The Musings Of An Opinionated Sod [Help Me Grow!]


How To Bite The Hand That Feeds You …

The management team at Metallica asked me a while back if I’d give a presentation to a bunch of music execs about ‘artist strategy’.

They said they wanted me to explain how I work with them, how I approach my job and what some of the work we have done together has manifested itself into.

So I pulled a presentation together, took them through it – got their nods of approval – and prepared for the talk.

When the time came, I found myself on zoom at 12am Auckland time … presenting to 200 odd record/band executives in London, NY and Nashville.

Despite looking so tired I probably resembled a Zombie, all went very well and I was happy to answer questions.

One of the people in attendance asked how much ‘power’ I have over the artists actions and decisions.

Despite the reality being absolute zero – and, nor should I have any – I replied that I had a hidden slide that could best explain my influence, to which I showed them this …

At least I found it funny.

And – to be fair to me – it’s a fair reflection of the actual power I have over the band.

Though I appreciate I probably have just sent myself to the ‘where are they now’ dungeon … even though I’m going to try and justify it by saying nothing is more rock n’ roll that smashing up your career. Ahem.

Thank you Q and M for not just putting up with me, but still involving me in this stuff.

My wife has ‘had words’ with me regarding my professionalism. Ahem.



Confidence Is Spelt Beverley …

There’s a lot of talk about confidence.

People who have it.
People who think they have it.
People who don’t have it… but think they do.

The reality is confidence ends up being defined in two parts … the person who thinks they have it and the person judging them if they do.

And while there is always that risk that someone could come over as arrogant, there is something glorious when you watch someone with it in full swing.

Someone who you know has sweated for their craft and skill.
Who has the control and power to achieve at a level few will ever reach.
An individual who never phones it in, even if they could and still be exceptional.

I recently saw a video of the singer Beverley Knight perform the Stones classic, Satisfaction.

It is breathtaking.

Truly breathtaking.

The first time I watched it, I actually cried – it’s that powerful and joyous at the same time.

And while Jeff Goldblum is losing his mind as he watches her – which is beautiful to watch – you know she knows exactly what she’s doing … exactly how she’s impressing and exactly where and when she is showing off.

But it’s not an ego-play … this is simply someone who cares about giving their all. That believes they have a responsibility to themselves to never phone it in. Who wants to show just how good she is … and that is exactly how it comes over.

She’s fierce, audacious and talented as hell … backed by a band who create a platform for her that is more like a catwalk of sonic celebration.

Confidence can be misused.
Confidence can be delusional.
But when it’s real, justified and powerful … you just have to sit back and enjoy it, because it’s something special indeed.

Watch this.

More inspirational news …

I go on my first business trip in 2 years so there’s no more blog posts THIS WHOLE WEEK.

It’s a weird feeling knowing I’m getting back on a plane for work. I used to fly over hundred times a year for pretty much the last 20 years, and yet this 2 year gap has left me feeling very comfortable at home. Maybe that’s more because it represented ‘safety’ in a COVID world but the idea of starting again has really conflicted me. Not for you though … you get 4 days of peace … so have fun and see you next Monday.



The Future’s Bright, The Future’s Neon …

One of the things I’ve found fascinating over the past few years is watching consultancies AND platforms mock the value of advertising and then increasingly try and enter that space.

And while you could argue it’s because they saw an opportunity to do it ‘properly’, the way they have embraced it – and executed it – has shown they seem to want to be more like the beast they wanted to slay than the beast they are.

What do I mean?

Go to Cannes and the whole place has been taken over by corporations.

All the best locations, beaches, hotels are the domain of tech, consultancies and platforms.

Now you could say that’s because they’re the ones with all the money – and that’s true – but what is amusing is WHAT they do.

Because rather than reflect ‘a better way to do what those ad agencies used to do’ … they seem to be doing the same thing ad agencies used to do.

Parties.
Give-aways.
Celebrity talks.
Expensive dinners.

In fact the only thing that is different is how desperately bad their attempts to show ‘they’re creativity’ actually are.

Nothing brought this home more than a poster I recently saw promoting an advertising festival.

An advertising festival representing the ‘modern’ world of the industry.

This was it …

What. The. Hell?

Seriously … what is it?

I’m not just talking about the design and colour palette that could make a 1987 acid house party feel embarrassed … I’m talking about all of it.

The email automation masterclass.

The ‘scale your YouTube’ talk.

The $15 million ad storytelling formula class.

And let’s not forget the ‘thumb-stopping’ direct response scripts.

Look, I get small business may get something out of some of this.

And I appreciate there are many elements to run a successful business.

But this all comes across as used car salesman shit.

Worse, used car salesman shit where their office is a portacabin on a muddy industrial estate in Slough.

In all seriousness, what I find astounding is this must be what the people behind this conference must think is creativity. And don’t get me started on what it says about the people presenting there.

I include Scott Galloway who said ‘brands are dead’ and then not only invests in elevating his own brand, but starts selling courses on how to approach better brand strategy.

[For the record, I respect Scott Galloway hugely but when he said that – like when Mark Ritson said his advertising course was a ‘mini MBA’, when it is nothing at all like a MBA – I couldn’t help but feel their focus was becoming more about building their own cult than building better marketers. In fact, given their approaches have now been so optimised, systemised and codified … you could argue it’s actually undermining brand building because everyone is following the same approach and the result is passive corporate conformity. But I digress …]

I guess what I’m saying is that for all the smarts of modern marketing, the people behind this conference – and potentially the people at it – are revealing they know jack-shit about creativity or culture.

And you know what? That would be fine if they didn’t pretend they otherwise.

But for all their big Cannes events … agency buy-outs … and talk about advertising, the reality is they view creativity as a ‘wrapper’ for their engineering type processes.

A belief there is a singular approach to engage and grow – regardless of audience or category. That the features around a brand are more important than the brand. Or as I told WARC, that the condiments are more valuable than the steak.

Do not get me wrong, advertising has a lot of problems.

It’s got a lot it can learn from platforms and consultancies.

But at our best, we know how to use the power of creativity and culture in ways so many of thehaven’t got a clue about.

Now some may say that statement shows how out of date I am.

How contemporary business doesn’t care about all that.

And maybe that’s right … but while I could point out the vast majority of brands who are infectious to culture were not born anywhere near a ‘consultants proprietary marketing playbook’ … all I have to do is point at the AdWorld poster and say, “Look at that shit”.

Don’t get me wrong, I know there will be a bunch of valuable stuff at the conference.

I am sure it will attract tens of thousands of people.

It may make the organisers a shit-ton of cash.

But for all the smarts appearing at Adworld, they sure as shit don’t have any appreciation of style. And I would like to point out that I say this as someone who was wearing an ironic Celine Dion T-shirt when I typed this.

And with that, I wish you a good weekend … which only gets better for you when I let you know there is a national holiday here on Monday so there will be no post till Tuesday [I know, I just had 2 days off for national holiday – deal with it] … so with that, I leave you with a sneak-peak of the Adworld virtual after party dance floor.



Face For Radio, Not Television …
April 11, 2022, 8:15 am
Filed under: Attitude & Aptitude, Creativity, Culture

Over the weekend, a friend of mine – who works in the television industry – wrote to me.

This is what he said.

Robert.

I’ve known you for years. I’ve followed your career around the world. As far as I know, you have never once worked in television. I have a reason for this chequered introduction.

A colleague pointed me to a debate organised by the Royal Society of Television. I am a proud member of the organisation and have been for 2 decades. I believe they have taste and judgement. Congratulations, on making me question this.

1. Why and how are you a guest on a RST debate?
2. Why did you choose your background image to be of the Tardis?
3. What possessed you to wear a Lemmy from Motorhead t-shirt?
4. Why do you look so distracted throughout the conversation?

Then you talk in a way I found myself nodding in agreement too. I am confused. I demand answers.

He then pointed me to a link on Youtube where said ‘debate’ was on.

Of course I remember it.

Not just because I thought it was weird I’d been asked to appear, but because it happened on my final day at R/GA … which just made the whole thing even more surreal. [Which is likely why I looked distracted, though I assure you, I wasn’t]

That said, I didn’t know it had been posted to Youtube.

But given it only has 92 views after 18+ months – and 1 of those was mine – it seems far more impressive my friend found it than the fact I was on it.

In fact the the only thing more surprising than that is that someone who has known me for at least 25 years, is shocked I’m wearing a dodgy t-shirt and have a messed-up background … especially as that’s me trying to look more professional than I usually am.



If You Don’t Have Trust You Don’t Have Anything …

Recently there has been a number of cases where we’ve sadly seen companies take creative ideas from one agency and have them made, without acknowledging the original creator, by someone else.

We saw it with the Coinbase Superbowl spot and I saw it with an ex-client of mine.

What is especially amusing is that when these people are called out, their first inclination is to try and bluff it out … despite you being able to prove it was your work thanks to specific dates, presentation materials and information about who was in attendance.

In my case, the individual in question literally asked “what’s your problem?”

With a comment like that, they were either being deliberately ignorant or, well you get it …

So we launched legal action against them.

At the time, some said this was sour grapes.

That we were being petty and alienating future business as it would make companies want to keep away from us.

But they were wrong.

Because this was never about the specific piece of work they took from us had gave to someone else – while not paying or acknowledge us for the origination, it was about respecting relationships and valuing what you do.

It’s fine to have differences of opinion.

It’s fine to realise a relationship – regardless how long and fruitful it has been – should end.

But that doesn’t mean you can act like the relationship never happened and you can do whatever you want with the things you did together.

Creativity is hard enough without all the commercial obstacles it needs us to jump over.

Brand assets.
Processes.
Eco-systems.
Appropriation.
Corporate politics.
Pre-testing.
Post-testing.
Measurement criteria.
Short timelines.

The last thing the industry needs is to have to start worrying about the integrity of the people you’re working with/for … which is why we took legal action, because our view was if we didn’t, we would be complicit to it when it happens again in the future.

Maybe not to us. But to someone.

And for the record, while they didn’t let it go to court, we were recompensed fully and it never did us any harm in winning other business. Quite the opposite in fact.

Now doing this doesn’t mean you have to it with public fanfare and maximum embarrassment, we didn’t – though I should point out I think what Kristen did with CoinBase was both brilliant and utterly justified – but it also doesn’t mean you should just forget about it and put it down to ‘experience’.

Whatever way you look at it, this is NOT how business works and nor should it.

Look, we all make mistakes.

Some can be bloody massive ones.

Hell, I’ve made bloody millions.

But how you deal with those reveals who you really are and sadly, the industry is seeing quite a few people who don’t seem to believe this sort of behaviour is in any way wrong.

Sure this attitude might work for them in the short term.

Sure they can try and deflect and deny blame for as long as they like.

But while I was going to end this post about the more transparent the relationship, the better the work … I decided it would be better to end with two [paraphrased] pieces of advice I got from Dave Luhr, the now retired Chief Operating officer of Wieden+Kennedy.

For those people who know who I’m talking about, you will hopefully hear his voice as you read it … though in conversations with me, he would always start with “Campbell …”

“Anyone who thinks they were successful by themselves is an asshole”.

“No one does their best work for assholes”.