The Musings Of An Opinionated Sod [Help Me Grow!]


If Everything Is An Experience, You Better Make Yours Great …

I’ve written a lot about experience in the past.

How important it is.

How it can drive brand value and growth.

How it can create distinction and differentiation in crowded categories.

I’ve also talked about how badly so much of it is done.

That it’s more about consistency than excellence.

That it isn’t a new approach, just a new profit centre.

That many aspire to everything average than some things spectacular.

It blows my mind what some agencies and companies think is ‘an experience’.

Especially when you compare it to people who genuinely ‘get it’.

Whether it’s certain luxury brands or my client, SKP-S in Beijing.

Which is why I love the picture at the top of this page.

At the time, the person on the runway was 62 years old.

SIXTY TWO.

This was taken on the first of 3 nights of performing to 68,000 paying people.

So over 200,000 in total.

In South America.

Think about that for a second.

OK, so the person in question is Brian Johnson … lead singer of rock band AC/DC.

But let’s also remember we’re talking about a group of pensioners.

Literally.

Yes, I appreciate there are all-sorts of factors/considerations/contexts/excuses you could use to explain why they can achieve that sort of response when brands – with all their experience models and big budgets – can’t.

But the one thing AC/DC understand is if you want to keep people coming back, you need to focus on creating a seminal moment for your audience not average consistency.

It’s why I always ask ‘experience strategists’ about their life rather than just their work. I want to know what their frame of references are for experience. Because frankly – and I appreciate I’m being a massive snob here – if it doesn’t include festivals, theatre, art, music, retail, museums … then I don’t know if we’re ever going to share the same ambitions.

Because while I appreciate ‘average but consistent’ has value to some organisations, I would rather drink bleach than advocate that as a brand goal.

Not simply because I have an aversion to average.

But because when you do experience right – which means knowing who you are and who your customers are – the profits extrapolate. See, I’m not totally selfish.



Paint Pictures, Not Instructions …

I like quotes.

Always have.

I like them because they often frame something in a way that sets my brain on another track.

It’s why I enjoyed the Rules Of Rubin series I did a while back. And while that was for a specific work-related reason, I came out of it with far more than I imagined.

Recently I had another one of those quotes, not by Rubin but by Paracelsus … a Swiss physician who was a pioneer in many areas of the medical revolution’ during the Renaissance.

It’s that one at the top of this post.

Yes, I know what it is saying is obvious.

Let’s be honest, the phrase ‘everything in moderation’ has been around for decades, but there’s something about this that just has more bite.

Maybe it’s the use of the word poison.

Maybe it’s the way it doesn’t define any specific thing as bad.

Maybe it’s the way it doesn’t feel condescending or judgemental.

But it set my mind whirring far more than using words like ‘moderation’ and I would imagine it would do the same to any creative having to work with such a brief.

Quotes have a wonderful way of doing that.

They’re far more valuable to provoke different ways of thinking than filling in a creative brief with the answer you want the creatives to execute rather than giving them the problem you want their brains to explore and resolve.

We’re in danger of only valuing literal thinking rather than lateral … and that’s what I love about quotes. They challenge how you think … make you take some leaps, look in some new corners, explore what you think is possible … but never adding pressure on what or where you go with them.

I have always had a hard time writing briefs.

I place so much pressure on myself to get to something intriguing and interesting that I end up writing 7 or 8 different versions – all with different possibilities – so I and the team – can have a real chat about where our energy is at.

I think my record is something like 14 odd for Spotify.

And that’s before we even start on all the other briefs that come from it.

I still do that, but what’s helped my sanity is starting with a bunch of quotes or poems or song lyrics. Stuff related to the issue without being obviously directly about it.

It’s such a great time saver to open discussion.

Like the brief before the brief.

The opportunity to work out what excites you about a possibility without getting too lost in the detail of the possibility. At least initially.

So next time you’re stuck on where you should go, don’t start filling in the brief boxes in the hope the answer will present itself [it never does] … fill up the walls with stuff that opens things up before you start closing things down.

Because the best briefs are not a flow of logic, but a story of adventure.



Putting The Con In Icon …

I’ve talked a lot about how the industry loves to talk about innovation when what they actually mean is evolution.

Hell, sometimes it’s not even that … sometimes it’s just a new name for an old thought process or discipline that was expressed as part of what people always did rather than split out in an attempt to make more money or gain more influence.

I once said to the wonderful Martin Weigel that I am pretty certain marketing is the only industry that would make a paper plane and claim they invented flight.

Now that doesn’t mean people aren’t adding to what is being done … or bringing new thinking and craft to it … or finding new ways to incorporate it into work … but it does mean they’re trying to maybe ‘own’ too much of the narrative of the discipline. Suggesting they’re inventors when they’re actually craftspeople. Valuing ‘theory’ rather than actually making something truly interesting with it.

Now there’s many possible reasons for this.

+ We’re in marketing and so they’re marketing themselves.

+ Being a craftsperson has lost the value it deserves.

+ It’s cheaper to badge than to actually create.

+ People don’t know their history.

Now I’m sure I’m going to be accused of being a prick … an old, condescending prick. And maybe I am. But I am also not claiming I’ve invented anything and I’m just pointing out neither has many of the people who do.

And there’s nothing wrong with not inventing something … because doing your job really well is something worth celebrating, especially when you see what passes for ‘good’ in so much of what is put out these days.

But it appears the allure of pioneer is infectious these days.

Case in point is the talk around eco-systems, flywheels, multi-platform DTC/e-comm and the like. Yes, it’s amazing. Yes, it driving new ways for brands to behave and earn. Yes, technology has allowed this to be done in more powerful and profound ways. But in many cases, it’s not revolution, it’s not really even innovation … it’s evolution.

And why do I say that? Have a look at this.

That is from 1957.

NINETEEN FIFTY SEVEN.

It’s Walt Disney’s ecosystem/flywheel/multi-platform DTC, e-comm [without the e] for the Disney corporation.

The blueprint for how he would use creativity to fuel his business in ways where every division is helping another division.

And while modern expressions of this have evolved and added more nuance, it’s not miles off, which is why whether you like/hate/respect/loathe him or the Disney Company, that’s pretty progressive thinking.

Or it was in 1957. in 2021 maybe not so much.

[Though, being honest, it probably is – which is even more worrying]

And yet we read so much from people acting like Walt Disney … except they’re not building their own brand, they’re selling their concept to build your own brand.

As I said, there’s nothing wrong with that.

Fuck, there’s a lot of value and money in that.

It’s genuinely exciting when you see someone identify opportunities in old approaches and habits that millions have missed. And for that, you should absolutely be using it to build a platform for your future success, growth and change.

I am literally cheering from the sidelines. All I ask is you please don’t act like you have invented flight when you’ve actually made a more efficient and effective paper plane. Not because I’m a bitter bastard – OK, let’s not go there – but because the future of this industry requires bigger leaps not better wrapping paper and the more we manage up our abilities, the more we lower the reality of our potential.

Christ, that’s a heavy post for a Monday isn’t it.

Given I know what the rest of the week has in store, it gets worse. Eek.



If You Don’t Know The Nuance, You Only Know The Cliche’s.


A client recently told me a story of a very successful client he worked with.

Apparently this person was a lover of cars and owned Ferrari’s and Rolls Royce’s.

My client asked him what the difference was between them.

Expecting some conversation about performance or comfort, he was surprised when he heard:

“When I pull into a hotel in my Ferrari, I’m treated like I’ve booked the Penthouse Suite. But when I pull up in my Rolls, I’m treated like I own the hotel”.

I really like that.

I like it for a whole host of reasons.

But the main one is the clarity in differentiating ‘success’.

So often, as an industry, we define things in absolute terms.

Good. Bad. Rich. Poor. Success, Failure.

But as with all things in life, there’s nuance and texture in there if you look closer.

Which is why planning – despite all the information that is now available to us – is still an outdoor job.

Going out to talk to people.
Listening to different viewpoints.
Watching how different groups react to different situations.

It’s not a ‘day out’. It’s not ‘superficial fluff’.

It’s the difference between doing work for people or about people.

I’ve banged on about the importance of resonance over relevance for years, but it’s never been so important … because with so much choice of who we can give our attention to, if we want to stand any chance of having people give a modicum of a shit about us and what we do/think, then we better be speaking their language and context rather than the language and context we think – or want – them to speak.

[A classic of utter bollocks is still the Gerard Butler, ‘Man of Today’ ad for BOSS. You can read the post I wrote here and see the ad it is referring to, here]

If the people behind the brilliant TV show, Succession, can talk to billionaires to ensure everything on the show reflects how the super rich spend their money – and how they act because of it, ie: they never bend their head down when entering or existing a helicopter because they travel by them so much, they know exactly where the propeller is in relation to their height – then surely we can go and spend some time with people to see what they do and hear how they think about brushing their bloody teeth or something equally inane.

If we want to get back to being valuable to clients, we’d go a long way towards that by stopping with audience generalisations – of which I am absolutely including broad – or even narrow – Lifestage segmentation – and knowing the real nuances.



We Live In An Upside Down World …

A while back I was interviewed by Bloomberg Business Week.

I know … what the fuck eh?

And more amazingly, it’s not the first time.

OK, so it has taken them 5 years to forget what a stupid mistake they made the first time, but they asked me what I felt was wrong with modern marketing.

I thought about it for a while.

Let’s be honest, there’s many things I could say … but after a while, I felt I had it worked out.

It’s the image at the top of this post.

Too many clients saying no to good ideas and too many agencies saying yes to bad ones.

There are many reasons for this but underpinning them all is a lack of trust and a blind belief in formats and processes.

Or said another way: Ego and confidence.

Either too much of it or not enough.

Of course, people will say adland have got what they deserved.

That they were indulgent and never cared about their clients business.

Which is – frankly – bullshit.

Not just because that abdicates any responsibility of the clients who hired the agency … gave the brief … and approved the work, but also because I’ve never known an agency who do not give a shit about their clients achieving success.

However somewhere along the line, things have changed 180 degrees and now we’re in this weird situation where everything is upside down … with the great irony being in this new world order of marketing, we’re making less work that is impacting cultures attitudes and behaviour and building fewer brands people give a shit about.

And yet despite this, both parties are carrying on, reframing the situation so they can both feel they’re doing the right thing.

It’s a bit like this scene in Spinal Tap where the bands manager attempts to reframe why they’re playing to 1500 seat theatres when on their previous tour, they were playing to 15,000 people in arenas.

Now please don’t mistake this as a ‘poor agency’ post.

Nor a ‘clients are evil’ bitchfest.

All I am saying is the best work and results always come from parties who trust each other, are open and honest with each other and want/value the same thing.

It’s truly that simple.

It’s why, for example, the Wieden and Nike relationship has not only stood the test of time, but has also consistently made great work.

That doesn’t mean there’s not debate, discussion and, at times, bloody arguments [for example the 3+ years I took the same idea into the same client every month to try and get them to say yes because I thought they were missing a massive opportunity] … but it does mean the conversations are about how to make the best work, not the easiest.

And while that is a rare relationship with a rare body of work, the principles of getting to that position are not that difficult.

However today, we seem to be seeing more and more clients choosing agencies on complicity rather than creativity. Dictating what they want and how they want it rather than identifying problems they want their agency to solve in interesting ways.

They may not realise they’re doing that, they may not want to do that … but they’re doing that, reinforced by countless ‘guru’ dot-to-dot strategies that seem designed to build the guru’s business than the clients who follow it.

What this has resulted in is an attitude where some clients think any agency who has a different – but informed – point of view is out to rip them off, which is hilarious given thinking differently is literally why you hire an agency.

The whole situation is horrible.

No one wins

No relationships gets built.

Instead we have clients using processes and procurement to dictate and control what they want and we get agencies fighting for the chance to do it, because they’ve sold the value of creativity so far down the river, that the only thing they can offer is speed.

What a waste of opportunity, potential and talent on all sides.

Thank god not everyone is like this.

Thank god there’s people, companies and agency relationships who demonstrate what you can achieve together when you trust each other. When you want the best for each other. When you are transparent and honest with each other.

Enough to say yes when it’s easier to say no.

And no, when it’s easier to say yes.