The Musings Of An Opinionated Sod [Help Me Grow!]


Create Change, Not Ads …

One of the reasons I always loved Colenso was their approach to advertising.

Rather than always make the ‘ad’ the solution – or worse, use ads to promote the problem – they used creativity to solve the challenge in front of them and then created brilliant advertising to amplify awareness of whatever solution they’d come up with.

I’d talked about this approach in a presentation I did way back in 2008 for PFSK in Singapore.

We had just launched Sunshine and I was talking about the difference between solutions and ad solutions … all while Colenso had found a way to bridge both.

They used this ‘double dipping’ creative approach for everything.

Treehouse Restaurant for Yellow Pages.
Asscam for Levi’s.
Play for Spark.
Tally for State Insurance.
X-Ray Cast for Anchor.
Speed Dial for Volkswagen.
MyHooman for Pedigree
Brewtrolium for DB Export.
K9FM for Pedigree.

There’s too many examples to write about, and now I’m at the agency that did all this brilliance.

Since I’ve been here, I’ve seen this approach in action almost every day.

Of course it doesn’t always work … and it doesn’t always get bought … but the idea of bringing audacious solutions to problems rather than just audacious advertising is something pretty infectious.

There are a few really exciting things on the table, but recently we launched something – with our client Spark – that doesn’t just excite me, but makes me so proud I’m going to break my habit and actually write about it.

I know, who am I?

Beyond Binary is our way to create a better internet. A more inclusive internet.

In conjunction with our client, Spark – and working alongside rainbow communities – we developed a piece of code that anyone can download and easily add to their website.

What this code does is change the field formats on websites so they no longer only offer Male or Female options.

While to many this may seem a small thing, to the Trans and Non-Binary community – of which we are talking millions – it is important. Not simply because it represents them being seen and valued by organisations, but because it stops them being forced to misidentify who they are to fit in with established internet protocols.

In addition to the code, we made a film [see below] to help communicate why this is important for the non-binary community and business … as well as a website where you can download the code, learn how to add it to your existing site, hear stories from people who are affected by this situation every day and even access a pre-written presentation you can use to show your bosses why they need to do this.

A lot of people spent a lot of time working on this – which is why I was so thrilled when Campaign Asia wrote such a lovely piece about it.

I am not saying this because they used a competitor campaign to highlight how good ours is – though that helps, hahaha – but because they got it.

The understood exactly why we did it and how we did it … and that’s important because we sweated this. A lot.

Obviously we’re very proud of Beyond Binary but the key is getting companies to take part … so if you read this blog and work for a company with a website, please can I ask you to get involved. The more inclusive we make the internet, the better it is for everyone.

Thank you Colenso for being stupid enough to bring me over.
Thank you Spark for making this actually happen.
Thank you to the communities for helping and trusting us to do this right.
Thank you to anyone who takes part.

This is why it’s so important …




Design Changes Possibilities …

Yesterday I wrote about laziness in retail, well today I’m going to write about when you care deeply about it.

Have a look at this packaging:

Maybe it’s because I’m half Italian.

Maybe it’s because pasta is my undisputed favourite food.

Maybe it’s because the brand uses wheat from the region of Italy my family is from.

But how utterly glorious is it?!

It does everything packaging should do …

It is distinctive without trying too hard.

It shows the quality of the product inside.

It feels premium without being pretentious and charming without being childish.

It is a bloody masterpiece.

I love that because the pasta shape is an integral part of the packaging design, it allows the overall look to be clean while still being informative.

What’s even better is that while it started out as a project by Russian designer, Nikita Konkin … it ended up being turned into a real brand by German company, Greenomic Delikatessen, who bought the idea of Nikita.

Or said another way …

Creativity turned an everyday product into something with a highly desirable and distinctive commercial value.

Isn’t it funny how all those marketing training programs being flogged left, right and centre never talk about this sort of thing. Instead it’s all dot-to-dot processes to build identikit branded assets, eco-systems and strategy frameworks.

But then this also shows the difference between design and adland.

Designers identify real problems and look for ways to solve them with clarity, simplicity and distinctiveness. Whereas too many in adland choose what problem that want to solve and then add all manner of complexity to the solution in a bid to look like they’re fucking geniuses or to try and justify the ever decreasing fee the procurement department is forcing on them.

Remember Peggy?

The ‘innovation’ JWT Australia claimed ‘would allow their client to empower people to maximise their day through weather aggregation technology’. What that bullshit translated to was a ‘scam product and app’ that would tell you if it was going to rain so you’d know if you should hang your clothes out to dry

Yep, forget weather apps.

Forget USING YOUR EYES TO LOOK OUT THE WINDOW.

JWT was going to revolutionise the ‘washing line process’.

By making it longer, shitter and more expensive.

Hahahahahahahahahahahahahahahahahahahahahahahaha.

Unsurprisingly nothing happened with it because it was utter bollocks whereas everything happened for Nikita because he actually saw something that had real commercial value without extensive investment.

However in classic Russian melodrama style, he says he came up with the idea when he was “in love and perhaps this influenced me, though it could be just a coincidence” … which suggests he’s no longer in love and probably spending his time designing vodka bottles that look like your heart is dying. Or something.

I have written a lot in the past about the importance and value of design.

Whether it was the brilliant SONOS ‘sound waves‘ or the potential of using BK’s new logo as an emoji for food ordering.

Underpinning all of this is consideration, simplicity and craft.

Yes, I appreciate a personal project affords you more time than a client project … but designers are getting it right more often than adland and yet the talent in adland is there.

There’s tons of it. Everywhere.

And while there are still some amazing things coming out from the industry, I can’t help but feel design is pushing the possibilities of creativity more … which means the issue for adland must be something else.

Whether that is time, expectation, budgets or relationships, I’m not sure … but whatever it is, the attitude of ‘good enough is good enough’ is far too prevalent these days.

Or should I say, it is until someone like Nikita comes along and shows companies what they could have if they allow the experts to show them how they see the World rather than being told what to create by a committee of middle managers who value speed over quality and lack taste, judgement and real understanding of their audience.

It’s not easy to make something great.

But as a packet of pasta proves, it’s worth it.

Creatively, commercially and culturally.



How To Stop The Smallest Minds In The Room Create The Biggest Headaches …

I recently read an article in the Guardian about the launch of the X-Box.

Given the brand has been part of gaming culture for the past 20 years, it’s easy to forget what an achievement this has been for Microsoft.

Let’s remember back then, the brand was far more synonymous with office computer programs than gaming … so to come from such a negative space and place to become the powerhouse it is today, is nothing short of incredible.

But it wasn’t all plain sailing.

Sure, their cause was helped by SONY seemingly forgetting everything that had made the original PlayStation launch so successful … but even with that, Microsoft were still coming from pretty much a standing start.

It’s a great article that’s well worth the read, but there was one part that really stood out to me.

This:

Let’s be honest, we’ve all been there …

Where someone chooses to ignore a statement of obviousness and instead, attempts to turn it around so you look like you’re making a potentially dangerous assumption.

Don’t get me wrong, we shouldn’t blindly assume common sense is common sense, and – without doubt – there’s been a lot of unsubstantiated assumptions that have ended up being the backbone of ideas and campaigns all around the World, but this sort of behaviour is nothing but an act of petty cowardice.

However, let’s assume for a moment the person who wanted proof that people did expect DVD quality to be better than the crunched-up shit that was on screen, was right.

Let’s assume that we didn’t know that DVD brands had been communicating ‘improved image quality’ to the general public for years.

Even if all that was true, the real issue was still not being addressed.

And that is facts doesn’t mean standards.

So rather than fall into a ‘fact inflation fight’ that no one was going to come out of well – even though I get why they were triggered – they should have asked Mr Petty if the image on the screen reflected the quality of product and performance he – and the company – wanted to globally be associated with?

Quickly followed up by enquiring whether Microsoft had the technology to dramatically improve the current standard of performance?

By doing this, they not only side-step the pointless barrier being placed in front of them and refocused the conversation to values, standards and ambition.

I’ve seen this situation happen so many times.

Where political point scoring derails ambition, potential and standards.

Where the company starts focusing on the ‘minimum viable product’ rather than what could drive the brands perception.

And while these situations have also seen me lose my shit – A LOT – I always remember my Dad telling me the real way to win these sorts of arguments, which is to elevate the discussion to reputational standards not down to petty point scoring.

He was brilliant at it.

Me? I’m still working on it.



If A Video Game Company Can Do It, What’s Your Excuse?

For all the talk about diversity and inclusion being spouted by companies, I don’t see much diversity and inclusion.

I still see companies mainly filled with people like me and where there is diversity, it tends to not be at the management level.

And on the rare occasion that it is, you then see the media go after these people with a zeal rarely seen towards anyone white. Or male.

Of course, diversity is more than simply heritage … though companies often use that as a convenient excuse to not hire People of Colour, ignoring that – SHOCK HORROR – People of Colour can also come from low income areas, have physical disabilities, be members of the LGBTQ+ community and/or have any other number of ‘minority’ characteristics you wish to throw at me … which is why I am so excited by a new video game that deals with diversity head on.

Forza Horizon 5 is a brilliant racing game on XBox.

The graphics are amazing.
They’ve introduced a ‘story’ mode to the game.
And the world you get to explore is almost limitless.

But … and it’s a big but … the really brilliant thing is the level of customisation they allow you to make of your character.

Look at this …

And this …

How amazing is that!

You can customise your identity and add prosthetics.

No doubt, this will cause huge offence to presenters on Fox News for succumbing to ‘wokeness’ which makes it even better … but they’re missing the point in 2 fundamental areas.

1. Being called woke means being called someone who considers the context and needs of others so they can live a similar life in terms of opportunity as you. For me that’s a compliment, not an insult.

2. The option is not to get headlines – though it does, because of its rarity – but to allow people who are minorities, feel seen and valued and celebrated for who they are, not who they aren’t. Anyone who thinks that’s a bad thing to do can basically go fuck themselves.

The gaming industry has a bunch of issues – from how it operates to the storylines of the games it makes – however they seem to be far more committed and focused on making change than so many of the companies who talk about their D&I programs on social media and in magazine articles.

People can accuse Forza Horizon of jumping on the woke bandwagon all they like.

They can shout that they’re only doing it because they don’t want to alienate potential customers.

They can say it’s a ‘one off’ and should be treated as such.

People can say what they like … it’s still more than most have done and will mean far more to the millions of people who have been ignored by companies for decades for no other reason than simply being a bit different to supposedly ‘common’ characteristics.

And I can tell you, that will mean more to them than some press release about a companies D&I program that doesn’t change a damn thing.

___________________________________________________________________________

Thank you to James Whatley for letting me steal his screen shots, even though I own the game myself. THAT’s how lazy I am. Not that you didnt know it.



If Everything Is An Experience, You Better Make Yours Great …

I’ve written a lot about experience in the past.

How important it is.

How it can drive brand value and growth.

How it can create distinction and differentiation in crowded categories.

I’ve also talked about how badly so much of it is done.

That it’s more about consistency than excellence.

That it isn’t a new approach, just a new profit centre.

That many aspire to everything average than some things spectacular.

It blows my mind what some agencies and companies think is ‘an experience’.

Especially when you compare it to people who genuinely ‘get it’.

Whether it’s certain luxury brands or my client, SKP-S in Beijing.

Which is why I love the picture at the top of this page.

At the time, the person on the runway was 62 years old.

SIXTY TWO.

This was taken on the first of 3 nights of performing to 68,000 paying people.

So over 200,000 in total.

In South America.

Think about that for a second.

OK, so the person in question is Brian Johnson … lead singer of rock band AC/DC.

But let’s also remember we’re talking about a group of pensioners.

Literally.

Yes, I appreciate there are all-sorts of factors/considerations/contexts/excuses you could use to explain why they can achieve that sort of response when brands – with all their experience models and big budgets – can’t.

But the one thing AC/DC understand is if you want to keep people coming back, you need to focus on creating a seminal moment for your audience not average consistency.

It’s why I always ask ‘experience strategists’ about their life rather than just their work. I want to know what their frame of references are for experience. Because frankly – and I appreciate I’m being a massive snob here – if it doesn’t include festivals, theatre, art, music, retail, museums … then I don’t know if we’re ever going to share the same ambitions.

Because while I appreciate ‘average but consistent’ has value to some organisations, I would rather drink bleach than advocate that as a brand goal.

Not simply because I have an aversion to average.

But because when you do experience right – which means knowing who you are and who your customers are – the profits extrapolate. See, I’m not totally selfish.