The Musings Of An Opinionated Sod [Help Me Grow!]


Connect Don’t Communicate …

As many of you know, I’m quite the emotional guy.

[OK, I get it … that’s an understatement. Let’s leave it there]

But while this can sometimes result in me having an ‘Elton John’ moment [™ Elton John] I have always been a huge believer in the value and importance of empathy.

Part of this is because my Mum always told me to be interested in what others are interested in, but as I got more and more into my planning career, I realised that if you can truly understand the feelings and emotions someone is experiencing, it enables you to make work that others will also feel and resonate with.

A perfect example was this work we did ages ago for Nike in China.

It had already been decided the idea for the global 2012 Olympics Campaign was going to be Greatness. The problem was that when we spoke to kids all over China, they didn’t feel they were ever able to refer to themselves as great.

They felt that was a term saved for the chosen few. The people who the government deemed as having done things that raised the entire nations profile and success.

Of course they didn’t articulate it like this … we got there by spending time with them and slowly pulling away the layers of codes and confusion so we could understand what they wanted to say rather than what was being said.

Or said another way, we wanted to understand rather than get answers.

Now I am not denying it took a while … and I also accept being an Olympic campaign, we had the time and the money to do things right. But the thing is this rigour was worth it … because not only did it turn into an incredible campaign … not only did it become China’s most successful ever campaign … it helped changed attitudes towards what greatness is and allowed millions of kids to feel they could feel valued and valuable.

This is the work.

The reason I say this is because for the past few months, I’ve been working with The University of Auckland’s Creative Thinking Project in exploring new ways to use creativity to engage and deeply resonate with audiences.

Thanks to the work of Sir Richard Faull, Faculty of Medical and Health Sciences at The University of Auckland and Nuala Gregory, a fellow of the National Institute of Creative Arts and Industries – also at The University of Auckland – we have explored and experimented with a whole host of different creative formats to identify which one can create the best conditions for connection.

The findings have been astounding.

While the vast majority of communication spend goes towards television, digital and outdoor advertising … none of these had the same impact on audiences as the power of the poem.

In fact, when poems were used as the content for television, digital and outdoor, the increase in engagement went up on average 13.3%.

THIRTEEN!

OK, I know that may not sound a lot on first impression, but when you consider last year, companies spent SEVEN HUNDRED AND FIVE BILLION DOLLARS GLOBALLY on advertising … if this can improve connection to potential audiences by 13%, then it has huge commercial opportunity.

[And by that, I mean for brands, creativity and the University of Auckland]

Now I suppose on one level, none of this should be a surprise.

Rap is a kind of poetry.

A way to communicate that’s felt as well as heard.

But while we have started to explore this, our focus has been on poetry and the results, as I detailed above, have been fascinating.

Sir Richard believes this may be heavily influenced by the challenges the World has faced over the past few years. Where the feeling of isolation of helplessness has created an yearning for any sort of emotional connection. And while TV may have their manifestos, they often come over as contrived … whereas poems have a fragility to them that enables them to better resonate and connect to audiences.

For example … of the literally thousands of poems tested, this was one that achieved one of the highest scores, despite being from an anonymous author.

Now this mountain I must climb
Feels like the world upon my shoulders
But through the clouds I see love shine
It keeps me warm as life grows colder

While it is deliberately ambiguous, it appeared to connect to audiences as they saw it as capturing the struggles they felt in life. Where there is still an expectation for progress and yet the conditions people find themselves having to deal with are increasingly harsh and difficult.

Other poems that resonated – and follow a similar theme to the previous example, except it is by contemporary poet, Ocean Vuong – include this:

And when your fears subside
And shadows still remain
I know that you can love me
When there’s no one left to blame
So never mind the darkness
We can still find a way

As well as a piece from his work entitled ‘Life’, which has a much darker theme:

Loneliness is my hiding place
Breast feeding my self
What more can I say?
I have swallowed the bitter pill

We are still working on the research but have set up an instagram that lists the poems that have tested particularly well.

I would love it if you could visit the page and let me know how the poems affect you. If they do.

Now I appreciate this leaves me open to all sorts of ridicule.

And I assure you that I am not trying to suggest poems are the future of effective advertising.

This is simply a project to see if there are techniques that allow us to better connect emotionally to audiences without necessarily needing to spend months in the field meeting endless people.

While I am part of this work, it is ultimately the property of Auckland University.

Fortunately, they have said I can promote the work because they would love to have more respondents take part. So if you are interested in discovering more – and helping see where this creative adventure could lead, can I ask you to sign up here.

That said, I would recommend you do it today … because studies have found April 1st is the optimal day to get people to sign up to ‘research’ that is actually just some 80’s song lyrics from Foreigner, Guns n’ Roses and Queen.

Have a great day. I know I will.



Post Office Windows …

When I was a kid, I would love to look at the post office notice board.

Every week it would be filled with different items for sale – from bikes to beds – with maybe the odd babysitter or gardener ad thrown in-between.

Decades later – literally – I pass the local post office in Fulham and now have Roxy and her massage centre stage.

I’m not judging, I just find it interesting … though I have to admit, I don’t find it nearly as interesting as the massage ad that appears bottom left.

Therapeutic or not … a ‘pay as much as you want’, female only massage, feels dodgier than a night out with Billy in the Bronx … and that’s VERY dodgy.



Credit Where Credit Is Due …

One of the things that has always bugged me about adland is the ad ‘credit list’.

Sometimes you’ll read about a one-off print ad that has a longer credit list than a bloody movie.

Seriously.

Look, I get the importance of having your name on things – this is an industry obsessed with that – but it kind of gets ridiculous when people are mentioned because they put the stamp on the invitation for the client launch.

That’s why I always loved that Mother credited everything as Mother.

Sure, you could claim it robbed those involved in the making of the work from getting the credit they deserved – but I can tell you for a fact, there’s no way those people would be anonymous for long.

Of course the worst is when people take credit for things they didn’t really do.

Or big themselves up to make it sound like they were instrumental in what was created.

With that, I want to tell you a story that I heard from my friend – and creative extroidinatire – Kash Sree.

A long time ago – in the 80’s to be precise – there was a phenomenal writer called Richard Cook.

The creative director he worked for was notorious for not giving credit to the people who deserved it and had left Richard’s name off numerous previous pieces of well received work.

One lunch, the creative director handed Richard an ad and asked him to write some copy for it before he got back.

Richard – in a demonstration of his talent – wrote the piece over his lunch break.

It’s the ad at the top of this post.

The ad went on to win countless awards.

In an award-obsessed industry, Richard wasn’t exactly surprised that the creative director yet again denied Richard had anything to do with the work. So Richard unleashed his weapon.

He simply stated if anyone needed proof that he was responsible for the ad, they should read the first letter of every paragraph of the copy.

I’ll save you the bother. It spelled out ‘Richard Cook wrote this’.

Genius.



An Oldie. But A Semi-Goldie …

This is one of those ads that is constantly referred to as being a perfect example of perfect advertising.

David Ogilvy was behind it – spending 3 weeks doing nothing but reading about the car – before producing that amazing headline.

OK, so there is some conjecture whether he came up with it or not, but regardless, it’s one hell of a headline.

But here’s the thing, when you read the rest of the ad, I’m not sure if its worthy of all the accolades bestowed upon it.

Sure it comes from a different time [as the $13,995 price tag highlights] … and yes, some of the ‘features’ they mention were probably cutting edge back then [power steering for example] … but after you get past that epic headline, what you actually have is an ad that is just a list of product features.

While there are still nods to the sense of craftsmanship and technology within that list – for example, you can have a telephone as an optional extra – I can’t help but feel that all the romance the headline conjures up in your mind disappears once you get to the details.

Maybe that’s because it appears the strategy was not actually to communicate the sophistication and craftsmanship of the car, but to change the perception of it being only for the super-elite … the one’s who are chauffeured around rather than drive themselves.

Hey, I could be wrong, but the fact they use that hilarious image of a ‘Dad’ picking up the kids from the local shop after school – not to mention they state in the copy that you don’t need a chauffeur to drive it – means I might have a point.

Now I get I have no right to criticise the wonderful Mr Ogilvy and the fact this ad is continually referred to implies it was hugely successful … but when I was reminded what the actual ad looked like – rather than just hearing that headline – I couldn’t help feeing that I find this scam ad for Bentley far more appealing.

[Though I accept that just might be my Nottingham heritage shining through]



Even John Dodds Would [Hopefully] Be Frightened By This …
October 13, 2015, 6:15 am
Filed under: Long Copy

So recently I saw this on my Facebook feed …

I don’t know about you, but I was a bit shocked.

No, not at how impressed some teenager was about the male genitals of an Octopus, but the fact they thought 48 words was defined as a long read.

LONG READ!!!

OK, so I appreciate you think reading 10 words on my blog is long, but come on … seriously, 48 words made to sound like it’s War & Peace?!

I know John Dodds and I have a slightly differing opinion on long copy [ie: he thinks it shouldn’t exist, I think it’s not about the length of the copy, but the content of the copy] but I’m hoping even he would say this is a bit of an extremist view.

God, who am I kidding …