The Musings Of An Opinionated Sod [Help Me Grow!]

What a massive mistake.

Apart from Die Hard, Terminator and Point Break … everything else has been pretty horrific.

Seriously, either we had really, really, really low standards back then, or someone was putting something in the water.

Face/Off, Bad Boys and The Rock are particularly bad.

I LOVED those movies when I was younger. I thought they were amazing … but zoom forward 30 years and you want to scrub your eyes and brain with a wire brush.

It’s not the bad effects – I can understand them being rubbish – it’s everything else.

The lack of subtlety. The horrific dialogue. The insane levels of over-acting.

It is obvious that directors back then thought audiences were as thick as shit because the way they signpost every moment in the movie with overt ‘clues’ is insane.

From clunky dialogue that attempts to explain the implausible, to off-centre camera angles to highlight the ‘bad guy’, to music that blatantly tries to communicate how you’re supposed to feel or what you should be ready to experience.

One of the worst of all the moves I’ve seen recently is the 1991 Julia Roberts movie ‘Sleeping With The Enemy’.

I remembered this movie as one that tackled domestic violence at a time where it was hardly ever discussed.

That might be the only bit of it I remembered correctly.

Quite simply, it’s pants.

Filled with more holes than Edam cheese and more over-acting than an episode of ‘Crossroads’ from the 70/80′ … the only positive elements are the name of the film, Julia Roberts amazing smile and the house that features heavily in it.

What makes it all worse is the trailer doesn’t give any of that away.

I know trailers are designed to do exactly that, but the difference between what they set up and what you get is dramatic.

You see when I watch movies, I have this annoying habit of having to investigate their history while watching it.

The thing that caught my eye when I was watching Sleeping with the Enemy was that house.

Look at it.

So grand. So imposing. So much a symbol of wealth.

And while I saw places like that when I lived in the US, I was surprised to learn it was made just for the movie.

Of course I know this happens, but they tend to be on a set, not on a real beach … but here we were, with that exact situation.

And while it looks the home of the wealthy from the front, when seen from behind – it left a different impression.

That’s right, it looks like the sort of rubbish they used to make on Blue Peter with some cardboard and sticky black plastic.

And while this shouldn’t surprise me, it does highlight how much of life is an illusion.

From the social media we read to the pitches we embark on to the relationships we forge to the jobs we covet.

Of course, not everything or everyone is like this.

Some are like the famous Steve Jobs quote, “paint behind the fence”. … where their standards, values and attitude means they will do things others may not ever know or see, but is important to them as it not only gives them confidence of a job well done but let’s them feel they’re working for a company they can believe in.

However they are sadly the exception, even if they should be everyone’s ambition.

So as we enter 2021 with our hopes and dreams, it may be worth remembering so much of life is like the Sleeping With The Enemy house. Where what we are asked to see is not a true indication of what it going on.

And while that doesn’t mean it’s all bad, it does mean you can go into things with open eyes, you can avoid disappointment, you can set some boundaries, you can identify the real opportunity that will excite you, you can stop feeling bad if you have questions or doubts and you can be OK if you’re not living up to what others claim they’re living up to.