Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Brand Suicide, Brands, Business, Comment, Context, Corporate Evil, Creativity, Culture, Differentiation, Distinction, Honesty, Innovation, Management, Marketing, Marketing Fail

I saw these 2 brilliant cats starring each other down when I was in Utrecht a few months ago.
Look at them.
Focused. Determined. Pissed off.
Trying desperately to intimidate each other while obviously being scared of each other.
Maybe not in terms of size … or beauty … but in terms of one being able to pull off something better, quicker or smarter than the other.
Trapped in an endless cycle of statue paralysis or trying to micro ‘one up’ the other.
The cat cold-war so to speak.
And what is funny is this is often how many brands behave.
Looking sideways rather than ahead.
So lost in what one other brand is doing – or could be doing – they ignore what’s going on around them.
What others are achieving without them.
Sometimes this is not simply driven by a competition, but greed.
A desire to make sure nothing is left on the table.
Hoovering up every scrap.
Believing they are in control and in power so nothing can challenge or take them.
So lost in their self-belief that they fail to see they’re being left behind.
Blinkered by ego.
We saw it with Nokia when Apple launched the iPhone.
We saw it with Listerine when Wrigley’s positioned chewing gum as dental care.
We saw it with Kodak when they chose to protect their photo processing profits rather than launch their digital camera.
We have seen it over and over again.
And while sometimes, having a focused enemy can push you to greater heights than you would be able to achieve on your own … driving you to make things better, rather than to look for things never done before [because often, those things are stupid or self-indulgent] like most things in life, the key is knowing when this approach starts to be counter productive.
When the focus is pulling you back than pushing you forward.
Blinkering your view rather than opening your perspective.
Losing your edge rather than fuelling your ambition.
But sadly, too many brands act like those two cats in Utrecht.
Unable to look away but without the looks to make others still want to come to them.
Which is why as much as there’s a lot to be said for exploiting and optimising the failings and learnings of your numero uno foe, there’s also a lot to be said for remembering to keep looking up and out from your blinkered bubble.
Or said another way …
When you ensure you’re focused on where culture is heading, you don’t get lost following where your competition is staying.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Comment, Communication Strategy, Content, Context, Creative Development, Creativity, Culture, Effectiveness, Marketing, Marketing Fail, New Zealand, Nike
There’s been a lot written and said about brand assets over the years.
A lot of claims and over-promises.
Hell, careers have been made from being a cheerleader of it … even though it has also been responsible for a whole lot of terrible advertising.
Contrived, complicit and confused advertising.
That doesn’t mean it doesn’t have a value – or a role – but as I wrote here, the thing rarely talked about is that brand assets don’t happen by themselves. You can’t buy them off the shelf or make them happen by simply repeating their use ad-nauseum.
No, the only way to turn an attribute into an asset is through creativity.
It’s creativity that gives it meaning.
It’s creativity that gives it a purpose and role.
It’s creativity that imbues it with financial value.
I appreciate that might not fit the narrative of certain people, but that’s the reality of the situation … or it is if you want to do it properly. Unfortunately, it appears more and more people don’t. Preferring to outsource their responsibility – which, let’s not forget, they are paid to do – to generalistic and simplistic solutions that are focused on recognition, not value.
Nothing brought this home more than this ad I saw for a new Nike store in Auckland.
Look at this …

What the fuck? Seriously, what the fuck is that?
While they have used a number of NIKE’s ‘brand assets’ – namely the font and swoosh – it’s pretty obvious whoever put this together has no understanding or appreciation of what they represent or how to use them.
Mind you, it also seems they also have no understanding or appreciation of sport, art direction or design.
It’s like they’ve just taken a few pieces and shoved them wherever they like – like a terrible jigsaw puzzle that doesn’t show the picture they need to create.
Which highlights another thing rarely talked about brand assets …
Just because you’ve earned them, doesn’t mean you can’t lose them.
Treat them with distain and you’ll find all that hard work will be for nothing.
Moving from a brand asset to an attribute to a warning sign to stay the fuck away.
Brand assets are made and built over time.
They need nurturing, crafting and supporting.
They’re not something that once earned, can be used any way you choose.
It’s why the people who use them need to understand them.
What they represent.
The context they play in.
Their creative meaning and expression.
How to actually fucking use them in the right way.
Without any of that you don’t just fail to unlock their inherent value and power, you’re killing their credibility and the brand they’re tied to.
That doesn’t mean you can evolve them. Or expand them. Or play with them in different ways. Nike – of all brands – is very good at doing that. But that only happens because generally they’re embraced by people who have a deep understanding of what they stand for and represent … rather than random ‘colours and logos’ that they treat as a range of stickers they believe they can put wherever they want and whenever they choose.
It’s why I get so frustrated with how certain people talk about them. Acting they’re like ‘parts’ that can be replaced, exchanged, adapted or used however someone chooses … which ultimately demonstrates many of the people who talk like this don’t actually understand what a brand is, what it takes to build one or the difference between post-rationalising and creating.
Filed under: A Bit Of Inspiration, Advertising, Airports, Art, Attitude & Aptitude, Australia, Authenticity, Childhood, Comment, Content, Context, Creative Brief, Creative Development, Creativity, Culture, Empathy, Fake Attitude, Humanity, Imagination, Marketing, Marketing Fail, Mediocrity, Point Of View, Provocative, Qantas, Relevance, Reputation, Resonance, Respect

Many years ago – 2009 to be precise – I wrote a take down of Qantas, the Australian Airline.
It wasn’t about their experience or service which – back then – were pretty good, certainly much better than they are today. No, it was about the lyrics to their ‘iconic’ song, ‘Still Call Australia Home‘.
Now I appreciate I’m a Brit.
I appreciate that, at the time, I had an agency called Cynic, so was full of piss and vinegar.
I even appreciate – as my Aussie wife reinforced to me in no uncertain terms – that the song and Qantas’ advertising was pretty special for Aussies so maybe I should shut the fuck up.
And that is good advice. Except 15 years later, I’ve decided to come back with a comeback.
You see recently I saw an ad for another Australian icon …
The difference being this one is worthy of that label annnnnnd – even more significantly – they’ve made a piece of advertising that ignites all the emotion, pride and Australian spirit that Qantas would possibly sacrifice their ‘never had a crash’ reputation, to achieve.
[Please note, this is simply to emphasise the point. I get it’s not a great turn of phrase. And I obviously don’t mean it. So if you prefer, simply replace it with: “… that Qantas would allow themselves to be embroiled in even more financial scandal, to achieve”. Better? Oh god … there’s no pleasing some people is there!]
Anyway, if you’re wondering what I’m talking about, it’s this from the Sydney Opera House for their 50th anniversary.
[Though while it’s being shared a lot at the moment, it actually came out about 8 months ago]
I love it.
I love it so much it made a cynical Brit emotional.
Sure, I have an Aussie wife … a ½ Aussie son … Australian residency and was even a member of the audience in a couple of the historic scenes they show in the film … but I’ve never, ever felt that way about a Qantas ad.
Not once.
Hell, I don’t even like Tim Minchin – the guy who leads every thing in the ad – and yet I still felt connected to the spot.
Part of it could be because The Opera House was to me, a symbol of Australia, decades before I moved there.
I still remember how overawed and overwhelmed I was when I first saw it for real. This incredible place whose image had been burned into my mind from years of seeing it on TV shows, in magazine articles or just everyday imagery.
But it’s more than that, it’s what the place signifies.
The story that underpins the whole film.
A true story.
One where the quest to do something different triumphs over the demands to control and conform. An ode to the majesty of imagination and art rather than the adherence of tradition and regulation.
It all feels – ignoring the fact the Opera House was designed by the Dane, Jørn Utzon – much closer to the ‘Aussie spirit’ than anything Qantas has ever done.
A salute to those who wish to push and challenge rather than seek the comfort of being back ‘where they’re comfortable’.
Now I appreciate that maybe that spirit is more confined to the past than the present.
One look at how the vote for ‘The Voice’ turned out reveals comfort, convenience and control are the words of the day.
But that aside, it’s a very special film.
Helped by the fact the Opera House is a very special place.
Not just for Australia, but for anyone who hopes for something a bit more.
A bit more personal.
A bit more emotional.
A bit more wonderful.
And if you need any more reason why you should love the Opera House far, far more than Qantas … let me tell you, even the Opera House’s cheapest seats offer more leg room than pretty much anything you’ll get on that airline.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Brand, Business, Comment, Corporate Evil, Creative Brief, Creative Development, Creativity, Culture, Dad, Effectiveness, Loyalty, Management, Marketing, Marketing Fail, Perspective, Professionalism, Relationships, Relevance, Reputation, Research, Respect, Stupid

One of the things I find fascinating is how everything these days is ‘a sprint’.
The urgent need for an immediate solution to enable a brand or business to move forward.
Except it’s not true is it? Not really.
I mean – I get that there are occasions where circumstances demand an extremely quick response.
A terrible event.
A moment of opportunity.
An act forced by an aggressive client.
But in the main, these ‘sprints’ have nothing to do with that.
They’re for a new product launch.
A brand campaign.
An annual event.
If they need a sprint for those, then surely that means they haven’t [or just as likely, their bosses, bosses haven’t] got their shit together because those things don’t ‘just happen’ do they? It’s not like the Paris authorities are going to wake up on the 1st of July and suddenly realise they have to hold the Olympics in a few weeks time so need construction companies to engage in ‘a sprint’ to knock up a few stadiums in time.
Now if my Dad was alive and found himself in this situation he would say – as I often heard him tell clients who had failed to plan appropriately – “your emergency is not my problem” … however in adland, we tend to jump in and try to help.
Yay us!
Except quite often, when we do this, we’re made to feel like we’re the reason they’re in this mess and so rather than see us as someone trying to help, we’re seen as someone holding them back.
It’s so weird.
Even more so when they then question our hours and fees.
Which is why my attitude is that unless there is a real reason for the urgency – and a respect for what you’re asking people to do – you should probably say no. I get it may be unpopular, but you’re not going to win in this situation.
And don’t get me started when companies brief agencies before a major holiday.
OH MY GOD.
I used to see this in China a lot … and we [as in Wieden Shanghai] would always say no.
Sure, if it was a client of ours who was in a pickle for legit reasons, we’d do all we could to help them … but if it was about ego or mismanagement, we’d politely decline.
And yet, from what I see and hear from others – and occasionally experience – this situation seems to be happening more and more often … the defecto rather than the exception.
What’s even more bizarre is that the supposed urgency for a solution gets more and more delayed as additional contexts, mandatories, and approval processes get added to the list of deliverables … resulting in you wondering how urgent this really was as a supposed ‘sprint’ turns into a marathon.
Of course, the reality of these situations is it’s actually about money and time.
Or said another way, the desire to reduce it.

I get it, developing work can be time-consuming and expensive … but here’s the thing, shortening the time doesn’t automatically mean it makes it the work better.
Cheaper, maybe.
But not better.
In my experience, there are 3 main reasons this situation continually and persistently occurs:
1. The client doesn’t value creativity.
2. The client doesn’t understand creativity.
3. The client doesn’t actually know what they want or need.
For far too many, creativity is seen as expressing what you want people to know about your brand/product before adding ‘some wrapping paper’ around the messaging to make it ‘creative’.
I’ve talked about the folly of this ‘wrapping paper’ analogy before … but that perspective continues to grow. Worse, some agencies actively reinforce it in an attempt to show ‘they get the client’ or they ‘get business’, all the while undermining their single most valuable asset.
Which means that maybe they don’t know business as much as they think.
Don’t get me wrong, it is entirely possible to spend too much time on something. But there sure-as-hell can be too little. And when you’re dealing with someone who doesn’t know what they want – so use creativity to try and work it out and then judge it as if its your fault – then any length of time is too much time.
And yet it feels like ‘quality’ has now become defined by the speed it takes to create rather than the effect it creates … often reinforced, as I said a couple of days ago, by ‘for profit’ research companies and gurus who focus on clarity not interest.
No wonder so many clients are asking agencies about what their AI approach is.
Now as I said at Cannes, I think AI – and tech as a whole – offers a whole world of possibilities and opportunities for brands to evolve, grow and connect. Hell, we just did it with our Pedigree Adoptables campaign that literally wouldn’t be possible without it. But that’s not what a lot of clients mean when they ask that, they’re looking for cheaper and quicker output. Optimising the optimized.
The great irony of this is that when you talk about AI affecting their business – especially if the competition embrace it against them – many react like you’ve just tazered them.
They’ll say there’s no comparison.
That their product price-point is based on the value of their expertise, craft and innovation.
And for some, that’s true. But it’s some … not all.
Which is very similar to the post I wrote a while back about how many brands like to think of themselves as premium, but their actions and values are all about how cheap they can be.
A while back I spoke to someone who is one of the most influential luxury expert in the world.
They own, invest and consult with the best of the best … new and old, classic and innovative.
And they said to me they believe the future of luxury will be about recognizing the value of humanity.
The custom, craft and care.
Because in a world that is increasingly about speed, scale and optimization, the brands who will command the greatest value, influence and price will be the ones who offer their customers the most human interaction, engagement and service experience.
It’s a fascinating thought … one that could separate the real from the wannabes.
Or, said another way, the companies who those who talk about valuing their brand and audience and those who actually do. Because one only cares about the sprint, where others appreciate the jog.

Filed under: A Bit Of Inspiration, Asia, Attitude & Aptitude, China, Comment, Context, Culture
A few weeks ago, I had the most bonkers week of my life.
MY. ENTIRE. LIFE.
Of course, it involved China – where bonkers is a beautiful way of life – but it was at a level I could never imagine, let alone imagine I’d ever get to experience.
But it happened and it is something I will treasure and remember for the rest of my days.
But this post is not actually about any of that, it’s about this …
And this ….
I know … I know … it’s a photo of a man cutting a hedge and an empty road which sounds especially boring given this post started with ‘the most bonkers week of my life’.
But the thing is, of all the bonkers stuff that happened [taster: dinner-for-2 with a global superstar in LA, dinner with editors of GQ and Vogue China, asked to bring another global superstar to China, conversations with the head designers of some of the hottest street culture and luxury brands on the planet] those were 2 of the moments that made the biggest impression on me.
It was on my first morning in Beijing.
I woke up very early because of the time zone change.
And because I’m on a health kick, I got up to go out for a walk.
It was light as it’s summer there and as I left the hotel, I saw the guy cutting the hedge and it kind of stopped me in my tracks.
I know that sounds dramatic and over-the-top but it is true …
Part of it was because it triggered Sunday morning memories, where I would hear Dad – or one of the neighbours – cutting the grass. A sonic symbol of family, safety and happiness. A guarantee that whatever happened later in the day, it was starting in a good way.
But it was more than that …
It was the joy of seeing a city literally prepare itself for the day ahead.
And not just any city, but one that is crazy in terms of scale and volume.
Bustling with kinetic energy and possibility.
There was something exciting and reassuring seeing the city actively create the conditions for people to experience and live up to.
All bathed in the warm golden glow of a summer sun, rising to bake us all in its intense heat within an hour or two.
And yet it would be so easy to do none of it.
Let’s be honest, each day tens – if not hundreds – of thousands of people pass through this area and I’m pretty sure few ever notice it.
And yet they do it.
Every day.
OK, so the area I was in was ‘posh’ – full of luxury brands and retailers – so there is an ‘image’ to maintain, but it felt a real gift to be there at that moment.
To experience pride in a job well done and calm before the story.
To welcome the day rather than fear it.
To see the people who make it possible rather than the people who take it for granted.
And while I appreciate you may be fearing for my sanity at this point … the thing is, for a country that cops so much shit for what it ‘does wrong’ from people/media/politicians who often have never even been to the country, they understand the importance of the environment we live and work in far more than many of the places that like to present themselves as having all their shit together.
I know China has a lot wrong with it.
So does every other nation.
But while there’s a lot they can – and need – to do a lot better in, there’s some things, they do miles better than the so called ‘first world nations’.
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Tomorrow we have the day off to celebrate Matariki.
It’s a very important day in New Zealand and if you want to know why, click here.
See you Monday.