Filed under: A Bit Of Inspiration, Attitude & Aptitude, Audio Visual, Authenticity, Childhood, Content, Context, Creative Development, Creativity, Culture, Freddie, Queen
So very soon, a bunch of Freddie Mercury’s belongings are going to be sold at auction.
And yes, I will be bidding on some … albeit the cheapest stuff that is available.
But if I could, there’s stuff I’d love to have.
From the shoes Freddie wore during Live Aid [which is 38 years today] to the royal cloak and crown he wore on the last Queen tour in 1986 to this …

What you see is one of the pages Freddie used to construct the lyrics and song structure for Bohemian Rhapsody.
The scribbles, the word changes [for example, originally it was going to be called Mongolian Rhapsody] the different keys he saw different parts of the song being performed in.
How amazing is that.
What is even more amazing is that it’s all on a 1974 calendar deskpad for British Midland Timesavers – which, I assume, was an airline.
Maybe he got it because originally, he worked at an airport as a baggage handler.
Maybe he got it because his parents ended up moving to Nottingham, which is near East Midland’s Airport.
But whatever the reason, for a song that will exist in culture for eternity … it’s pretty amazing it all started on some random notepad.
More than that, there are other songs that also appear on that pad … for example Somebody To Love … which proves what Queen fans have thought for decades, that they are ‘sister songs’ … and then the classic We Are The Champions, which didn’t even get recorded by the band until 3 years later.
Or said another way, one innocuous pad of paper captured three songs that went on to achieve iconic status across generations and genres.
I love it.
Not just because I’m a Queen fan, but it proves imagination and inspiration can be triggered and caught anywhere.
Sure, not everyone will achieve the same quality or impact as Freddie did, but in a world where we are trying to systemize every aspect of creativity … it’s a good reminder that for all the processes, eco-systems, models and frameworks, if we recognize, embrace, develop, work on and trust our imagination, we may find we can start creating ideas that transcend whatever the latest ‘best practice model’ can only wish for.
Not just because best practice is past practice … but because it’s goal is consistency whereas imagination is about liberation.
Now if only I had 1.2 million pounds …
Filed under: A Bit Of Inspiration, Age, Attitude & Aptitude, Bands, Bangkok Shakes, Childhood, Culture, Music, Nottingham, Paul, Queen, Relevance, Resonance, Respect

When I was a kid in Nottingham, there were 3 independent record shops I continually went to.
WayAhead, Rob’s Records and Selectadisc.
OK, part of this was because there were no major record shops in Nottingham at that time – Our Price, Virgin and HMV all arrived [and left] years later – so unless you were happy with the extremely limited range available in Boots, they were your only options.
Not that they were a ‘lesser’ experience to the big chains. Far from it.
In fact WayAhead became my Mecca because it was a pure rock and metal store. The only one in Nottingham … a place that loved the music rather than just sold it. A place – when I look back – that not only helped forge my identity as a teen, but gave me a space where I could feel safe and supported in it.
It’s also the location where I queued up all night just to ensure I could get Queen tickets for their Works Tour. So the memories are deep and strong.
Rob’s Records was a second hand store up a small alley called Hurts Yard.
WayAhead used to be a few doors down, but they moved to a much bigger location when [1] metal music became mass in the mid-80’s and [2] the shop couldn’t fit customers in because too many people were crammed around the Pinball table and Track and Field arcade game that was in the front of their store. [See photo above]
But I digress …
To be honest, Rob’s Records was a shambles.
Messy … cramped … records stacked tight in big boxes and plastic bins placed literally all over the place. But it had cheap records so I’d find myself in there searching for some rare Queen albums or singles… normally after having a fried chicken lunch from the place that was a cut-price KFC in name, cleanliness and taste.
And then there was Selectadisc.
Set over 2 floors, it was the music lovers, music shop.
A dimly lit, warm cocoon that incubated you from the world outside.
In fact, it was considered an institution by record/vinyl fans all over the world thanks to its continued support for new and up and coming bands.
That said I didn’t love it … it loved The Smiths for a start … but it did have a lot of variety. It also had a great noticeboard where people could put up ads … especially for musicians for bands. We found our first singer, Rob Reid, from an ad we put up there … someone who helped give me some of the best times of my teens and who I am still in touch with to this day.
All of these places were like a wonderland to me.
I may have entered from the street, but I found myself on a different planet.
I would spend hours there on a Saturday… listening, talking, looking, reading. Occasionally even buying.
And while Rob’s Records and Selectadisc didn’t offer me the same community as WayAhead … they mattered to me. A lot.
Sadly, only Rob’s Records remain … but what caused me to write this post is because I recently saw a photo of the upstairs of Selectadisc and it stopped me in my tracks.
Not because of the memories it ignited.
Nor because of the state of it.
But because of its size.
Specifically, how small it was.

I appreciate when you’re younger you overestimate size … but this wasn’t when I was a child, I was in my teens.
And even though it wasn’t my fave record shop, I still remember it like it was a Cathedral of Sound.
Maybe it was because it was bigger than both WayAhead and Rob’s Records.
Maybe it was because it was on 2 floors where the others were just on one.
Or maybe it was because it offered me an escape from normal life to a place that was filled with sound and people who shared a similar love to it as me.
There’s never been a place like those record shops for me.
The closest was Funan Mall in Singapore – a whole building dedicated to selling electronics and gadgets.
A place where I could happily spend hours just looking at the latest new tech that had come in from China … where Jill sent me to after I’d proposed so I could calm down from the intense emotions of the morning.
But even then … even with all that … those 3 record shops in Nottingham will be where a part of my soul resides.
A place that was educational, recreational, and experiential.
Society is worse off without these places.
Yes, I know culturally they have been replaced by a bunch of other places – from the barbers shop to the chicken shop – but records shop were more than a place to hang and talk, they were a place where you grew.
So even though this photo of Selectadisc highlights how small it actually was … it’s impact on who I was remains huge.
Filed under: A Bit Of Inspiration, Advertising, Anniversary, Attitude & Aptitude, Birthday, Colenso, Colleagues, Creativity, Culture, Cunning, Daddyhood, Emotion, Empathy, England, Family, Happiness, Health, Home, Hope, Jill, Love, Loyalty, Martin Weigel, Mercedes, Mum, Mum & Dad, Otis, Parents, Paul, Queen, Relationships, Resonance, Rosie, Shelly

So this is it, the last post of 2022.
Again, I want to say a big thank you to everyone and anyone who has read or commented on my ranting rubbish.
I have to say, I miss the comments.
I know it was my choice to stop them, but I do miss them – so maybe I’ll have to bring them back, even though I’ve become waaaaaaay more productive since they’ve been turned off as I don’t have to spend vast amounts of my time checking what insults have been written to me and about me, hahaha.
But lack of comments aside, it’s been a big year … mainly because it has been the first year in a couple of years without any lock-down. And yet I still find it bizarre seeing people not wearing masks and being able to get on a plane again.
To think of the isolation, suffering and pain so many people suffered, the speed of the bounce-back has taken my breath away. Of course there are still people enduring tough times … but given the horror of the pandemic has seemingly been replaced by the threat of nuclear war and economic collapse, maybe COVID wasn’t so bad after all.

That said, I’m so grateful for the ability to travel again as it meant I was able to go on a trip that I’ll never, ever forget.
A trip where I got to see my beloved Martin getting married in Portugal.
A trip where I got to see my beloved Nottingham Forest getting promoted at Wembley.
A trip where I got to see my beloved Queen in concert with a ticket I bought 2 years earlier.
A trip where I got to see my beloved Paul, after the longest time we’ve been apart in 52 years.
It was, without exaggeration, one of the most special times in my life … with stuff I thought I may never see – or see again – so you will understand why I still feel so grateful to be able to have experienced it.
But beyond that, there were many other things that made this year memorable.

We did some fun work including Beyond Binary, Rick and Morty, Phone It In and Give Up On Humans. Our agency Christmas gift was interesting too. I say interesting, but I mean ridiculous, especially compared to last years more sophisticated Restraining Order, haha.
I wrote a pretty decent April Fools post that conned a few people.
And then, more seriously, I wrote some posts about my dalliance with depression, fulfilment, prejudice and respect that seemed to mean something to people, which made me feel happy it helped in some way.
I worked with Metallica, Miley Cyrus, Muse and Journey, to different degrees of success and enjoyment, hahaha.
We produced Dream Small … which I’m not only very proud of, but has led to conversations and change I never imagined we could have.
The way Otis – and his school – dealt with his dysgraphia diagnosis.
I celebrated my Mum’s 90th.
I got to see the wonderful Maya and Bree again, after years.
I was somehow featured in a book.
My Bohemian Catsody office mural … featuring Rosie amongst others.
I laughed myself stupid about Gi’s shit explosion while also being proud as punch of my wonderful team with our WARC/Cannes Global Grand Prix for effectiveness … followed up with us winning the same achievement at the NZ Effies … followed up by us winning the Global Grand Effie a few weeks later.
Renovating the old Colenso table to give it – and the irrepressible, unmistakeable Kate Maitland – the respect and recognition they deserve.
Lizzie and Amy’s news.
And Paula’s wonderful ray of sunshine.
Then finding the brilliant Briar and Shelly … with Martin and Meg arriving in Jan. [Which in Meg’s case, is almost 2 years in the waiting]
And last – but certainly not least – seeing Boris get pushed out quickly [literally and figuratively] by Liz Truss, even though the evil Tories somehow remain in power.
Of course there was some sad and disappointing stuff.
The loss of the irreplaceable and wonderful Dan Wieden.
Queenie … which hit me far more than I ever imagined it would.
Ben. Who left us too soon.
Mike’s motorcycle accident.
Henry, Liam and Robin left the team.
My first dalliance with COVID. And Jill too.
The bullshit that Simon P was forced to deal with and face.
Not to mention the horrible situation one of our clients was exposed to by the worst of society.
And then too many terrible global events, with the situations in Ukraine and Iran being possibly the worst of them all. What makes these last two even more disturbing is how the media only pay lip service to them. As if they don’t deem the horrors ‘relevant’ enough for their viewers and readers so they hide it on pages 5 and 6 … behind articles on energy bills, political scandal and sports scores.
I know it’s Christmas, but instead of having that one extra drink or buying that one shitty pressie, donating that money to organisations who offer support and help would be amazing. Two of them are this for Ukraine and this for Iran.
2022 has reminded me how privileged and comfortable my life is.
While compared to many, I have only experienced that sort of life, there have been times that have challenged me.
1999 was horrid.
As was 2015.
And last December was arguably, the worst month I’ve ever faced.

But this year, from a purely personal perspective, has generally been pretty special for me and one of the biggest reasons for that is my family.
I know we’re all supposed to say that, but it’s true.
Not just for who they are, but because for some reason, I feel we got even closer.
Emotionally.
Supportively.
Connectively.
To be honest, I thought we were already as close as you can be, but I discovered there’s actually no limit to the level of connection you can feel with loved ones and that has left me feeling a bit overwhelmed.
Maybe it’s because NZ is so far from everyone, we feel closer to each other. Maybe it’s because we don’t see the people we love so often, we have become more reliant on each other. Maybe it’s because we just have gone through some stuff that it reinforced how special we are to each other. Maybe it’s for reasons I’ve not wanted to admit before because it challenges the priorities I’ve lived by before.
Who knows, but what I can say is I love my ramshackle collection of Campbell’s.
Including Rosie, of course.
They’re not perfect.
They can drive me nuts.
But they’re mine and I adore every bit of them.
Which is why I want to sign off by saying to them – and to the rest of you – that whatever you do over this period, I hope it gives you all you want and all you need. I am grateful for everything every one of you put in my life and I hope 2023 – as scary as many are suggesting it will be – will surprise us all with its happiness and fulfilment.
Just as long as mine is happier and more fulfilling than yours.
Hey, I may be getting more tolerant in my old age, but I’m still as only-child demanding as ever.
Have a great one. Back Feb 1. I hope to see you in 2023.

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Today would be Freddie Mercury’s 76th birthday.
How bizarre.
Except it shouldn’t be because Brian May and Roger Taylor are similar ages and they’re still playing.
Though recently I saw a photo of Brian May coming off stage from their last concert of this current tour and he was in tears … and you sense there’s a chance that’s it. That he knows, even though it hasn’t been said.
I can’t imagine what that must feel like.
I mean, the idea of me no longer being able to do whatever it is I do freaks me out, so to be a global rockstar who knows they can’t keep performing as they have been – even though the fanbase is there – must be a whole other level of confrontation.
But if they are bowing out, doing it on a high is the only way to go and they would be doing it if they announce it now.
Which also means I’m extra thrilled I was able to see them in London.
With my best friend Paul.
Which, for me, would be the perfect sign-off.
But the thing that’s interesting is that when you think of Freddie, you don’t think of the old man version of him. You don’t see the ‘grand damme’ looking anything other than he was in 1986 … fit, flamboyant and fantastic.
Yellow jacket.
Big moustache.
Prancing around the stage like a highly-sexed panther.
Yes, I know he died 31 years ago and that was the last ‘high profile’ image of him. But given 50% of the band are still touring, the idea we still see Freddie in his prime – rather than comparing him to his band mates – is interesting.
That said, that 1986 image is not my favourite version of him.
Queen had ‘evolved’ from rock stars to entertainers by then and I have to be honest and say I prefer when they are in full blitzkrieg rock n’ roll stars.
Which is why I wish Freddie a happy birthday and leave you with a concert they did in 1981.
Even if you hate the band you will be unable to dismiss the power of their performance. This is them at their peak … literally years before they created musical immortality with Live Aid.
Don’t get me wrong, I will always love them, but I miss this version of them most.
Happy birthday Fred.




