Filed under: A Bit Of Inspiration, America, Attitude & Aptitude, Camera, Colleagues, Creativity, Culture, Curiosity, Emotion, Empathy, Fast Food, New Zealand, Perspective, Photography, Planners, Planning, Relevance, Resonance, Social Divide
A few weeks ago, I bought a camera.
To be honest, I never imagined I’d buy one again … but after my ridiculous 12 US/Canadian cities in 12 day tour, where 2 of my colleagues were using one, I realised the images they captured felt – not just looked -better than the images I’d taken on my, albeit impressive, iPhone 16 pro.
So I off I went and got one.
A compact SONY one.
And it’s lovely.
But while it has features galore – features I’ll never know, let alone use – it has the 2 things I wanted most.
1. A viewfinder.
2. A good lens.
The viewfinder became strangely important to me.
Sure, the camera has a big LCD screen I could use, but the viewfinder forces me to focus – literally and metaphorically.
The viewfinder demands I am present … insists I am aware of the moment I want to capture, even if it is for as long as it takes me to press the shutter.
It’s been wonderful because on top of everything else it’s let me experience, it’s reminded me the value – and importance – of patience and sacrifice.
The ability to be able to wait for what I want, rather than get whenever I can have.
God, I sound like the most spoilt only child don’t I … but in this technological world, abundance is at our fingertips. And while that can also happen with a digital camera, the viewfinder tempts you to play by its rules rather than have you make it adhere to yours.
And you know what? It makes you notice more.
Despite being closed off from the world when you look through the viewfinder, your eye sees more.
More of your context.
More of what you’re surrounded by.
More of what draws your attention and emotion.
The photo above is an example of that …
[You can see it in all its glory, here]
I took it on one of my daily evening walks..
I really like the way the Macca’s ‘M’ is peeping above the tree. As if it is ashamed to be seen near the KFC logo. Like it’s trying to hide from view. Worried how it must look to passers-by.
It’s different to how this scene would look if it was in America.
There, fast-food logos are all chest out, screaming “look at me … I’m important”.
A tussle for attention.
But where I live in NZ, it’s a bit different.
Not just because NZ is a very different place to America – though if truth be told, NZ bloody LOVES fast-food – but because these places only opened about a year ago.
Where I live it’s all family restaurants and small businesses, so when Maccas and KFC turned up, the kids in the neighbourhood saw it as the ultimate symbol of ‘progress’. Hell, the Maccas is open 24 hours – which even by general NZ standards – is a revelation.
And maybe that’s what I love about the photo …
The way it captures the tension of change.
Showcasing how fast food restaurants try to look like part of the community it invades.
Wanting to fit in but unable to help itself in wanting to tempt people into its temptations.
The bright coloured logos standing out against the evening blue sky.
I’ve probably passed this location at least 50 times, probably more … but I only noticed what it says about where I live, today.
Because of a viewfinder.
And a camera that doesn’t just let more light in, but also the imperfections.
Because vision isn’t about the ability to see everything, it’s the ability to notice what matters.
Which is a pretty good metaphor for both the art of strategy and the true definition of creativity.
Filed under: A Bit Of Inspiration, Apathy, Attitude & Aptitude, Complicity, Content, Context, Creativity, Culture, Curiosity, Effectiveness, Egovertising, Emotion, Empathy, Mum, Mum & Dad, My Childhood, Parents, Perspective, Point Of View, Positioning, Provocative, Purpose
In many ways, this post is a continuation of yesterdays … except this was written 3 weeks ago and yesterdays – in an alarming moment of relevance for this blog – was written yesterday.
So let’s get on with it shall we?
Oh the 80’s.
The decade of excess.
Excess living.
Excess spending.
Excess movie stars.
Excess fashion styles.
Excess exuberance. Excess. Excess. Excess.
But as is always the case, too much of one thing causes a correction and different nations and generations have been dealing with the byproduct of that for the last 40 odd years.
However, over the past few years, there has been a narrative coming from the industry that suggests all this economic instability has changed attitudes and behaviour.
More frugalness.
Less materialism.
Higher levels of thrifting
Greater emphasis on life more than work.
Increased importance on values and purpose.
And while this is absolutely true for millions, to suggest everyone on the planet thinks and acts this way, highlights how the marketing and advertising industry loves to jump on bandwagons and then conveniently ignore – or fight againt – any voice that challenges their view.
Now don’t get me wrong, I’d be less annoyed if people acknowledged there were multiple segments but they were deliberately choosing to focus on one for reasons that suit their values/product/ego … but I am amazed how many orgs and experts talk in absolutes and not even acknowledge there are other groups/ways/approaches.
Nothing highlighted that more to me than this …
Yes, it’s a company that will take your everyday credit/debit card and make it look like an AMEX Centurion – also known as the AMEX ‘black’ card.
For those who don’t know what the Centurion is, it’s a credit/charge card for AMEX’s most wealthy customers.
And while it comes with a host of ‘perks’, you only get to apply for it if your annual spend/payment on another AMEX is US$500,000 per year … and even then, you have to pay thousands of dollars per year as an annual fee.
Except this isn’t an AMEX Centurion is it. It’smore likely a Natwest Debit card with an overdraft facility of £500 … so you may well be asking why would anyone do it, especially because when you use it, I imagine it tells the retailer it’s absolutely not an AMEX card whatsoever. Add to that, more and more people are using their phone to pay for goods, which means no one even see’s what card you’re using and you have to wonder what’s the point. Except it doesn’t take much looking around to see there’s millions of people who see the fake [reframe: replica] and/or toxic [reframe: alt/anti-woke] materialism lifestyle symbols, an investment.
An investment in their ego.
An investment in their belonging.
An investment in their status.
An investment in their ‘in-the-know’.
An investment in their delusion.
An investment in their taste.
An investment in their ambitions.
An investment in their quest for equality.
An investment in their need to not feel being left behind.
An investment in their connections.
An investment in their truth.
An investment in who they are or want to become.
And while we may not understand all of them … agree with all of them … even like all of them, it doesn’t mean they don’t exist or that their views and opinions don’t have any validity [even if it’s just to them], so dismissing them, ignoring them, judging them or being deliberately ignorant to the reality of them doesn’t help anyone, including yourself.
Because nothing sets you up for failure than only choosing to see, relate or value the people who are the same as you, which is why I find it so funny that for all the research companies invest in, so many of them only focus on what lets them them feel better about themselves rather than what reveals the truths and reasons they need to know.
Or at least acknowledge.
And that’s why the older I get, the more grateful I am to my Mum for instilling in me the importance of “being interested in what others are interested in”.
Not because you’ll always agree with them … or even end up liking them … but because when you make the effort to understand how – and why – they see the World, you better understand how you see it too.
We could all do with more of that … because being blinkered often stops you seeing who you can be, not just who others are.
Don’t get me wrong, taking a position is very important … but it only has value if the journey towards that point of view has come from understanding, rather than arrogance and ego.
Talking of 2024 being like the excess of the 1980’s …
There will be no posts next week as I’m off on a ridiculous trip.
Los Angeles.
Sydney.
Melbourne.
And errrrm, Hobart in Tasmania.
I know … I know …
But as I pointed out at the beginning of this post, for every action there’s a reaction … which in this case means you’re free from a week of my blogging rubbish, so if anything should highlight the benefits of acknowledging the different sides of situations, it’s this.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Authenticity, Brand, Business, Collaboration, Confidence, Content, Context, Contribution, Creative Development, Creativity, Culture, Emotion, Empathy, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Music, Point Of View, Relationships, Relevance, Reputation, Resonance, Respect, Strategy, Stubborness
As many of you know, over the past 8 years, I’ve found myself working with a number of artists/musicians/bands on a whole bunch of projects.
The Black Keys.
Red Hot Chili Peppers.
Journey.
Metallica.
Muse.
Massive Attack.
Some have been one-offs assignments … some have been more long-term collaborations … some have been direct with the artists … some have been via their managers/record labels/third parties … but overall, bar the RHCP/Kiedis ‘experiment’, they’ve all been creatively challenging, fascinating, and fulfilling.
Now to be honest, there are many things I love about working with artists, however a couple of the things I love most are the questions they ask and the attitude they have towards what they want to do.
Their questions are never with an underlying agenda. Of course, I don’t doubt they’re capable of doing that … but I’ve never personally experienced it. Yet. Hahaha.
Personally, all I’ve ever heard are questions expressed with a genuine sense of curiosity behind them … a real desire and willingness to explore something that’s in their head and on their mind.
But more than that, there’s an openness to hearing what you think in response.
A willingness to discuss, debate and talk it out.
I think I’ve written about the first time I did a project for one artist who, frankly, hated what I’d done. Actually, hate is probably not a big enough word for how much they loathed it.
Not because it was wrong, but it was wrong for them in terms of their specific values, beliefs and approach to what they did.
Anyway, at the end of the meeting – thinking they were going to tell me this wasn’t working and we were going to ‘part ways’ – I asked, “so what should we do next?”
You can imagine my surprise when they responded with: “Well, now you’ve heard why we don’t like it, we assume you’ll take that into account with whatever you suggest we should do in your updated reccomendation .”
I was stunned. Not just by how they answered, but the impact their response had on me.
Because while they had made it very clear they didn’t like what I’d done, they made sure I understood their comment was purely in relation to the specific task I’d done rather than a judgement on my overall ability or approach. In fact they went further than that … through their choice of words, they actively showed their belief and support in who I am, what I do and what I could do for them that they may otherwise not be able to see or pull off.
Now let’s face it, it could have been so different.
We’re talking rockstars here, so its not hard to imagine that they could …
Dictate what I had to do.
Demand how I had to do it.
Dismiss my involvement and opinion.
… after all, we see clients try and pull that shit every single day. But instead, they let me walk away from a pretty bad meeting feeling confident, encouraged, inspired and ambitious.
For someone who has been doing this job for a very long time, I can tell you that meeting was up there with the very best experiences I’ve ever had with the very best clients I’ve ever worked with.
A sense of shared transparency, responsibility, ambition, expectation, standards and support.
And it’s a sense that has continued to this day, even though there’s been some more awful meetings in-between, haha.
But that’s not the point of this post …
You see I’ve recently started working with another artist.
An incredibly successful solo musician. A singers, singer – so to speak.
Anyway, I was involved in a meeting with them recently where they were discussing an opportunity, they’d been presented … and watching their thought-process as they decided whether they wanted to do it was amazing.
Halfway through the conversation, they said: “I don’t care if the audience are bored, I want to make sure I’m doing something that doesn’t bore me”.
Now I get that on face value, that can sound incredibly arrogant … but that isn’t the tone they said it in, nor was it what they meant.
What they were saying was they needed to find a way to make what they were being asked to do, interesting for themselves, because otherwise they could not work out why anyone would find what they did interesting.
In many ways, they could just turn up and people would be thrilled, but that’s not their approach, attitude or standard.
Of course, part of this explains why they are where they are … but it was a beautiful thing to witness.
Where so many brands seem to have an attitude of ‘minimum viable satisfaction’ [MVS], here was someone who felt praise was only worthy if they knew they’d done something they felt had been truly valuable to them too.
Not for ego.
Not for arrogance.
But for growth, fulfilment and expression.
Imagine if companies adopted that same attitude in what they did.
Some absolutely do. Most, sadly don’t.
Seeing effort as an obstacle rather than a door to incredible rewards.
Not just financial, but personal.
And while money makes the world go round, the key thing I’ve learned from the artists I’ve worked with is if you play repeat, you satisfy everyone but yourself.
Then you don’t even satisfy them either.
And that’s why for all the processes, systems, models and marketing practices being peddled and pushed, the foundation for a fulfilled future is being open to challenging yourself, rather than always playing to where you’re comfortable.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Audacious, Authenticity, Bands, Brands, Business, Comment, Confidence, Context, Creative Development, Creativity, Culture, Differentiation, Distinction, Emotion, Empathy, Imagination, Individuality, Innovation, Leadership, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Metallica, Music, Provocative, Relationships, Reputation, Resonance, Respect, Talent
Recently I watched a documentary on a band.
A household name. Not just in America, but around the World.
It was pretty good … but the most interesting part of it was the interview with the manager.
Specifically how he described what he was there to do:
He said: “My job is to do one or two things that change your life. Not ‘good moves’ but change your life”.
And while they turned out to be arguably more focused on their own fortune than the artists they represent, it cannot be denied they achieved exactly what they said for the band in question … helping turn them into the biggest band in the world for a period of time. An accolade they have managed to forge into a long-lasting career that sees them continue to be at the top end of their industry.
Now of course, there’s a lot of things that go into achieving success like that.
Songs.
Talent.
Drive.
Concerts.
Fans.
Distribution.
Copyright ownership.
But a good manager has a huge influence and role to play in all of this … which got me thinking.
What if clients saw their agency partners as people whose role was to do the same as this manager?
To help them fundamentally change the trajectory of where their business is rather than continually communicating – and reinforcing – where they are.
Dramatic change, not incremental.
OK, there’s some clients who actually do that – and a lot more who think they are, but are doing the opposite – but the reality is for all the talk of ambition and change, so much of it what is done is about keeping things exactly where they are.
Part of this is because of the influence of ‘industry guru’s’ who have positioned themselves as business liberators when really they’re more insurance salesmen [made even more hilarious by the fact the vast majority have never created any actual creative work or built a brand of note] … and part of it is because of a narrative that’s been going around that suggests agencies care more about taking clients cash through excessive timelines and pricing.
As I’ve written before, this attitude is more bullshit than fact … shaped by a procurement process that doesn’t value quality of work – just the price of it – and a corporate attitude where the expectation is complicity not challenge.
Of course that doesn’t ignore the fact some agencies have also played their part in creating this situation by devaluing creativity, devaluing training and agreeing to whatever gets them the revenue – regardless of the consequences – which just reinforces what a mess we’re in.
It’s why I loved that managers quote so much …
The goal being to create the conditions to be ‘the exception’ by being exceptional..
Not ‘a little bit better than before.
Not ‘a little bit better than those around them’.
But to fundamentally change the context and rules of the game.
Champions, not just players.
Of course, it’s easier said than done … but I’ve had the pleasure of seeing it in action up-close-and-personal through Metallica’s management, which is why I know it can be done and I know you can increase the odds of it being able to be done.
Because in their case, what they’ve helped achieve is remarkable.
Put aside the fact they have worked with the band for almost 4 decades. Put aside they’re the most successful music management duo in music history. And think about how they’ve enabled 4 old men – who write what can best be described as ‘mass niche’ music – not just continue to live at the forefront of popular culture, but do it in a way where their creativity is deeply respected by all.
Hell, they’ve become the second most successful American group of all time.
OF. ALL. TIME.
But it’s even more than that … because they’ve also helped the band find new ways to push, explore and expand what they do with their creativity and how they can do it.
Incredible.
Of course, none of this would be possible without the band having the hunger and desire to keep pushing, but their relationship – and trust – of their managers is a key part of what enables it to be possible.
Which is why there’s a couple of things Peter Mensch – one half of their management team – said to me that has had as much impact as the quote that inspired this whole post.
1. “Our job is not to market the band, but to protect their truth”.
2. “We’re not paid to kiss their ass, we’re paid to tell them the truth”.
And maybe that’s a couple of the reasons why Metallica have been able to build a business and a brand [even though they would hate those terms] which is wildly more successful –culturally and commercially – than many brands who spend tens of millions trying to be.
Not just because music connects to people in ways brands rarely can, but because many brands don’t actually know who they are and don’t want to listen to anything that asks questions of them, they don’t want to acknowledge or accept.
So it’s little surprise an agency can change a brands life when brands so often choose to delude themselves with where they currently are … where their version of a relationship is based on how much you cost and how easy you are to deal with, than the quality of the advice and results you help them gain.
For all the systems and processes our industry has latched onto in a bid to prove our credibility and method behind our approaches … how many brands can we say have fundamentally ‘changed their life’.
One?
Ten?
One Hundred?
Certainly not as many as you would expect from the US$87 billion dollars spent on market research in 2023 delivered.
Which is why I leave this post with another music reference … another perspective that had a profound affect on me.
This time it’s from the band – albeit they were more artists than musicians – The KLF, who not only captured what I believe defines a great manager, a great agency and a great brand … but what also creates the chance for someone, anyone, to properly change their life.
“Don’t give them what they want, give them what they’ll never forget”
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Authenticity, Billionaire, Business, Colleagues, Comment, Contribution, Creativity, Culture, Distinction, Effectiveness, Emotion, Empathy, Equality, Imagination, Leadership, Loyalty, Management, Marketing, Relationships, Relevance, Reputation, Resonance, Sentimentality, Success, Teamwork
After the joy of yesterday’s post – which is more because of Otis celebrating his 10th birthday than anything I wrote – I thought I’d seize the good vibes by writing possibly the longest post I’ve ever written in the near 2 decades of writing this rubbish.
Of course I don’t assume anyone will read it – because who reads any of my stuff anyhow – but it is about an important lesson I learned recently and I wanted to document it – for me, if no one else.
So, one of the private clients I work with is worth an inconceivable amount of cash.
As in billions of dollars. Tens of them in fact.
Now I totally agree that having that amount of money is obscene, but what makes it easier – at least for me – is that:
They’re entirely self-made. They’re a true entrepreneur … taking on all the risk, rather than expecting others to cover it. They’re a patron and advocate for creativity. Not just in terms of their business, but creativity as a whole.
And if you think this all reads as being very ‘corporate toady’, you’d be right … because I am most definitely a fan.
But what’s interesting is how they make their money. Or should I say, how they create the conditions to be able to.
A few weeks ago, they asked me if I could fly to another country to meet someone for dinner.
Not just any person, but a bona-fide superstar. And no, I am not being hyperbolic.
Now there’s obviously a backstory as to how I found myself in this situation and why I was asked to do this by my client rather than [1] them or [2] someone more obvious and suitable – and the reason for it is more bonkers than you could imagine – but within a couple weeks, there I was, sitting opposite this world famous star, chatting about life while trying to act like it was all completely normal for me.
Of course, the person in question had done their homework so knew this meeting was legit, but at one point, they asked why I thought they should consider it.
After reinforcing I was the last person they should listen to, I simply said this:
“All I can tell you is everything they’ve done – and do – is built on wanting a long term relationship not a short term, quick-win”.
That was it. That was all I had.
Now there were 2 reasons I explained it this way.
One is because it’s true and the other is I wanted to convey that their ‘business model’ is playing the long game because it would be easy to assume anyone worth that amount of cash must be ruthless in how they operate and that could be very off-putting for someone who values their creative freedom and integrity.
What I mean when I say ‘long game’ is they invest in the individual, rather than ‘short-term opportunities’ … which means they not only are they happy to give the artists/partners the creative freedom – and control – that made them want to work with them in the first place, but they also don’t expect or demand a return on their investment in the shortest time possible because they see this as a relationship that will be measured in years, not projects.
Now, of course, there is method to this ‘modern-business-practice’ madness.
First is they believe that by investing in trust, transparency and relationship consistency, everyone will achieve a much greater return over a much longer period of time. Secondly is they obviously have no problem in knowing how to make money out of what they do so they know they’re not going to lose out being patient. And to top it all off, they’ve done a similar thing with many other high-profile celebrities/partners which – as they are all still engaged and involved years later – kind of proves they mean what they say.
Which leads to the point of this post.
Relationships matter.
I’m not talking about the sort where one person serves the whims and demands of another – which is how a lot of business today operates, especially in adland – but the type where the relationship acknowledges and values the skills, talent and benefits that each person brings to the table.
No short-changing or undermining. No downgrading or threatening. A relationship where the focus is on ‘what we can make create together’ rather than ‘what I you make out of you’.
How refreshing eh?
Except it shouldn’t be … it should be obvious, however thanks to procurement departments and corporate short-termism – we don’t see a lot of it these days.
At best, it’s a quick collab. At worst, its commercial exploitation.
In this case, my client wanted to work with this individual because they believe in them.
They like what they do.
They believe in how they think.
They’re excited by what can be made possible if they enable them to express their creativity at a different scale and through different art-forms than the ones they normally operate in.
But what makes this work is their appreciation of the artists mind.
The vulnerability of the creative process.
The need to explore before you commit.
The acknowledgement that when you try to create something no one has done before, it will fail before it wins.
And they’re there for it.
All of it.
They understand that to get to something great, the first step is to create an environment of encouragement and faith. Not just at the beginning of the process … but ongoing. Over and over again.
That doesn’t mean you pander. Nor does it mean you hold your opinions to yourself. But it does means you start off from a position of true alignment. Not just in terms of what your hopes and ambitions are, but how you want to realise them in terms of approach, expectations and responsibilities. Meaning everything you do comes from a position of shared responsibility and authority.
The other element is they also understand the adage of ‘it’s business, not personal’ is bullshit.
Business is personal.
Always.
The people who try to claim it isn’t are trying to justify bullshit behaviour.
It’s why my client spends a lot of their time connecting and committing to the other person. To make sure they’re not just in it together, but feel it.
Does that make ‘personal’ approach make things challenging at times?
Probably.
However by ensuring transparency and clarity from the beginning of the relationship – they not only build a relationship based on openness and honesty, they ensure the barriers that often get in the way of focusing on doing great things, get removed.
It all makes perfect sense, except we live in times where people choose to ignore it.
Preferring to optimise interactions.
To put themselves in positioning of authority.
To approach the relationship in terms of ‘what I can get out of them for the least amount of effort or loss of power’.
We’ve all met people like that.
Over the years I’ve had a bunch of people I’ve not heard from in years – or [thanks to Linkedin] never heard from in my life – get in contact wanting me to do something for them and I can literally feel the distain when I tell them, “I’m so sorry, I won’t be able to do that for you”.
I should clarify I have always tried to help people who ask for it … especially in terms of advice or a listening ear. However, when their ask is for me to connect them to friends, colleagues or clients for a shortcut to personal gain … unless they’re an old friend or someone I’ve had a long and personal experience of working with/alongside, they can fuck off.
It might sound harsh but I learned this the hard way.
One person in particular did this to me for a few times.
Continually contacting me under the guise of connecting with me but really wanting me to do something for them.
Contacts.
Introductions.
Feedback and advice.
And I did it, until I stopped.
Because I finally realised they were never contacting me for any other reason than to get something from me. They never just got in contact just to say hi. They never told me how my friends/colleagues had helped them. They never got back in touch to ‘ask me’ the questions they claimed they wanted to know – mainly because that was their ruse to get me to help them with other introductions.
I felt a bit stupid it took me so long, but I got there. And I cut them out my life because who needs that toxic shit.
And I get that sounds harsh, but I don’t care … especially as they still tried to use me until when the point they realised I wasn’t going to … so they went on a public rant about me that reinforced their ego, delusion and fragility.
Which gets to the final point of this post …
The word relationship is badly used, mis-defined and treated with ignorant flippancy.
It’s not about interactions or benefits, it’s about generosity, openness, understanding and trust.
You build it over time by investing and putting time into it.
Time to listen, share, discuss, engage, and give a shit.
It’s an act of consistency, equality and consideration … through good and bad.
And while I appreciate in these optimised, maximised, never-stray-from-the-process-or-rules, big-yourself-up-at-all-costs times, that may sound inefficient … but I have first hand proof, it’s much more effective.
In fact, it’s more effective than every marketing guru with their proprietary process/hyped-up, self-serving academic ‘degree’ – can ever imagine, let alone deliver.