The Musings Of An Opinionated Sod [Help Me Grow!]


Collabs Are Becoming A Circle Jerk …

Before I start, I’ve been a huge fan of collabs over the years. Seeing what happens when two different artists or brands or artists and brands come together has been fascinating.

And for every terrible LG x Prada phone, there’s a Nike x Ben & Jerry’s sneaker.

But … but … it feels we’ve moved from collab to labelling.

Where it isn’t about what two parties can create with each other, but just renting space for another brand to slap their logo on.

Take these Travis Scott x Playstation x Nike sneakers …

Jesus Christ.

Where the Ben & Jerry’s felt crafted and cared for this is just … well, put it this way, it feels more like a bad promotional item than something that represents a true collab.

And the thing is, this approach is happening more and more – across all manner of categories – which is why I kinda love what Nobuaki Kurokawa has done with their first product launch from their CUGGL label.

Let’s be honest, they’re taking the piss.

Like, blatantly and unashamedly.

Not only does it look like it say’s Gucci, by making the design resemble graffiti, it feels like they’re also sticking two fingers up at the terrible and contrived Gucci/Balenciaga collab.

The Gucci x Belenciaga is especially horrific because individually, they’ve not really laid a foot wrong in building the value and position in culture of their brands. And then they do this.

Lazy.

Fake.

Obvious.

Out-of-date.

Dad at the disco rubbish.

Basically, the fashion industry version of this.

Which is why I like what CUGGL have done so much.

Punking the brands pretending to be punking fashion.

Of course, Diesel did something like that before – though their mischievous eye was aimed at the counterfeit industry [even though it kinda said ‘fakes may be real’, which is the last thing they needed to do] however in terms of greatest accolade for mischief, that prize should have gone to the band Blink 182.

I say ‘should have’ because they ended up pulling out of potentially the greatest burn ever.

In the early 2000’s, Axl Rose was making a new Guns’ n’ Roses album.

It was unique because the only original member of the band was Axl himself.

He had fired all the band and was basically at his most indulgent ego best.

The only thing he’d announced was the album was going to be called ‘The Chinese Democracy’.

For years and years nothing came out.

The album postponed time and time again.

At one point, his record label, Geffen, pulled funding … and yet the recording still went on.

Enter Blink 182.

They announce they were recording a new album and guess what they were going to call it …

That’s right, The Chinese Democracy.

Better yet, because Axl was taking so long to release his version – they could be sure they’d be first, so history would always make it look that Guns n’ Roses copied Blink 182.

Alas they went cowardly on the idea, which is a shame … because that would have set a benchmark CUGGL and Diesel could only dream of reaching.

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The Fine Line Between Evil And Genius Media Planning …

A few weeks ago I saw something on twitter that has deeply conflicted me.

It was this …

That’s right, they’re lawn bowl mats … sponsored by Co-op Funerals.

Now I don’t know much about bowls.

I know they attract a much broader age of ‘player’ these days, but I’m still pretty sure the majority still are of the more elderly variety.

And given I’m 52, we’re talking proper old.

I could be wrong.

But given someone thought it was a good idea for Co-op funerals to sponsor the mat, it seems I may not be. And this is what has had me conflicted for weeks.

On one hand, it’s just fucking genius isn’t it.

Old people.
Funerals.
Chance to make arrangements before someone else has to.

But it’s also just a bit evil, isn’t it?

Old people.
Out enjoying themselves.
Message to remind them of their impending demise.

If I allowed comments, this is the sort of post where I know they would come into their own. But I don’t … which means I’ll be getting extra emails of commentary and abuse from the same people who used to do that on here.

And I don’t mind admitting I’m quite excited about that, And quite interested in what they’ll say.

Because I have the sneaky suspicion they may think it’s clever.

And that old people may find it both slightly amusing and kinda useful.

And that by doing something like this, it becomes a social media campaign by fact of it being infinitely shareable.

Or … they may say no one will give a shit because all it will be to them is a free mat so they can rest their knee as they try to destroy that prick from up the road who always seems to win.

But to whoever did this, I admire both your smarts and your mischief … because I haven’t seen something so perfect since [I think] Naked got their client – cheap meat in a can maker – Fray Bentos to sponsor some local Darts Players.

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The Exclusivity Of Commercial Seriousness …

I have always found it rather amusing that occasionally the industry press has shown an interest in what I’m doing – or done.

Even now, my first reaction is, “don’t you mean the other Rob Campbell, who started RKCR Y&R?”

And while occasionally the answer is, “yes, we do mean him” … I have approached any interaction with my tongue, generally in my cheek.

Hence I’ve said if I was a Star Wars character, I’d be Darth Vader.

I’ve felt fine writing sarcastic responses to discipline assassination.

And I showed no shame saying the word ‘wank’ in response to a new business win.

To be fair, Campaign Magazine – where a lot of this madness took part – played their part in the relationship by running pieces questioning if my wife was real and if I was having an affair with a reindeer.

I say all this because a friend sent me something he had just found in an old edition of Campaign in Asia …

Apart from the fact that I was at Y&R Asia 16 years ago, so I’m wondering why on earth anyone would keep a copy of Campaign that long … it did make me smile.

Yes, I used to use the word ‘toptastic’ a lot.

A. LOT.

And yes, I can absolutely see myself saying that, even though I LOVED Mediaworks and would do it again in a heartbeat.

But more than that – and I appreciate how egotistical this makes me sound – it was nice to see a bit of humour in an industry that is quickly going up its own arse.

Yes, what we do is important.

Yes, we need companies to recognise we care about their longterm wellbeing.

But for an industry that is supposed to understand how to connect commerce to culture … this overly serious, overly complex, overly monotone approach to all we do isn’t helping.

I’m not suggesting we shouldn’t take what we do seriously, but maybe if we stopped taking ourselves so seriously – so we can resonate with culture rather than patronise them – we may end up with better work and better results.

And by god, could we do with that.

Though I appreciate this may simply be my attempt to reframe my industry ridiculousness as professional, so should Otis ever see it, he won’t think his Dad was a total lunatic.

Maybe.

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National holiday on Monday, so see you Tuesday. That is if anyone reads this blog anymore – I have no idea. [Which is probably a very good thing, ha]

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The First Is Always Misunderstood …

The photo above was taken by me in June 2006.

So sixteen years ago.

I found it recently in my flickr file.

I don’t know if I ever used it for a post.

I’m not sure where I took it – though I assume Singapore airport.

But I bet you I captured it because I found it weird to see someone playing games.
On their computer.
At the airport.

Remember, 2006 is way before the very first iPhone.

Youtube, Twitter, Facebook and Google Earth had only just started.

Shakira was number 1 with ‘Hips Don’t Lie’ and the first Cars movie had just hit the cinema.

And while gaming was huge – and handheld systems had been around for years – the idea of someone playing on their computer – at an airport – was obviously strange enough for me to take a photo.

But would we think that now?

Well, maybe the idea of needing a big-ass laptop to do it may still be considered strange – for totally different reasons than it was in 2006 – but the idea of someone gaming at an airport at all times of day wouldn’t cause a blink of an eye.

And here’s the point.

We – as an industry – are quick to kill new.

We write off different without any hesitation.

Believing if it makes no sense to us, it can’t make sense to anyone. Like we’re the fucking gods of everything.

And yet history has repeatedly shown new needs time.

Time to grow. Time to find its place. Time to find its energy.

From Apple computers to the internet to electric cars to gaming culture.

And while sometimes it may burn out, it’s worth remembering what a Fast Company journalist once said about reviewing tech.

“The biggest mistake is reviewing new tech against established tech. It will never win that because it’s not trying to be that”.

Which is why when you see new habits, beliefs or trends emerge that make little sense to you, it may be worth remembering before you pass judgement that it’s not them who have got it wrong, it’s possibly you who has misunderstood.

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It’s Not A Reissue, It’s Vintage New …

I bloody love this idea.

If they ever get round to reissuing the movie, I really hope they do it.

Hell, I’d even happily pay to help justify the joke. But I’m strange like that.

That said, I’m surprised Hollywood hadn’t thought of doing this before.

Let’s be honest, their current business plan appears to be ‘remake once popular movies [and some, not so popular] rather than investing in new ideas’. So reissuing the brilliant Groundhog Day but calling it a sequel, sounds like their Holy Grail.

Either way, it would be a brilliant example of how to use a brand idea … because for all the claims out there from agencies and brands about creating ‘big, sustainable, long-term brand platforms, we don’t see that nearly as much as we could. Or should.

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