Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Audio Visual, Authenticity, Comment, Confidence, Craft, Creativity, Culture, Design, Fulfillment, Honesty, Perspective, Presenting, Relationships

One of the things I find really interesting is how adland has got into the habit of providing clients with multiple options for every bit of work.
Oh I get it.
Apart from the fact there’s always more than one way to answer any brief, we want – or should I say, we need – clients to be happy.
Except it doesn’t always end up that way does it?
We make alternatives that aren’t as good as the idea we think they should buy.
Clients demand diluted versions of the work we don’t really like in the first place.
We end up getting fired because the campaign they pushed us to make didn’t work as well as they wanted.
Who are the bigger idiots?
The people who don’t buy what the experts put forward or the experts that offer alternatives they don’t really believe in?
Which is why every single person should read the story of Paul Rand – the designer who Steve Jobs turned to, to design the logo for his NeXT computer company.
Not just because it’s a brilliant story.
Not just because he didn’t even bother to turn up to the pitch, he just sent a brilliant 100 page book with his idea in it.
But because when Jobs was asked what it was like to work with Rand, he said …
“I asked him if he would come up with a few options, and he said … no, I will solve your problem for you and you will pay me.
You don’t have to use the solution. If you want options go talk to other people.’”
How good is that?
+ I will solve your problem for you.
+ You will pay me for my recommendation, whether you use it or not.
+ If you want options, go talk to other people.
While some may claim that makes Paul Rand arrogant or petulant, I would say it shows someone who knows the value of their experience … their talent and their craft.
More than that, I think it shows someone who really thinks about what idea is the right one for their client and then puts only that one in front of them.
Not countless options.
One.
A single idea that has gone through hundreds of possibilities to get to that single recommendation.
Something that has been created and crafted to answer the brief, rather than simply executed to satisfy the clients taste.
And while the article itself states the NeXT logo might not be a classic … the style, approach and attitude of the presentation certainly is.
Adland should take note.
Read it here.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Authenticity, Communication Strategy, Confidence, Creative Brief, Creative Development, Creativity, Culture, Emotion, Empathy, Experience, Imagination, Innovation, Insight, Loyalty, Management, Marketing, Meetings, Planners, Point Of View, Positioning, Presenting, Professionalism, Relevance, Resonance

One of the questions I’ve been asked more than any other is how do I tell clients what is wrong with their brand.
The first time this happened, I kept asking for clarification because I couldn’t work out what they were asking.
But over the years, it has become apparent that to some, offering clients honesty and transparency is seen as potential threat to the business rather than creating the foundation to answer what is needed.
For me, giving clients honesty and transparency is a demonstration of how much you want them to win.
How much you want them to win, better.
That doesn’t mean you have to be a dick about it, but it does mean you have to be open about how you see it … and in my experience, if you do it in a way where they understand your reasoning and your ambition for them, then more times than not, it’s welcomed.
That doesn’t mean they will agree with you, but it’s amazing how much respect they’ll have for you … because frankly, they’re surrounded by people who tell them what they want to hear and so someone coming in and saying, “actually, we have a different view on this situation to you” is a breath of fresh air.
Hell, even if they hate what you say, you’d be amazed how many times they’ll remember you. I can’t tell you the amount of times people I once pitched for and lost have come back to me/us at a later date.
But I get it can be daunting, even more so if your bosses are saying. “just do what they want”, which is why the next time you’re in this situation, I encourage you to look at the photo at the top of this post.
That photo is Pablo Escobar.
Columbian drug-king Pablo Escobar.
And yes, that photo is him with his son outside the White House, taken when he was the US Government’s most wanted criminal.
So if you think telling a client how to be more successful requires confidence, imagine what it takes to have a photo with your son outside the building where the President of an entire country wants you dead?
Not so hard now is it?
Have fun …
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Apple, Attitude & Aptitude, Audio Visual, Comment, Content, Context, Craft, Creative Brief, Creativity, Culture, Design, Emotion, Experience, Imagination, Innocence, Innovation, Insight, Marketing, Music, Planning, Presenting, Professionalism, Relevance, Resonance, Standards, The Beatles, The Kennedys, The Kennedys Shanghai, Unexpected Relevance, Wieden+Kennedy

One of the things I love about this industry is our way of re-writing rules.
I don’t mean that in terms of post-rationalisation.
I don’t mean that in terms of rebellion.
I mean it in terms of letting creativity take us to new places.
That said, I think a lot of people forget this.
Clients and colleagues.
Specifically the one’s who encourage work to go where others have gone before.
Or where the brand has previously been.
Or just killing ideas before they’ve had a chance to start to evolve.
Of course I appreciate what we do has a lot of implications on our clients business.
That to get it wrong has serious ramifications.
But – and it’s a big but – doing the same thing over and over again doesn’t move you forward.
The opposite in fact.
They know this.
We know this.
And yet I hear words like ‘optimisation’ far more than I do ‘creativity’ these days.
Now I get it, you want to get every bit of value from something that you can, but our obsession with models and processes just limits our ability to invent and move forward.
Please don’t think I’m discounting the value of experience.
There’s a lot to be said for it.
But basing the future purely on what has happened in the past – specifically your individual past – is not experience, it’s blinkered.

Case in point.
Mouldy Whopper.
Here was a campaign that was attempting to do something differently. But rather than be curious about how it would be received, industry people – the same folks who are supposed to be pushing for creativity – were violently writing it off from the beginning. And when I pointed out that no one really knew what the campaign was trying to achieve – I copped it too.
Hell, I didn’t even like it very much, but I appreciated they were doing something different and evidence showed it was getting people to talk about preservatives in food – which was a positive for BK – so at the very least there were something positive in that. But then a senior industry person challenged me – said it was only people in the bubble of adland doing that – so when I proved he was wrong, he just disappeared. Happy to throw out personal opinion but not happy to be shown it was just his personal opinion. And that was my issue, we didn’t know how it would go. We had thoughts, we had opinions but we didn’t give it the time to see how it played out and apparently, it did pretty well by a whole range of metrics.
Of course, the great irony is that when you do have a brand that believes creativity can move things forward in unexpected ways, then you get accused of your job being easy.
I can’t tell you the amount of times people said to me, “it can’t be hard working on NIKE, they love being creative”.
Of course, the people who say this have never worked on NIKE and tend to be the first to criticise anything they think is ‘too creative’.
My god, when Da Da Ding came out, the wave of, “I don’t get it”, “it’s indulgent” was amazing.
But not as amazing as the fact that a lot of the abuse came from white men not based in India.
But I digress.

I love creativity.
I use that word specifically as I see it as being much bigger than advertising.
At least in terms of where the inspiration can come from and how it can be applied.
I am in awe when I see ideas taking shape. Things I never imagined coming together in the aim of changing something rather than just communicating it.
One of my greatest joys was running The Kennedys, because I saw that in possible its purest form.
From making takeaway coffee cups into dog frisbees to re=programming Street Fighter to represent the lessons they’d learnt over the previous year … was epic.
Sure, sometimes it was scary, frustrating and painful.
Sure, there were arguments, walk-outs and moods.
But as I wrote before, great work leaves scars and while that doesn’t mean it can’t be an exciting journey to be going on, it will have many twists and turns.
Or it will if you are pushing things enough.
And that’s what this post is about, because recently I read a story about John Kosh.
John was the creative director of Apple.
Not the tech company, but The Beatles.
John Lennon loved him and at 23, he found himself art directing the cover of their iconic album, Abbey Road.
What many people fail to realise is the band name was no where on the cover.
And while John had logic behind that decision, many in the industry thought differently.
Especially at their record company, EMI.
In fact, the only reason it ended up happening is that timing was so tight that it was allowed to slip through before anyone else could stop it.
Another example of chaos creating what order can’t.

What a story eh?
And before anyone starts saying I’m wrong …
I’m not saying the decision to remove the bands name from the cover made the album successful. This was The Beatles after all – the biggest, most successful band of all time – so it was always going to sell by the bucketload. However I am saying the decision to remove the bands name from the album cover helped make it iconic … which arguably, helped make it even more successful.
Not to mention make the zebra crossing on Abbey Road one of the busiest in the World.




