Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Comment, Content, Context, Creative Brief, Creative Development, Creativity, Culture, Imagination, Planners, Planning, Play, Point Of View, Ridiculous, Stories
For all the talk of planners having curiosity, we rarely talk about imagination.
Of course, Martin, Paula and I talked about this back in 2023 at Cannes with our Strategy Is Constipated, Imagination Is The Laxative talk, but the reality is imagination is more than just a topic for consideration, it’s a muscle that needs exercising every day and needs rigor to enable it to reveal where its capable of going.
The good news is it’s easy to do if you put your mind to it, which is why one of the things I tell junior planners to do is to always look for the unintended stories that surround us.
It might be in a cafe.
It might be at a bus stop.
It might be a coffee cup on the street.
But the point is, look for things that allow you to imagine the stories or situations that led to what you see in front of your face.
Now I should point out that I may have stolen this from the great Russell Davies … but even now I still do it because when it comes to writing briefs, it helps me imagine where it could go before logic tries to dictate where I have to take it.
Recently I was out for a walk when I saw this …
On one hand, they’re just 2 kids shoes on a pavement.
Maybe lost as their parent pushed them along in their pram.
But there’s a whole lot of other stories that could be made from them.
Full of light or full of darkness.
For me, the first place they took me to was dark.
There was something about their placement and context that felt so unnatural that it suggests something bad has happened.
The shoes are too far apart, yet facing each other rather than pointing in the same direction.
They’re on a suburban street. On a Tuesday lunchtime. Yet no one is around and all is quiet.
Then there’s the fact both shoes are missing. One makes more sense … but both?
It all felt like the opening scene of a British Police drama.
Now of course there’s an alternative storyline … one filled with joy and effervescence.
A celebration of a kid being allowed to truly be a kid.
But wherever I could take it, it is much more than simply 2 shoes on the street and yet so often, we spend our time looking at briefs through the lens of the research, the focus groups, the competition. Stuff that confines our imagination to exist – at best – in a small corner.
Which is why if you want to grow your skills, stop blindly following the [financially self-serving and ego fulfilling] rules of Ritson, Cole and co and put more energy and effort into noticing and exploring what is around you. Because while the ‘lessons for profit’ crew will tell you what you should do [and just for the record, I do appreciate their experience and perspective, especially in terms of learning important rules in the fundamentals of marketing strategy] … it’s the street that will help reveal where you could go.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Colenso, Comment, Emotion, Empathy, Internet, IT, Security
One of the things I love about Colenso is our multitude of owners tend to leave us alone.
Literally, alone.
And when I say multitude, I mean it, because we have more than a Cannes Grand Prix credit.
Now part of this is because we’re in NZ and they have more pressing things to deal with, part of this is because we only have one global ‘shared’ client and our work with them is arguably the best in the network [hello 2024 Cannes Grand Prix without thousands of names on the credit list] and part of this is because we’re very, very good to them – in terms of global creative reputation and business – so they’re smart enough to let us get on with things on our own terms and own devices.
That is, except for IT.
Where IT is concerned, we are bombarded with stuff.
Security stuff specifically.
A week hardly passes by without some sort of ‘training’ to adhere to.
I get it, it’s very important and we don’t take it for granted … which is why the situation that happened to me a few weeks ago just felt so weird.
So I was in NYC when I got a phone call from someone I had never spoken to before.
Or heard of.
They said they were a security partner of one of our ‘owners’ and – as one of my team had lost their password – I had to give them permission to send it again.
Now I knew this was true as the colleague in question had told me it was going to happen, so I said yes … except they then told me that wasn’t enough and they would email me a link where – having entered my credentials – I’d have access to a password that I could then send to my team mate so they could get back into the system.
To which I laughed and said no, that wasn’t going to happen.
And they asked why, to which I laughed some more before pointing out this was the exact ‘phishing’ scenario I had been bombarded with security videos about.
For 3+ years.
Now to be fair, they did acknowledge it did sound dodgy, but they reassured me it was just how their system worked and all was OK.
But as nice as the guy sounded – and he did, so I was careful not to be too rude – I told him that I was sorry, but this just was not going to happen.
So, then they tried to subtly guilt trip me into doing it by saying my colleague couldn’t work without my help.
To which I replied, “I’m their boss, so if anyone can tell them to be OK with not working, it’s me”.
I did ask what alternatives there were to solve this situation and at first they said there wasn’t any, then said I could tell them to contact my boss to get approval.
Maybe they thought that would scare me into agreeing to their request, but I went, “Oh that’s good, go for it and please send her my love”.
It was at this point they gave up and wished me a nice day.
Except while that individual had given up, the ‘company’ they worked for hadn’t and they started sending me messages.
They went through the same script and I went through the same responses.
And while this may all sound like I was being an asshole, it’s not as assholey as a system that needs you to break the very rules they’re there to supposedly protect.
A rule that is very limited in its scope and application.
I appreciate the company in question was trying to help. I appreciate this was a very specific situation – made more difficult by me being in another country. And I accept the company in question is one of the best in their specific field of operation.
However, not only do they need to change their protocol to ensure that – in certain circumstances – they don’t ask their clients employees to do the very opposite of what they are told to follow each and every day … they probably also need to teach their ‘customer service technicians’ how to talk with humans. Especially non-IT security expert humans.
Because not only is ‘practice what you preach’ the most basic of basic brand reputation rules, the best way to get people to do what you want, is to understand how they think and behave.
More evidence that you can be smart, but also be a bit daft – of which nothing proves this more than the interface of Microsoft Teams, but that’s a post for another day, but here’s a hint.
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Audacious, Authenticity, Bands, Brands, Business, Comment, Confidence, Context, Creative Development, Creativity, Culture, Differentiation, Distinction, Emotion, Empathy, Imagination, Individuality, Innovation, Leadership, Loyalty, Management, Marketing, Marketing Fail, Mediocrity, Metallica, Music, Provocative, Relationships, Reputation, Resonance, Respect, Talent
Recently I watched a documentary on a band.
A household name. Not just in America, but around the World.
It was pretty good … but the most interesting part of it was the interview with the manager.
Specifically how he described what he was there to do:
He said: “My job is to do one or two things that change your life. Not ‘good moves’ but change your life”.
And while they turned out to be arguably more focused on their own fortune than the artists they represent, it cannot be denied they achieved exactly what they said for the band in question … helping turn them into the biggest band in the world for a period of time. An accolade they have managed to forge into a long-lasting career that sees them continue to be at the top end of their industry.
Now of course, there’s a lot of things that go into achieving success like that.
Songs.
Talent.
Drive.
Concerts.
Fans.
Distribution.
Copyright ownership.
But a good manager has a huge influence and role to play in all of this … which got me thinking.
What if clients saw their agency partners as people whose role was to do the same as this manager?
To help them fundamentally change the trajectory of where their business is rather than continually communicating – and reinforcing – where they are.
Dramatic change, not incremental.
OK, there’s some clients who actually do that – and a lot more who think they are, but are doing the opposite – but the reality is for all the talk of ambition and change, so much of it what is done is about keeping things exactly where they are.
Part of this is because of the influence of ‘industry guru’s’ who have positioned themselves as business liberators when really they’re more insurance salesmen [made even more hilarious by the fact the vast majority have never created any actual creative work or built a brand of note] … and part of it is because of a narrative that’s been going around that suggests agencies care more about taking clients cash through excessive timelines and pricing.
As I’ve written before, this attitude is more bullshit than fact … shaped by a procurement process that doesn’t value quality of work – just the price of it – and a corporate attitude where the expectation is complicity not challenge.
Of course that doesn’t ignore the fact some agencies have also played their part in creating this situation by devaluing creativity, devaluing training and agreeing to whatever gets them the revenue – regardless of the consequences – which just reinforces what a mess we’re in.
It’s why I loved that managers quote so much …
The goal being to create the conditions to be ‘the exception’ by being exceptional..
Not ‘a little bit better than before.
Not ‘a little bit better than those around them’.
But to fundamentally change the context and rules of the game.
Champions, not just players.
Of course, it’s easier said than done … but I’ve had the pleasure of seeing it in action up-close-and-personal through Metallica’s management, which is why I know it can be done and I know you can increase the odds of it being able to be done.
Because in their case, what they’ve helped achieve is remarkable.
Put aside the fact they have worked with the band for almost 4 decades. Put aside they’re the most successful music management duo in music history. And think about how they’ve enabled 4 old men – who write what can best be described as ‘mass niche’ music – not just continue to live at the forefront of popular culture, but do it in a way where their creativity is deeply respected by all.
Hell, they’ve become the second most successful American group of all time.
OF. ALL. TIME.
But it’s even more than that … because they’ve also helped the band find new ways to push, explore and expand what they do with their creativity and how they can do it.
Incredible.
Of course, none of this would be possible without the band having the hunger and desire to keep pushing, but their relationship – and trust – of their managers is a key part of what enables it to be possible.
Which is why there’s a couple of things Peter Mensch – one half of their management team – said to me that has had as much impact as the quote that inspired this whole post.
1. “Our job is not to market the band, but to protect their truth”.
2. “We’re not paid to kiss their ass, we’re paid to tell them the truth”.
And maybe that’s a couple of the reasons why Metallica have been able to build a business and a brand [even though they would hate those terms] which is wildly more successful –culturally and commercially – than many brands who spend tens of millions trying to be.
Not just because music connects to people in ways brands rarely can, but because many brands don’t actually know who they are and don’t want to listen to anything that asks questions of them, they don’t want to acknowledge or accept.
So it’s little surprise an agency can change a brands life when brands so often choose to delude themselves with where they currently are … where their version of a relationship is based on how much you cost and how easy you are to deal with, than the quality of the advice and results you help them gain.
For all the systems and processes our industry has latched onto in a bid to prove our credibility and method behind our approaches … how many brands can we say have fundamentally ‘changed their life’.
One?
Ten?
One Hundred?
Certainly not as many as you would expect from the US$87 billion dollars spent on market research in 2023 delivered.
Which is why I leave this post with another music reference … another perspective that had a profound affect on me.
This time it’s from the band – albeit they were more artists than musicians – The KLF, who not only captured what I believe defines a great manager, a great agency and a great brand … but what also creates the chance for someone, anyone, to properly change their life.
“Don’t give them what they want, give them what they’ll never forget”
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Comment, Content, Context, Craft, Creative Development, Creativity, Culture, Emotion, Empathy, Music, Queen, Resonance
Of all the terms banded about by the creative industry … craft is one that is spoken about a lot.
For many people, they interpret this in terms of executional quality and without doubt, that is a part of it, but it is so much more.
In fact, craft starts at the thinking phase … before a single thing has been defined or committed to paper.
I’ve written a lot about craft over the years, but I recently read something that for me, is a wonderful expression of its role and power.
Now, I get there’s going to be a lot of moaning when you see what my example is – or, should I say, – who my example of craft is coming from. But hang in there. Please.
Are you ready?
OK, so it comes from Queen’s Brian May.
I know … I know … but there’s a reason for this.
You see he was recently asked about the lyrics to one of his songs called ’39.
This song appeared on their 1975 album, ‘A Night At The Opera’ and it is a song about space travel through different dimensions.
For haters of Queen, just description probably justifies all your loathing … but there is method in the madness.
You see Brian May has a PHD in astrophysics.
And while he gained that qualification in 2007, the reality is he was a leading researcher in the field prior to joining Queen.
In fact the only reason he didn’t gain his PHD back in the 1970’s is because the band took off and so his studies stopped.
But even then, his love of astrophysics was a key part of who he was – especially the relationship it had with the dimension of time – which is maybe one of the key influences behind this song.
To understand the rest of this post, you should hear it … paying particular interest to the lyrics. So click here.
Did you do it?
Did you bollocks.
OK, then just click here to read the lyrics.
Did you do that?
Hmmmmn, OK … I believe you even if no one else will.
The point of this is because Brian May was recently asked about the story of the song and his reply is fascinating.
Fascinating in terms of where and how song writers get their inspiration …
But – to link back to the point of the post – fascinating in terms of how this crafted how he specifically wrote the lyrics …
How amazing is that?
I love how he explains why the tenses are mixed up in his lyrics.
How it is integral to the idea he had for the song.
How it is an example of craft in motion.
Sure, there’ll be some pricks who will claim its ‘post rationalized justification’, but that’s because they are confusing their ego with their ability.
Because here’s the thing with craft …
In many ways it is not immediately obvious to the recipient … they may not engage with it in the detail and care that went into it. They probably encounter it as a singular, all-encompassing experience. But to the creator, everything will mean something. Not in terms of ‘contrived, focus-group instruction and manipulation, but in terms of ensuring their creativity is crafted to represent their idea in its purest, most honest form. All the while embracing – and valuing – that the recipient may interpret and connect to the work in different ways than intended. Taking it to somewhere new, different and personal.
It’s a beautiful and generous act and why one of the most important questions I ask in any initial creative meeting is ‘what’s the story behind your story?’.
I don’t mean that in terms of them reiterating the brief or conveying some ‘insight’ they’ve defined to answer/justify their solution … but the journey they have been on in terms of inspiration, consideration or history that has led them or shaped what they are going to show.
Mainly because at this stage of proceedings, it’s got less to do with ‘answering’ the brief, but understanding how they see it.
A glimpse into where it could go, rather than what it currently is.
It’s why we need to remember craft isn’t something to wrap an idea in, it’s what informs the entire expression of the idea.
Because even if people don’t recognise it, they will probably feel it … even if they can’t explain why.
And that is the power of creativity … something we need to protect, especially from those who try to present it or define it like its engineering and their master mechanics. Which is ironic, given they’ve never created anything with it.
Filed under: A Bit Of Inspiration, Age, America, Art, Attitude & Aptitude, Comment, Context, Culture, Design, Friendship, Gifts, Jewellery, Music, Rosie, Swiftie
How the fuck is it October?
OCTOBER?
It was only February 2 weeks ago, wasn’t it?
How the hell are we going to be in 2025 in less than 3 months?
On the bright side, it does mean I go on my family holiday in less than 3 months – but October, already? Crazy.
What else is crazy is this ..
Someone sent me this.
I don’t know who it was, but I got it.
And the fact they sent it to my house, means they know me well enough to know my address.
But what messes with my head is that while the message in on point, the bracelet design and size is one that would be better placed on the wrist of a 13 year old Taylor Swift fan.
Was this deliberate?
Was this a mistake?
Did they know that regardless of its ridiculousness, I’d still wear it.
Is it a diss or a reward?
I am so confused – especially as my friends have form doing shit like this. Like the time they discovered my iTunes password and bought every Taylor Swift album – with MY CREDIT CARD – which I only discovered when all her songs started appearing on my iPod. The clever, evil bastards. [But not as clever or evil as this]
But as confused as I am, even that isn’t as confused as the people who see me now wearing it with pride … especially as it sits under a tattoo I’ve had done of my beloved Rosie, so it kinda looks like a fucked up cat-collar.
So to whoever got it for me – whether for love or for taking the piss – I love it, I thank you for it and I just wonder if it will last the few months until we hit 2025.