The Musings Of An Opinionated Sod [Help Me Grow!]


Which Came First: The Dumbing Down Of Marketing Or Creativity?

Above is a point of sale sign from a local supermarket.

Look at it.

LOOK AT IT!!!

What a pile of utter shite.

Noticeable for it’s stupidity rather than it’s inspiration.

The sort of stuff you would expect from a 5 year old writing jokes for a Christmas Cracker, than a company with well paid staff, responsible for the commercial growth of an organisation.

So who is to blame?

Well there are many who should feel a sense of shame – from ad agencies to research companies to clients – however when I think of who started this horribleness to begin, I can’t help but feel it was at the hands of the marketing department.

Of course even they are not totally to blame.

The C-Suite, with their demands and expectations have a lot to answer for … almost as much as the investors, who say they want the companies they invest in to be good companies but they better make increasing profits every quarter.

But what I found fascinating coming back to Western markets from Asian – specifically China – was how little ambition there really was.

Oh companies would talk about it – wax lyrical about it – but when you delved a little deeper, you saw there wasn’t much there.

Instead the focus was far more about defending rather than growing, corporate convenience rather than customer understanding, explaining rather than communicating and short-term conformity rather than long term change.

But of course, ad agencies need to take their blame for this situation as well.

Too many doing whatever clients want rather than what they need.

Profiting from process over creativity.

Celebrating speed over substance.

What makes it worse is some think this leads to good work.

Effective work. Using ‘proof’ that ignores the myriad of small, separate elements that combine to drive success so they can place themselves on a self-appointed pedestal.

But there are some who have a bit more self-awareness.

Who know what they’re doing is not as good as it could be.

Or should be.

But rather than face their responsibility in all of this, they blame others for how this came about … turning to questionable research that is based on a few tweets, a couple of chats around the agency or claims every single person on the planet can have their attitudes and behaviours characterised by a singular colour or some other bollocks.

And from this, they will claim the public don’t care about smart stuff.

That they ‘don’t understand’ good ideas and writing.

They they’re simply not interested in creativity and ideas.

Bullshit.

Bullshit.

Bullshit.

I’ve got to tell you, I’m absolutely over it.

I’m over the focus on the lowest common denominator.

Let’s face it, life would be pretty horrible and boring if that is how we really operated … and contrary to popular belief, we don’t.

That doesn’t mean there aren’t elements of predictability in what we do, but to ignore the nuance … to suggest everything we aspire to is exactly the same, delivered via an identical approach … is just plain bullshit.

But here’s the kicker, because more clients and agencies seems to be adopting this approach.

White labelling, phoned-in solutions with a cool sounding names that actively destroys any sense of differentiation and distinctiveness of their brand from countless competitors while also directly insulting the intelligence of the customers they rely on to survive.

I get it’s less hassle to just agree with clients.

I get that having income coming in right now is very important.

I get that a single point-of-sale sign is not going to change the world.

But when we are willing to allow our standards to be determined by how quick we can make money, then all we’re doing is ensuring the long-term value of our industry – and the talented people in it or wanting to be in it – dies even more quickly.

And that’s why I am also over people being quick to piss on anyone trying to do something different.

Claiming it’s self indulgent.

Labelling it a failure before it’s even run.

Saying it won’t appeal to the audience … despite not knowing the brand, the brief, the audience or how people actually think or act outside of some hypothetical customer journey / strategic framework of convenience.

And yet, when you look at the brands, the work and the agencies who consistently resonate deeply and authentically with culture and drive long-term loyalty, growth and profit – it’s the usual suspects and a few newbies, like Nils and the fabulous folks at Uncommon.

Yes our job is to help our clients achieve more than they hoped. Yes our job is to attract rather than repel. But our job is also to help build the future for our clients … influencing, shaping and – sometimes – forcing dramatic change even before the masses are quite ready for it, which means doing work that challenges and provokes for all the right reasons … sometimes asking questions of the audience rather than boring them into beige submission.

And while I acknowledge there are risks in all of that, I personally believe it is far riskier to dumb everything down to it’s lowest common denominator, because every single thing we love, respect and covet has come from someone or something doing something different.

Whether that’s an idea, a product, a story or a new way of looking at the World … it has come from people who understood who we are but take us further than we imagined, pushing the journey and the story with every new chapter of what they create.

They could have taken the easy route.
They could have focused on optimising the rewards.
They could have spent their time ‘removing friction from the transactional process’.

But they didn’t. Or at least, they didn’t just focus on that.

They embraced the risk to create something bigger and more unexpectedly resonant.

Or should I say unexpectedly resonant by those judging them, because they knew exactly where they were going.

And this is why the people who are so quick to dismiss anyone trying to do something new need to understand their actions say far more about who they are and what they value than anything else. And in an industry that is fighting for its life, I put my faith in those using creativity to change the game rather than those who just talk about violation of some old rules.



The Past Is An Indicator, Not A Fact …

Have a look at that article.

It’s not that long ago really is it, and yet the fortunes of Apple are beyond comprehension.

Probably even beyond what Steve Jobs imagined … though I doubt, if he was alive, he would admit that.

But while the iMac was much more successful than the journalist suggested it would be … its greatest achievements were re-introducing Apple to the world, positioning them as a real alternative to Microsoft and creating a platform for the brand and products to keep rising.

Now it would be easy to laugh at how wrong the journalist was with their article, but the reality is most people in the industry at that time thought that about Apple.

However the reason had less to do with the launch of the iMac and more about the recent history of the brand.

The choices.
The decisions.
The products.

But in doing that, they highlighted four of the great mistakes so many still make:

1. Immediately skeptical of anyone trying to do something new.
2. Believed the standard for success had been set by the market leader.
3. Evaluated products against current audience needs, not future audience needs.
4. Forgot how much truly great marketing can make people give a shit.

I say this because our industry often operates like this journalist.

Basing our point of view on ‘facts’ that reflect what has happened rather than what is going to happen.

Now I get why … what we do costs a lot of money and has a lot of implications and so clients rightfully want to minimise their exposure to risk as much as they can.

But despite this focus on certainty, we still see missteps and failures every single day, largely down to us – and clients – evaluating everything by the same 3 mistakes the journalist did towards iMac back in 1998.

This is not to suggest we should ignore what clients need.

Nor is it that we should disregard costs.

It is simply a reminder that if we only judge/plan/justify/execute through the lens of the rear-view mirror, the only thing we can be certain of is we will be going in the opposite direction to culture and success.



Showing You Care Is More Important Than Saying It …

Throughout COVID, we’ve been inundated by companies saying they care.

Banks.

Supermarkets.

Pharmaceutical companies.

At the beginning, it made sense … we were in a new reality and everyone was trying to work out what the fuck was going on, let alone what we should do.

But now, coming up to 6 months into this thing, we’re still seeing companies say the same thing.

We care.

We really, really care.

Honest, we really do care.

And frankly, it’s all becoming shit.

Because while we always suspected it was empty words, now they are proving it … because the fact of the matter is this is the time they need to put up.

To do stuff.

To actually show they care.

Which, contrary to the multinational who is spending a lot on advertising right now, does not mean you can consider yourself a kind and generous organisation simply because you make and sell a large range of disinfectant products that are especially important right now.

Now don’t get me wrong, I’m not expecting charity.

Making money is not a bad thing – and right now, companies need to do it to help keep employees employed. But adding something extra … something that can genuinely benefit the people you rely on would go a long way.

Not just because a lot of people need it right now, but because investing in your audiences wellbeing is investing in your own.

Take Timpson’s.

It’s a family-owned business in high streets and supermarkets up and down the country.

While they do a bunch of things, they’re most widely known for key cutting and shoe repairs.

That’s right, KEY CUTTING AND SHOE REPAIRS!!!

Of all the companies around the World, I would say this Key Cutters have led the way on how you should treat your people and customers in a crisis.

First of all, they made the decision to close all their shops – over 2000 of them – when COVID took hold. They wanted to ensure their staff were safe as not only do they deal directly with the public, all their stores are very small so social distancing would be almost impossible.

However, rather than making people redundant or putting them on government subsidised furlough, they covered the wages for every employee.

In full.

Every employee. Full salary.

To add some more texture to that, Timpson’s employ 5,500 staff … of which 650 come directly from serving a prison sentence … and their weekly wage bill is £2.5 million.

That in itself is amazing.

But then they’ve done something else.

Something aimed at their customers … specifically the one’s who have not been as fortunate to work at a company that takes care of their staff like Timpson and may now be struggling due to redundancy or loss of pay, hours, opportunities.

And what have they done?

This …

How amazing is that?

A genuine investment in their past and future client’s wellbeing.

Not empty words, something that will cost Timpson’s money – both in terms of time and cash.

Maybe it’s not a huge amount, but when you have all these huge corporations shouting their empty words in an attempt to look like they care, Timpson’s actions shows them up for who they are.

A long time ago there was a Michael Moore documentary called ‘Roger And Me’.

It was about the General Motors car company and them pulling out of Detroit.

There’s one bit in it that sticks in my memory.

On the production line, there were people being interviewed about what they’ll do when the factory closes. One guy – who was making one of GM’s most expensive cars – said this,

“What I don’t understand is if companies keep firing their workers, who do they think will be able to afford their cars?”

While I know there are many issues companies face, I know this.

The actions of a key-cutting, shoe repairer has resulted in me having more emotional connection and loyalty to them than I‘ll ever have towards multi-national organisations, spending millions of pounds on ads that attempt to show they care [read: express their designed-by-marketing ‘purpose’] but are so obviously self-serving, you can almost see them rubbing their hands in greedy glee.

Not because they want to make money to protect their workers.

Nor to look after the employees of their supply chain.

But to look after themselves and their shareholders.

And to them, I say this.

Your real ‘purpose’ is showing.

Try harder.



It’s Not Just What You Say, It’s How You Say It …

I have always loved pitching.

I love the drama, the nervousness, the tension, the creativity.

I also love that it’s a chance to reinvent how the agency is seen every single time.

Because of this, I’ve always embraced using a pitch to try new ways to present your work.

I’ve done a lot of stuff over the years.

Some has – without doubt – been an unmittigated disaster, but far more often, it’s been successful.

Not because we’ve used gimmicks or theatre, but we’ve found an interesting way to get our point across without [hopefully] repeating what every other agency they’ve seen has said.

Some of my favourites have been when we won the launch of Disneyland Shanghai when we were the 18th agency to pitch and I had inadvertently insulted the head of procurement when I accidentally wrote ‘retards’ instead of ‘regards’.

Mind you, they got their own back when they fired us after 2 years – and just before some truly amazing work was going to be made.

Then there was the time we won the SONY global business based on a photo I’d taken of a sign they had in their HQ.

It was an arrow pointing to the right to show you where reception was … and I used that as the basis for our pitch which basically said SONY spent so much time looking at what their competitors were doing, they’ve forgotten the need to forge their own path.

And then there was our winning pitch to Virgin when they were going to start their F1 team.

The reality was they were unlikely to ever win a race – or maybe even a point – given the gulf in investment and technology between them and their competitors.

So our strategy was to model themselves on tennis player Anna Kournikova … because even though she never won a grand slam, she was one of the most recognised, supported and wealthy tennis players in the tournaments.

That was fun.

But recently I found a photo that reminded me of a time we were pitching for BEATS by Dre.

I was at Wieden Shanghai and we had a meeting to talk about the China market.

Instead of a presentation about culture or music or fashion, I had one slide that said, “If You Don’t Define Who You Are, Someone Else Will’ and then I gave them all a set of the fake headphones that are the photo at the top of this post.

And we won.

Some say what we did was ballsy … but it wasn’t really.

When you realise the client is going to be sitting through a bunch of meetings that often say the same thing – or worse, just talk about the agency rather than the client – you realise having a strong POV that can form the foundation for work that will resonate with culture is the most sensible thing you can do.

Of course it takes just as long to come up with that as it does writing the 1000 page decks of boredom, but when it comes to delivery … it not only helps you stand out, it helps ensure they remember your point of view rather than get confused with countless pitches that talk a lot but say nothing.



Memories As Music …

OK, full disclosure, this is a post about Queen.

It’s also a post about parents, love, death and sentimentality.

So in some ways, it might be ‘peak-Rob blogging’.

But it’s not about me, it’s about a story I read recently that I just thought was beautiful.

OK, so it kind of reminded me of the time my Dad surprised me by buying The Works, Queen’s 1984 album, but most of all it just reminded me how music and memories are so deeply entwined that it has the capacity to act as some sort of temporary time machine.

And that is pretty wonderful.

With that, here’s the story …

For what it’s worth, my dad took me to see Queen at the L.A. Forum in’77.

I was 10.

This band Thin Lizzy opened for them. I remember thinking, “Who is this Lizzy chick?!?”

Then the lights went out, and Jailbreak began. I’ve never been the same …

All this is the introduction to one of the greatest moments of my life.

If ya have a moment, here’s the story …

I was 9 when I saw the full page ad in L.A. Times Calendar.

My parents had just divorced.

The Forum show was on my 10th birthday.

I called Dad …

“Hey Dad, um, Queen is playing on my birthday …”

“Yeah, I know. I tried to get tickets, but they’re sold out.”

[Damn!]

So Dad picks me up on March 3rd, and says “Let’s go to Sizzler for your birthday.”

“Okay, Dad, sounds great.” And it did, because I was thrilled to be with him.

So on the way to Sizzler, we ‘happen’ to pass The Forum.

In HUGE flashing lights: QUEEN TONIGHT!!

I thought ‘Oh man, what a dick! How could he torture me like this?!?’

I said nothing about that and we ate.

Afterwards on the way back home, we pass The Forum AGAIN.

Dad says …

“Oh, can you grab something out of the glove compartment for me?”

“Sure Dad,” I reply.

I open it and there – on top of the papers – is an envelope.

“This, Dad?” I ask.

“Yeah. Open it for me, will ya?” he says.

Guess what.

2 FUCKING TICKETS TO SEE QUEEN TONIGHT!

I will NEVER forget the sheer joy of that moment.

I still have the tour program.

Dad passed away, and at his memorial, I jammed all my brothers and nieces and nephews into my van and BLASTED Bohemian Rhapsody.

When it ended, there was complete silence.

It was freakin beautiful.

Thank you for reading.