The Musings Of An Opinionated Sod [Help Me Grow!]


Nothing Proves Like Inconvenience …

I’ve written a lot about the bullshit of brand purpose.

Or should I say the hijacking of purpose by marketing departments and agencies.

Far too often, we see companies where their ‘purpose’ has no day-to-day impact on the operations or decisions they make beyond pushing their marketing messages and promotions. For these orgs, purpose is positioned simply as ‘something we hope might change’ rather than actively doing stuff that actively pushes it.

As they say in the UK, “the truth of the pudding is in the eating”, and a lot of corporate brand purpose tastes like bullshit.

That doesn’t mean the concept of purpose is entirely wrong.

Oh no.

However the reality is true brand purpose is born rather than manufactured – especially by a marketing department – so for every Patagonia, there’s a Unilever … which is why I find the easiest way to see who is talking truth versus shite is simply by exploring how much inconvenience they’ll accept and embrace.

Recently I saw an interesting example of a brand who not just embraced inconvenience, but demanded it.

An example which I imagine caused all manner of friction and tension throughout the company.

And yet, when you think about who the company were and – more importantly – who they wanted to become, you see it as absolute commitment to their beliefs and ambitions.

Take a look at this …

Now I appreciate some would read that and only see the problems … the costs … the disruptions … the impact on productivity … the C-Suite ‘bullying’. But they’re probably the same people who think purpose is about ‘wrapping paper’ rather than beliefs and actions … which is why I kinda-love this.

I love how much they were pushing it and how they pushed it.

It was important to them.

Not for virtue signaling, not for corporate complicity – though I accept there’s a bit of that – but mainly because a company can’t talk about technology, creativity and the future while asking your very own colleagues to embrace the cheap, the convenient and the conformist.

Just to be clear, this is VERY different to companies who mandate processes.

That’s about control and adherence.

A desire to keep things as they are rather than what they could be.

And to me, that’s the difference between those who ‘talk’ purpose and those whose actions are a byproduct of it.

Every day in every way.

Because as the old trope goes, it’s only a principal if it costs you something and the reality is – like strategy – too many talk a good game but will flip the moment they think they could make/save a bit more cash.

Apple may have a lot of problems, but fundamentally, they mean what they say and show it in their actions – both in the spotlight, but also in the shadows … where very few people will ever see – as exemplified by Jobs famous ‘paint behind the fence‘ quote.

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If You Need To Sleep This Weekend, Let Me Help You …

Late last year, the silver-tongued man with the honey voice – that’s Fergus of OnStrategy fame, if you were wondering – asked if we could do a podcast about our work with our latest client, Delivereasy.

I’ve always steered away from talking about work I’m a part of because – for all my ego – I don’t like the idea one person becomes the spokesperson for it. Especially a strategist. However on this occasion, I changed my mind … not just because it was Fergus doing the asking – and no one can say no to him, including Putin, probably – but the story behind how we ended up working together is funny and definitely about me.

Or said another way, about my inability to be professional.

And while the work we’re doing together has only just started … it’s already setting the foundation and tone for something special.

From the new logo we designed that had 17 members of the company tattoo it on themselves [Including one of the founders who had 1.5 million people watch it on TikTok resulting in him sitting next to someone on a plane from China, who recognised him because of it]

To promising the coach of the All Blacks a curry and naan bread every week if he brought back the Rugby World Cup to New Zealand./ [Which we downgraded to just a curry because he failed, ahem!]

To a bunch of ridiculous ads like the one above …

But better yet, there is sooooo much coming.

Mad, ridiculous and brilliant stuff.

And while I would say that, the reality is that with our situation, we know the only way we can win is to outsmart the competition rather than outspend them.

But what’s interesting is that while this approach is founded on a strategically sound argument, it can only happen when your client understands it as well as the implications of it.

And in this case, they do.

Not just strategically. But also in terms of the ambition we have for each other and what we want/need the work to be to help us get there.

Truth over harmony.
Transparency over power.
Trust over control.

The reason I’m telling you this is because you can hear what a great client sounds like by listening to the podcast.

Sure you’ll have to put up with me, but in the case of listening to Jean … you’ll definitely leave with a better taste in your mouth.

Have a great weekend and happy invasion, I mean Australia Day.

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It Doesn’t Matter If They Don’t Know, It Matters That You Do …

Over the years I’ve written a lot about the importance of craft.

About taking pride in doing the right thing, not the easiest.

Sweating the details, not just the obvious stuff.

Caring about how you do something as much as what you do.

And yet, despite so many companies talking big about how they’re a ‘premium brand’, it is amazing how a closer inspection, their actions and values reveal something else.

At least where craft is concerned.

Instead, everything they do is evaluated purely by their ability to design, manufacture and scale down to a price point rather than up to a definitive and differentiated standard.

It’s like their attitude is craft is vanity, cost is sanity.

And while the cost element is important, the irony is craft attracts profit, rather costs it.

Even more ironic is that it can do this without needing to make a big deal out of it … because to the people behind it, it’s not a big deal. For them, it’s simply about living up to the standards their brand deserves/expects through the professionalism and passion they live by.

Now I appreciate that may sound – at best – counter-intuitive and – at worst – pretentious as fuck. But the reality is that to the people who buy what they make, they can sense it.

And I say ‘sense’ because sometimes it’s literally a feeling.

A feeling everything has been deliberate, considered and fussed over.

It might be the materials.
Or it might be the packaging.
It may even be a tiny detail they don’t even see until someone else notices it.

A great example of that last point is this from PlayStation.

I love this.

I love it with all my heart.

Many would never know it. Many may not even feel it.

But when they eventually discover it … it will change how they feel about it.

Reinforcing what makes this brand special. How much it cares about standards. And who it is.

But even if that doesn’t happen, it is OK.

Because often this is not done to benefit the end customer, but to satisfy the values and standards of the creator.

And far too often, that attitude is viewed as an indulgent expense when the reality is, it’s the greatest investment you can make in helping create who you can become.

Which is why Steve Jobs talked about the importance of ‘painting behind the fence’.

Or in the case of Playstation, texturing behind the controller.

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Fashionista Rob …

I appreciate the title of this post sounds dodgy.

Not to mention that photo. Let’s face it, me and fashion are hardly bedfellows.

But that photo [which is real, by the way] is to celebrate that next week I’m in China to attend the WWD World Fashion Summit.

I know … I know … it all sounds like I’m making something up so I don’t have to write any blogposts next week, but it isn’t.

I am an invited guest at one of the fashion industries most important conferences.

Of course it’s not because of how I dress, but for the work I do for one of my clients … the godfather of global street culture and the founder of the most successful, progressive and innovative luxury [contemporary and street culture] retailers on the planet: SKP and SKP-S.

I wish I could talk more specifically about the work I’ve done for him over the past 3+ years … because it has been some of the most creatively rewarding, commercially informing and artistically collaborative times of my career.

Put simply, he is one of the most audacious people I’ve ever had the privilege of working with.

Even François-Henri Pinault – the CEO of Kering – calls him one of fashions greatest pioneers.

And he is …

Hell, when I met him, one of the first things he said to me was:

“I want people to get used to living on another planet, because one day – based on how we keep treating this one – they’re going to have to do just that”.

Sure, it’s the words only a billionaire can say, but who wouldn’t be captivated by that?

But he’s not crazy …

In fact, the more time I spend with him, the more I recognise his genius.

I could write a 1000 blog posts about what I’ve learned from him …

What real entrepreneurship is.

What true conviction in your beliefs means.

What category disruption and innovation really looks like.

What you do to ensure luxury embraces the influence of street culture.

But that’s maybe for another day. What I will say is that despite being one of the most important and influential figures in fashion, he also loves his anonymity – preferring to make statements through the work he does … from pretty much every up-and-coming street culture brand you can point a stick at … to helping build the next-gen of fashion icons like Fenty and Gentle Monster through to building the most brilliantly bonkers [and most profitable luxury store on the planet] SKP and SKP-S.

[To give you an idea of how bonkers, their new offering in China, features a tapestry of gardens – designed by the architects of The High Line, in NYC – that is ¾ of a mile wide. And the reason they were able to do that is because all the infrastructure has been placed beneath ground, so it’s invisible to the naked eye until you are in the place. And if you think that’s bonkers, every location is wildly different in look and theme … but connected by a unifying story that’s more Marvel than BusinessWeek.]

But if that wasn’t enough, I get to go back to China.

The last time I was there, was Jan 3rd 2020 … just before COVID closed the World.

I think everyone knows what China means to me. It is the most special place in my life.

Yes, I know there’s a bunch of fucked up stuff that happens there, but there’s a bunch of fucked up stuff that happens everywhere … and in my 7+ years of living in Shanghai, I can honestly say I was blessed with generosity, friendship and acceptance.

It’s why I am proud Otis was born there.

It’s why I will challenge any prejudice or ignorance spoken about there.

It’s why I am so happy that I get continue to work with clients who are based there.

Of course, I know a lot will have changed in the intervening 3 years.

We used to say that the speed of China was so fast, that it was like a new generation was born every six months. And while it’s not anywhere like that now, it’s still more dynamic than most countries … which is why it makes perfect sense to hold one of the most important global fashion conferences there.

For all the ‘superficiality’ people say about fashion, I can honestly say that the more I’ve spent deep in the industry, the more inspiring I’ve found it.

The craft.
The imagination.
The focus on society, art and design.
The openness to different influences and ideas.
The desire to continually explore, imagine and challenge.

Or said another way … the stubborn commitment to allowing creativity to thrive, wherever it may take you.

Like with Metallica, this client has invited me to places I never even knew existed, let alone ever imagined I could be.

Magical people … imaginative ideas … insane possibilities …

But what’s made it even more amazing is they have asked me collaborate with these people and ideas … to find new ways to allow creativity to flourish – be it architecture, robots or writing stories that unite different worlds in different ways.

I appreciate it sounds like I’m bragging.

I guess I am.

But the reality is it’s more shock and gratitude.

I do think I am good at what I do, but to have all this – especially at my stage of career – does feel like I’ve won some sort of creative lottery.

And in some ways I have.

But the prize is not simply the work – or the cash – but the reminder …

Because the ad industry often sees creativity only through the lens of ads.

Oh sure, we’ll talk about craft and design, but it tends to always be in the context of communication.

Hell, we bang on about ‘big ideas’ when all we’re really talk about is big ‘advertising’ ideas.

There’s nothing wrong with that … advertising is creative and important.

But creativity is more than ads.

It has the power to shape and influence.

To create new meaning to old things and ignite deep emotions in the new.

It values culture and imagination far more than media channels and eco-systems … which results in the work being far more than ‘packaging’ for selling stuff, but creating the things that are worth buying.

I love the industry I work in. It has given me a life richer than I could ever have imagined. But somewhere along the line, it seems we love everything but the thing we’re supposed to love. Distracted by terminologies and techniques that – ironically – makes more things the same than different.

But fashion isn’t like that.

My client isn’t like that.

Which is why – you will understand – I’m so happy I won’t be here to write any posts for another week.

For once, your gain … is also mine.

So until the week after next, have fun. I know I will be.

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I Know Correlation Does Not Mean Causation But …

… but I love this chart.

Like all good conspiracy theories, there’s definitely enough to make you think it could be true. And it could be. Maybe not entirely, but definitely an influence … because the smartphone has become the modern day cigarette … where any moment of pause is a moment to scroll and I can’t think of any moment of pause like queuing up at a supermarket till.

I love this sort of thing.

Yes, I appreciate some are utter bollocks, but when they hit – they really hit.

Like the guy I met who started a TV shopping channel … who told me his goal was to ensure his channels were never anymore than 3 channels aways from sports, because he knew during breaks in the game, men would flick up or down 3 channels from where they were. He then ensured the products being sold during these times were sport/male relevant, which he said gave him a disproportionate opportunity to drive incremental sales.

Was he right?

He thought he was … and given he became a billionaire, there’s a good reason to believe him. Or at least not dismiss him out of hand.

Insight is getting a bad reputation these days. I get it … a lot of what is passed for insight, isn’t. Plus there’s rarely one insight that drives the whole business and it’s very rare to find something unique that others can’t claim. [Though there’s always the option to use them in a way that’s different to how others have interpreted them … which far too often, is literal translation]

But that doesn’t mean we should just dismiss the value of them … because when you do find them, the impact they can have on understanding or igniting a creative point of view is far more powerful than all the eco-systems, models and processes put together.

So here’s to the insight.

Rare, but worth pursuing or at the very least, remain open to them …

As long as you don’t fall for intellectual fiction or conveneient generalisation.

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