they value, believe and give a fuck about so everything associated with what they do expresses it.

Or said another way, they want people who can ‘speak their tongue’.

Now I am the first to admit there have been some mistakes.

Some things you go, “why did you do that?”

But in the main, I’ve not seen much of it and even when I have called stuff out, they have [generally] appreciated it, because – as I was also told on my first day – I’m being paid to give them truth not comfort.

I’ve always said people should not aspire to be a planner, but get away with the things a planner can get away with. And I’ve got away with a lot as a planner. Done all manner of weird and wonderful.

While I’d like to think that’s what helped me get this gig … the reality is I got it because of an introduction from someone I know.

And while in theory any strategist could do what I’m doing, how I do strategy and how I have been asked to view what it’s role is, has highlighted that’s not the case.

Not because of capability, but what the industry currently wants and expects.

And this is manifested in increasingly not being given the time, support or standards to do things right.

Where speed is more important than substance.

Process more valuable than output.

I wrote about this and more, here.

But it’s more than that, it’s also what clients think strategy is for …

Packaging rather than changing.

Wanting quick wins rather than long term value.

Targeting needs, not a point of view in the world.

Chasing convenience not authenticity.

If anything, doing this work has made me even more grateful to the bosses, agencies and clients I’ve worked with over my career.

Because when I look back, the truly great ones were basically like a band.

Born of belief. Defined by a point of view. Wanting to attract not chase anything popular.

And that’s a big part of why they have been able to remain at the forefront of their individual discipline, category and/or sub-culture.

Because they never saw strategy as a tool for marketing, but to amplify their truth.

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Be Metallica, Not The Eagles …

I was recently in a client meeting where we had a discussion about ‘scale’.

The person in question was suggesting – as many do – that the only way to achieve it was to make sure you offer something for everyone.

Now there’s two ways you can do that …

Literally offer something for everyone or be so bland that you don’t alienate anyone.

And when we had this discussion, it reminded me of the Ferdinand Porsche quote that – paraphrased – reads something like:

“Be everything to someone not something to everyone”.

But it was early in the morning for me.

I was talking to clients in America.

So instead, I gave the worst analogy I may have ever used …

I pointed out The Eagles are the best selling American band in history.

That their ‘easy listening’ songs were designed to literally appeal to the widest audience possible. That their repetitive approach has been used to reinforce their position.

Or lack of one.

However the second best selling American band of all time is Metallica.

OK, I’m biased, but no one can say their music is designed for mass appeal.

Even their more ‘audience friendly’ albums still targeted a particular type of music fan. A fan that is anti-mainstream and anti-easy listening.

And yet Metallica’s fierce focus on who they are and what they believe – matched with their desire to continually explore and experiment with formats and approaches for their music – has resulted in them attracting ever bigger audiences rather than chasing them.

But its even more than that …

In the fickle, fast-changing world of music, Metallica haven’t just been able to maintain their credibility and authenticity, they have managed to still be seen as a contemporary band.

A band that is more popular now than they’ve ever been, while not changing who they are, what they believe or who they’re for.

I finished this rant off with the words:

“Be Metallica, not The Eagles”.

Fortunately, given I was doing this call at stupid o’clock, people let it pass.

However, while the analogy may be bollocks, the reality isn’t.

We live in an industry that is increasingly falling into rules of how things should be done.

And there are some – without doubt.

But we are in danger of ignoring the power of culture and creativity in favour of box-ticking and formulas and yet it’s the brands and bands like Nike, Metallica, SKP-S, Kanye, Liquid Death who not only hold – and set – the cultural attention and narrative, but continue to fast-track growth and profit compared to a category who blindly follow a system designed to play more to the ‘safety’ of the middle rather than the power and influence of the edge.

I’m not saying it’s easy.

I’m not saying it’s not without risk.

I’m not saying it happens in a smooth, straight line.

But when you do it well … when you know who you are, who you’re for and what you believe, it’s definitely worth it, against pretty much every metric you can measure it against.

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