Filed under: A Bit Of Inspiration, Advertising, America, Attitude & Aptitude, Brand Suicide, Confidence, Creativity, Culture, Law, Marketing, Marketing Fail
Whenever I am in the US, the thing that always shocks me – regardless how many times I’m there – are the pharmaceutical and lawyer ads.
Pharmaceutical on TV.
Legal on billboards.
They’re everywhere … forcing themselves on you like double glazing salesman who senses a moment of weakness in your resolve.
And while you tend to ignore the pharmaceutical ads – because they’re boring as fuck, long as hell and then filled with disclaimers that try to write-off ‘death’ as a casual side-effect – I am transfixed by the lawyer billboards.
Loud. Egotistical. Blustering in confidence.
They’re almost a parody except they’re deadly serious.
My Dad hated the US legal system … because according to him, it made a mockery of the law. Designed either to ambulance chase for quick wins or keep big cases going to maximise fees.
Anyway, recently on a trip to LA, I sat behind a bus with this:
On first glance, I just saw the URL and thought ‘Lemon Daddy’ may be a euphemism for some sort of sugar-daddy dating service. [I know, I know]
Then I saw the line ‘why are you still driving that piece of shit’, and it made me properly interested … especially when my taxi driver told me the guy in the pic was the basketballer, Austin Reaves, who plays for the Lakers.
Soon after that, I saw the name of the law firm ‘Drake’ and it all made sense – or should I say more sense – and by checking out the URL, I saw it was an ad for a law firm who specialise in taking on cases relating to faulty cars.
Frankly, the website reinforced what my Dad thought about a lot of American law … it’s a hard sell masterclass, but I still couldn’t work out why the NBA player was there unless:
1. It was just another way to try and get noticed.
2. Austin had a financial interest in the company.
So I did a bit of digging and – to be honest – the answer was more complicated than the most complicated law case. Have a read of this.
Now for someone who has been in this industry and worked in a lot of countries – including LA, where they’re based – but I’ve never heard of Black Llama creative. But that means fuck all. However – and I appreciate the snobbishness of this comment – I have been in this industry long enough to know what good work is and frankly, I have opinions about the claims they make about themselves:
Black Llama, a renowned creative advertising agency recognized for its innovation and expertise in brand development, played a pivotal role in the inception and execution of Lemon Daddy. Black Llama’s exceptional creativity, coupled with their strategic prowess, ensured that the Lemon Daddy campaign resonates with consumers, captivating their attention and generating engagement.
To be fair, they definitely achieved the latter part of their claim … but not by their innovation, expertise in brand development or exceptional creativity, but because they put a swear word in the headline and – for me – some random dude holding a basketball.
Look, I’m all for people having a go – and I appreciate everyone thinks they have something to offer that no one else has – but confidence means little when it’s so obvious you live in a bubble where you are the only one who judges what is great.
[One look at their website may highlight this is the case with them]
Good on them for making this happen.
Good on them for getting an NBA player involved.
Good on them for working with a client that seems to have a good idea.
But if I was Austin, I’d be online looking for SueMyManagementForBadEndorsementDeals.com
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Creativity, Culture, Luck, Music
When you’re as old as me, you learn life is about luck.
You also learn some people end up with a lot more of it than most others.
Might be their health.
Their looks.
Their families wealth.
Their connections.
The country they’re born in.
You name it, luck plays a big part in the life we all get to live – whether that’s good or bad.
But occasionally you meet someone who basically deserves all the luck they enjoy.
Not simply because they helped make it happen on their own, but because they operate at a different league in terms of their talent and capability.
I’ve met a few of those over the years and while it forces you to reconsider your own abilities, you can’t help be grateful to be in the company of someone who plays at a completely different level. Someone who opens up a whole new way of how you look at what’s possible – so even if you’re never going to be as good as them, you’ll be better than you thought you could be because of them.
It’s an honour and a gift to meet them.
What makes it even better is that in my experience, they’re pretty humble.
They know they’re good and they believe in their talent – but they never think that automatically means they’re better than others.
But this post isn’t about them …
No, this is a post about being born into luck.
The right family.
The right location.
The right bank account.
The right face in the right place at the right time.
Basically this is a post about Nick Laird-Clowes … the writer and singer of a song entitled, ‘Life In A Northern Town’ that was a worldwide hit in the mid-80’s.
This is the song:
Anyway, the reason I’m writing about him is that I recently read an article about how the song came about and in a relatively short article, I saw the most name-dropping I may have ever seen in my life.
Don’t get me wrong, I’m more than partial to a bit of that, but this is ridiculous.
Cop a load of this …
Musicians Paul Simon, Nick Drake and Pink Floyd’s Dave Gilmore.
Then record company boss Geoff Travis and Radio DJ, Kid Jensen.
Wrapping it all up with the TV show, The Tube, and presenters Jools Holland and Paula Yates
It’s crazy. Almost as crazy as realising that with his name, his privilege, his city of birth and his circle of friends [for example, the classical musician in the song was also a model] … he’s the last person who has any right to talk about ‘life in a Northern Town. Mind you, I’m impressed he is talking about Newcastle – even if it has a hint of bitterness towards the place given that was where he was fired from his TV job – because most people with his life and background equate anything outside the M25 as ‘the North’.
But in terms of luck – at least in terms of connections and associations – Nick is a winner, even if his music career didn’t extend past that one song.
To be mesmerised by the whole article, check it out here … and note that despite having that one hit single, Nick has just released a 7 CD box set.
SEVEN CD’S!!!
WTF?
Seriously, how many remixes of one song can anybody ever need, let alone want.
Proof you can a shit load of luck but still be deluded as fuck, hahaha.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Brand, Business, Comment, Corporate Evil, Creative Brief, Creative Development, Creativity, Culture, Dad, Effectiveness, Loyalty, Management, Marketing, Marketing Fail, Perspective, Professionalism, Relationships, Relevance, Reputation, Research, Respect, Stupid
One of the things I find fascinating is how everything these days is ‘a sprint’.
The urgent need for an immediate solution to enable a brand or business to move forward.
Except it’s not true is it? Not really.
I mean – I get that there are occasions where circumstances demand an extremely quick response.
A terrible event.
A moment of opportunity.
An act forced by an aggressive client.
But in the main, these ‘sprints’ have nothing to do with that.
They’re for a new product launch.
A brand campaign.
An annual event.
If they need a sprint for those, then surely that means they haven’t [or just as likely, their bosses, bosses haven’t] got their shit together because those things don’t ‘just happen’ do they? It’s not like the Paris authorities are going to wake up on the 1st of July and suddenly realise they have to hold the Olympics in a few weeks time so need construction companies to engage in ‘a sprint’ to knock up a few stadiums in time.
Now if my Dad was alive and found himself in this situation he would say – as I often heard him tell clients who had failed to plan appropriately – “your emergency is not my problem” … however in adland, we tend to jump in and try to help.
Yay us!
Except quite often, when we do this, we’re made to feel like we’re the reason they’re in this mess and so rather than see us as someone trying to help, we’re seen as someone holding them back.
It’s so weird.
Even more so when they then question our hours and fees.
Which is why my attitude is that unless there is a real reason for the urgency – and a respect for what you’re asking people to do – you should probably say no. I get it may be unpopular, but you’re not going to win in this situation.
And don’t get me started when companies brief agencies before a major holiday.
OH MY GOD.
I used to see this in China a lot … and we [as in Wieden Shanghai] would always say no.
Sure, if it was a client of ours who was in a pickle for legit reasons, we’d do all we could to help them … but if it was about ego or mismanagement, we’d politely decline.
And yet, from what I see and hear from others – and occasionally experience – this situation seems to be happening more and more often … the defecto rather than the exception.
What’s even more bizarre is that the supposed urgency for a solution gets more and more delayed as additional contexts, mandatories, and approval processes get added to the list of deliverables … resulting in you wondering how urgent this really was as a supposed ‘sprint’ turns into a marathon.
Of course, the reality of these situations is it’s actually about money and time.
Or said another way, the desire to reduce it.
I get it, developing work can be time-consuming and expensive … but here’s the thing, shortening the time doesn’t automatically mean it makes it the work better.
Cheaper, maybe.
But not better.
In my experience, there are 3 main reasons this situation continually and persistently occurs:
1. The client doesn’t value creativity.
2. The client doesn’t understand creativity.
3. The client doesn’t actually know what they want or need.
For far too many, creativity is seen as expressing what you want people to know about your brand/product before adding ‘some wrapping paper’ around the messaging to make it ‘creative’.
I’ve talked about the folly of this ‘wrapping paper’ analogy before … but that perspective continues to grow. Worse, some agencies actively reinforce it in an attempt to show ‘they get the client’ or they ‘get business’, all the while undermining their single most valuable asset.
Which means that maybe they don’t know business as much as they think.
Don’t get me wrong, it is entirely possible to spend too much time on something. But there sure-as-hell can be too little. And when you’re dealing with someone who doesn’t know what they want – so use creativity to try and work it out and then judge it as if its your fault – then any length of time is too much time.
And yet it feels like ‘quality’ has now become defined by the speed it takes to create rather than the effect it creates … often reinforced, as I said a couple of days ago, by ‘for profit’ research companies and gurus who focus on clarity not interest.
No wonder so many clients are asking agencies about what their AI approach is.
Now as I said at Cannes, I think AI – and tech as a whole – offers a whole world of possibilities and opportunities for brands to evolve, grow and connect. Hell, we just did it with our Pedigree Adoptables campaign that literally wouldn’t be possible without it. But that’s not what a lot of clients mean when they ask that, they’re looking for cheaper and quicker output. Optimising the optimized.
The great irony of this is that when you talk about AI affecting their business – especially if the competition embrace it against them – many react like you’ve just tazered them.
They’ll say there’s no comparison.
That their product price-point is based on the value of their expertise, craft and innovation.
And for some, that’s true. But it’s some … not all.
Which is very similar to the post I wrote a while back about how many brands like to think of themselves as premium, but their actions and values are all about how cheap they can be.
A while back I spoke to someone who is one of the most influential luxury expert in the world.
They own, invest and consult with the best of the best … new and old, classic and innovative.
And they said to me they believe the future of luxury will be about recognizing the value of humanity.
The custom, craft and care.
Because in a world that is increasingly about speed, scale and optimization, the brands who will command the greatest value, influence and price will be the ones who offer their customers the most human interaction, engagement and service experience.
It’s a fascinating thought … one that could separate the real from the wannabes.
Or, said another way, the companies who those who talk about valuing their brand and audience and those who actually do. Because one only cares about the sprint, where others appreciate the jog.
Filed under: A Bit Of Inspiration, America, Clothes, Creativity, Culture, Curiosity, Jill, LaLaLand, Otis, Planners, Planning, Relevance, Research, Respect, School
I appreciate the title of that post may be misleading because – let’s face it – my posts are pants everyday, except this time I’m literally talking about pants.
These pants …
I saw them on Sunday morning while going on my daily walk.
They were near the library … and given I do this walk everyday and they weren’t there the day before, it would suggest they appeared in the last 24 hours.
And while I could say they symbolise someone having a great – or terrible – Saturday night/Sunday morning … the reality is I have no idea and without wanting to sound a perv, I’m kind-of fascinated to know more about them.
The story that led to them appearing there.
The choice of that particular pattern and design.
The feelings of having ‘lost them’.
It’s a bit like the painting I bought at Otis’ LA hippy kindergarten ‘fund raiser’ back in 2017.
The Al Pacino meets Chuck Noris thing with out-of-proportion arms.
The painting the organisers couldn’t believe someone would pay for because it’s awful.
I bloody love that painting.
I love that someone did it and I wish I knew who and why.
Given it’s 40 years old, I doubt I’ll ever know … but I’ve tried.
And while it is more a burglar deterrent than a gallery star, there’s something about it ‘everyday, anybodyness’ that is like a beacon to me.
Like those pants.
Because there’s a story there.
May be funny … may be lovely … may be tragedy.
And while I would not take them – let alone pay for them and then hang them up in my house, like my piece of ‘art’ – there’s a story there.
Which serves as a great reminder than for all the curiosity our discipline has, the fact we spend more time talking about systems and processes rather than the stories that literally surrounds us highlights the tool we should be embracing more than others.
Opening our eyes.
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I’m off to Australia tomorrow for work, so there’s no posts till Friday. But I’m quite excited about that post, so even though no one cares – let alone will read it – I can satisfy my ego by writing this and pretending there’ll be a clamour to read it on Friday morning. Even though there won’t be. Ignorance is bliss. Self-awareness is a killer.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Alcohol, Apathy, Asia, Attitude & Aptitude, Authenticity, Beer, Campaign Magazine, China, Chinese Culture, Content, Context, Craft, Creative Brief, Creative Development, Creativity, Culture, Distinction, Effectiveness, Empathy, Environment, Fake Attitude, Marketing, Marketing Fail, Mediocrity, Perspective, Planning, Point Of View, Relationships, Relevance, Reputation, Research, Resonance, Shanghai, Singapore, Strategy
I have a history of working on clients I don’t really have a right to work on.
Sport.
High Fashion.
Female Haircare.
OK, so I have a real relationship with sport, but I think the reason I have been able to [even though I say it myself] be so successful with the other categories is that I get so into what I am working on. I get kind-of obsessed with learning and understanding everything about it and throw myself into reading all I can about the culture, history and category before I then interview everyone I can meet who is authentically connected to it.
No outsourcing to superficial focus groups … it’s about graft. Working with the people who create and push the category rather than those who simply buy the product.
It’s served me well – underpinned by clients who care about their audience rather than just see them as walking wallets and me being being self-aware enough to know my perspective is from an outsiders point of view, so I need to explore everything while assuming nothing.
I say all this because one of the other categories I’ve worked on that I shouldn’t, is alcohol.
Why shouldn’t I?
Because the last sip of booze that passed my lips was in 1985.
NINETEEN EIGHTY FIVE … so 39 years ago!
And yet over that time, I’ve worked on everything from Heineken, Guinness, Johnnie Walker and the development of Blackened, for Metallica.
Beer advertising in particular is fascinating because there tends to be 2 states:
Sponsored jokes or pretentious bullshit.
Now I get why it falls into these 2 states because client/agencies tend to either want to reaffirm their beer is ‘fun and social’ or ‘important and crafted’.
But for every Guinness Surfer, Carlton Draft Big Ad, John Smiths No Nonsense, DB Export Brewtroleum or going right back, Heineken Refreshes … there’s a whole heap of contrived, lifestyle rubbish.
Lazy headlines placed over generic Getty image photography.
One I saw recently was this from Tiger.
Now I appreciate the photo does not do it justice, but the headline reads:
Tiger Crystal.
Ultra Low Carb.
Extra Refreshing.
The reason this does my head in is two-fold.
First is you have to understand Tiger is very close to my heart.
Not only was it one of the first brands I worked on when I first moved to Asia, I also won the worldwide account – literally on my own – against 4 network agencies back in the early 2000’s.
Apart from that allowing me to work with some brilliant people on some brilliant assignments, it also resulted in Campaign Magazine featuring me on their front page in all my sweary glory, which is obviously a career high, hahaha.
But the other reason is that copy makes no fucking sense.
What the hell does ‘extra refreshing’ mean?
Oh I know how they’ll justify it …
With less carbs, the beer tastes even better to the drinker. Not literally, but emotionally.
And while there may be an element of truth to that … it doesn’t make it EXTRA refreshing. More drinkable maybe, but not extra refreshing. But here’s the thing, if it’s that good, why don’t they make ALL their beer like this?
Why don’t they bring their ‘extra refreshing’ premise to all their products?
I’ll tell you why, because it’s bollocks.
It’s lazy marketing … another example of vacuous superlatives being churned out to sound exciting without any thought, consideration or any excitement. An act of arrogance, demonstrating how important the brand thinks it is and how little they think – or understand – the audience they literally serve.
Now I appreciate some may say, ‘why does it matter, no one will pay much attention to it’?
And I get that … except that’s the point really.
Our job is to try and make people pay attention.
To give a shit.
They’re not going to think it changes their life, but they shouldn’t blindly ignore it.
It’s this sort of arrogance that demonstrates the lack of self-awareness that has permeated the industry. A blind belief that everything we do is great simply because we did it … despite the fact in the real world, all we’re doing is adding to the social landfill and social pollution of shit advertising.
Where is the pride in who we are, what we do and the intelligence of who we engage?
Where?
We’re so much better than this. And just to be clear, I’m not solely blaming whoever did this awfulness, it’s also the clients, procurement and ‘for profit’ research companies who created the environment where this ends up being deemed ‘worthy’.
I swear the biggest problem the industry has is every department and discipline has its own agendas and metrics for success.
There’s no alignment.
No agreement on what we want and need to make.
Just distain, distrust and self-interest.
Of course not everyone is like this – thank god – but if clients want to see the potential of their brand and agencies want to push the possibilities of their creativity, there has to be a moment where we stop hiding awfulness under the blanket of marketing justifiable rationales, because for all the NPS, system 1, best-practice approaches we may proudly shout about, there are two questions that trump all.
Is it true and does it make us give a shit?