The Musings Of An Opinionated Sod [Help Me Grow!]


Good Enough Isn’t Good Enough …

I’m seeing a lot of work these days that feels like it’s been designed to band-aid a problem rather than actually solve the problem.

Or said another way … does what the client wants not what is needed.

And while I appreciate why that may be seen as an easy win, it’s the opposite.

Because doing stuff clients want, means little if it bores the hell out the audience.

Where they ignore it, overlook it, don’t believe it, makes them feel the only thing the brand cares about is the audience’s cash.

And I know some will say I’m being unrealistic … naive … ignoring the realities of business … but my response to that would be that my whole career has been working with brands who believe in continually earning their audience rather than just expecting it.

And by earning it, I mean investing in it.

Not doing good enough, but respecting who they’re doing it for.

Sweating the details. Knowing how their audience live and think, not just how they use or choose their product. Pushing standards rather than mirroring category best practice. Doing things for the audience rather than just about them. Understanding the context they’re playing in, not blindly thinking they’re the most important thing. And proving they’re worth caring about, not just thinking they’re enough.

And while that might sound like a lot of effort, money and time … it’s the difference between being a brand that creates, defines and drives culture rather than is chasing it.

Like everyone else.

Which is why people who see this about creative indulgence are missing the point.

Because it’s not about creativity, it’s how creativity can drive the level of your ambition.



Stop Filtering Out The Weird, Because That’s What Makes Us Human …

I’ve written about this subject before, but one of the biggest issues I think is facing marketing strategy these days is the obsession with corporate logic.

The quest to create frameworks and messaging that ultimates dictates and demands order, consistency and control. Not to help clients build the brand, but to help clients feel safe and comfortable.

And while that may all sound great in theory, the reality is – as the owner of the store with the horn discovered – that it often backfires magnificently.

Because great strategy isn’t logical, its logic born from the ability to make sense of the ridiculousness of reality.

Whether that is amateur artists buying a Mona Lisa painting when they really want the frame or

And the beauty of that is it liberates the possibilities of creativity …

Whether that is an actor who lets the paparazzi see them every night to avoid being photographed by them to the Chinese Government adding a mini ‘scratch card’ on till receipts to get customers to ask for it so it forces the seller to put it through the till and the government can ensure they get their tax through to a beer that is an act of love.

I’ve been talking about the power of devious strategy for years … and while I’m not claiming it is anything extraordinary, when you compare it to what so many think passes for good – I’d choose it any day of the week.

Not just because it leads to better work, but because creative ridiculousness is becoming a far more powerful way to drive commercial effectiveness than corporate-appeasing, logic.



If You Don’t Have Trust You Don’t Have Anything …

Recently there has been a number of cases where we’ve sadly seen companies take creative ideas from one agency and have them made, without acknowledging the original creator, by someone else.

We saw it with the Coinbase Superbowl spot and I saw it with an ex-client of mine.

What is especially amusing is that when these people are called out, their first inclination is to try and bluff it out … despite you being able to prove it was your work thanks to specific dates, presentation materials and information about who was in attendance.

In my case, the individual in question literally asked “what’s your problem?”

With a comment like that, they were either being deliberately ignorant or, well you get it …

So we launched legal action against them.

At the time, some said this was sour grapes.

That we were being petty and alienating future business as it would make companies want to keep away from us.

But they were wrong.

Because this was never about the specific piece of work they took from us had gave to someone else – while not paying or acknowledge us for the origination, it was about respecting relationships and valuing what you do.

It’s fine to have differences of opinion.

It’s fine to realise a relationship – regardless how long and fruitful it has been – should end.

But that doesn’t mean you can act like the relationship never happened and you can do whatever you want with the things you did together.

Creativity is hard enough without all the commercial obstacles it needs us to jump over.

Brand assets.
Processes.
Eco-systems.
Appropriation.
Corporate politics.
Pre-testing.
Post-testing.
Measurement criteria.
Short timelines.

The last thing the industry needs is to have to start worrying about the integrity of the people you’re working with/for … which is why we took legal action, because our view was if we didn’t, we would be complicit to it when it happens again in the future.

Maybe not to us. But to someone.

And for the record, while they didn’t let it go to court, we were recompensed fully and it never did us any harm in winning other business. Quite the opposite in fact.

Now doing this doesn’t mean you have to it with public fanfare and maximum embarrassment, we didn’t – though I should point out I think what Kristen did with CoinBase was both brilliant and utterly justified – but it also doesn’t mean you should just forget about it and put it down to ‘experience’.

Whatever way you look at it, this is NOT how business works and nor should it.

Look, we all make mistakes.

Some can be bloody massive ones.

Hell, I’ve made bloody millions.

But how you deal with those reveals who you really are and sadly, the industry is seeing quite a few people who don’t seem to believe this sort of behaviour is in any way wrong.

Sure this attitude might work for them in the short term.

Sure they can try and deflect and deny blame for as long as they like.

But while I was going to end this post about the more transparent the relationship, the better the work … I decided it would be better to end with two [paraphrased] pieces of advice I got from Dave Luhr, the now retired Chief Operating officer of Wieden+Kennedy.

For those people who know who I’m talking about, you will hopefully hear his voice as you read it … though in conversations with me, he would always start with “Campbell …”

“Anyone who thinks they were successful by themselves is an asshole”.

“No one does their best work for assholes”.



When Hijacking Culture Is Copyright Theft In Disguise …

Love it or loathe it, but Wordle has captured the world’s attention. Whether it will continue to do that now the NYTimes has bought it, is anyones guess, but right now, it’s peak popularity.

Hell, even I love it and I HATE word games.

Crosswords? Hate.

Scrabble? Hate.

And yet whether it’s the last thing I do before I go to sleep or the first thing I do when I wake up, I’m playing the days challenge. And I’m brilliant at it. Hahaha.

Anyway, I was on Twitter when I recently saw this from Air New Zealand.

Look, I get it’s a competitive world.

I get brands are looking for anything that can help them stand out.

And I get ‘hijacking culture’ is a cheat way of doing this.

But there’s 2 reasons why this approach is tragic rather than magic.

First is it’s Air New Zealand.

Of all the airline brands out there, they are a pioneer. An innovator. A leader.

They’ve created, influenced and changed the airline industry in ways few have come close.

From being the first to make ‘in-flight safety videos’, entertainment to creating economy seats that turn into beds.

Ripping off Wordle doesn’t represent any of this.

If anything, it does the opposite.

But then, when I see the work they are putting out these days, maybe it all makes sense.

When a nation that prides itself as explorers and adventures has their National Airline promote their role in a post-covid world as being ‘we fly for you’ … you have to question if they realise what they’ve done or if they made a conscious effort to ditch the approach that made them great and forward thinking in favour of the sort of bland, contrived, unrealistic and meaningless twaddle of big corporation 90’s advertising.

Like this.

From 1991.

God I hope not. They are better than that and NZ needs them to be better than that.

Which leads to the other reason.

Hijacking culture.

What’s interesting is that so many brands do it.

As I said, I get why … but 99% of them have failed to understand how it really works and so we now live in a world where the approach is so common, it doesn’t surprise anyone.

If anything, it un-hijacks culture.

So how does it really work?

Well having worked with the brand and agency that arguably created the approach – or at least mastered it – the secret is to do something that adds to culture, not just steals from it.

Which means having an actual right to be there.

Then do something that opens things up, not just repeat what’s already happened.

Adding a point of view to the situation not just adding more noise and clutter to it.

Of course, even with all that, it still doesn’t mean it will work … but its definitely going to be better than the desperate amateur hour that so many brands favour.

Who think it makes them look cool but forgetting if you’re trying to be that, you’re definitely not ever going to be that.



Audience Is Someone, Not Everyone …

A few weeks ago someone sent me this picture …

Yes, it’s funny, but it’s also right.

At least to a certain audience group.

Which seems to be a thing we’re increasingly forgetting.

Quite a lot of the time, it feels like we experience some sort of group deliberate ignorance. Preferring to suggest ideas will appeal to everyone because we live in a world where the slightest whiff of ‘niche’ is immediately dismissed by clients.

It’s why we have target audiences that are 25-54.

It’s why we have ads that are about people rather than for people.

It’s why we pretend entire generations THINK AND ACT EXACTLY THE SAME.

It would be funny if it wasn’t so tragic. Especially when think about the huge amounts of money being spent on research to ‘know our audience better’.

Great brands sacrifice.

They want to mean everything to someone rather than be something for everyone.

Which is why they know who they are. Know who they matter to. And know what to focus on.

That doesn’t mean they are limiting their success … they’re growing it.

Valuing who they are as much as what they earn and building scale from leading change rather than blindly chasing popularity.

It’s the foundation of why they charge more, sell more and are desired more. Especially compared to the product amoebas who spend their millions communicating to anyone about absolutely nothing..

So while people in our industry may smugly question the intelligence of the people who wrote that sign on the back of the ute … if we were to invite them to look at what our industry says and does, I’m pretty sure they’d think we’re the bigger joke.