Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Brand, Brand Suicide, Communication Strategy, Complicity, Confidence, Content, Context, Craft, Crap Marketing Ideas From History!, Creative Development, Creativity, Culture, Design
A few weeks ago, I went on a trip where the people I was going to meet, had sent a car to pick me up.
If this wasn’t flashy enough, it was a Mercedes. With a driver who wore a fucking cap … and it wasn’t even a German Policeman.
As I sat in the plush leather seats, I couldn’t help but notice one thing.
This.

Brown.
Brown on brown.
Brown on brown. On brown.
It was as if the design team were a bunch of perverts who loved sewer porn. Or something.
And I have to say, I found it pretty off-putting. Well, when I say off-putting, I mean distracting … because I couldn’t take my eyes off it. Wondering why anyone would do this.
Because it wasn’t just 50 shades of brown, it was also made up of multiple materials of brown.
Leather.
Wood.
Plastic … often disguised to look like leather. And wood.
What the actual fuck?
I tell you something, when you’re literally cocooned in a car of poo, the last thing you want to do is drink the bottle of water they kindly put our for me.
At the time, I tweeted out a picture of the car and said:
“Mercedes really like brown. Though no doubt in the brochure it was called, ‘decadent dark chocolate’. 💩”
To which someone tweeted back that the official colour was, ‘Macchiato Beige’
MACCHIATO BEIGE!
BEIGE!!!
Jesus Christ … if associating with brown is alarmingly questionable, then surely associating yourself with beige is even worse?
Who the hell decided that???
I’m as confused by that as I am the people who actively chose to spend multiple tens of thousands of dollars on having it as an option.
But then history is littered with companies being able to embrace terrible decisions as long as someone has given them a reason to ignore reality.
Years ago, Bloomberg Businessweek asked me to write something for them.
One of the things I wrote about was UPS and their choice of ‘corporate brown’.
At the time I said, “if I had millions to spend, I don’t know if I’d be using it to associate with the contents of a dirty nappy.”
[Otis was approaching his 2nd birthday, so that was relevant to me rather than an attempt to be controversial]
While I appreciate the role colour has in branding – even though the way many use it. think about it and talk about it is utter bollocks – I still don’t really understand how any organisation could decide ‘brown’ in their shade.
In fact the only reason I imagine that can happen is when they hire a consultant firm and they tell them, “brown is a white space for your category, so by owning brown, you differentiate yourself from competitors”.
Which highlights five major considerations for brands:
1. When you allow ‘white space’ to define your strategic decisions, you’re ultimately seeding control to your competitors, not your truth.
2. The quest for differentiation only counts if it offers something of value, not just is different.
3. Without creativity and meaning, your ‘brand asset’ is a conformity drain.
4. Job title doesn’t equate to being smart.
5. Honesty trumps harmony … at least with companies who don’t have god complexes.
Filed under: A Bit Of Inspiration, Advertising, Apathy, Attitude & Aptitude, Brand, Brand Suicide, Communication Strategy, Complicity, Content, Context, Corporate Evil, Creative Brief, Creative Development, Creativity, Culture, Distinction, Effectiveness, Egovertising, Emotion, Film, Loyalty, Management, Marketing, Marketing Fail, Point Of View, Provocative, Queen, Reputation, Success, Succession, Television

This is a long post.
Proper long.
And given I overwrite everything, that is probably a scary thought.
But I hope you hang in there, because it’s something important – at least to me. And who knows, it may trigger some thoughts – or hate – and I’ll consider that a win. Maybe, ahem.
So I don’t know about you, but I miss the TV show, Succession.
I miss the characters … the writing … the inconvenient truth how companies – and some families – work.
And while there are many articles and reports dedicated to explaining what ‘worked’, I recently read something that captured how it worked.

I love that write up.
I love it for a whole host of reasons … of which one is acknowledging that to make something that can capture so many people’s attention for so long, is an act of creative magnificence.
And while we may all nod our heads in agreement, the thing is we forget that.
We forget the challenge of keeping millions engaged and interested over a period of time.
Or maybe more specifically, we have forgotten HOW to do it.
Let’s be honest, the attitude of many brands is ‘keep things the same’ or ‘don’t fuck it up’ … while not realizing the biggest risk to achieving what they want to achieve is literally doing the same thing, in the same way, over-and-over again.
Of course, a big reason for their attitude is their quest for attribution.
Where the brand is synonymous and attributed to what they do/say/communicate.
However, rather than achieve this by doing interesting things that audiences value and can engage in – which is literally, the fastest, most effective way to build active, interested, engaged and committed attribution – we see more of the lazy approach. An approach sold by people with methodologies that mistake repetition as reputation.
Hence, we see countless campaigns featuring ‘consistent fictional characters’ doing variations of the same thing no one really cares about or relates to as if they’re trying to do a homage to the ‘Gold Blend’ coffee ads from the UK. WHICH CAME OUT IN THE 1980’S!!! Or the modern equivalent, where every element of every piece of communication is plastered with cues of whatever colour a brand is associated with. All the while ignoring the fact what it actually does is pull people out of their engagement with the communication because they’re questioning/wondering/laughing what sort of person drives a red car, lives in a red house – with red wallpaper – and only eat red vegetables. But even that isn’t the lowest of the low. No … that belongs to the work that shoves a watermark of the brand logo/name into the top left-or-right-hand-side of all their work … as if acknowledging their communication is so boring that the only way to know who it is from is to literally shove it in front of their faces.
I’m not saying ‘brand assets’ aren’t a thing … but they only become that with creativity.
Over time.
Continually reinforced … expressed … added to.
Without that, you end up with things that are more like weights than rockets.
And that’s the problem I have with so a bunch of the marketing practice being peddled …
Because they fail to appreciate the difference between recognition and value.
Or meaning.
Or resonance.
Or connection.
As I said to a client recently, just because I know what the swastika is, doesn’t mean I want to be a Nazi.
But that’s where we’re at right now … repeat, repeat, repeat.
Which is why that comment on Succession is so important.
Because they understand the importance of constantly adding to the narrative, not repeating it.
Keeping viewers not just interested … but on their toes.
Which leads to them engaging with the show, even when they’re not watching it.
Talking, discussing, sharing, commenting, deducing, arguing.
A program where none of the characters had many redeeming features, kept millions around the world coming back to them.
To learn. To listen. To grow. To hate. To debate.
Is that hard to do?
Of course.
Is it impossible to do?
Nope … especially when you hire proper talent and let them do what they’re great at, rather than value talent on how little they cost and then tell them what to make. Even though you don’t have experience in knowing how to make things people want to engage with.
But as a friend said to me recently, there were no conversations about ‘attribution’ with Succession were there!?
Nope. Not one. Not even from the first episode.
And maybe that was because they didn’t start the show with the intent of creating the lowest common denominator of recognition … then repeating it over and over and over again. No … their intention was to make something interesting … and then keep adding to that so their audiences would keep giving a fuck.
Look, I have no problem with marketing practice.
It is important and has a real role and value in building brands and driving effective marketing.
But that role and value is only released when it is done well and honestly … and right now, it feels there’s a lot of soundbites and not a lot of depth.
Selling systems that promise simplicity but ultimately are outsourcing responsibility.
Outsourcing responsibility to people who can profit from it, despite having no experience in actually creating it.
The irony is we all want the same thing.
Hell, we all need the same thing.
But there’s a major difference between playing not to lose and playing to win so maybe there needs to be more conversations about that, rather than blindly follow people who present themselves as business liberators when really, they’re good insurance salespeople.
Of course, the reality is that, despite what some may say, there’s not one ‘all encompassing’ answer to all this.
I get how expensive everything is so the temptation to stick and stay with what you know and what is working for you, is high. But regardless who you are, it will not last forever and it’s far better to own the change than be left behind by it.
Just ask the Disney execs how they’re feeling as they watch their Marvel universe start to implode.
Building anything is a journey that goes through highs and lows along the way.
But it’s the people who think – or say – they can stop that, who end up creating branded mediocrity.
Or should I way, ‘mediocrity attribution’.
Which is why there is one final example of the commercial value of adding to a story rather than repeating it and that’s Queen.
Specifically their recent sale of their back catalogue for ONE BILLION POUNDS.
Whether you like the band or not, you can’t say that is not an impressive number.
And while even I – a massive Queen fan – accept that in 1986, they stopped being musicians and became entertainers [aka: ‘turned crap’] … it’s the music they made until that point that gave them their legacy, fans and economic value.
Because rather than basically repeat their first hit over and over again … they kept taking people to different and interesting places.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Brand Suicide, Brands, Business, Comment, Context, Corporate Evil, Creativity, Culture, Differentiation, Distinction, Honesty, Innovation, Management, Marketing, Marketing Fail

I saw these 2 brilliant cats starring each other down when I was in Utrecht a few months ago.
Look at them.
Focused. Determined. Pissed off.
Trying desperately to intimidate each other while obviously being scared of each other.
Maybe not in terms of size … or beauty … but in terms of one being able to pull off something better, quicker or smarter than the other.
Trapped in an endless cycle of statue paralysis or trying to micro ‘one up’ the other.
The cat cold-war so to speak.
And what is funny is this is often how many brands behave.
Looking sideways rather than ahead.
So lost in what one other brand is doing – or could be doing – they ignore what’s going on around them.
What others are achieving without them.
Sometimes this is not simply driven by a competition, but greed.
A desire to make sure nothing is left on the table.
Hoovering up every scrap.
Believing they are in control and in power so nothing can challenge or take them.
So lost in their self-belief that they fail to see they’re being left behind.
Blinkered by ego.
We saw it with Nokia when Apple launched the iPhone.
We saw it with Listerine when Wrigley’s positioned chewing gum as dental care.
We saw it with Kodak when they chose to protect their photo processing profits rather than launch their digital camera.
We have seen it over and over again.
And while sometimes, having a focused enemy can push you to greater heights than you would be able to achieve on your own … driving you to make things better, rather than to look for things never done before [because often, those things are stupid or self-indulgent] like most things in life, the key is knowing when this approach starts to be counter productive.
When the focus is pulling you back than pushing you forward.
Blinkering your view rather than opening your perspective.
Losing your edge rather than fuelling your ambition.
But sadly, too many brands act like those two cats in Utrecht.
Unable to look away but without the looks to make others still want to come to them.
Which is why as much as there’s a lot to be said for exploiting and optimising the failings and learnings of your numero uno foe, there’s also a lot to be said for remembering to keep looking up and out from your blinkered bubble.
Or said another way …
When you ensure you’re focused on where culture is heading, you don’t get lost following where your competition is staying.
Filed under: A Bit Of Inspiration, Advertising, Age, Brand, Brand Suicide, Comment, Content, Context, Crap Campaigns In History, Creativity, Empathy, Marketing, Marketing Fail, Mediocrity, Resonance
Growing old is a fascinating experience because of the multitude of ways it impacts you.
And while a lot of the narrative around it is negative, it’s not entirely the case.
You give less of a fuck about things that used to bother you because you realise they don’t really matter. And you feel more confident to speak up about issues that do bother you, because you are less nervous about expressing how you feel.
Sure, that can lead to all sorts of problematic behaviour and attitudes, but as long as you’re not a myopic, prejudiced dick … it’s generally good.
But without doubt there’s things that do mess with you.
Parts of you hurt you didn’t even know was a part that could hurt.
You are made very aware that your relevance to society is less important.
And when you look in the mirror, you don’t recognise the old bastard staring back at you.
There’s a lot of money in trying to delay the signs of ages.
Or should I say, the physical signs.
And while I could make this a post about the unfair, unjust and unrealistic expectations [and judgement] that society places on looks – and aging – especially towards women, that’s not the point of this post.
You see I recently passed a cosmetic beauty shop/spa/clinic whose promise to ‘help you counter the realities of growing old’ seemed to miss the point of what potential customers actually are looking for.
Or at least it did to me, because their ad said this …

Now maybe I’m wrong, but surely one of the main points in seeking anti-aging treatment is so you DON’T age your way.
That, if anything, you age someone else’s way.
Preferably someone much younger than you.
And hotter.
OK, with hindsight, I get that’s what they maybe meant.
That they were trying to say their treatment allows you to control how you age, as opposed to leaving it to nature. And if that’s the case, then it’s probably closer to being the right proposition [albeit flawed, generic and contrived as hell] with some of the worst writing.
But then I hate that whole ‘YOUR RULES, YOUR WAY’ ad narrative that appears so often.
Communication that’s devoid of any sort of definitive or differentiated idea, other than utterly preposterous suggestion their product/service empowers you to conquer and counter all the rules, realities and science of the World that relates to your particular situation or need.
The imbecilic idea that people will believe this company/brand has the knowledge/technology/magic to achieve what no other organisation or individual can achieve.
ON THE PLANET.
Jesus Christ, it’s so lazy and unimaginative.
Sure, I get this approach works … but the whole business strategy appears to be ‘get a bit of the same pie everyone is eating’ rather than develop a point of view that will get you more of the pie.
But as bad as that is, I realise there’s something even worse than that
It’s all of the above generic shit … but with a headline that doesn’t even convey it with clarity.
Which is the real ugly side of beauty.

