I’m away next week for a talk – I know, I know – and not back till Thursday evening so you can go into the weekend with an extra big smile on your face. Assholes.
Anyway, back to the post.
Over the years, this industry has shown an alarming lack of judgement in how it presents itself.
However, of all the terrible ideas, the absolute worst has to be when they decide to show how ‘fun’ they are through the art of song.
There’s been so many examples.
Sapient Nitro – remember them? – started it with something I can’t remember.
Not to be left out … Leo Burnett Sydney did – I think – a Sister Sledge song for a pitch.
Then Ogilvy Athens wrote a ‘ballad’ dedicated to David Ogilvy.
And then – one of my car-crash favourites – the Singapore Media Development Authority did a rap that, rumour has it, almost stopped Eminem wanting to continue his career. Maybe.
Despite having written a few times about these symphonies of shit, the reason there are so few links is because over the years, the guilty parties realised it made them look like a bunch of lunatic impersonator ‘entertainers’ appearing on a revival of Stars in Their Eyes.
Which is why I’m so happy that someone has decided to revive the trend with an epic re-write of Elton John’s ‘I’m Still Standing’ … filmed where the original video was shot. Cannes.
Better yet … at Cannes while I believe the festival was on.
Now, to be fair, it is way, way better than the other films mentioned and shown in this post.
Don’t get me wrong, you don’t have to take yourself seriously while still taking what you do seriously … but to decide you have to ‘show’ you’re fun outside the context of how you’d actually interact with a client seems crazy. Almost as crazy as thinking this shows you’re ‘fun’.
And remember, this is coming from me … who did iPod Singing and wear birkenstocks!!!
So with that, let me send you off to your weekend with this rendition of I’m Still Standing … which still you might think is a joke but I can assure you isn’t as bad as sitting in the Majestic during the festival and watching people pour 2 grand bottles of champagne down their throat while publicly banging on about the economic crisis facing them and their clients.
Happy weekend.
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The hopeful … which is sending the same thing to tons of people and see if it will stick.
The too-good-to-be-true … which is promising untold riches for a fraction of investment.
And the invisible … where it has been so well planned, you may not realise it’s happened until its happened.
While I understand how the latter works – having once been a victim of it – it’s amazing how often the first 2 do.
Part of that can be down to blinkered greed.
The belief we’re all ‘special’ and while friends may think it’s a scam, they stick with it as it reinforces what they’ve aways felt about themselves.
Until it doesn’t.
The other group are people who are desperate – whether financially or lonely – so they take part in a desperate bid to escape their own personal hell.
So while its easy to laugh at people who we think have been stupid, the reality is there are always mitigating circumstances that add to the scammers success.
And nothing shows how successful the crims are by their exaggeration. Look at this …
For just NZ$400, you can get a ‘guaranteed’ NZ$7800 every month.
EVERY MONTH … where do I sign?
But the scammers aren’t completely stupid, so they’ve added a picture of Elon Musk.
Now whether that’s because he’s super rich or is OK with losing billions – as demonstrated with Twitter – is anyone’s guess, but given they’ve bought a ton of ads all over Facebook and other social media channels means they think it makes what is one of the most ridiculous financial investment promises in history, legitimate.
And you know what, it seems it has … which is a great reminder for the marketing community that while customers are often much smarter than we give them credit for, they rarely adopt the logic we like to think/claim they do because ultimately – and here’s the big reminder – they buy for what they’ve need, not what we want them to need.
It was filthy, hilarious and – for a long time – very successful.
And while they had many ‘star’ characters … from Sid the Sexist to errrrm, The Fat Slags … my favourite part of the magazine were the publishing company details.
Tucked at the bottom of a page, in extra small font, were a list of the people behind the magazine. Most people wouldn’t even see it, let alone read it … but if you did, you found magic in that small print.
Mischief. Personality. Information.
Nothing told you how much this was a labour of love for the people behind the magazine than their dedication to instilling their personality into every nook and cranny they could find … whether people would see it or not.
Brilliant stuff.
I say this because I saw a label a friend had put on a product they were selling at their shop.
Ai Ming was a planner in my team at Wieden+Kennedy.
She was very good … but decided one day, it was time for a change and so she went back to Singapore to open a Cheese Shop.
I know … sounds a bit random … but wait, it get’s better.
You see Ai Ming had an idea.
A way to combine her love of cheese and travel and be paid for it.
So she started The Cheese Ark … a cheese shop in Singapore, dedicated to selling cheeses from small, independent makers across Europe.
Oh but that’s nowhere near the end of the story …
So when she left Wieden – and before she returned to Singapore – Ai Ming went to work on a small farm in Italy for a few months. [I think]
While there, she discovered how amazing cheese tasted when it was made by people who loved and nurtured their product.
To her, it was a whole new world of taste and made every other cheese she had tried, feel unworthy of being labelled as such.
But she also learned something else …
You see she discovered many of these small, independent cheese makers were in danger of going under, because they didn’t have a way to compete with the big boys.
Said another way … this incredible tasting cheese could become obsolete.
So rather be sad, she decided to do something about it.
Enter The Cheese Ark … a shop that only sells cheese that originates from these small independent farms. A shop that is one of the only places in the World where you can get your hands on this incredible produce. A shop that charges enormous amounts of money to own a piece of their incredible cheese … not simply so you can have your taste buds tingled in ways you could never imagine … not simply because it allows you to show off to your friends about your good taste and status … not simply because it pays for Ai Ming’s travel, shop, employees and profit … but because by buying so much from each of these small farms across Europe, she can ensure that these small, independent cheese farms not only survive, but thrive.
Hence it’s called ‘The Cheese Ark’ … because its literally saving the lives of cheese.
How fucking incredible is that?
But Ai Ming is not just a creative business thinker, she’s full of personality and passion … which leads me to the point of this post.
You see I recently saw something that reminded me of those Viz publishing details I loved.
Something that communicated more than just the necessary details.
It was this …
How good is that?
I bloody love it.
A notice on a packet of cheese that’s more interesting, engaging, compelling and charming than 99% of ads – or any marketing material – out there.
Sure, not many people will see it.
Most may actively choose to ignore it.
But for those who do, they’re not just rewarded with the thrill of discovering something as enjoyable as the product inside it, they know they’re dealing with someone who really cares about what they do.
And they do. Because what Ai Ming has created is the Noah’s Ark of Cheese.
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To a whole host of customisable cubes in different sizes and shapes to increase performance for competitions … competitions, that are literally being held in every country around the world.
This last point is particularly interesting to me because I see more and more sports brands moving away from ‘competition’ to promote participation in an attempt to connect to a generation who are walking away from physical sports.
Except they’re missing the point …
You see recently I took Otis to a speed-cubing completion in Auckland.
It was packed. Full of kids, parents and adults … all messing with cubes at different standards and speeds.
But while they were all supportive and encouraging to everyone around them, be under no mistake they were competitive. More than that, they wanted to be more competitive.
And here’s what the sports brands are getting wrong.
Kids aren’t afraid of competition, they just want to beat their own limits rather than loudly and publiclly trash someone else’s.
Of course there’s exceptions.
Of course there’s contexts and situations.
But they be in a much better position if they stopped promoting passive participation and got back to what they were always about … just understood the best victory is when you out-compete yourself.
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I’ve not just watched thousands of them.
I’ve not just bought thousands of them.
I’ve even flown to other countries to meet the people who have appeared in them.
From murders to video games to losing artificial limbs … you name it, I’ve seen it.
There’s so many reasons I love them, one of them being that they act as a brilliant reminder that – as my parents always told me – everyone has a story. Something that reveals who the people are and how they got to where they are. A journey of enlightenment for either the person on the screen or those watching it. And sometimes both. Now I appreciate documentaries don’t always tell the whole truth – just the perspective of the director – but even then, they tell a hell of a lot more than a lot of the stuff my industry uses for ‘insight’.
Anyway recently I watched the documentary on Netflix on the TV show, American Gladiators.
Quite frankly, I never imagined it would take me on such an emotional rollercoaster. Triggering feelings that I never expected resided in me.
I won’t ruin it for anyone, but I would urge you to watch it.
Not just because it’s a fascinating story. Not just because it acts as a reminder that behind every story are a multitude of other stories that are more personal and interesting than the ‘main event’. But also because it may explain why I value creativity more than advertising.
Because put simply, creativity finds and expresses the interesting, whereas advertising often just manufactures it.
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