Filed under: A Bit Of Inspiration, Advertising, Apathy, Apple, Attitude & Aptitude, Brand Suicide, Comment, Corporate Evil, Creativity, Culture, Digital, Egovertising, EvilGenius, Fake Attitude, Management, Marketing, Marketing Fail, Politics, Relevance, Social Commentary, Social Divide, Technology
OK, I should point out I actually think the Metaverse has incredible potential.
It could revolutionise education, medicine and ignite the creation of industries that don’t even exist yet. Which is why I am still utterly baffled why Zuckerberg thought the best way to sell the technology was by putting out that utterly shit video … where you saw him and his ‘mates’ not only do things that are all possible right now, but were worse in terms of quality, creativity and interactivity.
And then I saw this picture and everything became clear …
Maybe Zuck doesn’t give a damn about the Metaverse.
Maybe he doesn’t want to help humanity evolve and develop.
Maybe the only reason he’s doing it is for the same reason a lot of conmen do things …
Because when you can distract your target, you can rob them when they’re not looking.
Now before Mr Z’s lawyers try and sue me for every penny I’ve got for saying that, I would like to point out two things.
1. I said ‘maybe’ …
That means I am absolutely not suggesting Mr Zuckerberg is a conman or only doing Metaverse for conman purposes. I am only suggesting that could be possible, however unlikely that is. Similar to me saying I could be a catwalk model.
2. Be honest. That photo is very, very creepy.
Whoever allowed that photo to get out at Facebook … I mean Meta … was either an idiot or a hero. Because when I look at that photo, I can’t help but think of this ad … except with a totally different ending.
Rather than everyone being saved in the nick of time – thanks to the hero coming in at the last moment and destroying the screen that is hypnotising and blinding the audience so they follow the words of evil – no one comes to save them, so evil walks past all of his hypnotised and blinded victims, smiling to himself that’s he got them exactly where he wants them.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Audio Visual, Authenticity, Comedians, Comment, Content, Context, Craft, Creative Brief, Creative Development, Creativity, Culture, Documentary, Entertainment, Immaturity, Mischief, Netflix
Congratulations on surviving the first week back of this blog.
Remember, the good news is there’s no more posts till next Tuesday thanks to yet another holiday in New Zealand. If I knew I’d be having this big a break at the start of the year, I’d have moved here 6 years ago when I first had the chance.
It’s utterly mad, which is the perfect segue to another example of madness.
Have a look at this:
That, my friends, is apparently a genuine tweet.
Someone believes a video made by Mr Beast somehow proves the creator community is the ultimate in power, influence and success because – according to them – it got more views in less time than the original Netflix show.
How many flaws can we spot in that statement?
Look, I’m not doubting the creator community can have incredible influence over culture.
I’m not doubting the creator community can attract incredible amounts of ‘views’.
I’m not doubting the creative credentials of Mr Beast [who I do enjoy following].
But apart from the fact the Mr Beast video actually took 10 years and 7 weeks to make as it required Squid Games to be written, produced and streamed prior to Mr Beast being approached by a company to ‘re-create it’ for his channel … not to mention it didn’t make nearly as much money, or have as great an impact on sales of Van’s as the original … literally copying something someone else created is the absolute opposite of what ‘creator community’ is supposed to mean.
Don’t get me wrong, the creator community is a brilliant thing.
I genuinely love it.
But there are millions of people who are putting in so much effort to make ‘content’ and often only end up with a few likes rather than real revenue. And even those who do make it big, still earn less than the biggest stars of ‘traditional’ film making – so the promise of the community may not be as bright as some think it is.
At least right now.
I’ve blanked the name of the person who wrote the tweet to protect their delusion, but it kind of reinforces my post from last year about the fine line between entrepreneurs and parasites.
In the 80/90’s, a number of UK up and coming comedian created a group called ‘Comic Strip ‘.
The comedians were Rik Mayall, Jennifer Saunders, Adrian Edmondson, Dawn French, Nigel Planer, Peter Richardson, Jennifer Saunders and Alexei Sayle.
So basically the foundation of British comedy television for the next 30+ years.
Anyway, Comic Strip was basically a creative vehicle for them to make a bunch of programs for Channel 4.
One of them was called Bad News, a ‘rockumentary’ about a fictitious heavy metal band trying to hit the big time. Yes, the premise sounds awfully like the movie ‘Spinal Tap’ … however Bad News came out the year before that seminal movie, so it’s just a bizarre coincidence.
So in the show, the guitarist, Vim Fuego – played by Ade Edmondson – tells the interviewer that he is a better guitarist than Led Zeppelin’s Jimmy Page.
His reason for saying that is because he could play the solo to Stairway To Heaven when he was 13 but Jimmy couldn’t even write the song until he was 26.
Later in the program, he said John Lennon had visited him in a dream and gave him a song. He decided to call it Imogen. And when the interviewer said the name – and the melody – were suspiciously like the Lennon classic, Imagine … he claimed he’d never heard of it.
Of course, all of this was supposed to be great comedy, but with views like the twitter writer above, apparently it was simply an example of future human delusion.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Comment, Creative Development, Creativity, Culture, Fashion, Imagination, Luxury, Management, Marketing
Recently I watched a show on Netflix called ‘7 Days’.
It was about about the preparations for the presentation of Chanel’s new couture collection.
I know … I know … I am the arsenic of fashion, but for reasons no one has quite worked out yet, I am doing a bunch of work for a number of super-luxury fashion labels [thanks to my Chinese client not only is one of the biggest investors in the industry, but is seen as the Patron Saint of street culture and luxury fashion] and so I’ve had the real honour of watching these people up close in terms of how much they believe, value and protect craft in all they do.
Put simply, it’s mindblowing.
For an industry many like to label as superficial, they’re miles ahead of many of the places I’ve worked at who go on about how obsessed with craft, creativity and culture they are.
Don’t get me wrong, some truly meant.
Hell, a couple even practiced it.
But compared to how high-end fashion brands embrace it, few come close to that level of commitment and focus.
And that’s what I loved about the Chanel documentary because it showed their relentless pursuit for perfection throughout the entire creative process.
From the cutting of fabric to the very last second before a model hits the runway … they have people checking, fine-tuning, considering, questioning and executing every detail in micro-detail.
A production line of seasoned experts, all looking at the clothes through their particular area of specialisation, but always considering their choices and decisions through the lens of the chief designers vision and the needs and focus of the other experts they work alongside.
Or said another way …
Every person involved in every detail is singularly focused on delivering an experience that lives up to the standards, vision and excellence of the head designer, rather than doing whatever they think works for them.
That doesn’t mean they have to lower their standards or deny their self-expression or individual flair – if anything, the total opposite is true. Because every person involved has been specifically chosen – or approved – by the head designer because they know these experts eye, judgement, skill and obsession for excellence won’t allow anything other than the brutal, uncompromising quest and commitment for the absolute majesty of perfection.
I wrote about this recently in connection to the film director Michael Mann … and how this approach is far more about collaboration than the bullshit that passes for it inside many companies, which is why I encourage everyone to watch this magically inspiring show, because you’ll not only re-evaluate an entire industry, you’ll see what it takes to be truly great versus those who simply say they already are.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Brand, Comment, Content, Context, Craft, Creative Development, Creativity, Culture, Emotion, Honesty, Marketing, Marketing Fail, Music
A few years ago, almost 60 hours of unseen footage of The Beatles recording their final album was discovered.
Peter Jackson was hired to clean it up and put it together to make a program that would give a glimpse of the inner-workings of the band that almost no one had seen.
The result is Get Back … a 6+ hour show that reveals a band who couldn’t help being creative even when they were on the cusp of breaking up.
Someone I know described the show as basically watching one long creative review – and they’re right.
The whole show is full of the review rollercoaster.
Tension.
Judgement.
Protection.
Scepticism.
Debates.
Comments.
Ideas
Body language.
Pushing.
Encouragement.
Muddiness.
Clarity.
Excitement.
But there’s one bit in the whole documentary to me that best sums all that up … that best sums up the whole creative process.
Watch this:
https://twitter.com/notnotnuanced/status/1464990141576007691?s=21
What you’ve just watched is Paul McCartney plucking the song, ‘Get Back’ – one of the bands most famous songs – out of the air.
Literally pulling it from out of nowhere.
One second he’s stumbling in the dark trying to find some sort of a melody, the next second he has just written one of the bands most recognisable songs.
That’s a level of magic even Harry Potter couldn’t pull off.
OK, so McCartney probably had a loose idea of a loose idea … but in 2 minutes 20 seconds, we get to see the magic of the creative process unfolding in-front of our eyes.
Where we go from a distant galaxy, where you can’t really see where things are … to one that you feel is inside of you.
No warning. No indicators. Just landed with all its engines roaring in harmony.
And this reveals a truth about creativity people are seemingly trying harder and harder to deny.
It’s messy.
You have to try things. Get past the obvious things. The ‘alright’. The ‘makes sense’.
The reality is coming up with something that does the job is relatively easy, but coming up with something that has the energy that takes the idea to somewhere else, isn’t. But that should always be the goal. An idea that has the energy to pull others in … that lets them sense and see the possibilities of what is being created. That gets them on board to push things further and sharper.
I say this because we’ve seemingly become obsessed with forcing creativity into processes, frameworks and eco-systems.
Where the ambition appears to simply be ‘does it say what we need it to say’?
And while I understand the pressures of business means time has a competitive advantage … thinking anything is OK as long as it’s quick is a false economy.
Now the normal response to that sort of statement is …
“… but that situation is so rare, it’s a better use of our time to say what we need to say and move to the next”.
But most of the time, that’s more a convenient excuse than a true reflection of reality.
Because the reality is the reason the work doesn’t get to the standards they want is because they don’t let them happen.
There’s a ton of reasons for it – from not briefing properly to wanting to someone rather than talking to everyone to not knowing who they really are or where they’re going to not valuing quality but speed – but underpinning all of it is not understanding how creativity is born.
You see while there is absolutely a place for processes, eco-systems and frameworks … the most valuable thing creatives can have is the time, space and openness to explore and find the energy in the idea before they start crafting the idea.
I get that can be annoying to people.
I get that it may result in putting pressure on some other areas of the business.
But in my experience, if you give creatives that gift, they not only can work pretty quick with everything else … they can give you something that is great rather than OK.
So said another way, more ‘Get Back’ than ‘You Know What To Do’ … a song so bad, they never even released it while they were a band.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Authenticity, Brand, Comment, Confidence, Context, Craft, Creativity, Culture, Cunning, Devious Strategy, Distinction, Emotion, Empathy, Experience, Family, Love, Loyalty, Membership, Perspective, Relationships, Relevance, Resonance, Respect
Like most things in life, there tends to be 2 sorts of people.
Those who chase the cash.
Those who chase their passion.
Or said another way, the business folks and the creative folks.
But one thing I’ve learned from working with a number of highly successful bands over the last few years is this.
Those who chase cash can be hugely financially successful, but they’ll never achieve the level of creative respect those who chase their passion will receive.
Now you may go, “who cares, they’re rich”.
But here’s the thing …
People who chase their passion can end up being even more financially successful than those who simply chase the cash.
Sure, it doesn’t happen often, but it also happens more than you may imagine. And when it does, that’s when things get really interesting.
I’m working on a project for a band [not Metallica] that is – quite simply – bonkers.
Not just bonkers in terms of what they want to do, but why they want to do it.
And why do they want to do it?
Because they their die-hard fans to be properly rewarded for their die-hard loyalty.
I don’t mean that in terms of getting early access to something they have to pay for – which is the way many companies think loyalty works. I mean rewarding them with something that has real – and long term – economic and emotional value to them.
Obviously I can’t go into specifics … both for the fact I’d be murdered and there’s still a fuck-ton of hurdles to be dealt if we stand any chance of pulling this off … but what I’ve loved seeing is how artists who have built their fortune as a byproduct of their passion [rather than just a focus on the cash] seem to reach a point where they kinda turn into a musical version of Robin Hood.
I should point out this does not mean they suddenly start doing things for free.
Nor do I mean they start giving all their money away.
There may do some of that but by then, they’ve finally learnt the value of their value.
No, what I mean is they put a lot of effort into ensuring their long-term fans feel the respect the artist has for them and all they’ve done for them … and one way they are increasingly doing this is by finding ways to ‘steal’ from the rich, so they can reward the loyal.
Case in point.
Billy Joel.
In 2014 he started a residency at Madison Square Gardens and vowed to keep playing there once a month until his concerts stop selling out.
Well, he’s still playing … and given he allegedly makes US$3-4 million per show, it’s proven to be an incredible relationship.
But this is where it gets fun …
You see Billy Joel no longer allows the first row of the venue to have people sitting in it.
There are 2 main reasons for this.
1. It stops scalpers from making huge money off him.
2. He hated looking down and seeing rich people looking back at him. Not really into the evening, just there because they could afford the seats and could brag about it to their friends.
So instead, every time he plays, he gets his crew to find fans who are sitting in the worst seats in the venue and gets them to bring them down and give them the best seats in the front row. People who are really happy to be there – not for the bragging rights – but for the chance to get the best view of an artists they love, singing the songs they adore.
In essence, he uses the wealth of the uber-rich to pay for the seats for the real fans.
Giving them the night of their life and letting Billy show that money can buy lots of things, but it can’t buy the respect he has for his true fans.
Now before anyone slags this post … or Billy off.
While I appreciate what he’s doing is not perfect … it’s more considerate, respectful and loyal than 95% of companies who talk a great game in terms of their customers/employees being their greatest asset right until the point it actually might result in costing them more than they want to spend.
Which is why I’d rather be loyal to a kinda musical version of Robin Hood than a smiling snake.
And before I go, I just want to leave you with my favourite little film about Metallica.
Unlike the Billy Joel story, this is not about repaying fan loyalty – at least not in the way I’ve just described how Billy Joel has. This is more about the sentimentality the band has for people and places that they believe has had a significant impact on the life of the band.
I’ve written about this before, but whereas that was about their ongoing relationship with Cliff Burton’s father … this is about one of James’ guitars.
That might not sound enticing, but I assure you it is.
Because while this film talks about where this guitar came from … what it represents and how it was crafted to have even greater meaning and significance to James and the band … it’s really a story of loyalty, legacy and love.
Enjoy. They’ve come a loooooooong way since Some Kind Of Monster, ha.