The Musings Of An Opinionated Sod [Help Me Grow!]


Be Metallica, Not The Eagles …

I was recently in a client meeting where we had a discussion about ‘scale’.

The person in question was suggesting – as many do – that the only way to achieve it was to make sure you offer something for everyone.

Now there’s two ways you can do that …

Literally offer something for everyone or be so bland that you don’t alienate anyone.

And when we had this discussion, it reminded me of the Ferdinand Porsche quote that – paraphrased – reads something like:

“Be everything to someone not something to everyone”.

But it was early in the morning for me.

I was talking to clients in America.

So instead, I gave the worst analogy I may have ever used …

I pointed out The Eagles are the best selling American band in history.

That their ‘easy listening’ songs were designed to literally appeal to the widest audience possible. That their repetitive approach has been used to reinforce their position.

Or lack of one.

However the second best selling American band of all time is Metallica.

OK, I’m biased, but no one can say their music is designed for mass appeal.

Even their more ‘audience friendly’ albums still targeted a particular type of music fan. A fan that is anti-mainstream and anti-easy listening.

And yet Metallica’s fierce focus on who they are and what they believe – matched with their desire to continually explore and experiment with formats and approaches for their music – has resulted in them attracting ever bigger audiences rather than chasing them.

But its even more than that …

In the fickle, fast-changing world of music, Metallica haven’t just been able to maintain their credibility and authenticity, they have managed to still be seen as a contemporary band.

A band that is more popular now than they’ve ever been, while not changing who they are, what they believe or who they’re for.

I finished this rant off with the words:

“Be Metallica, not The Eagles”.

Fortunately, given I was doing this call at stupid o’clock, people let it pass.

However, while the analogy may be bollocks, the reality isn’t.

We live in an industry that is increasingly falling into rules of how things should be done.

And there are some – without doubt.

But we are in danger of ignoring the power of culture and creativity in favour of box-ticking and formulas and yet it’s the brands and bands like Nike, Metallica, SKP-S, Kanye, Liquid Death who not only hold – and set – the cultural attention and narrative, but continue to fast-track growth and profit compared to a category who blindly follow a system designed to play more to the ‘safety’ of the middle rather than the power and influence of the edge.

I’m not saying it’s easy.

I’m not saying it’s not without risk.

I’m not saying it happens in a smooth, straight line.

But when you do it well … when you know who you are, who you’re for and what you believe, it’s definitely worth it, against pretty much every metric you can measure it against.

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If You Want Sustainable Success, Don’t Hold On Too Tightly …

Brands love to say they know their customers.

They love to go on about the research they do to ‘get’ the needs of the people who use them.

And some genuinely do. Looking to understand how people live not just how they use, choose or buy their brand or a competitive product.

But sadly this group seem far more in the minority these days … with the preference being to outsource research needs to a ‘for profit’ external partner, who are asked to provide answers to drive immediate sales rather than to build long-term understanding.

Don’t get me wrong, I’m a massive fan of research, but I’m reading far too much that seems to be about telling the client what they want to hear rather than what they need to understand.

To be fair, that is also true of agencies as well, and so much of that is because a lot of companies have already decided what they want to do and say and they expect everyone else to fall in line with it. And I get it, in a quest to streamline process and maximise productivity, that makes perfect sense.

Except it doesn’t.

Because as George used to say ALL THE TIME, it’s like going to the doctor and prescribing your own medicine. And as much as people/brands may think they know what’s wrong, that doesn’t mean they know how to fix it …

Agencies and research companies should be paid for their independent thinking and approach to solving problems NOT paid to execute what someone else wants the solution to be. The great tragedy of brand communication these days is that somehow, independent thinking has been labelled as dangerous when the real danger is when there isn’t any.

When solutions are decided by financial hierarchy rather than expertise – and by expertise, I mean that in terms of what an organisation is actually an expert on, rather than what they think they are – you tend to end up with a pile of shit that then ignites a game of blame storming.

Here’s a perfect example of it …

Now I appreciate printer, photocopier, fax [?!!!] sales must be very difficult.

I get companies may only give them a second thought when they go wrong or run out of ink.

But … but … who the fuck approved this shit?

I mean, it’s bad enough they say they know what we need – which makes them sound like some sleazy office colleague – but then they come out with this gem of bollocks.

“Like twins who understand each other completely”.

What??? WHAT???

Apart from the fact it’s utterly, utterly pants. if they really had a telepathic understanding of ‘what we need’, surely they wouldn’t have to pay to have this shit printed in a magazine and they’d just turn up at their customers office with the requirements of their machine – even before their customer knew they needed it.

But that’s not the case because they don’t know their customers, they don’t know what they need and they sure as shit don’t know how to communicate to them.

I get people think communication and creativity is easy.

I get people think they know their customers better than anyone else.

I get they want everything to be as efficient as is physically possible.

But if anything should tell them what they think and what is true are very different, it’s rubbish ads like this. And while I appreciate this is especially bad, there’s a whole lot more expensive versions of this wherever you look.

Great creativity and research is born from independent thinking.

A desire to create value by giving you what you need not what you want.

Which is why companies who place greater value on what they can make their agency partners do – including how they do the job, how many people can do involved in job and how long they’re allowed to do if for – the more complicit they are when things are less effective than they could be.

I’m not saying agencies and research companies are perfect.

And they sure-as-hell aren’t all the same standard and quality.

But they’re much better when they can give you truth and possibilities than blind complicity.

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The Taste Of Bullshit …

I’ve written a ton about brand purpose over the years.

Not as viciously as my beloved Martin Weigel. But close.

It’s not that I am against brand purpose, It’s when it’s used as a marketing tool and ‘updated’ to whatever trend is currently popular that my hate boils over.

It’s why I have always advocated for belief rather than purpose.

Belief is demonstrated by what and how you do things, not what and how you say things.

Or give things away.

Belief drives change. Purpose hopes for it.

Which is probably why so many brands prefer purpose.

The ability to look like you care without always having to demonstrate it.

Take this from Unilever food brand, Knorr …

“Our purpose is to reinvent food for humanity by being healthier for both people and the land. 
 Knorr brings the power of flavour to good food to 
overcome barriers that stop us from eating for good”

Sounds good doesn’t it.

Sounds purposeful.

But for those who are not sure what Knorr make, let me enlighten you …

Yeah, when I think of flavour and good food – not to mention being good for humanity and the land – the first thing I think of is cheddar broccoli rice sides.

But maybe I’m wrong, how do you cook these things that help us ‘eat for good’?

Here’s the instructions …

Microwave directions: In 2-quart microwave-safe bowl, combine 2-1/4 cups water, 1 tbsp. margarine(optional) and contents of package. Microwave uncovered at high about 12 minutes* or until rice is tender, stirring once halfway through. Stir and serve.

Yep, thought so. Utter rubbish.

The reason I am writing this is because I recently saw a post from an ice-cream brand.

Have a look at this …

While those words sounds trite, purpose-for-marketing … food and culture are incredibly entwined and so there is a real chance it may be a badly worded version of what they really believe and do.

Let’s look at their website.

For those too lazy, here is a screenshot of their flavours …

Hmmmmn … doesn’t seem too much about people, places or cultures does it?

There’s a lot about ingredients.

Some even seem interesting. But absolutely no mention of people, places or cultures.

But is that surprising when it’s so obviously an absolute load of purpose-washing?

And what a missed opportunity.

They could truly make that into something that could change something.

Educate, unite, challenge, inform … tell the stories of the people, places and cultures that were the inspiration of those flavours through the flavours.

Ben and Jerry’s meets Tony Chocolonely.

And what makes it worse is their intentions sound honourable. They’re already a B-Corp certified business, choose ingredients that are direct-trade and believe in diversity.

All great and important things except nothing to do with what they claim they do on their packaging.

Many years ago, at Wieden, we were invited to pitch for an ice-cream brand.

We said yes because hey, it’s ice cream.

Anyway, when we got the brief, it read like a purpose fluffer.

My god, it was literally dripping in claims and terminology that not only had nothing to do with their category, but had nothing to do with any of their actions, behaviours or products.

We spoke to them about looking at ice cream another way.

If they had to have a ‘purpose’, make that purpose about what ice cream is supposed to be.

Fun and tasty.

Not deeper meaning. Just that.

And then prove it in the product, not just the experience.

You may think that is overly simplistic, but by then the entire category had gone purpose insane and no one was actually owning what they were and what people actually wanted.

Put it this way, it had gone a looooooong way from the days where BBH had brilliantly changed the way people looked at ice cream and did it in a way that was sexy, powerful and based on a real truth. [A campaign so good that is was spoofed brilliantly by Fosters Lager]

Anyway, for us, the way we could get back to what ice cream was but in a way that proved the fun was down to flavours … so unlike Jeni’s ice creams, we actually went out and talked to all manner of people about their weird tastes. Things they love others think are a bit mental. Things that make them deliriously happy for whatever reason or whatever duration. Because we saw an opportunity for the client to be more like a taste and colour experiment lab than a manufacturer of everyday ice-creams and flavours with an unbelievable purpose attached.

So we worked it all up and I remember it for 2 main reasons.

+ We used a picture of a cat in the presentation with an inverted cross on its forehead … which is still my favourite mad presentation image ever used. And I’ve used a lot.

+ When the client wanted us to justify our idea, we simply showed this …

It may not be the deepest reason you’ve ever read.

It may not even be the most exciting.

But it was definitely more believable than all the shit they were saying.

And with the flavour combinations we had and how it all came together with the creative work – which had some weird ice cream flavour meme generator at the heart of it … generating all manner of taste sensation madness out into the internet … it was something that not only would help them differentiate from the competition, but have a place and role in culture.

They hated it.

Instead they went with some bollocks about ice cream being ‘a gesture of love for those who are not rich’.

No, I’m not joking.

Which may also explain why they … Haagan Daaz and Jeni’s talk a lot about their purpose in society but are – with the possible exception of Jeni’s – increasingly irrelevant ice creams brands whereas that old, dumb favourite, Ben And Jerry’s, still has some sort of position in culture, because despite selling out to the death star Unilever, they try to do shit rather than just say it.

Emphasis increasingly on try.

But even with that, the reality is – as is the real test of any brand that claims to have purpose – they show what they believe through every aspect of what they do, even when it’s inconvenient, rather than market what they claim their purpose is, only when it suits them.

Enjoy your day. Be careful you don’t eat any bullshit.

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Why People Who Believe In The Metaverse, Need To Be Dire Straits Fans …

After the amazing drama of yesterday, I need to calm things down.

Not for you, but for me … because my heart can’t take nerves like that.

And yet it’s going to have to do just that in a little over a week.

Bloody hell.

So to slow things down, let me take you back in time …

Back in 1985, the band Dire Straits launched a song called Money For Nothing.

It became famous for a whole host of reasons.

It was the first song of theirs that actually sounded slightly modern.

It had ‘modern’ day references in the lyrics.

It had Sting – from The Police – singing on it.

It had this video …

Did you watch it?

You didn’t did you?

You lazy bastards …

Well, to get back to the point of this post, here’s a screen grab from it …

Now while that image may not strike you as cutting edge, back in 1985, it was revolutionary.

Digital characters living in a digital world, where their universe was a blend of normality and possibility.

Hang on, does that sound like something else?

Something that a huge amount of the tech and marketing industry have been wetting their pants over?

Something that sounds suspiciously close to this …

Did you watch this?

You didn’t did you?

You über-lazy assholes …

Well, to get back to the point of this post, here’s a screen grab from it …

Yep.

Yep it does.

A music video from 1985 by the most snooze-rock band ever formed, not only communicated the metaverse, it did it in a style pretty close to what Facebook and every other brand have shown as ‘the standard’.

How terrifyingly embarrassing is that?

All these hip, technologists, futurists and strategists trying to look like they’re on the edge of culture creation and all the bollocks they’re banging on about was expressed by bloody Dire Straits 37 years earlier.

THIRTY SEVEN YEARS.

Hahahahahahahahaha.

I mean … when that Zuck video first broke, I wrote a post about how it was missing the point by showing things we can already do, but now – thanks to errrrrm, Dire Straits, I realise it was even worse than I imagined.

Don’t get me wrong, I believe technology and – the metaverse, even though what is being celebrated as it, isn’t what it is – will have the possibility to make a huge, positive difference to humanity. Eventually.

But making – and lauding – a film and idea that looks awfully similar to a bloody 1985 music video isn’t doing them any favours. If anything, it shows how much of this industry is filled with individuals who crave attention or adoration or just desperately seek relevance.

Not helped when you learn that, unsurprisingly, the main reason Zuck is so into the Metaverse is not for changing the world but upping his bank account.

Given how much Facebook tried to label Apple as ‘anti-business’ for the amount they charged creators and partners – which is a lot less than 47.5% – it makes the whole Meta situation even more laughable.

Don’t get me wrong, I know the new is often misunderstood.

And new technology should not be judged by the standards of established technology.

But when the ‘icons and industry leaders’ stand on soapboxes and stages to promote the future in a similar way that Dire Straits brought to the World almost 4 decades ago … it’s only fair to question if these people care about the future or simply their own career image.

Even though, sadly, we keep seeing hyping can get better career growth, than grafting.

If the Metaverse could fix that, then maybe we’d all sign up.

Then again …



The Future’s Bright, The Future’s Neon …

One of the things I’ve found fascinating over the past few years is watching consultancies AND platforms mock the value of advertising and then increasingly try and enter that space.

And while you could argue it’s because they saw an opportunity to do it ‘properly’, the way they have embraced it – and executed it – has shown they seem to want to be more like the beast they wanted to slay than the beast they are.

What do I mean?

Go to Cannes and the whole place has been taken over by corporations.

All the best locations, beaches, hotels are the domain of tech, consultancies and platforms.

Now you could say that’s because they’re the ones with all the money – and that’s true – but what is amusing is WHAT they do.

Because rather than reflect ‘a better way to do what those ad agencies used to do’ … they seem to be doing the same thing ad agencies used to do.

Parties.
Give-aways.
Celebrity talks.
Expensive dinners.

In fact the only thing that is different is how desperately bad their attempts to show ‘they’re creativity’ actually are.

Nothing brought this home more than a poster I recently saw promoting an advertising festival.

An advertising festival representing the ‘modern’ world of the industry.

This was it …

What. The. Hell?

Seriously … what is it?

I’m not just talking about the design and colour palette that could make a 1987 acid house party feel embarrassed … I’m talking about all of it.

The email automation masterclass.

The ‘scale your YouTube’ talk.

The $15 million ad storytelling formula class.

And let’s not forget the ‘thumb-stopping’ direct response scripts.

Look, I get small business may get something out of some of this.

And I appreciate there are many elements to run a successful business.

But this all comes across as used car salesman shit.

Worse, used car salesman shit where their office is a portacabin on a muddy industrial estate in Slough.

In all seriousness, what I find astounding is this must be what the people behind this conference must think is creativity. And don’t get me started on what it says about the people presenting there.

I include Scott Galloway who said ‘brands are dead’ and then not only invests in elevating his own brand, but starts selling courses on how to approach better brand strategy.

[For the record, I respect Scott Galloway hugely but when he said that – like when Mark Ritson said his advertising course was a ‘mini MBA’, when it is nothing at all like a MBA – I couldn’t help but feel their focus was becoming more about building their own cult than building better marketers. In fact, given their approaches have now been so optimised, systemised and codified … you could argue it’s actually undermining brand building because everyone is following the same approach and the result is passive corporate conformity. But I digress …]

I guess what I’m saying is that for all the smarts of modern marketing, the people behind this conference – and potentially the people at it – are revealing they know jack-shit about creativity or culture.

And you know what? That would be fine if they didn’t pretend they otherwise.

But for all their big Cannes events … agency buy-outs … and talk about advertising, the reality is they view creativity as a ‘wrapper’ for their engineering type processes.

A belief there is a singular approach to engage and grow – regardless of audience or category. That the features around a brand are more important than the brand. Or as I told WARC, that the condiments are more valuable than the steak.

Do not get me wrong, advertising has a lot of problems.

It’s got a lot it can learn from platforms and consultancies.

But at our best, we know how to use the power of creativity and culture in ways so many of thehaven’t got a clue about.

Now some may say that statement shows how out of date I am.

How contemporary business doesn’t care about all that.

And maybe that’s right … but while I could point out the vast majority of brands who are infectious to culture were not born anywhere near a ‘consultants proprietary marketing playbook’ … all I have to do is point at the AdWorld poster and say, “Look at that shit”.

Don’t get me wrong, I know there will be a bunch of valuable stuff at the conference.

I am sure it will attract tens of thousands of people.

It may make the organisers a shit-ton of cash.

But for all the smarts appearing at Adworld, they sure as shit don’t have any appreciation of style. And I would like to point out that I say this as someone who was wearing an ironic Celine Dion T-shirt when I typed this.

And with that, I wish you a good weekend … which only gets better for you when I let you know there is a national holiday here on Monday so there will be no post till Tuesday [I know, I just had 2 days off for national holiday – deal with it] … so with that, I leave you with a sneak-peak of the Adworld virtual after party dance floor.