The Musings Of An Opinionated Sod [Help Me Grow!]


Actions, Not Claims …

At a time where our industry seems to value – and talk about – capabilities more than creativity, I can’t help remember something a wily, old client of mine in China once said to me:

“Just because you have the best piano doesn’t mean you can play the finest music”.

The reason why this is especially pertinent is that – as someone who is older than the planet and has worked pretty much all over it – the one thing I’ve learned is the very best clients don’t get seduced by hype, headlines, PR releases, agency models and processes, panel invites, network configurations, the promises and claims of ‘the power of the network brought together under one roof’ … they believe the work does the best talking.

Given we – as an industry – have always talked about the importance of communicating benefits rather than features, this shouldn’t be a surprise and yet, it’s happening more and more often. There’s a bunch of possible reasons for why this is happening, but I can’t help but feel some of the main ones are we’ve forgotten who we are, what we do, and what is valuable about what we create – which has manifested in us making choices and decisions that make us feel smart, but – as Lucille Ball once said – not very clever.

Of course, there’s a lot of clients – and agencies – who don’t care, or don’t have the talent, experience or knowledge to recognise what quality, craft or even a sustainable, distinctive, differentiated brand even means or looks like … which is why we will continue to see a bunch of them burn down their own house down while proclaiming to have the best chefs in town.

Sad.

Especially given the people running these orgs tend to be the ones with the loudest voices saying they ‘understand business’.

Though to be fair they do, it’s just that it’s the ‘demolition business’.

As the old adage goes, ‘anything is easy if you haven’t got to do it’.

And too many people in positions of authority don’t. And never have.

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Posh Everything …

Recently, while walking through Heathrow Airport, I saw this:

Put aside the fact these airport shuttles seem to be for either the elderly, the late or the self-important … why the fuck do they need to have one that looks like the bastard lovechild of Liberace and Elton John’s cars from the 1970’s?

Is it a special edition thing?

Is it an business class, collab thing?

Is it a alarming lack of taste thing?

Or is it a tourist thing?

I could kinda understand if it was for tourists as I can imagine it would be very appealing for Americans of a certain age.

But even then, it’s still pants – exemplified by the fact it has a number plate that represents the name of the company who made/drives it.

And that’s before I point out the British Car Industry – that this thing is probably trying to leverage – is, at best, on its knees or, at worst, owned by everyone other than the Brits.

For fucks sake, is there no end to what we will make ‘status’?

What next … lifts?

I’d rather have a lifetime flying Ryan Air than one trip in that pile of gold shite.

Hell – to paraphrase a very old joke – I’d rather be seen coming out the back of a sheep than the back of that, which not only captures just how ridiculous I find an ‘upper class’ milk float at an international airport but also how too many companies confuse charging a ‘premium price’ with being a ‘premium product’.

Or as my friend, George, calls it, ‘corporate status delusion’.

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If You’re Not Protecting Your Value, You’re Giving It To Someone Else …

One of the toughest things about doing your own thing is payment.

Not asking for it, getting it.

One of the worst situations I ever had was a company – who I obviously no longer work with – who took seven months to pay.

SEVEN.

Not because they were having a hard time.
Not because they lost my invoice information.
But because they thought they could.

And you know what, they could … because in the big scheme of things, I was a mosquito in terms of their ‘suppliers’ and so I was ignored as a priority.

Again.
And again.
And again.

But you know what else mosquitos can be?

Annoying little fuckers and I used that experience to learn from my mistakes, resulting in an updated set of T&C’s that now contain clauses that state – the longer the delay in their payment, based on pre-agreed terms – the more implications they will be subjected to.

It starts off with a relatively small % increase, based on what is owed, added to the bill.

Then there is an increase in the % of a more significant amount.

And then finally, they grant me approval of being able to publicly shame them as well as charge them – up to $1000 – for the costs of ‘advertising’.

Have I ever had to use it?

Well, I have in terms of increasing the amount owed due to late payment, but never anything more than that …

In fact, when dealing with companies with a procurement department, that is the ‘clause’ they generally always demand is removed to which I always respond in the same way:

“Are you intending on delaying my payment for work undertaken?”

Have I lost work because of this approach?

Yep … I have, but not only do I not want to work with people who knowingly withhold payment, I also am of the attitude that chasing up monies is also ‘loss of work’.

I get it’s economically tough out there.

I also appreciate I’m speaking from a position of privilege and good fortune.

And while I’ve not had too many problems regarding getting paid from the people/companies I’ve worked with in the past, I know many do.

In fact, what they tell me is it’s the companies who talk about their values and commitment to best practice who are the worst to pay on time.

Which is why if you’re a sole trader or a freelancer – or are thinking about it – you need to get comfortable with respecting your own value.

You should not feel lucky to be paid for the work you have done.

And while it’s fair to say companies are in a position of power in a lot of relationships, your approach and attitude can help even up the score.

Not by being an asshole, but by being clear in what you will and won’t accept.

Including the small print in your T&C’s.

Anyone going out on their own is doing something special. But those who do it ‘hoping’ it will work out are being complicit in their own troubles.

So to try and stop you making the same mistakes I’ve made – as well as learn the good lessons I’ve been fortunate enough to receive – here are some posts that may/may not be of some use.

Good luck. It’s tough, but my god it is rewarding.

Harrison Ford and the value of value.

Michael Keaton thinking like a small business.

How Metallica’s management appreciate value.

Relationships build business.

Procurement departments are just playing a game called ‘negotiation’.

Know what you’re in the business of actually delivering.

Don’t want something so much you do the wrong things to get the business you want.

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Relationships Build Business Better Than Models …

After the joy of yesterday’s post – which is more because of Otis celebrating his 10th birthday than anything I wrote – I thought I’d seize the good vibes by writing possibly the longest post I’ve ever written in the near 2 decades of writing this rubbish.

Of course I don’t assume anyone will read it – because who reads any of my stuff anyhow – but it is about an important lesson I learned recently and I wanted to document it – for me, if no one else.

So, one of the private clients I work with is worth an inconceivable amount of cash.

As in billions of dollars. Tens of them in fact.

Now I totally agree that having that amount of money is obscene, but what makes it easier – at least for me – is that:

They’re entirely self-made. They’re a true entrepreneur … taking on all the risk, rather than expecting others to cover it. They’re a patron and advocate for creativity. Not just in terms of their business, but creativity as a whole.

And if you think this all reads as being very ‘corporate toady’, you’d be right … because I am most definitely a fan.

But what’s interesting is how they make their money. Or should I say, how they create the conditions to be able to.

A few weeks ago, they asked me if I could fly to another country to meet someone for dinner.

Not just any person, but a bona-fide superstar. And no, I am not being hyperbolic.

Now there’s obviously a backstory as to how I found myself in this situation and why I was asked to do this by my client rather than [1] them or [2] someone more obvious and suitable – and the reason for it is more bonkers than you could imagine – but within a couple weeks, there I was, sitting opposite this world famous star, chatting about life while trying to act like it was all completely normal for me.

Of course, the person in question had done their homework so knew this meeting was legit, but at one point, they asked why I thought they should consider it.

After reinforcing I was the last person they should listen to, I simply said this:

“All I can tell you is everything they’ve done – and do – is built on wanting a long term relationship not a short term, quick-win”.

That was it. That was all I had.

Now there were 2 reasons I explained it this way.

One is because it’s true and the other is I wanted to convey that their ‘business model’ is playing the long game because it would be easy to assume anyone worth that amount of cash must be ruthless in how they operate and that could be very off-putting for someone who values their creative freedom and integrity.

What I mean when I say ‘long game’ is they invest in the individual, rather than ‘short-term opportunities’ … which means they not only are they happy to give the artists/partners the creative freedom – and control – that made them want to work with them in the first place, but they also don’t expect or demand a return on their investment in the shortest time possible because they see this as a relationship that will be measured in years, not projects.

Now, of course, there is method to this ‘modern-business-practice’ madness.

First is they believe that by investing in trust, transparency and relationship consistency, everyone will achieve a much greater return over a much longer period of time. Secondly is they obviously have no problem in knowing how to make money out of what they do so they know they’re not going to lose out being patient. And to top it all off, they’ve done a similar thing with many other high-profile celebrities/partners which – as they are all still engaged and involved years later – kind of proves they mean what they say.

Which leads to the point of this post.

Relationships matter.

I’m not talking about the sort where one person serves the whims and demands of another – which is how a lot of business today operates, especially in adland – but the type where the relationship acknowledges and values the skills, talent and benefits that each person brings to the table.

No short-changing or undermining. No downgrading or threatening. A relationship where the focus is on ‘what we can make create together’ rather than ‘what I you make out of you’.

How refreshing eh?

Except it shouldn’t be … it should be obvious, however thanks to procurement departments and corporate short-termism – we don’t see a lot of it these days.

At best, it’s a quick collab. At worst, its commercial exploitation.

In this case, my client wanted to work with this individual because they believe in them.

They like what they do.
They believe in how they think.
They’re excited by what can be made possible if they enable them to express their creativity at a different scale and through different art-forms than the ones they normally operate in.

But what makes this work is their appreciation of the artists mind.

The vulnerability of the creative process.
The need to explore before you commit.
The acknowledgement that when you try to create something no one has done before, it will fail before it wins.

And they’re there for it.

All of it.

They understand that to get to something great, the first step is to create an environment of encouragement and faith. Not just at the beginning of the process … but ongoing. Over and over again.

That doesn’t mean you pander. Nor does it mean you hold your opinions to yourself. But it does means you start off from a position of true alignment. Not just in terms of what your hopes and ambitions are, but how you want to realise them in terms of approach, expectations and responsibilities. Meaning everything you do comes from a position of shared responsibility and authority.

The other element is they also understand the adage of ‘it’s business, not personal’ is bullshit.

Business is personal.

Always.

The people who try to claim it isn’t are trying to justify bullshit behaviour.

It’s why my client spends a lot of their time connecting and committing to the other person. To make sure they’re not just in it together, but feel it.

Does that make ‘personal’ approach make things challenging at times?

Probably.

However by ensuring transparency and clarity from the beginning of the relationship – they not only build a relationship based on openness and honesty, they ensure the barriers that often get in the way of focusing on doing great things, get removed.

It all makes perfect sense, except we live in times where people choose to ignore it.

Preferring to optimise interactions.

To put themselves in positioning of authority.

To approach the relationship in terms of ‘what I can get out of them for the least amount of effort or loss of power’.

We’ve all met people like that.

Over the years I’ve had a bunch of people I’ve not heard from in years – or [thanks to Linkedin] never heard from in my life – get in contact wanting me to do something for them and I can literally feel the distain when I tell them, “I’m so sorry, I won’t be able to do that for you”.

I should clarify I have always tried to help people who ask for it … especially in terms of advice or a listening ear. However, when their ask is for me to connect them to friends, colleagues or clients for a shortcut to personal gain … unless they’re an old friend or someone I’ve had a long and personal experience of working with/alongside, they can fuck off.

It might sound harsh but I learned this the hard way.

One person in particular did this to me for a few times.

Continually contacting me under the guise of connecting with me but really wanting me to do something for them.

Contacts.
Introductions.
Feedback and advice.

And I did it, until I stopped.

Because I finally realised they were never contacting me for any other reason than to get something from me. They never just got in contact just to say hi. They never told me how my friends/colleagues had helped them. They never got back in touch to ‘ask me’ the questions they claimed they wanted to know – mainly because that was their ruse to get me to help them with other introductions.

I felt a bit stupid it took me so long, but I got there. And I cut them out my life because who needs that toxic shit.

And I get that sounds harsh, but I don’t care … especially as they still tried to use me until when the point they realised I wasn’t going to … so they went on a public rant about me that reinforced their ego, delusion and fragility.

Which gets to the final point of this post …

The word relationship is badly used, mis-defined and treated with ignorant flippancy.

It’s not about interactions or benefits, it’s about generosity, openness, understanding and trust.

You build it over time by investing and putting time into it.

Time to listen, share, discuss, engage, and give a shit.

It’s an act of consistency, equality and consideration … through good and bad.

And while I appreciate in these optimised, maximised, never-stray-from-the-process-or-rules, big-yourself-up-at-all-costs times, that may sound inefficient … but I have first hand proof, it’s much more effective.

In fact, it’s more effective than every marketing guru with their proprietary process/hyped-up, self-serving academic ‘degree’ – can ever imagine, let alone deliver.

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Play To Be Proud, Not Just To Satisfy …

As many of you know, over the past 8 years, I’ve found myself working with a number of artists/musicians/bands on a whole bunch of projects.

The Black Keys.
Red Hot Chili Peppers.
Journey.
Metallica.
Muse.
Massive Attack.

Some have been one-offs assignments … some have been more long-term collaborations … some have been direct with the artists … some have been via their managers/record labels/third parties … but overall, bar the RHCP/Kiedis ‘experiment’, they’ve all been creatively challenging, fascinating, and fulfilling.

Now to be honest, there are many things I love about working with artists, however a couple of the things I love most are the questions they ask and the attitude they have towards what they want to do.

Their questions are never with an underlying agenda. Of course, I don’t doubt they’re capable of doing that … but I’ve never personally experienced it. Yet. Hahaha.

Personally, all I’ve ever heard are questions expressed with a genuine sense of curiosity behind them … a real desire and willingness to explore something that’s in their head and on their mind.

But more than that, there’s an openness to hearing what you think in response.

A willingness to discuss, debate and talk it out.

I think I’ve written about the first time I did a project for one artist who, frankly, hated what I’d done. Actually, hate is probably not a big enough word for how much they loathed it.

Not because it was wrong, but it was wrong for them in terms of their specific values, beliefs and approach to what they did.

Anyway, at the end of the meeting – thinking they were going to tell me this wasn’t working and we were going to ‘part ways’ – I asked, “so what should we do next?”

You can imagine my surprise when they responded with: “Well, now you’ve heard why we don’t like it, we assume you’ll take that into account with whatever you suggest we should do in your updated reccomendation .”

I was stunned. Not just by how they answered, but the impact their response had on me.

Because while they had made it very clear they didn’t like what I’d done, they made sure I understood their comment was purely in relation to the specific task I’d done rather than a judgement on my overall ability or approach. In fact they went further than that … through their choice of words, they actively showed their belief and support in who I am, what I do and what I could do for them that they may otherwise not be able to see or pull off.

Now let’s face it, it could have been so different.

We’re talking rockstars here, so its not hard to imagine that they could …

Dictate what I had to do.
Demand how I had to do it.
Dismiss my involvement and opinion.

… after all, we see clients try and pull that shit every single day. But instead, they let me walk away from a pretty bad meeting feeling confident, encouraged, inspired and ambitious.

For someone who has been doing this job for a very long time, I can tell you that meeting was up there with the very best experiences I’ve ever had with the very best clients I’ve ever worked with.

A sense of shared transparency, responsibility, ambition, expectation, standards and support.

And it’s a sense that has continued to this day, even though there’s been some more awful meetings in-between, haha.

But that’s not the point of this post …

You see I’ve recently started working with another artist.

An incredibly successful solo musician. A singers, singer – so to speak.

Anyway, I was involved in a meeting with them recently where they were discussing an opportunity, they’d been presented … and watching their thought-process as they decided whether they wanted to do it was amazing.

Halfway through the conversation, they said: “I don’t care if the audience are bored, I want to make sure I’m doing something that doesn’t bore me”.

Now I get that on face value, that can sound incredibly arrogant … but that isn’t the tone they said it in, nor was it what they meant.

What they were saying was they needed to find a way to make what they were being asked to do, interesting for themselves, because otherwise they could not work out why anyone would find what they did interesting.

In many ways, they could just turn up and people would be thrilled, but that’s not their approach, attitude or standard.

Of course, part of this explains why they are where they are … but it was a beautiful thing to witness.

Where so many brands seem to have an attitude of ‘minimum viable satisfaction’ [MVS], here was someone who felt praise was only worthy if they knew they’d done something they felt had been truly valuable to them too.

Not for ego.
Not for arrogance.
But for growth, fulfilment and expression.

Imagine if companies adopted that same attitude in what they did.

Some absolutely do. Most, sadly don’t.

Seeing effort as an obstacle rather than a door to incredible rewards.

Not just financial, but personal.

And while money makes the world go round, the key thing I’ve learned from the artists I’ve worked with is if you play repeat, you satisfy everyone but yourself.

Then you don’t even satisfy them either.

And that’s why for all the processes, systems, models and marketing practices being peddled and pushed, the foundation for a fulfilled future is being open to challenging yourself, rather than always playing to where you’re comfortable.

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