The Musings Of An Opinionated Sod [Help Me Grow!]


If It Ain’t Broke, It’s Going To Be …

This is a long post.

Proper long.

And given I overwrite everything, that is probably a scary thought.

But I hope you hang in there, because it’s something important – at least to me. And who knows, it may trigger some thoughts – or hate – and I’ll consider that a win. Maybe, ahem.

So I don’t know about you, but I miss the TV show, Succession.

I miss the characters … the writing … the inconvenient truth how companies – and some families – work.

And while there are many articles and reports dedicated to explaining what ‘worked’, I recently read something that captured how it worked.

I love that write up.

I love it for a whole host of reasons … of which one is acknowledging that to make something that can capture so many people’s attention for so long, is an act of creative magnificence.

And while we may all nod our heads in agreement, the thing is we forget that.

We forget the challenge of keeping millions engaged and interested over a period of time.

Or maybe more specifically, we have forgotten HOW to do it.

Let’s be honest, the attitude of many brands is ‘keep things the same’ or ‘don’t fuck it up’ … while not realizing the biggest risk to achieving what they want to achieve is literally doing the same thing, in the same way, over-and-over again.

Of course, a big reason for their attitude is their quest for attribution.

Where the brand is synonymous and attributed to what they do/say/communicate.

However, rather than achieve this by doing interesting things that audiences value and can engage in – which is literally, the fastest, most effective way to build active, interested, engaged and committed attribution – we see more of the lazy approach. An approach sold by people with methodologies that mistake repetition as reputation.

Hence, we see countless campaigns featuring ‘consistent fictional characters’ doing variations of the same thing no one really cares about or relates to as if they’re trying to do a homage to the ‘Gold Blend’ coffee ads from the UK. WHICH CAME OUT IN THE 1980’S!!! Or the modern equivalent, where every element of every piece of communication is plastered with cues of whatever colour a brand is associated with. All the while ignoring the fact what it actually does is pull people out of their engagement with the communication because they’re questioning/wondering/laughing what sort of person drives a red car, lives in a red house – with red wallpaper – and only eat red vegetables. But even that isn’t the lowest of the low. No … that belongs to the work that shoves a watermark of the brand logo/name into the top left-or-right-hand-side of all their work … as if acknowledging their communication is so boring that the only way to know who it is from is to literally shove it in front of their faces.

I’m not saying ‘brand assets’ aren’t a thing … but they only become that with creativity.

Over time.

Continually reinforced … expressed … added to.

Without that, you end up with things that are more like weights than rockets.

And that’s the problem I have with so a bunch of the marketing practice being peddled …

Because they fail to appreciate the difference between recognition and value.

Or meaning.

Or resonance.

Or connection.

As I said to a client recently, just because I know what the swastika is, doesn’t mean I want to be a Nazi.

But that’s where we’re at right now … repeat, repeat, repeat.

Which is why that comment on Succession is so important.

Because they understand the importance of constantly adding to the narrative, not repeating it.

Keeping viewers not just interested … but on their toes.

Which leads to them engaging with the show, even when they’re not watching it.

Talking, discussing, sharing, commenting, deducing, arguing.

A program where none of the characters had many redeeming features, kept millions around the world coming back to them.

To learn. To listen. To grow. To hate. To debate.

Is that hard to do?

Of course.

Is it impossible to do?

Nope … especially when you hire proper talent and let them do what they’re great at, rather than value talent on how little they cost and then tell them what to make. Even though you don’t have experience in knowing how to make things people want to engage with.

But as a friend said to me recently, there were no conversations about ‘attribution’ with Succession were there!?

Nope. Not one. Not even from the first episode.

And maybe that was because they didn’t start the show with the intent of creating the lowest common denominator of recognition … then repeating it over and over and over again. No … their intention was to make something interesting … and then keep adding to that so their audiences would keep giving a fuck.

Look, I have no problem with marketing practice.

It is important and has a real role and value in building brands and driving effective marketing.

But that role and value is only released when it is done well and honestly … and right now, it feels there’s a lot of soundbites and not a lot of depth.

Selling systems that promise simplicity but ultimately are outsourcing responsibility.

Outsourcing responsibility to people who can profit from it, despite having no experience in actually creating it.

The irony is we all want the same thing.

Hell, we all need the same thing.

But there’s a major difference between playing not to lose and playing to win so maybe there needs to be more conversations about that, rather than blindly follow people who present themselves as business liberators when really, they’re good insurance salespeople.

Of course, the reality is that, despite what some may say, there’s not one ‘all encompassing’ answer to all this.

I get how expensive everything is so the temptation to stick and stay with what you know and what is working for you, is high. But regardless who you are, it will not last forever and it’s far better to own the change than be left behind by it.

Just ask the Disney execs how they’re feeling as they watch their Marvel universe start to implode.

Building anything is a journey that goes through highs and lows along the way.

But it’s the people who think – or say – they can stop that, who end up creating branded mediocrity.

Or should I way, ‘mediocrity attribution’.

Which is why there is one final example of the commercial value of adding to a story rather than repeating it and that’s Queen.

Specifically their recent sale of their back catalogue for ONE BILLION POUNDS.

Whether you like the band or not, you can’t say that is not an impressive number.

And while even I – a massive Queen fan – accept that in 1986, they stopped being musicians and became entertainers [aka: ‘turned crap’] … it’s the music they made until that point that gave them their legacy, fans and economic value.

Because rather than basically repeat their first hit over and over again … they kept taking people to different and interesting places.

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You Don’t Get The Chance To Make History Very Often …

Today, England play their first ever football final on foreign soil.

Do we deserve to be here?

Well, the fact we’re here means the answer has to be yes, however if truth be told, we owe a lot to luck.

And persistence.

And skill.

But mainly luck.

Because apart from one 45 minute spell, we have been pretty rubbish but that means nothing given we’re now just 90 minutes from history. Maybe not history for everyone else, but it definitely is for England, in terms of team and nation.

And while I think Spain will win it, it is quite the achievement. Especially for the manager, who has faced an endless barrage of abuse and yet leads us to the 2nd European Final in a row.

That said I hope we win.

Not just for the players and the country – though I fear what some of the fans may do whether we win or lose – but also for the new Government. Because nothing will piss off the Tories more than Labour coming in on a massive majority and then having the national men’s team win a major European football title, hahahaha.

But for the England team … I can’t imagine how they must be feeling today.

The conflict of emotions.

Fear and excitement.
Nerves and belief.
Pressure and energy.

But that said, I do have an idea of what they will feel like as they play and if they win.

Not because of anything I’ve done, but because of things I’ve witnessed.

From watching Queen achieve music immortality as they performed to the World at Live Aid back in 1985 through to watching Robert Plant – of Led Zeppelin – reaction as he watched Heart perform ‘Stairway To Heaven’ as part of his bands induction into the Kennedy Centre Honours List. It made such an impression on me that I wrote about it here and you can watch the film I’m referring to below.

Both still give me shivers even now, years later … so I cannot imagine what it must have felt like – or still feels like – for the artists. Just like I can’t imagine what the players tonight are experiencing or will experience, should they win. Or should they lose.

And that’s why I hope they – and the England fans around the World – remember that while 2nd place is never as good as first, it’s still an incredible achievement to find yourself in a position where you can make history.

Literally make history.

To achieve something that will be written about, referred to, commented on for decades, if not centuries. Fucking hell, that must be an utterly extroidinary and intense experience to try and deal with. To manage. And carry.

So good luck. I hope you pull it off England.

May the next 90 minutes be full of joy, rather than fear or regret.

Let’s go …

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Why We Need More John Deacon’s …

Once upon a time, I wrote a post about why we should be like Freddie Mercury in the boardroom.

To be honest, I also wrote about how we should be more like Freddie Mercury fullstop.

I still think that … but I also think there is another member of my favourite band we should embrace.

Not Brian May with his degrees, poodle haircut and home built guitar.

Nor drummer Roger Taylor … with his rock star smile, lifestyle and notches on the bedpost.

No, I mean the bassist … John Deacon.

On first impressions, John is a typical bass player.

Quiet.

Comfortable in the background.

Doing everything to not bring attention to himself.

Yes … I appreciate there are a few exceptions to this rule – Flea, Nikki Sixx, John Entwistle, even Level 42’s thumb slapping maestro, Mark King – but John is not one of them.

I once had him driving behind me in London and he was in a Toyota Yaris.

But behind the introverted persona was someone who was most definitely exceptional.

Not just in terms of writing some of the bands biggest hits – from Another One Bites The Dust to I Want To Break Free.

Nor do I mean in terms of still being married to his first love and having a bunch of kids who all live happily in Putney.

[His son used to have a great Youtube channel but sadly he took it all down a while ago]

No … what I mean by calling him exceptional is that he’s 10000% his own person.

Not in an arrogant rockstar way, but in his own way.

Have a look at this …

I bloody love that photo.

Love it.

Not just because it’s Queen live on stage.

Nor because Freddie is in his magnificent prancing poser phase.

But because despite being on stage, playing at deafening and blinding volume and wattage to tens of thousands of adoring fans, standing behind one of the most flamboyant and iconic rock stars of all time as – at the time of that photo – a member of the biggest band on the planet … John looks like he’s just come from his job working as an insurance salesman at a building society in Norwich.

Put simply, John didn’t give a fuck.

He loved the band – at least the majority of the time – but not enough to change who he was.

Where many would have succumbed to the pressure of being more ‘rock star’, John simply wanted to be more him.

Whatever ‘him’ was on any given day.

And what I love as much is the band didn’t give a fuck about it either.

Despite the other 3 members embracing their rock god characteristics – at least on stage – they accepted John for who he was.

Not that they could have got him to change if they tried.

Because while it has been well documented that John was a fragile soul – suffering from depression and always feeling slightly disconnected given he was the last member to join the band – John was as stubborn as a mule.

Not in terms of not listening to reason, but in terms of knowing who he was and what he believed.

At a time where the word ‘authenticity’ is banded about like it’s confetti … no one deserves that label more than John Deacon.

And while I am sure that led to all manner of tension in the band, they obviously trusted and respected him, even to the point they let him take control of the bands financial dealings … which not only resulted in them becoming multi, multi, multi millionaires, but – for a couple of years – becoming the highest paid company directors in the World.

We live in times where complicity is not just expected, but often demanded.

Where the rule of thumb is you fall in line with whatever the whim of whoever calls the shots.

But John Deacon didn’t follow that path.

Not because he was a rock n’ roll rebel … but because in his quest to be as good as he could be, he didn’t want it to come at the cost of losing who he was.

And while that may have resulted in John Deacon being one of the most underrated bass players of his time, we cannot forget it also resulted in him becoming one of the most successful musicians of all time.

And richest.

Despite never fitting in …

Be that with his choice of stage attire or the expectations of others.

Which leads to the point of this post …

Too often we feel we need to be like others to be accepted by others.

Adland is typical in this, but then so many other industries operate the same way.

It’s like group-think oppression … a clique that you feel you have to be a part of to stand a chance of being seen for yourself.

Which is mad and shit and rarely works out.

Which is why John Deacon should be a role model for us all.

Someone who never lost sight of who he was, what was important or what he expected from those around him.

Forever working hard but never taking anything for granted.

Including himself and his family.

From the outside, Queen may not come across as the poster child for ‘healthy working environment’.

And John Deacon doesn’t appear as the most natural of role models.

But as role models go – it may not be very rockstar – but it is very good advice to follow.

So wherever you are in your life or your career, be more John Deacon and find a job where they accept you like a member of Queen.

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Never Bet Against An Only Child …
November 6, 2023, 8:15 am
Filed under: A Bit Of Inspiration, Cunning, Freddie, Music, My Childhood, Queen

As some of you know, I tried to buy Freddie Mercury’s vintage Tiffany’s moustache comb at the recent Sotherby’s auction.

I really thought I had a chance …

He apparently bought it for £90 and the estimate was £600 … so I went in with what I would consider an obscene amount of cash.

Now of course, I appreciate there is a financial crisis going on, so doing anything like this is bordering on vulgarity.

However in my defence, I have been a lifelong fan of Queen [even though I thought the music they made post 1984 was almost universally pants] so this was never about making an ‘investment’, and more about feeling close to someone who has had such an impact on my life.

That said, when I saw this photo in The Guardian in the lead-up to the auction, I was shocked at how small the comb actually was.

I don’t know why … after all, it’s a bloody moustache comb and they hardly scream MASSIVE … and yet I was convinced it would be at least the size of a normal comb rather than the sort of thing you’d find in a Christmas Cracker.

But despite that, I pressed on and for a few days … I was leading the pack.

Oh I was so excited.

I was going to get it and then have it mounted in a beautiful, ornate frame and hang it up at home … forever smiling every time I passed it.

And I would have, had my bid not got smashed to smithereens by some lunatic who bid over £150,000. ONE HUNDRED AND FIFTY GRAND!!!

And it is here, my only child spirit came to the fore.

You see, only children are not good at not getting what they want.

They may have to wait.
They may have to sacrifice other things.
But they will do their fucking damnest to get it.

Which is why the day I realised that to win the item, I would have to lose my house, my car, my savings and my marriage … I decided to take another tack.

Rather than cry at what I couldn’t have, I decided to spend hours on the internet, scouring antiques shops all around the world for an identical one.

And guess what … I found one.

In Cleveland, Ohio.

It’s that one in the photo above and the one below.

OK, it’s not Freddie’s … but it was 365+ times cheaper than his and I love it … hence the plaque I had made for it.

Yes, I know it’s still utterly ridiculous, but it’s not as ridiculous as Tiffany’s not releasing them again and making a fortune from idiots like me.

Which means – based on Girl Maths [which was Rob maths before Girl Maths was even a thing] – I’m a financial whizkid.

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Alive And Kicking Without Being Alive And Kicking …
September 5, 2023, 8:15 am
Filed under: Bands, Birthday, Brand, Comment, Freddie, Management, Marketing, Music, Queen

Today would have been Freddie’s 77th birthday.

That’s almost as crazy as the fact he has been gone 32 years.

And yet his fame may have never been so high as it is now.

Yes … I appreciate this has been ‘managed’ and certain ‘iconography’ has been drip-fed into society … but for someone dead, he doesn’t half feel alive.

A biopic movie [albeit with a to of creative licence] that made a billion dollars.

A Greatest Hits album that is the biggest selling album of all time in the UK.

More ‘billion played’ songs on Spotify than any other artist in the world.

Countless books, TV shows and tribute acts … where they always feature Freddie in his ‘yellow jacket’ phase, despite that being when he was more performer than rockstar.

Regardless what you think about the optimisation of Freddie as a ‘brand’ in modern culture, you have to say it has been brilliantly done.

I can’t think of many celebrities who achieved the same level of cultural presence, 3 decades after they died.

And he’s only going to be more in our daily lives as the auction of his personal belongings starts in a few days.

Of course, I can imagine Freddie would love it.

When he was close to death, he called the band manager – Jim Beach – and said this to him:

“You can use my image, music and memory in any way you choose … just don’t make me boring”.

Given he is more present than many people alive and on our screens, it’s safe to say mission accomplished.

Happy 77th Freddie. You’re missed even though you’re around.

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