Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Confidence, Context, Craft, Culture, Football, Wieden+Kennedy
I recently read an article about footballers who continue to ply their trade in the Premiership despite being in their mid 30’s.
The key takeout was that talent might be able to get you to 17 … but it’s character and commitment that gets you to 35.
It was an interesting view, because there’s a lot of parallels with the ad industry.
Let’s be honest, this industry doesn’t like older people.
We’re expensive.
We’re not willing to work the insane hours it likes us to work.
We’re not as connected to society as our younger colleagues.
We’re all a bit cynical about the claims and promises.
Of course, there is a counter-argument, that these are exactly the sort of attributes the ad industry needs more of.
Experience.
Balance.
Understanding.
Pragmatism.
But what bothers me most is the blanket belief that if you’re not in senior management by a certain age, you have nothing to add. That your value is only in managing the business rather than adding to the creativity.
I wrote about how shortsighted this view was ages ago … reinforced by how much I loved Wieden looked for the creativity in the person rather than the age.
Which leads to my point about footballers.
One of the biggest problems when you’re older is people expect you to know it all.
Of course, some people think they do, but there’s this undercurrant that you should.
So any ‘failure’ is seen as a sign of no longer being appropriate.
Any ‘disagreement’ is viewed as a sign you are not a ‘team player’.
And ‘curiorsity’ gets labelled as trying ‘too hard’.
And yet these say far more about the person judging than the person doing it.
Because in my experience, a failure means a willingness to keep pushing boundaries.
Disagreements don’t mean you’re not a team player, you’re someone who wants the team to be better.
And curiosity is a demonstration you want to play an active role in culture rather than just let it pass you by.
Not to mention the declaration of desire.
Because anyone who chooses to keep pushing their standards and knowledge when they could be choosing an easier path is showing just how much they still want it. Especially when the odds are even greater of them ever achieving it, compared to those younger than them.
For me, these are the advertising equivilent of the footballers character and commitment.
Or said another way …
It’s someone who can keep pace with the needs of the team, while adding to the standards and success of it.
Keeping pace is not simply about speed, but relevance, ambition and creativity.
Of course age doesn’t shouldn’t have anything to do with this – I have met just as many younger people without it as much as I have older – but character and commitment does.
And while there is nothing wrong if you don’t subscribe to this, if companies only measure ‘talent’ by age … they’re not just stupid, they’re showing that they don’t actually care about creativity, just the cliche of it.
Filed under: Advertising, Attitude & Aptitude, Comment, Creative Development, Creativity, Culture, Marketing, Marketing Fail, Relationships, Respect, Trust, Truth
Recently there has been a number of cases where we’ve sadly seen companies take creative ideas from one agency and have them made, without acknowledging the original creator, by someone else.
We saw it with the Coinbase Superbowl spot and I saw it with an ex-client of mine.
What is especially amusing is that when these people are called out, their first inclination is to try and bluff it out … despite you being able to prove it was your work thanks to specific dates, presentation materials and information about who was in attendance.
In my case, the individual in question literally asked “what’s your problem?”
With a comment like that, they were either being deliberately ignorant or, well you get it …
So we launched legal action against them.
At the time, some said this was sour grapes.
That we were being petty and alienating future business as it would make companies want to keep away from us.
But they were wrong.
Because this was never about the specific piece of work they took from us had gave to someone else – while not paying or acknowledge us for the origination, it was about respecting relationships and valuing what you do.
It’s fine to have differences of opinion.
It’s fine to realise a relationship – regardless how long and fruitful it has been – should end.
But that doesn’t mean you can act like the relationship never happened and you can do whatever you want with the things you did together.
Creativity is hard enough without all the commercial obstacles it needs us to jump over.
Brand assets.
Processes.
Eco-systems.
Appropriation.
Corporate politics.
Pre-testing.
Post-testing.
Measurement criteria.
Short timelines.
The last thing the industry needs is to have to start worrying about the integrity of the people you’re working with/for … which is why we took legal action, because our view was if we didn’t, we would be complicit to it when it happens again in the future.
Maybe not to us. But to someone.
And for the record, while they didn’t let it go to court, we were recompensed fully and it never did us any harm in winning other business. Quite the opposite in fact.
Now doing this doesn’t mean you have to it with public fanfare and maximum embarrassment, we didn’t – though I should point out I think what Kristen did with CoinBase was both brilliant and utterly justified – but it also doesn’t mean you should just forget about it and put it down to ‘experience’.
Whatever way you look at it, this is NOT how business works and nor should it.
Look, we all make mistakes.
Some can be bloody massive ones.
Hell, I’ve made bloody millions.
But how you deal with those reveals who you really are and sadly, the industry is seeing quite a few people who don’t seem to believe this sort of behaviour is in any way wrong.
Sure this attitude might work for them in the short term.
Sure they can try and deflect and deny blame for as long as they like.
But while I was going to end this post about the more transparent the relationship, the better the work … I decided it would be better to end with two [paraphrased] pieces of advice I got from Dave Luhr, the now retired Chief Operating officer of Wieden+Kennedy.
For those people who know who I’m talking about, you will hopefully hear his voice as you read it … though in conversations with me, he would always start with “Campbell …”
“Anyone who thinks they were successful by themselves is an asshole”.
“No one does their best work for assholes”.
Filed under: Advertising, Attitude & Aptitude, Colenso, Corona Virus, Creativity, Culture, New Zealand
So 12 months today, I started at Colenso.
Twelve months!!!
A lot has happened over this time.
Highs … lows … weird … funny … successes … lockdowns.
You name it, we’ve had it.
Overall I’ve enjoyed myself.
There’s been some surprises – from how many agencies are in a country of only 5 million people to how bizarrely bitchy the whole industry is, which genuinely makes me laugh out loud – but it’s been good.
Now this is the point where I could go on and talk about some of the things I’ve helped do and some of the things I’m going to do. From the big global business wins we’ve had to the culture book we’re putting out … but instead, I thought it would be far more interesting if I asked my lovely team mates what their first year with me was like.
Was the 7 month wait, worth it … or do they just wish NZ immigration had been more diligent in keeping me away from the border as if I was some sort of human covid pandemic?
Well I got good news and bad news.
If I’m being honest, I expected I’d just cop a load of abuse.
“Annoying”.
“Loud”.
“Terrible clothes”.
Chaos magnet.
But actually, I got things like this:
Shot. of. adrenaline.
Invigorating, motivating, entertaining.
I say ‘things like this’, but …
1. That’s exactly what it said.
2. That’s all I got.
Now the last time I looked, my team was a lot more than 2 people and me which means this …
Most of them couldn’t even be arsed to insult me.
Not even a “old fuck”.
Which as annual reviews goes is the equivalent of ‘get your coat and get the fuck out’
However, on the positive:
1. That’s the sort of undermining I can get behind.
2. They’re stuck with me, so I get my revenge.
So as first anniversaries go, I consider that a win:win.
Except for those 3 corporate toadies with their crawler compliments.
They’re properly doomed.
Filed under: Advertising, Apathy, Attitude & Aptitude, Authenticity, Bank Ads, Brand Suicide, Creativity, Culture, Education, Finance, Management, Marketing, Money, Premium
OK, so Friday’s post was an April Fool joke.
I say that because some people seemed to believe it until they got to the very last line. Which obviously made me very happy … no doubt helped by the fact April Fools Day started upto 20+ hours before some parts of the World.
But today’s post is real, even though it’s even more of a joke.
It starts with a tweet I saw a few weeks ago …
I don’t mind admitting, I laughed my socks off when I saw it.
Because it’s true.
The amount of people – read, men – who talk about crypto like it’s a guaranteed money earner despite [1] not looking into how it actually works [2] realising there are a vast amount of choices that are out there and [3] all have experienced incredible and – in many cases – huge losses, is amazing.
But I also kind-of get it.
Because the sniff of winning big can be intoxicating.
Especially if you don’t think you otherwise have a chance.
And for many people they don’t …
Not because they’re not smart or talented or capable … but because life is unbelievably unfair.
Which is why for all the questions that need to be answered about the role, legitimacy and even legality of certain crypto, the reality is many people think the chance of making it big on what is essentially a giant wheel of roulette is still better than the chance of doing OK following ‘traditional’ paths.
I get it. I was in that situation.
I was living in Australia, broke … with a seriously ill Dad and a Mum who couldn’t pay the bills.
I didn’t know what I was going to do when someone I knew asked if I wanted to get involved in a pyramid scheme.
Out of desperation – and a belief I didn’t think I had anything to lose – I said yes.
Of course that is mad, because I did have a lot to lose, from the initial ‘investment’ to the chance to get out of my situation within a year.
I ended up being very lucky.
Because I got in very early. I made back many times my initial investment within 2 weeks.
[I should point out that while I was able to help my Mum and Dad out as soon as this happened, I never told them what I’d done. Part of this was because they’d have been fuming and part of it was because it was hard enough to get them to accept presents from me, so if they knew, then I’d never be able to financially help them out again]
And while the time between ‘investing’ and ‘vesting’ were some of the most exciting, intense and scary weeks of my life, the minuscule chance of making something sizeable out of it drowned out the highly likely chance of losing all of it.
Would I do it again?
No. I am in the incredibly fortunate position to be in a good position now. But I get why people would do it and why crypto is so tempting for so many.
Nothing brought this home than some information Natwest Bank sent me last week.
It was their interest rates.
I say ‘interest’ but what I mean is arrogance.
Have a look at this …
What the hell?
Seriously, what the absolute hell?
Do they think this is good?
Do they think this is going to make people want to invest with them?
Even with their ‘bonus’ percentage, their ‘best’ rate is 0.05%.
And that’s their best. The rest are 0.01%.
ZERO POINT ZERO ONE PERCENT.
Not just many times less than inflation.
Not just many times less than the amount you’ll be charged in fees.
But less than fuck all.
Why would anyone choose to invest their money with a bank?
And I mean anyone … from someone with one pound to one million.
Seriously, you somehow manage to get a million quid and Natwest will reward you with 100 pounds in interest.
Hahahahahahahahahahahahahahahahahahahahahahahahaha.
So much for all their talk of ‘caring about your future’.
Of course, they think they can get away with it because they think they hold all the cards.
And right now they probably do.
But for all their advertising claims that are seemingly designed to make the board of directors happy rather than their customers, the vast majority seem to have failed to grasp the one thing that could undermine them all.
People go where the chances are.
Doesn’t matter if it’s not perfect. Doesn’t matter what the research says. If what’s on offer is dramatically better than what the establishment offers – and it’s ‘generally’ legal even if it’s highly risky – then they’ll explore it.
I never imagined I’d be the sort of person who would be part of a pyramid scheme – but circumstances of desperation meant I did. Which means I am pretty sure there’s a hell of a lot of people you’d never imagine would be into crypto, who are.
Not because they’re money hungry assholes – though there’s definitely a bunch who are that – but because with banks taking the piss out of their hopes and dreams with a miserly 0.01% interest rates, suddenly the risk of crypto looks like the most sensible investment for the future they can make.
And then, it’s not just the banks who will be screwed, we all will be.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Authenticity, Brand, Content, Craft, Creativity, Culture, Digital, Effectiveness, Emotion, Empathy, Entertainment, Happiness, Honesty, Imagination, Inclusion, Innovation, Insight, Long Copy, Love, Marketing, New Zealand, Perspective, Purpose, Relevance, Research, Resonance, Sentimentality, Truth
As many of you know, I’m quite the emotional guy.
[OK, I get it … that’s an understatement. Let’s leave it there]
But while this can sometimes result in me having an ‘Elton John’ moment [™ Elton John] I have always been a huge believer in the value and importance of empathy.
Part of this is because my Mum always told me to be interested in what others are interested in, but as I got more and more into my planning career, I realised that if you can truly understand the feelings and emotions someone is experiencing, it enables you to make work that others will also feel and resonate with.
A perfect example was this work we did ages ago for Nike in China.
It had already been decided the idea for the global 2012 Olympics Campaign was going to be Greatness. The problem was that when we spoke to kids all over China, they didn’t feel they were ever able to refer to themselves as great.
They felt that was a term saved for the chosen few. The people who the government deemed as having done things that raised the entire nations profile and success.
Of course they didn’t articulate it like this … we got there by spending time with them and slowly pulling away the layers of codes and confusion so we could understand what they wanted to say rather than what was being said.
Or said another way, we wanted to understand rather than get answers.
Now I am not denying it took a while … and I also accept being an Olympic campaign, we had the time and the money to do things right. But the thing is this rigour was worth it … because not only did it turn into an incredible campaign … not only did it become China’s most successful ever campaign … it helped changed attitudes towards what greatness is and allowed millions of kids to feel they could feel valued and valuable.
This is the work.
The reason I say this is because for the past few months, I’ve been working with The University of Auckland’s Creative Thinking Project in exploring new ways to use creativity to engage and deeply resonate with audiences.
Thanks to the work of Sir Richard Faull, Faculty of Medical and Health Sciences at The University of Auckland and Nuala Gregory, a fellow of the National Institute of Creative Arts and Industries – also at The University of Auckland – we have explored and experimented with a whole host of different creative formats to identify which one can create the best conditions for connection.
The findings have been astounding.
While the vast majority of communication spend goes towards television, digital and outdoor advertising … none of these had the same impact on audiences as the power of the poem.
In fact, when poems were used as the content for television, digital and outdoor, the increase in engagement went up on average 13.3%.
THIRTEEN!
OK, I know that may not sound a lot on first impression, but when you consider last year, companies spent SEVEN HUNDRED AND FIVE BILLION DOLLARS GLOBALLY on advertising … if this can improve connection to potential audiences by 13%, then it has huge commercial opportunity.
[And by that, I mean for brands, creativity and the University of Auckland]
Now I suppose on one level, none of this should be a surprise.
Rap is a kind of poetry.
A way to communicate that’s felt as well as heard.
But while we have started to explore this, our focus has been on poetry and the results, as I detailed above, have been fascinating.
Sir Richard believes this may be heavily influenced by the challenges the World has faced over the past few years. Where the feeling of isolation of helplessness has created an yearning for any sort of emotional connection. And while TV may have their manifestos, they often come over as contrived … whereas poems have a fragility to them that enables them to better resonate and connect to audiences.
For example … of the literally thousands of poems tested, this was one that achieved one of the highest scores, despite being from an anonymous author.
Now this mountain I must climb
Feels like the world upon my shoulders
But through the clouds I see love shine
It keeps me warm as life grows colder
While it is deliberately ambiguous, it appeared to connect to audiences as they saw it as capturing the struggles they felt in life. Where there is still an expectation for progress and yet the conditions people find themselves having to deal with are increasingly harsh and difficult.
Other poems that resonated – and follow a similar theme to the previous example, except it is by contemporary poet, Ocean Vuong – include this:
And when your fears subside
And shadows still remain
I know that you can love me
When there’s no one left to blame
So never mind the darkness
We can still find a way
As well as a piece from his work entitled ‘Life’, which has a much darker theme:
Loneliness is my hiding place
Breast feeding my self
What more can I say?
I have swallowed the bitter pill
We are still working on the research but have set up an instagram that lists the poems that have tested particularly well.
I would love it if you could visit the page and let me know how the poems affect you. If they do.
Now I appreciate this leaves me open to all sorts of ridicule.
And I assure you that I am not trying to suggest poems are the future of effective advertising.
This is simply a project to see if there are techniques that allow us to better connect emotionally to audiences without necessarily needing to spend months in the field meeting endless people.
While I am part of this work, it is ultimately the property of Auckland University.
Fortunately, they have said I can promote the work because they would love to have more respondents take part. So if you are interested in discovering more – and helping see where this creative adventure could lead, can I ask you to sign up here.
That said, I would recommend you do it today … because studies have found April 1st is the optimal day to get people to sign up to ‘research’ that is actually just some 80’s song lyrics from Foreigner, Guns n’ Roses and Queen.
Have a great day. I know I will.