Filed under: A Bit Of Inspiration, Agency Culture, Attitude & Aptitude, Comment, Creative Development, Creativity, Culture, Insight, Perspective, Planners, Planners Making A Complete Tit Of Themselves And Bless, Planning, Relevance, Resonance
I know ‘insights’ aren’t in vogue these days – but I am still a massive believer in them.
Sure, I don’t think there’s ever a ‘one insight fits all’ solution and I appreciate that what many people/companies pass as an insight is anything but … however to dismiss them out of hand seems idiotic, especially when you see what people are using in their place.
Observations.
Generalisations.
Global human truths.
Of course, there are other ways you can understand the issues and viewpoints society has towards issues and categories [which I am also a massive fan of] but the power of insights is that it gives you understanding WHY people do things not just WHAT they do and used correctly, can open up opportunities and possibilities that would otherwise never see the light of day.
I say this because I recently saw something that made me smile for the sheer truth of it …
I mean, for something we all do, it is amazing how we all have a relationship with our own toilet seats. Of course it has a lot to do with it being located in an environment that is ours – one we only share with those we know and/or are related to – but the ‘pull’ of doing our business on our own seat is something many will relate to.
But what I particularly like in that definition is the word ‘trust’.
The idea our bums have to trust ‘the seat’ is fascinating to me …
Raising all manner of issues from hygiene to history to relationships and god knows what else.
That’s not just insightful, it ignites a whole lot of ideas that could work for all manner of brands and products … an insight that elevates how you see what you can be, not just what you do. A way to connect and engage with people rather than just be about them.
Oh, I know what some people would say about this:
“But if this could be used for a range of products, it means it’s not unique to a particular brand … plus it’s hardly positive, so it’s unappealing for use”.
And to them, I’d say they don’t understand creativity … because putting aside the fact this isn’t ‘unappealing’, even if it was it wouldn’t mean the work would be, because insights are there to allow the work to take lateral leaps not be literal expressions of it.
But that’s where we are these days.
Which is why companies want insights that are directly linked to their specific brand/product rather than the audiences and contexts they deal in … even though [1] rarely do they actually exist and [2] if they do, they’re boring or lacking any motivational appeal.
As I’ve said many times, my problem with the industry is we’re more focused on the process than what the process is meant to serve. Obsessed with saying what we want people to think is important than saying what people find important. Obsessed with pleasing our bosses than our audiences.
Which is why one of the most important lessons all agencies and client should embrace is something Mr Martin Weigel said about 10,000 years ago …
“You can be relevant as hell and still be boring as fuck.”
Don’t blame insights. Blame what people think is an insight.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Communication Strategy, Creative Brief, Creative Development, Creativity, Culture
One thing I love is working with creatives who – during a review – looks at the nuance of the idea, not just the excitement of it.
I don’t mean getting lost in the details … I mean understanding what the actual idea is behind the thought and seeing how it all works together.
Of course, knowing when to do this is important.
Too early and it kills the creative journey of exploration.
Too late and it just fucks and undermines everyone involved.
But done properly doesn’t just mean you gain clarity on what the actual idea is … but it highlights the nuances make the idea work so it can be pushed and elevated in ways that allow it to be consistent without ever being boring.
To be honest, it shocks me how little this stuff is talked about …
For all the talk of ‘brand’, it’s amazing how many people equate that to simply repeating a tagline a colour or a set of ‘brand assets’ without realizing the work they’re producing is slowly but surely moving further and further away from the premise of what the creative idea was built on or what the brand stands for.
What really brought this home was a post by the brilliant Trevor Beattie.
For those who don’t know who Trevor is, please go learn your creative history.
For those who do, you’ll appreciate why this is so good.
How good is that?
I particularly love how concise and articulate Trevor is in identifying the heart of the Specsavers idea.
“The comedic potential of not seeing clearly enough”
Clear. Definitive. Focused.
Opening creative possibilities without falling into creative ambiguities.
And then there’s the fact it’s delivered with such brevity.
No rambling. No ambiguity. A demonstration of someone who can see past the flash and see the core. Affording them the ability to give proper feedback … feedback that changes how people see the work and how they can improve it.
Simple. Valuable. Powerful.
Which – based on a lot of the work I see out there in the world – seems to be a dying art … lost to a sea of concepts without consideration or pithy headlines over random images. Or – as Trevor’s feedback also highlights – people interpreting ideas without ever really understanding them or giving them proper consideration so they end up dumbing it down and taking it to somewhere else. And while Trevor politely suggests that in the case of Specsavers, its a strategic pivot [laughing at stupid people] it’s probably more likely laziness, convenience and a lack of craft.
When we’re good our industry is a total fucking force … an infectious, impossible-to-ignore, emotion pleasure machine … but when we’re bad, we’re cheap wallpaper.
But while we have to take a lot of the blame, it’s not entirely our fault.
A lot of clients need to take responsibility for their contribution to this situation.
A situation that undermines their potential with all their mandates and demands.
Demanding simplistic and tactical than distinctive and definitive and caring more about what is said rather than what their audience will embrace and connect to.
If we think craft is dying in our industry, so is the understanding of what it means.
Too many dismiss it as time consuming or expensive.
An outdated concept from a time where advertising was a broadcast only medium.
But those people are wrong.
Because craft isn’t limited to execution, but in the nuance.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Brand, Confidence, Creativity, Culture, Emotion, Fashion, Fragrance, Luxury, Planning, Smell
A while back I wrote a post about the naming strategies of fragrance brands.
Or should I say the lack of them.
It wasn’t a dig, it was almost fawning respect for their complete disregard for logic and their blind commitment to visceral inducing, imagination.
To be honest, the self-awareness is inspiring.
An acknowledgement that in the big scheme of things, their product is kind-of ridiculous and so by embracing that, they can go wherever they want with their naming approach … which is how we end up with Tom Ford’s Noir Extreme … because in the business of smell, the darkness of ‘noir’ just isn’t dark enough.
However in their ‘anything goes’ mentality, they may just gone a bit too errrrrm, mental.
Have a look at this …
Vanilla Sex.
VANILLA FUCKING SEX!!!???
Jesus bloody Christ … they may as well call it, ‘Excel Spreadsheet’.
Now while I appreciate sex is seemingly going out of fashion, I’m not sure a scent that conveys ‘the most average 3 minutes of your life’ ignites aspiration.
Even among Monks or Nuns.
Or Billy. Hahaha.
For a category that loves to communicate its power of seduction, attraction, expression or self-confidence, Vanilla Sex pours a big bucket of cold water over all that and instead celebrates the idea of feeling like you’ve been fucked by a Tax Accountant from Slough.
At 3:17pm.
On a cold Tuesday.
In a Travel Lodge.
Located on the side of a Motorway service station.
It’s so utterly bonkers I don’t know if it is an act of brilliance, madness or just a desire to just see what they can get away with.
Or maybe it’s just proof they don’t give a damn because by the same token, they also have this …
It’s all kinds of amazing.
A case study for the power of strategy to take brands to places never imagined or, by the same token, proof this strategy stuff is all fucking nonsense because even when you ignore – and break – every rule of it, you can still be wildly successful.
But as amazing as all this is, it’s still not as amazing as the thought that two people could meet one day with one smelling like Vanilla Sex and the other being Fucking Fabulous.
Filed under: A Bit Of Inspiration, Attitude & Aptitude, Brand, Cannes, Colenso, Creative Development, Creativity, Culture, Distinction, Effectiveness, Entertainment, Martin Weigel, Mischief, Paula, Planners, Planning, Relevance, Resonance
Systems.
Processes.
Models.
Theories.
We’re surrounded with ways to do stuff and yet it feels we’re surrounded by more boring stuff than ever before.
By boring, I mean derivative.
A production line of repetition, albeit with different brand names emblazoned on the front.
I’ve said this before, but while a process is important … when we place more emphasis on that, than what it produces – or what we want it to produce – then we’ve got our shit the wrong way round.
It’s why I’ve also talked about the commercial effectiveness of creative ridiculousness.
A way to make an impact by the simple nature of not following the same patterns and processes of everything that has come before.
I don’t mean in terms of ‘differentiation’ [which is still based on using category norms] but – to steal from TBWA mainly because I don’t see them doing it much anymore – disruption.
Which is my way of saying why I love this …
Yes, it’s got cats on it.
And yes it says it will let me talk to them.
But even I know it’s not true … and yet I bought it and paid a premium for it, which is more than I would ever do for any other form of gum.
Fuck, I don’t even buy gum normally which reminds me of this post back in 2007 that reinforces the power of packaging.
Planning is important.
It has a real role to play for business and creativity.
But when that role ends up being shaped exclusively by the rules of the category, the competition and the ‘average consumer’ … then we’re not moving our brands forward, we’re in danger of cementing them where they are.
Of course I appreciate the difference between a novelty candy and a major brand with global distribution … but the premise remains the same.
If you let your blinkers only allow logic to influence your choices, you’re not liberating opportunities … you’re stifling it. Or – as Martin, Paula and I said at last year at Cannes – you’re being strategically constipated and only imagination can be your laxative.
Filed under: A Bit Of Inspiration, Advertising, Attitude & Aptitude, Authenticity, Comment, Creativity, Culture, Insight
A few years ago, the APG asked me to do a presentation about how to get to interesting work and I summed it up by saying, ‘live an interesting life’.
While I appreciate that is a relatively superficial answer, there’s truth in it.
Put simply, what you find interesting is directly related to the experiences you have and the people you meet. The more experiences – and people – you have, the more interesting the possibilities.
But when I look around, it can feel like a cultural echo chamber.
Everyone reading the same things. Following the same people. Commenting on the same issues.
Sometimes I wonder if people even look at life outside of work. Hell, there were people over the festive season who used social media to only talk about ‘ad issues’.
WHAT THE FUCK?
Look, I get strategy means everything can have some sort of professional value … but there’s a big difference between looking at life with ‘professional blinkers’ and just doing shit for the sheer curiosity and interest of it.
It’s why I think there’s huge value in the messy stuff.
The weird … the strange … the ‘makes no sense’ …
That’s where you find the new and the different.
That’s where you gain understanding rather than answers.
That’s where you learn about people not ‘consumers’.
Of course it’s rare these days.
Now everyone is looking for short-cuts.
From online surveys to AI driven chat bots.
Optimise … maximise … squeeze every inch of efficiency out of what you’re doing.
And while some of that has value, it’s no where near as good as running with reality.
It’s why Wieden – despite being all about the work – has always been so good at strategy.
Because they celebrate those who are more than just professionally curious, but culturally.
The people who have a hunger and desire to get ‘in it’.
To get messy and lost in the opinions, behaviours, actions, viewpoints and nuance of the communities and subcultures they’re exploring and working with. Which is why they value being among them as much as reading every possible book about them.
A commitment to authenticity over advertising.
A commitment to adding to culture not just stealing from it.
A commitment to finding the interesting rather than repeating the tropes.
A commitment to fucking around and finding out rather than playing where you’ve always been.
Sure it takes more work. Sure it takes more time. Sure it probably adds more initial cost.
But putting aside the fact this helps get to better work – that plays to where the culture/subculture is heading rather than where it currently is, or worse, was – there’s the simple fact of doing things right. Because, as my Dad once said to me, if you’re not interested in doing that, then what’s the fucking point of doing it at all?