Filed under: A Bit Of Inspiration, Attitude & Aptitude, Colenso, Collaboration, Confidence, Consultants, Context, Creativity, Culture, Cunning, Distinction, Effectiveness, Experience, Honesty, Individuality, Leadership, Management, Marketing, Mediocrity, Metallica, Money, Perspective, Planners, Planning, Relationships, Reputation, Resonance, Strategy, Success
I recently interviewed a successful artist.
What made them especially interesting to me was less their fame and more the fact they’d left a very popular group to go out on their own.
Not because they were ‘guaranteed’ success, but because they didn’t like how their management and record company dictated what they had to do.
As they told me the thinking that went into their decision, they said something I loved:
“Working for yourself is like being an artist in a studio. You’re free to create … you’re open to possibilities. Where most people have a dream, those with the lust to go out on their own stand the most chance of making their dream happen. Even if I failed, I would have felt good I had failed on my own terms”.
How good is that?!
Of course, I appreciate that when you’re successful it’s dead easy to say you would be OK to have failed … but I believed them.
Part of that is because they walked away from a very successful group. Part of that is they did in the knowledge their contract stated they would no longer be eligible for royalties. Part of that is before they launched their own career, they took time off to reclaim who they were. But most of all, I adore how they equated working for yourself as an artist who is in their own studio.
Despite having – and still – working for myself, I’d never thought of it that way and in the big scheme of things, the work I do for myself is the most indulgent, wonderful shit I have ever done. Not just in terms of freelance work, but in my whole career … and a lot of that has been pretty wonderfully indulgent.
But even with that, I looked at working for yourself much more in the way Michael Keaton looks at working for yourself …
Put simply, you love that you have more freedom, but you’re also aware you are the business … so every decision is weighted with more consideration or deliberation.
It’s why the two things that have helped me embrace what excites me rather than do what makes sense is Harrison Ford’s know the value of your value and the conversation I had with Metallica’s managers before I started working with them.
Now I say all this, but the fact is I also work for Colenso – however the reasons I did that were less about financial security and more about appreciating what makes me happy:
1. I need to work with people and build teams. I’m good at it, it makes me happy and I love seeing people grow and the reality is, when you work on your own, you rarely get the chance to do that.
2. Colenso is a place I’ve always loved and so to have the chance to work at a place that truly believes in creativity when so many just want to monetize any-old-shit was both hugely appealing and exciting.
3. They were totally open to me working a different way, which – for all the talk – few companies would ever consider, let alone allow.
4. When you work on your own, your development is more influenced by the projects and clients you work with, whereas when you are part of a team, your development is pushed and prodded every day. And I like that.
5. It offered us a chance to leave COVID-stricken Britain, even though within months … it hit NZ, ironically via the parents of a planner in my team. The second country brought to its knees by someone I’d managed. Oops.
So while I completely appreciate the privileged position I was in – and am in – the point is there was a lot of consideration about working on my own and working at Colenso … not just in terms of what I can gain but working out what I don’t want to lose.
Of course, there are going to be sacrifices along the way … but if you don’t think it through, you may find you’re running away from something rather than running towards something.
For me, that differentiation is a really important one to identify.
Don’t get me wrong, I get that sometimes you just have to escape the situation you’re in, regardless of where you’re going to end up.
I’ve experienced that situation twice in my life and it was horrible. Horrific even. And so getting away was real, urgent and necessary.
But I’m not talking about people in those situations, I’m talking about the folk who simply didn’t want to work for someone else. Didn’t want to deal with the expectations, the politics, the time pressures and the bullshit.
I get it.
I appreciate the appeal.
I basically covered it in a conversation with WARC back in 2020.
But there’s a major difference between not wanting to do things and creating the conditions to ensure you never have to do them and I’m surprised how often people haven’t done that.
Especially planners.
For example:
Do you know enough people at a high enough level who could be clients?
Do you have the experience that can command the rate you want/need to make?
Do you have the reputation that can protect you from commodification?
Do you have the expertise that ensures you don’t just shitty jobs no one else wants to do?
Do you have the network to ensure your abilities grow rather than stay where they are?
Do you have the commitment to keep learning and developing when it’s all dependent on you?
And while they may sound big questions, they’re not. Not really.
In many ways, they’re the difference between full independence and short-term escape.
I should point out I don’t mean this to sound like criticism.
I also don’t want this to be an obstacle to someone going out on their own.
My intent actually is the opposite. I want more people to prosper on their own terms … and by prosper, I don’t just mean financially, but also professionally and emotionally.
This is not because I am some wannabe Saint, it’s because it’s the only way creativity and strategy can regain the influence, credibility and power over the whims, wants and egos of agencies and companies.
Of course not all agencies and companies are like this … but sadly it seems more are than not.
And the more they try to commoditize the value of the independent professional – and boy, do they want to do that – the more we all end up paying the price.
Because suddenly people have to take whatever they can get.
Have to do whatever someone wants them to do.
Has to accept what someone wants to pay them.
I don’t blame them. Fuck, if I was in their situation, I’d do whatever it took – or whatever I could get – to put food on the table.
But it doesn’t have to be this way, or at least the odds can be improved if we – as an industry – talk more about how to think like an independent rather than talk about the benefits of it.
You see, while I love the sentiment of the artist I interviewed and their definition of ‘working for yourself’, I also deeply value the attitude of Michael Keaton. And maybe you need to embrace both to ensure you can be as free as you choose and be able to stay that way for as long as you want.
Because while the benefits of independence are very easy to see … it takes a fuckload of hard work to achieve it.
But it’s worth it. Or at least worth giving it the right shot to achieve it.
Just ask Zoe Scaman, Graham Douglas, Ruby Pseudo, Jason Bagley, Joy At Large.
And a million others who have done it. Not always the easiest way, but have done it.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Brands, Brilliant Marketing Ideas In History, Cars, Communication Strategy, Context, Creativity, Culture, England, Experience, Insight, Leadership, Legend, Luxury, Management, Marketing, Mercedes, Perspective, Point Of View, Relevance, Reputation, Resonance, Respect, Retail, Strategy, Success
I’m back.
Worse, I’m back and ready to make ‘amends’ for not writing any posts for 5 days … I’m going to be writing some extra-long ones. Even by my overlong standards. However the good news is – unlike my usual standards – they are pretty good. I think. At least some of them.
So years ago I worked with on a global project for Mercedes.
One of the people they said I should meet was a dealer principal of a local Mercedes dealership in Derbyshire, England.
To be honest, I was thrilled as many companies try to keep you away from ‘the coal face’ to ensure their carefully constructed ‘delusion of perfection’ can be maintained … but they were pretty insistent I met this person.
What made it even more intriguing is when I asked them why, they replied, “Oh you’ll see”.
So, a week or so later, I found myself on a train heading to Derby to meet this gentleman.
Now let’s be honest, car salesman have a certain reputation …
A lot of the stereotypes are most likely bullshit – or shaped by a few bad eggs rather than the whole industry – but I admit I went in slightly cautious as to who I’d meet.
But the person I sat down with was one of the sharpest marketers I’ve ever met.
I also loved that – despite owning multiple different Mercedes dealerships, something like 20 – he called himself a ‘car salesman’.
He was passionate about the brand and equally as passionate about selling them and didn’t want to hide that fact.
He also said his Mum had told him she was embarrassed he introduced himself that way to people … which had motivated him to be even more focused on making his business successful.
One of the best examples of his attitude was his story about how he chose where to build a new dealership.
He was going to open a dealership in a new city and wanted it to be where all the competitor car dealerships were located. His attitude was it was better to be where everyone goes than to try and convince people to go somewhere out-the-way, just for him.
Apparently, there were a few available locations he could have built, but he had his heart set on one place … next to the local BMW dealership.
They were something like number 110 and he was going to be 111. [I can’t remember the exact numbers, but you get the point]
Anyway, by his own admission, he overspent on buying the land – but for him, there were three major reasons he wanted to be there.
The first was that he knew BMW was his main competitor and so if he was located next to them, most people in the market for that level of car would end up visiting both dealerships.
The second was that he knew many people saw the BMW and Mercedes brand as interchangeable. By that I mean their ‘quality and status’ were pretty similar so often the choice of vehicle came down to service standards and/or price.
Which led to his 3rd reason …
Because he wanted customers to feel Mercedes was the more ‘prestigious’ car to own before they had even entered the dealership – to increase the odds/desire to own – and so by choosing that specific location, he could run ads that signed off with:
Visit your local Mercedes dealership. One up from BMW.
Yep, he spent all that extra money just so he could do that with his ads.
And you know what?
It worked, because it became the most successful Mercedes dealership in the UK.
Of course, these days no one would ever do that sort of thing – at least in terms of marketing – because you’d have some ‘guru’ state ‘when you use a competitors name in your advertising, you’re promoting your competitor’.
It’s the same myopic thinking that has led to certain clients having a negative reaction to anything they perceive as negative … even if it is [1] just in the brief and/or [2] being used to elevate the value of your brand.
Now you may think this post is going to take a dark turn, but it’s not …
Because I tell this story because I saw something wonderful on Twitter/X about Everton Football club.
A story that reminded me of that Mercedes car salesman and his commitment to always finding ways to paint a particular image in people’s minds.
And while I appreciate in this case, it is so subtle that many may miss it … once you know, you’ll not only node your approval for their genius but – if you’re an Everton Fan – you’ll feel pride that you got one over the ol’ enemy.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Apathy, Attitude & Aptitude, Craft, Creativity, Culture, Mum, Mum & Dad, My Childhood, Nottingham
As I am away till next Wednesday on a work trip and I wrote about Dad yesterday to celebrate what would be his 86th birthday … I thought I’d leave you with a post about Mum, to even it all up, haha.
So Mum loved the arts.
Actually, it was more than just love, but curiosity.
Not in a suspicious or judgmental way … but from the perspective of wanting to understand more of it.
Not academically, but more about how the artist approached the work and why.
And it is because of this attitude, Mum was as keen to explore the stuff she didn’t know as much as the stuff she did.
One day she saw an ad for an orchestra coming to Nottingham.
Their name was intriguing – suggesting a new approach or experience of music – so she, along with her neighbours, bought tickets to go and see them at the Royal Concert Hall.
So a few months later, three 80 year olds caught the bus into the city and walked into the venue, only to be a little surprised at what they saw.
Because rather than a stage full of orchestral instruments, they were met with huge amplifiers and a massive lighting rig.
It didn’t take them long to discover why …
Because the orchestra they were seeing was the Electric Light Orchestra.
Also known as ELO, the rock band.
And they loved every single second of it,.
The music, the volume, the musicianship, the drama, the lighting, the whole extravaganza.
I still remember the excitement – and laughter – in Mum’s voice as she told me all about it. But there was one thing above all that stood out – and that was her happiness at discovering, experiencing and exploring a new artistic expression.
Because while she liked – and knew – some of the songs, her biggest joy was the surprise of the unexpected.
Where many would be disappointed to not have what they thought they were getting, Mum was elated.
She understood it was a gift.
A way to see more, feel more, experience more and know more than she did before.
Leaving with more than she went in with … musically, creatively and how people interpret and interact with the World.
But that was her …
A human who not loved to learn for the sheer joy of learning, but had a deep interest in what others are interested in. Even if she didn’t particularly like it, understand it or connect to it.
Because to her, knowledge wasn’t power, appreciation was.
Appreciation earned through listening, learning, experiencing and engaging.
An openness to expression and experience …
It’s why that even in her 80’s she was curious to the new.
Not so she could pretend she was young, but to protect her from becoming old.
By that, I mean in terms of her attitude to life rather than reversing her age.
And as I get older, I realise what an amazing role model she was to me.
To be comfortable with the uncomfortable and curious to the new.
Because while Mum was a person of high standards, morals and values … she never let these become barriers to exploring or welcoming the people and subjects that lived outside of them. Not so she could judge, but so she could grow.
We could do with more people like my Mum these days.
Across all areas of life. From politics to advertising.
Because we see so many people aggressively trying to live in the bubble of their making.
Actively standing in the way of new ideas and ideals … fighting hard to defend what they have or control what they don’t.
Believing they know enough and are enough so stay within the walls of their blinkered, privileged, superficial echo chamber.
Seeing anything different or new as – at best – hard work or, at worst, the enemy.
Living by headlines, not experience, curiosity and understanding.
So while Mum most definitely had her quirks, I’m increasingly grateful that she – and Dad – taught me variety isn’t the spice of life, it’s makes sense of it.
Thank you my dear, wonderful Mum.
Filed under: A Bit Of Inspiration, America, Authenticity, Creativity, Culture
Recently I was in NYC and I absolutely loved being back.
There’s many reasons for that, of which one is crazy cities are where I feel I am able to breathe.
I know that’s a bit of an oxymoron given they’re full of pollution and people, but it’s true.
I feel free, alive, engaged and present there.
It’s like oxygen to me.
Don’t get me wrong, I like Auckland A LOT – much more than some of the other places I’ve lived – but its no comparisson to the busy, demanding, restless and relentless energy of the mega city.
It’s one of the reasons we won’t be here forever and one of the reasons why Shanghai remains my favourite place I’ve ever lived.
A place where anything could happen – and often did.
A place where anything could be seen – and often was.
A place where variety was on every corner – and never stopped.
A place of the good … bad … enthralling and exciting.
How can anyone not get intoxicated by that?
OK, I know not everyone does. For example where I feel the creativity, possibilitiy and energy of the place, they tend to feel the noise, mess and pressure … which is another reason I love the big cities, because it has variety of people, not conformity. And nothing kinda captured this than the cars I saw on the streets of Soho.
Look at that …
From shiny status to crafted shitbox. And Tesla truck wankers.
Yet they not all seemed to fit perfectly into the environment, they were also all perfectly accepted.
And that’s part of what I love … that the paradox creates the energy to enable new possibilities.
Something to compare and compete against. Revealing and opening doors that would otherwise stay hidden or closed.
It’s why I find creativity becomes a true force when it has something to push or fight against.
Something that demands it to elevate its game … and push against rules and conformity.
Rebellious inspiration, so to speak.
Because while creativity has no limits, it seems to go to more interesting places when it’s provoked by the fear of complicity, conformity or routine.
Maybe that’s something companies – and cities – could do with embracing a bit more.
Because while comfort and consistency is nice, the unknown and unexpected don’t just keep things moving … they make sure you never take confront and consistency for granted.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Comment, Content, Context, Creative Brief, Creative Development, Creativity, Culture, Imagination, Planners, Planning, Play, Point Of View, Ridiculous, Stories
For all the talk of planners having curiosity, we rarely talk about imagination.
Of course, Martin, Paula and I talked about this back in 2023 at Cannes with our Strategy Is Constipated, Imagination Is The Laxative talk, but the reality is imagination is more than just a topic for consideration, it’s a muscle that needs exercising every day and needs rigor to enable it to reveal where its capable of going.
The good news is it’s easy to do if you put your mind to it, which is why one of the things I tell junior planners to do is to always look for the unintended stories that surround us.
It might be in a cafe.
It might be at a bus stop.
It might be a coffee cup on the street.
But the point is, look for things that allow you to imagine the stories or situations that led to what you see in front of your face.
Now I should point out that I may have stolen this from the great Russell Davies … but even now I still do it because when it comes to writing briefs, it helps me imagine where it could go before logic tries to dictate where I have to take it.
Recently I was out for a walk when I saw this …
On one hand, they’re just 2 kids shoes on a pavement.
Maybe lost as their parent pushed them along in their pram.
But there’s a whole lot of other stories that could be made from them.
Full of light or full of darkness.
For me, the first place they took me to was dark.
There was something about their placement and context that felt so unnatural that it suggests something bad has happened.
The shoes are too far apart, yet facing each other rather than pointing in the same direction.
They’re on a suburban street. On a Tuesday lunchtime. Yet no one is around and all is quiet.
Then there’s the fact both shoes are missing. One makes more sense … but both?
It all felt like the opening scene of a British Police drama.
Now of course there’s an alternative storyline … one filled with joy and effervescence.
A celebration of a kid being allowed to truly be a kid.
But wherever I could take it, it is much more than simply 2 shoes on the street and yet so often, we spend our time looking at briefs through the lens of the research, the focus groups, the competition. Stuff that confines our imagination to exist – at best – in a small corner.
Which is why if you want to grow your skills, stop blindly following the [financially self-serving and ego fulfilling] rules of Ritson, Cole and co and put more energy and effort into noticing and exploring what is around you. Because while the ‘lessons for profit’ crew will tell you what you should do [and just for the record, I do appreciate their experience and perspective, especially in terms of learning important rules in the fundamentals of marketing strategy] … it’s the street that will help reveal where you could go.