The Musings Of An Opinionated Sod [Help Me Grow!]


We Need More Bob. [Hoskins, Not Campbell’s]

First of all, as today is 11.11, I want to acknowledge all the people who paid the ultimate sacrifice to ensure the world had peace.

Given the state of where we’re all at, there is the potential it was all in vain, so I hope sanity prevails and tyrants are dealt with.

OK, now I’ve done the mature bit, I want to talk about Bob Hoskins.

No … not because I have more than a passing resemblance to him … but because I read something recently that reinforced why I liked him so much.

For those who don’t know who he is, he’s the now deceased British actor famous for his roles in movies such as, The Long Good Friday, Who Framed Roger Rabbit, TwentyFourSeven [by my mate Midlands mate, Shane Meadows] and errrrrm, the iconic tragedy that was Super Mario Bros … the first ever movie based on a video game and notorious for how terrible the filming was, let alone the final product.

[More on that last one in a minute]

However where my appreciation of Bob started was not in a movie but in an interview.

He was on a chat show and they asked him …

“How hard is it to film back to back movies?”

He could have gone on a rant about the demands it takes out on him.

Not seeing his family.

Not being home.

The physical and mental exhaustion.

But he didn’t, he said this:

“I’ll tell you what’s hard. Nurses jobs are hard. Single parents lives are hard. Working in a factory is hard. I’m well looked after and well paid for pretending to be someone else on a screen, My life isn’t hard compared to those people. They’re the one’s who deserve the adulation, not me”.

And he meant every word, because not only was Hoskins notoriously self aware, he also found the Hollywood machine very uncomfortable. He loved acting but he hated the fawning.

Nothing sums this up more than his involvement with the movie Super Mario Bros.

The full disaster of the filming can be read here or here … but this quote by Hoskins probably sums it up best:

“The worst thing I ever did? Super Mario Bros. It was a fucking nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks, their own agent told them to get off the set! Fucking nightmare. Fucking idiots.”

However after the movie he said something that not only summed up his love of his children and his chosen career, but captured why the advertising industry – for all its faults – can still hold magic.

Sure, not what it once was.

Sure, with it having huge implications on its future.

But something that I can’t imagine many other industries having.

And while we strive to be taken seriously as a discipline in the world of commerce, it might be with worth us remembering its the ridiculousness that made/makes us special. For the work it lets us create. For the influence on culture we can shape. For the way we can make brands something people want to know more about rather than just ignore.

It may be stupid.

It may not always make sense.

But at our best, it’s the ridiculous ways we see and operate in the world that can help business achieve – and mean more – than they ever imagined.

It’s time we remembered that.

It’s time companies remembered that.

Because when you see the vast majority of work put out at enormous expense – researched to within an inch of its life and judged by ‘gurus’ who generally have never actually created anything in their life [other than their own sense of self-importance] and have a limited view of what creativity is and can do, you can’t help but wonder if it is there to push us away rather than pull us in.

Have a great weekend.

Make it a ridiculous one.

Be more like Bob. Hoskins, not Campbell.

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Welcome To The Industry Of The Deliberately Ignorant …

I write a lot.

It may be rubbish, but I still churn it out.

Every week day, coming up to TWO DECADES.

Jesus Christ.

And yet despite that, a lot of it seems to be popular.

Or should I say popular in relation to the quality of the writing and what I deserve and expect.

Now over the years I’ve written about all manner of topics.

Death.

Queen.

Birkenstocks.

The impressive standing of my best friend’s penis.

You name it, I’ve probably written some rubbish about it.

And yet for all the stuff I put out, there’s one topic that never seems to capture the imagination like all that other stuff … and yet it is arguably, the most important and serious stuff I write.

It’s about diversity and inclusion.

Or more specifically, how we can, need-to and should do more.

Whenever I write about that, there is a noticeable decline in ‘engagement’.

Not just in terms of people commenting, but reading.

I find that fascinating and terrifying.

Why is this happening?

I may understand a lack of commentary but a lack of reading?

+ Is it that there’s so much on this topic that despite the changes not happening fast enough, people are over it?

+ Is it that people know they’re not doing enough and don’t want to read something that reminds them of that?

+ Is it that people think I’m trying to position myself as some sort of expert and don’t respect my opinion?

+ Is it that people think I’m just trying to be ‘woke’ and don’t want to encourage me?

+ Is it people just don’t give a fuck?

A few years ago my beloved friend, Chelsea, noticed this also happening on my instagram.

Same situation as this blog …

More likes/comments than I deserve up until I post something serious about race.

Then – at best – a murmur and – at worst – silence.

I don’t know the reason for this, but it is happening.

It even happened recently on two articles I wrote for Little Black Book, promoted on Linkedin.

The first – about the process of strategy – received a combined 1121 likes, 99 comments and 55 shares. But the other – promoted exactly the same way, but about the importance of making space for People of Colour to be themselves and respecting that value that brings – received 17 likes and 2 comments.

SEVENTEEN!!!

A topic far more important than how strategy is up its own arse got seventeen likes.

I am not an expert in this stuff.

I’ve made – and make – more mistakes than I should.

But I am committed to change and creating change and for all the talk of the industry wanting to do the same, it seems it only suits when they decide it suits. Of which there is no better definition of privilege.

None of this will surprise People of Colour.

They face this two-faced bullshit everyday of their lives.

I don’t care if people think I’m being woke.
I don’t care if people don’t read what I write.
I don’t even care if people don’t respect me.

This is about people talking a lot about the most serious issue facing our industry but doing practically nothing. Or worse, doing a small thing and then deciding it’s a big thing because it suits their agenda, even though they haven’t once asked the people it’s supposed to be there to help. It’s pathetic. Fucking pathetic.

I’d rather hear people say they don’t care or believe in D&I than talk earnestly about its importance but don’t do anything about it. Not even use their platform or position to keep the topic, top of mind.

The problem with our industry is it’s increasing lack of relevance and resonance with business, creativity and culture. The great irony is the most influential, interesting, and commercially powerful things in business, creativity and culture are born from People of Colour communities, especially Black/African American culture.

At the very least white culture should care because it can keep them earning a living.

But no. They think they are good enough to do it. Good enough to understand things they can never quite grasp as it comes from a lived experience they have never had to face. So they miss the nuance, the heritage, the soul.

Or maybe it’s not that at all.

Maybe it’s something else.

Fear.

Fear of being left behind by the knowledge, understanding and context of People of Colour.

Because unlike them, People of Colour see culture from the inside, the outside and deep within its creative soul. This not only helps them understand what’s influencing culture better than most white people, it means they understand white people better than white people.

So they can offer more insight and understanding.

More creativity and opportunity.

More openness and authenticity.

Giving them knowledge that not only puts most white people to shame, but can put most white people out in the cold.

That’s probably the reason.

White people want to keep People of Colour down.

Not all. But that doesn’t matter … because that many do creates this situation.

Continues this situation.

And while I’m not saying everyone who reads my posts – or should I say, doesn’t read them – are racist, I am saying maybe we all need to think about what we’re doing … because we can’t say we don’t know about the issues regarding diversity and inclusion just because we avoid reading about it.

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Don’t Let Your Job Title Fool You Into Thinking You Have Respect …

One of the best pieces of advice I was taught was ‘always earn your right to be trusted’.

By that, they meant …

+ Lead by example.
+ Open doors for others to walk through.
+ Be fierce with maintaining standards.
+ Always protect, defend and grow your team.
+ Be transparent in your actions and interactions.
+ Encourage debate and independent thinking.
+ Create the conditions for everyones success.
+ Recognise the individual, not just the group.

That seems a lot of things doesn’t it, but that’s what real leadership is.

Or what I was taught it is.

Now whether I’m good at any of that is open to debate, but it definitely shaped my approach to things – even when I get it terribly wrong.

But my worry is a lot of people entering management today don’t get any advice whatsoever.

They’re plucked from being good in their job and told they now lead a team. Which basically sends out the message ‘do whatever it takes for the company to succeed, regardless of the cost’.

We’ve read the damage of this attitude in Corporate Gaslighting and yet it doesn’t have to be that way.

Of course a manager/leaders job is to do things for the benefit of the company they work for. But if they create an environment where the individual and the team can also succeed – not just financially, but in terms of growth, opportunity and possibility – it’s amazing how much everyone benefits.

But to do that well requires more that authority, but trust.

Trust you will lead them to somewhere better.
Trust you will look out for them not just yourself.
Trust in their opinion, not just your own.

The older I get, the less I see of this.

Instead of trust, companies put in hierarchy.

Where the expectation is to blindly follow what the more senior person demands.

I saw that when I lived in America … the most hierarchal place I’ve ever worked.

And while it may appear to work, it doesn’t really.

It either creates an echo-chamber of blinkered opinion – which is reframed as ‘company culture’ – or it relies on people who are in the terrible position of not having the choice to get out of where they are, with ease.

Which is why the other piece of advice I got – from my Dad – compliments what I said at the top of this post. Because if the goal of a manager or leader is to always earn trust from their team … then the role of the team is to “only respect authority that has been earned over time … not given, bought or provided by privilege or misinformation”.

It’s a lovely thought …

Proof not expectation.
Earned not just given.
Consistent not occasional.

It also explains why I must have been an absolute nightmare to the bosses I had who expected my loyalty rather than earned it. There weren’t many – thank god – but there were a few. And while I’m sure they were good people [probably], they definitely made the fatal error of thinking their job title demanded trustworthiness, when literally the opposite is true.

And with that, I’ll sign off with a link to an article I wrote for Little Black Book that sums this all up. It was – and remains so – one of the most valuable lessons and mistakes, I’ve ever had.

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Good Job I Love Weird …
November 7, 2022, 8:15 am
Filed under: A Bit Of Inspiration, Advertising, Colenso, Creativity, Culture, Professionalism

A few weeks ago I came to the office and found a drawing on my desk.

Putting aside that the drawing makes Si look more like a snowman than our CCO, I’m wondering why someone thinks he is looking at me have a ‘pee pee’.

Or maybe it’s something more sinister …

What if it was Si who drew this?

Is this an HR offence?

Probably … but let’s be honest, I’ve done much worse.

Not in terms of looking at my colleagues going to the loo – just in case Colenso lawyers are reading this – but in terms of questionable professionalism.

Which just leaves me with one thing to say …

Thank god Si is a writer, because he sure as hell isn’t am artist.

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Collabs Are Becoming A Circle Jerk …

Before I start, I’ve been a huge fan of collabs over the years. Seeing what happens when two different artists or brands or artists and brands come together has been fascinating.

And for every terrible LG x Prada phone, there’s a Nike x Ben & Jerry’s sneaker.

But … but … it feels we’ve moved from collab to labelling.

Where it isn’t about what two parties can create with each other, but just renting space for another brand to slap their logo on.

Take these Travis Scott x Playstation x Nike sneakers …

Jesus Christ.

Where the Ben & Jerry’s felt crafted and cared for this is just … well, put it this way, it feels more like a bad promotional item than something that represents a true collab.

And the thing is, this approach is happening more and more – across all manner of categories – which is why I kinda love what Nobuaki Kurokawa has done with their first product launch from their CUGGL label.

Let’s be honest, they’re taking the piss.

Like, blatantly and unashamedly.

Not only does it look like it say’s Gucci, by making the design resemble graffiti, it feels like they’re also sticking two fingers up at the terrible and contrived Gucci/Balenciaga collab.

The Gucci x Belenciaga is especially horrific because individually, they’ve not really laid a foot wrong in building the value and position in culture of their brands. And then they do this.

Lazy.

Fake.

Obvious.

Out-of-date.

Dad at the disco rubbish.

Basically, the fashion industry version of this.

Which is why I like what CUGGL have done so much.

Punking the brands pretending to be punking fashion.

Of course, Diesel did something like that before – though their mischievous eye was aimed at the counterfeit industry [even though it kinda said ‘fakes may be real’, which is the last thing they needed to do] however in terms of greatest accolade for mischief, that prize should have gone to the band Blink 182.

I say ‘should have’ because they ended up pulling out of potentially the greatest burn ever.

In the early 2000’s, Axl Rose was making a new Guns’ n’ Roses album.

It was unique because the only original member of the band was Axl himself.

He had fired all the band and was basically at his most indulgent ego best.

The only thing he’d announced was the album was going to be called ‘The Chinese Democracy’.

For years and years nothing came out.

The album postponed time and time again.

At one point, his record label, Geffen, pulled funding … and yet the recording still went on.

Enter Blink 182.

They announce they were recording a new album and guess what they were going to call it …

That’s right, The Chinese Democracy.

Better yet, because Axl was taking so long to release his version – they could be sure they’d be first, so history would always make it look that Guns n’ Roses copied Blink 182.

Alas they went cowardly on the idea, which is a shame … because that would have set a benchmark CUGGL and Diesel could only dream of reaching.

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