Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Auckland, Communication Strategy, Context, Creative Development, Creativity, Culture, New Zealand, Perspective
A few weeks ago, while going for my daily walk, I saw this:
I know there’s nothing new in this concept.
Let’s face it …
+ Solving problems are more powerful than communicating problems.
+ Talking to someone is always more effective than talking to everyone.
+ Changing contexts and perspectives helps change contexts and perspectives.
+ Being self-awareness opens up possibilities for who you can become.
… is well established and been practiced for years – such as this iconic piece from London’s V&A years back – but I still like it. A lot.
I know it won’t change the world, but it’s an idea that may change somebody’s … because to paraphrase Ferdinand Porsche, ‘its better to be everything to someone than try to be anything to anyone’
So to the Auckland Museum and the people behind it, well done.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Authenticity, Brand, Business, Collaboration, Confidence, Content, Context, Contribution, Creative Development, Creativity, Culture, Emotion, Empathy, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Music, Point Of View, Relationships, Relevance, Reputation, Resonance, Respect, Strategy, Stubborness
As many of you know, over the past 8 years, I’ve found myself working with a number of artists/musicians/bands on a whole bunch of projects.
The Black Keys.
Red Hot Chili Peppers.
Journey.
Metallica.
Muse.
Massive Attack.
Some have been one-offs assignments … some have been more long-term collaborations … some have been direct with the artists … some have been via their managers/record labels/third parties … but overall, bar the RHCP/Kiedis ‘experiment’, they’ve all been creatively challenging, fascinating, and fulfilling.
Now to be honest, there are many things I love about working with artists, however a couple of the things I love most are the questions they ask and the attitude they have towards what they want to do.
Their questions are never with an underlying agenda. Of course, I don’t doubt they’re capable of doing that … but I’ve never personally experienced it. Yet. Hahaha.
Personally, all I’ve ever heard are questions expressed with a genuine sense of curiosity behind them … a real desire and willingness to explore something that’s in their head and on their mind.
But more than that, there’s an openness to hearing what you think in response.
A willingness to discuss, debate and talk it out.
I think I’ve written about the first time I did a project for one artist who, frankly, hated what I’d done. Actually, hate is probably not a big enough word for how much they loathed it.
Not because it was wrong, but it was wrong for them in terms of their specific values, beliefs and approach to what they did.
Anyway, at the end of the meeting – thinking they were going to tell me this wasn’t working and we were going to ‘part ways’ – I asked, “so what should we do next?”
You can imagine my surprise when they responded with: “Well, now you’ve heard why we don’t like it, we assume you’ll take that into account with whatever you suggest we should do in your updated reccomendation .”
I was stunned. Not just by how they answered, but the impact their response had on me.
Because while they had made it very clear they didn’t like what I’d done, they made sure I understood their comment was purely in relation to the specific task I’d done rather than a judgement on my overall ability or approach. In fact they went further than that … through their choice of words, they actively showed their belief and support in who I am, what I do and what I could do for them that they may otherwise not be able to see or pull off.
Now let’s face it, it could have been so different.
We’re talking rockstars here, so its not hard to imagine that they could …
Dictate what I had to do.
Demand how I had to do it.
Dismiss my involvement and opinion.
… after all, we see clients try and pull that shit every single day. But instead, they let me walk away from a pretty bad meeting feeling confident, encouraged, inspired and ambitious.
For someone who has been doing this job for a very long time, I can tell you that meeting was up there with the very best experiences I’ve ever had with the very best clients I’ve ever worked with.
A sense of shared transparency, responsibility, ambition, expectation, standards and support.
And it’s a sense that has continued to this day, even though there’s been some more awful meetings in-between, haha.
But that’s not the point of this post …
You see I’ve recently started working with another artist.
An incredibly successful solo musician. A singers, singer – so to speak.
Anyway, I was involved in a meeting with them recently where they were discussing an opportunity, they’d been presented … and watching their thought-process as they decided whether they wanted to do it was amazing.
Halfway through the conversation, they said: “I don’t care if the audience are bored, I want to make sure I’m doing something that doesn’t bore me”.
Now I get that on face value, that can sound incredibly arrogant … but that isn’t the tone they said it in, nor was it what they meant.
What they were saying was they needed to find a way to make what they were being asked to do, interesting for themselves, because otherwise they could not work out why anyone would find what they did interesting.
In many ways, they could just turn up and people would be thrilled, but that’s not their approach, attitude or standard.
Of course, part of this explains why they are where they are … but it was a beautiful thing to witness.
Where so many brands seem to have an attitude of ‘minimum viable satisfaction’ [MVS], here was someone who felt praise was only worthy if they knew they’d done something they felt had been truly valuable to them too.
Not for ego.
Not for arrogance.
But for growth, fulfilment and expression.
Imagine if companies adopted that same attitude in what they did.
Some absolutely do. Most, sadly don’t.
Seeing effort as an obstacle rather than a door to incredible rewards.
Not just financial, but personal.
And while money makes the world go round, the key thing I’ve learned from the artists I’ve worked with is if you play repeat, you satisfy everyone but yourself.
Then you don’t even satisfy them either.
And that’s why for all the processes, systems, models and marketing practices being peddled and pushed, the foundation for a fulfilled future is being open to challenging yourself, rather than always playing to where you’re comfortable.
Filed under: A Bit Of Inspiration, Advertising, Apple, Attitude & Aptitude, Comment, Communication Strategy, Complicity, Corporate Evil, Creativity, Culture, Design, Differentiation, Innovation, Management, Marketing, Marketing Fail, Packaging, Perspective, Positioning, Pride, Purpose, Reputation, Respect, Steve Jobs, Technology, Values
I’ve written a lot about the bullshit of brand purpose.
Or should I say the hijacking of purpose by marketing departments and agencies.
Far too often, we see companies where their ‘purpose’ has no day-to-day impact on the operations or decisions they make beyond pushing their marketing messages and promotions. For these orgs, purpose is positioned simply as ‘something we hope might change’ rather than actively doing stuff that actively pushes it.
As they say in the UK, “the truth of the pudding is in the eating”, and a lot of corporate brand purpose tastes like bullshit.
That doesn’t mean the concept of purpose is entirely wrong.
Oh no.
However the reality is true brand purpose is born rather than manufactured – especially by a marketing department – so for every Patagonia, there’s a Unilever … which is why I find the easiest way to see who is talking truth versus shite is simply by exploring how much inconvenience they’ll accept and embrace.
Recently I saw an interesting example of a brand who not just embraced inconvenience, but demanded it.
An example which I imagine caused all manner of friction and tension throughout the company.
And yet, when you think about who the company were and – more importantly – who they wanted to become, you see it as absolute commitment to their beliefs and ambitions.
Take a look at this …
Now I appreciate some would read that and only see the problems … the costs … the disruptions … the impact on productivity … the C-Suite ‘bullying’. But they’re probably the same people who think purpose is about ‘wrapping paper’ rather than beliefs and actions … which is why I kinda-love this.
I love how much they were pushing it and how they pushed it.
It was important to them.
Not for virtue signaling, not for corporate complicity – though I accept there’s a bit of that – but mainly because a company can’t talk about technology, creativity and the future while asking your very own colleagues to embrace the cheap, the convenient and the conformist.
Just to be clear, this is VERY different to companies who mandate processes.
That’s about control and adherence.
A desire to keep things as they are rather than what they could be.
And to me, that’s the difference between those who ‘talk’ purpose and those whose actions are a byproduct of it.
Every day in every way.
Because as the old trope goes, it’s only a principal if it costs you something and the reality is – like strategy – too many talk a good game but will flip the moment they think they could make/save a bit more cash.
Apple may have a lot of problems, but fundamentally, they mean what they say and show it in their actions – both in the spotlight, but also in the shadows … where very few people will ever see – as exemplified by Jobs famous ‘paint behind the fence‘ quote.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Comment, Content, Context, Creative Brief, Creative Development, Creativity, Culture, Imagination, Planners, Planning, Play, Point Of View, Ridiculous, Stories
For all the talk of planners having curiosity, we rarely talk about imagination.
Of course, Martin, Paula and I talked about this back in 2023 at Cannes with our Strategy Is Constipated, Imagination Is The Laxative talk, but the reality is imagination is more than just a topic for consideration, it’s a muscle that needs exercising every day and needs rigor to enable it to reveal where its capable of going.
The good news is it’s easy to do if you put your mind to it, which is why one of the things I tell junior planners to do is to always look for the unintended stories that surround us.
It might be in a cafe.
It might be at a bus stop.
It might be a coffee cup on the street.
But the point is, look for things that allow you to imagine the stories or situations that led to what you see in front of your face.
Now I should point out that I may have stolen this from the great Russell Davies … but even now I still do it because when it comes to writing briefs, it helps me imagine where it could go before logic tries to dictate where I have to take it.
Recently I was out for a walk when I saw this …
On one hand, they’re just 2 kids shoes on a pavement.
Maybe lost as their parent pushed them along in their pram.
But there’s a whole lot of other stories that could be made from them.
Full of light or full of darkness.
For me, the first place they took me to was dark.
There was something about their placement and context that felt so unnatural that it suggests something bad has happened.
The shoes are too far apart, yet facing each other rather than pointing in the same direction.
They’re on a suburban street. On a Tuesday lunchtime. Yet no one is around and all is quiet.
Then there’s the fact both shoes are missing. One makes more sense … but both?
It all felt like the opening scene of a British Police drama.
Now of course there’s an alternative storyline … one filled with joy and effervescence.
A celebration of a kid being allowed to truly be a kid.
But wherever I could take it, it is much more than simply 2 shoes on the street and yet so often, we spend our time looking at briefs through the lens of the research, the focus groups, the competition. Stuff that confines our imagination to exist – at best – in a small corner.
Which is why if you want to grow your skills, stop blindly following the [financially self-serving and ego fulfilling] rules of Ritson, Cole and co and put more energy and effort into noticing and exploring what is around you. Because while the ‘lessons for profit’ crew will tell you what you should do [and just for the record, I do appreciate their experience and perspective, especially in terms of learning important rules in the fundamentals of marketing strategy] … it’s the street that will help reveal where you could go.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Colenso, Collaboration, Confidence, Consultants, Context, Creativity, Culture, Cunning, Distinction, Effectiveness, Experience, Honesty, Individuality, Leadership, Management, Marketing, Mediocrity, Metallica, Money, Perspective, Planners, Planning, Relationships, Reputation, Resonance, Strategy, Success
I recently interviewed a successful artist.
What made them especially interesting to me was less their fame and more the fact they’d left a very popular group to go out on their own.
Not because they were ‘guaranteed’ success, but because they didn’t like how their management and record company dictated what they had to do.
As they told me the thinking that went into their decision, they said something I loved:
“Working for yourself is like being an artist in a studio. You’re free to create … you’re open to possibilities. Where most people have a dream, those with the lust to go out on their own stand the most chance of making their dream happen. Even if I failed, I would have felt good I had failed on my own terms”.
How good is that?!
Of course, I appreciate that when you’re successful it’s dead easy to say you would be OK to have failed … but I believed them.
Part of that is because they walked away from a very successful group. Part of that is they did in the knowledge their contract stated they would no longer be eligible for royalties. Part of that is before they launched their own career, they took time off to reclaim who they were. But most of all, I adore how they equated working for yourself as an artist who is in their own studio.
Despite having – and still – working for myself, I’d never thought of it that way and in the big scheme of things, the work I do for myself is the most indulgent, wonderful shit I have ever done. Not just in terms of freelance work, but in my whole career … and a lot of that has been pretty wonderfully indulgent.
But even with that, I looked at working for yourself much more in the way Michael Keaton looks at working for yourself …
Put simply, you love that you have more freedom, but you’re also aware you are the business … so every decision is weighted with more consideration or deliberation.
It’s why the two things that have helped me embrace what excites me rather than do what makes sense is Harrison Ford’s know the value of your value and the conversation I had with Metallica’s managers before I started working with them.
Now I say all this, but the fact is I also work for Colenso – however the reasons I did that were less about financial security and more about appreciating what makes me happy:
1. I need to work with people and build teams. I’m good at it, it makes me happy and I love seeing people grow and the reality is, when you work on your own, you rarely get the chance to do that.
2. Colenso is a place I’ve always loved and so to have the chance to work at a place that truly believes in creativity when so many just want to monetize any-old-shit was both hugely appealing and exciting.
3. They were totally open to me working a different way, which – for all the talk – few companies would ever consider, let alone allow.
4. When you work on your own, your development is more influenced by the projects and clients you work with, whereas when you are part of a team, your development is pushed and prodded every day. And I like that.
5. It offered us a chance to leave COVID-stricken Britain, even though within months … it hit NZ, ironically via the parents of a planner in my team. The second country brought to its knees by someone I’d managed. Oops.
So while I completely appreciate the privileged position I was in – and am in – the point is there was a lot of consideration about working on my own and working at Colenso … not just in terms of what I can gain but working out what I don’t want to lose.
Of course, there are going to be sacrifices along the way … but if you don’t think it through, you may find you’re running away from something rather than running towards something.
For me, that differentiation is a really important one to identify.
Don’t get me wrong, I get that sometimes you just have to escape the situation you’re in, regardless of where you’re going to end up.
I’ve experienced that situation twice in my life and it was horrible. Horrific even. And so getting away was real, urgent and necessary.
But I’m not talking about people in those situations, I’m talking about the folk who simply didn’t want to work for someone else. Didn’t want to deal with the expectations, the politics, the time pressures and the bullshit.
I get it.
I appreciate the appeal.
I basically covered it in a conversation with WARC back in 2020.
But there’s a major difference between not wanting to do things and creating the conditions to ensure you never have to do them and I’m surprised how often people haven’t done that.
Especially planners.
For example:
Do you know enough people at a high enough level who could be clients?
Do you have the experience that can command the rate you want/need to make?
Do you have the reputation that can protect you from commodification?
Do you have the expertise that ensures you don’t just shitty jobs no one else wants to do?
Do you have the network to ensure your abilities grow rather than stay where they are?
Do you have the commitment to keep learning and developing when it’s all dependent on you?
And while they may sound big questions, they’re not. Not really.
In many ways, they’re the difference between full independence and short-term escape.
I should point out I don’t mean this to sound like criticism.
I also don’t want this to be an obstacle to someone going out on their own.
My intent actually is the opposite. I want more people to prosper on their own terms … and by prosper, I don’t just mean financially, but also professionally and emotionally.
This is not because I am some wannabe Saint, it’s because it’s the only way creativity and strategy can regain the influence, credibility and power over the whims, wants and egos of agencies and companies.
Of course not all agencies and companies are like this … but sadly it seems more are than not.
And the more they try to commoditize the value of the independent professional – and boy, do they want to do that – the more we all end up paying the price.
Because suddenly people have to take whatever they can get.
Have to do whatever someone wants them to do.
Has to accept what someone wants to pay them.
I don’t blame them. Fuck, if I was in their situation, I’d do whatever it took – or whatever I could get – to put food on the table.
But it doesn’t have to be this way, or at least the odds can be improved if we – as an industry – talk more about how to think like an independent rather than talk about the benefits of it.
You see, while I love the sentiment of the artist I interviewed and their definition of ‘working for yourself’, I also deeply value the attitude of Michael Keaton. And maybe you need to embrace both to ensure you can be as free as you choose and be able to stay that way for as long as you want.
Because while the benefits of independence are very easy to see … it takes a fuckload of hard work to achieve it.
But it’s worth it. Or at least worth giving it the right shot to achieve it.
Just ask Zoe Scaman, Graham Douglas, Ruby Pseudo, Jason Bagley, Joy At Large.
And a million others who have done it. Not always the easiest way, but have done it.