Yes, this post really is about the movie The Blues Brothers.
The one where paroled convict Jake — and his blood brother Elwood – set out on a mission from God to save the Catholic orphanage in which they were raised, from foreclosure.
Where to achieve their goal, they not only have to reunite their R&B band and organise a concert so they can try to earn the $5,000 needed to pay the orphanage’s tax bill … but also have to navigate around a homicidal mystery woman, a bunch of Neo-Nazis, an entire police department hellbent on stopping them and a Country & Western band.
And yes, I am really saying we should be like them.
However this is not because I am advocating violence against authority [ahem], or even a return to the true definition of rhythm and blues [versus the sanitised version being flogged by record companies left, right and centre] but because of how Dan Aykroyd – the writer and actor of the movie – ensured the creative value of the artists appearing in the film was rewarded rather than exploited.
Music has a long history of exploiting artists.
Where their talent is used to fund the lifestyles of everyone other than themselves.
It’s been going on for decades and affected everyone – including those who got to ‘the top’ like The Beatles and Elvis Presley [there’s also a great book on how badly Bros got ripped off, which is worth checking out] … however no group of musicians has been as badly affected as black artists.
From not being paid to not being played … black artists has consistently been exploited and abused by white music industry leaders, from record companies to MTV.
To give you an idea of it, here’s a clip of David Bowie challenging MTV about their lack of black artists on the channel …
Bowie, as usual, was right.
Recently I watched a documentary where legendary musician, Herbie Hancock, talked about his iconic Rockit video and how they purposefully created something that didn’t really show his face to ensure MTV would play it in heavy rotation.
THIS IS NOT A LONG TIME AGO!!!
And while you may think the music business is now dominated with black artists, the reality is they are still getting screwed by organisations who want to profit from their talent.
Which leads me back to the Blues Brothers.
You see this movie was dominated by African American musicians – and while many studios would try and underpay them by saying the worldwide exposure they’d gain is commercially valuable to them, Dan Aykroyd did something else.
That’s right, he let them keep their publishing rights.
Which means every time a song or the movie was played, the artists behind the music would get paid.
Not the studio.
Not the writer.
Not the networks.
But the artists.
What’s sick is that 40 years later, this act by Dan Aykroyd and John Belushi is still rare.
Since then, we have consistently seen people of colour have their creativity exploited and profited from by others.
Whether that is through acts of cultural appropriation to corporate intimidation to down right theft.
Frankly, nothing highlights this more than the plight of Dapper Dan and his store in Harlem during the 80’s and 90’s. Here was an individual who created fashion that changed and impacted culture on an almost unprecedented scale … and yet he faced a constant barrage of abuse, exploitation and theft from organisations who appreciated his talent but just didn’t want to pay for it or acknowledge it.
Given black culture is the driving force of almost all youth culture around the World, it is disgusting how little of the money it helps generate ends up in the pockets of the black community … which is why I suggest another way companies can demonstrate their diversity and inclusion ambitions is to follow the approach of the Blues Brothers.
Kathleen Turner is an actress.In the 80’s, she was hugely successful – but illness, addiction and Hollywood studio’s hatred of women over the age of 30 – all contributed to her falling out of the limelight.
This interview is a few months old, but I recently read it again and I still love it.
Not because she is indiscreet about other actors … though that’s good.
But because of her ability to know who she is that has enabled her to acknowledge her faults, see her strengths and challenge the system.
There’s a bunch of gold in there – from how to deal with others [which is very similar to the advice Tom Hanks gives] through to how to deal with yourself – so whether you know her or not, I am pretty certain you will enjoy the read.
Hey, you might even come away asking yourself some questions about yourself.
It’s a good way to start the week and you can read the interview here.
I bought it because quite frankly, there premise was utterly amazing.
Amputee, John Wood, finds himself in a battle to reclaim his mummified leg from entrepreneur Shannon Whisnant, who found it in a grill that he bought at an auction.
No, it’s not a pisstake, it’s utterly real.
But what follows is an amazing story that deals with issues of love, loss and the quest for meaning in your life.
It’s utterly brilliant and if you can find it, I cannot recommend watching it enough … because apart from it being an amazing story, it is a wonderful reminder of what my parents drummed into me – everyone has a story.
… read the first 2 lines of this article on the 25th anniversary of the brilliant movie, The Commitments.
Scary eh! Almost as scary as the fact The Commitments is 25 years old.
TWENTY FIVE YEARS!!!
Then I remember how good that movie is and realise there won’t be many films made today that I’ll want to see in 25 years time, which helps me feel a teensy bit better about being an old fart. Which is handy, because on top of the first 2 lines of that article making me feel ancient, I’ve been spending the past few months working with Spotify and after every meeting I feel super excited and oh-so-old.
Anyway, for those of you who don’t know what I’m talking about – or just want a dose of nostalgia – cop a load of this:
Filed under: A Bit Of Inspiration, Advertising, Agency Culture, America, Attitude & Aptitude, Audio Visual, Authenticity, Business, Comment, Confidence, Content, Context, Craft, Creative Development, Creativity, Culture, Diversity, Empathy, Entertainment, Equality, Experience, Film, Finance, Friendship, Happiness, History, Loyalty, Management, Music, Relevance, Resonance
Yes, this post really is about the movie The Blues Brothers.
The one where paroled convict Jake — and his blood brother Elwood – set out on a mission from God to save the Catholic orphanage in which they were raised, from foreclosure.
Where to achieve their goal, they not only have to reunite their R&B band and organise a concert so they can try to earn the $5,000 needed to pay the orphanage’s tax bill … but also have to navigate around a homicidal mystery woman, a bunch of Neo-Nazis, an entire police department hellbent on stopping them and a Country & Western band.
And yes, I am really saying we should be like them.
However this is not because I am advocating violence against authority [ahem], or even a return to the true definition of rhythm and blues [versus the sanitised version being flogged by record companies left, right and centre] but because of how Dan Aykroyd – the writer and actor of the movie – ensured the creative value of the artists appearing in the film was rewarded rather than exploited.
Music has a long history of exploiting artists.
Where their talent is used to fund the lifestyles of everyone other than themselves.
It’s been going on for decades and affected everyone – including those who got to ‘the top’ like The Beatles and Elvis Presley [there’s also a great book on how badly Bros got ripped off, which is worth checking out] … however no group of musicians has been as badly affected as black artists.
From not being paid to not being played … black artists has consistently been exploited and abused by white music industry leaders, from record companies to MTV.
To give you an idea of it, here’s a clip of David Bowie challenging MTV about their lack of black artists on the channel …
Bowie, as usual, was right.
Recently I watched a documentary where legendary musician, Herbie Hancock, talked about his iconic Rockit video and how they purposefully created something that didn’t really show his face to ensure MTV would play it in heavy rotation.
THIS IS NOT A LONG TIME AGO!!!
And while you may think the music business is now dominated with black artists, the reality is they are still getting screwed by organisations who want to profit from their talent.
Which leads me back to the Blues Brothers.
You see this movie was dominated by African American musicians – and while many studios would try and underpay them by saying the worldwide exposure they’d gain is commercially valuable to them, Dan Aykroyd did something else.
That’s right, he let them keep their publishing rights.
Which means every time a song or the movie was played, the artists behind the music would get paid.
Not the studio.
Not the writer.
Not the networks.
But the artists.
What’s sick is that 40 years later, this act by Dan Aykroyd and John Belushi is still rare.
Since then, we have consistently seen people of colour have their creativity exploited and profited from by others.
Whether that is through acts of cultural appropriation to corporate intimidation to down right theft.
Frankly, nothing highlights this more than the plight of Dapper Dan and his store in Harlem during the 80’s and 90’s. Here was an individual who created fashion that changed and impacted culture on an almost unprecedented scale … and yet he faced a constant barrage of abuse, exploitation and theft from organisations who appreciated his talent but just didn’t want to pay for it or acknowledge it.
Given black culture is the driving force of almost all youth culture around the World, it is disgusting how little of the money it helps generate ends up in the pockets of the black community … which is why I suggest another way companies can demonstrate their diversity and inclusion ambitions is to follow the approach of the Blues Brothers.
Included.
Represented.
Acknowledged.
Respected.
Paid.
Enabled.
Empowered.