Filed under: A Bit Of Inspiration, Age, Attitude & Aptitude, Birthday, Daddyhood, Jill, Love, Mum & Dad, My Childhood, My Fatherhood
So the emotional rollercoaster of posts for this week continues.
Yesterday was a hate-fest.
Monday was a love-fest.
And today?
Well, today is a sentimental-fest.
And the reason for that is simple … I turn 54 today.
FIFTYFUCKINGFOUR.
By any evaluation, that’s fucking old – especially for someone working in adland – and yet it’s because of adland that I don’t feel my age, as the photo below demonstrates. Kinda.
OK, so there’s times where I most definitely do – a 1000 years old to be precise – but for the vast majority of the time, advertising keeps me young.
I love being surrounded by talented and creative people of all ages and backgrounds.
I love being around the noise and wildness of culture in all its forms.
I love being exposed to ideas untainted by logic or conformity.
I feel lucky to still be doing this and to still be excited by it …
Now of course part of that is because of the people I work for and work with. Or should I say, how the people I work for and accept who I am and the ‘ways’ I approach stuff. I definitely realise not everyone experiences this, but bar a couple of times in my career [and a couple of written warnings] I have. Hell, Metallica’s management even told me I’d proved it wasn’t just Rockstars who were immune to maturity.
I think they probably meant it as an insult, but I said “thank you” which confuses them to this day, hahaha.
But the reality is, as I sit here turning 54, I increasingly appreciate how lucky I am.
Obviously not just in work, but in pretty much every aspect of my life.
Now, contrary to popular belief, I have – and do – work hard for it, but I also accept the benefits I’ve enjoyed are beyond anything I imagined and likely more than I deserve.
But this is where age plays her ‘karma’ card.
You see the older you get, the more aware you are of the time you have left.
I’m not saying I’m going to die tomorrow – in fact, given I’ve lost 40kg in the last 10 months, I’m probably going to live a lot longer than I was this time last year – however I’ve certainly got less years ahead of me than I’ve lived so far, which means I’m forced to accept there will be limits on what I will be able to do-and-try-and-mess-with in the future.
And that’s where aging sucks … because when you’re someone like me – a curious, emotional, excitable, immature, ambitious-as-all-fuck, only child – you find taking no for an answer almost impossible to accept.
But it gets worse [and I’m not talking about the photo below]
You see on top all this, I’m in this wonderfully ridiculous situation where – despite being in my 50’s – I’ve entered an entirely new phase of my creative journey … one where I’m playing in a completely different world of creative possibilities … one filled with a completely different world of creative talent who all have invited me to play with a completely different world of creative expression in a countlessly different and new ways.
Not just on my own, but with them and for them.
I still pinch myself that this is happening because it’s insane.
Fucking insane. But I absolutely love it.
And what is even more insane, is I work for a company – Colenso – who give me the space to go off and do it over and over again.
Who the fuck does that?
Ignoring that the reason why they probably let me do that is because it gets me out of their hair – it means I get to work with a bunch of brilliant people at Colenso creating stuff very few agencies in the World could ever pull off before travelling to different parts of the world to work with a bunch of brilliant artists on projects that every agency in the world wishes they had a chance to work on … let alone pull off.
Does that sound smug?
Too fucking right it does, but do you blame me??? To have this situation at any age would mean you’re winning, but to have this at my age – where things keep getting more interesting and intriguing – is the sort of good news where you would want to smash that person right in the face.
But you don’t have to worry about that because life is doing it for you.
Because everything I’m doing right now, is opening doors to new things I also want to do.
It’s like I’m on a highway where there are endless side roads that all offer to take me to places where there are other new adventures and creative possibilities and frankly, I want to go down each and every one of them to see where they lead. But the reality is I can’t, because not only do I know each one would have their own side roads of opportunity for me to explore, I’M TOO FUCKING OLD TO BE ABLE TO EXPLORE ALL THE ROADS I’M CURRENTLY ON NOW.
Do you have any fucking idea how painful that is for me?
How frustrating that is for me?
It means I have to prioritize and sacrifice and I absolutely suck at that.
Recently I did a stage set design project for a famous musician. They had me work with a famous Broadway set designer and a famous video director.
It was one of the most thrilling, imaginative, informative, expressive and educational projects of my entire career … making me rethink how I saw creativity connecting and engaging people.
I absolutely, fundamentally loved it.
All of it … and want to explore more of it.
But can I? Not really, because I’m working on a bunch of other things I also find fascinating and I don’t want to miss out experiencing that by losing myself in something else.
Am I being greedy, selfish and a bit of a twat?
100%. This is the epitome of ‘first world problems’, but it’s my birthday today so I’ll whine if I want to and you’ll just have to accept it.
But while I know I’m being a spoilt little brat, it does cause me anxiety. I feel time is running out and I’ve finally been given the keys to the gadget shop. In fact the only thing that helps me get a grip is knowing how happy my parents would be knowing I’m in this position.
Not because they want me frustrated but because it means I’m living what they hoped for me:
A life of fulfilment rather than contentment.
I’ve written lot about this over the years but it basically translates to spending more of your time doing things that fill you up rather than empty you out.
To be honest, I didn’t really understand what it meant until I reached my mid 30’s, but now I realise what a gift they gave me in terms of living and evaluating the choices I had for my life. Because rather than defining success simply as salary, job title, possessions or even comfort … they wanted to make sure I knew it was about valuing and respecting the actions and activities that let you feel you’re growing and evolving.
Yes, I know that sounds flowery-as-fuck, but it’s what they believed and nothing proves this more than how my Dad answered this question from me when I asked him why he changed careers – not jobs – so much in his early years.
His response was:
“I love you and your Mum very much, so I better enjoy what I’m doing because nothing would be so disrespectful to you both than being away doing something I hate”
Can you imagine how amazing that made me feel?
How loved?
And while I know he and Mum weren’t able to always live this attitude – especially when the family were facing challenging times – they both fiercely advocated, protected and supported this way of living my life, even though they also wish I had gone into law rather than – at the time – music, followed by advertising, haha.
Which is why I know my parents would be so happy for how I am feeling at 54.
[Not to mention relieved I have somehow managed to have a career … or whatever it is I have]
And while luck has played a massive part in me being able to choose – and live – what my wife calls, ‘the bigger life’, I would be stupid to ignore the influence of my parents and the industry I work in, for helping let this happen.
In fact, in many ways, what my parents and adland [not to mention Jill and the countless bosses, clients and colleagues] have given me is the greatest gift you could ever receive. Even better than the Raleigh Grifter I got when I was 10 – where I fainted in excitement on seeing it – which previously I regarded as the single best present you could ever get.
So while I appreciate no one is going to be ecstatic that they’re turning 54, I can look back on where I’m at and say “I like where I am” and if there’s anything to feel good about being as ancient as I am today, it’s surely that.
The ultimate privilege in fact … one that I am both fully aware of and that I am very clear on how lucky I am to have it. Especially when there are many people – including friends – who can’t feel that way through absolutely no fucking fault of their own.
So with that in mind, I’ll end this post by saying happy birthday to me. It might all fall apart tomorrow, but if it does – I can say it lasted a hell of a lot longer than anyone expected or predicted. And that definitely includes me.
Filed under: A Bit Of Inspiration, Age, Attitude & Aptitude, Bands, Bangkok Shakes, Childhood, Dad, Jill, Mum, Mum & Dad, Music, My Childhood, My Fatherhood, Nottingham, Otis
You know those time capsule things that were all the rage for a while?
Where people bury artefacts from their life with the sole intention that it is dug up 20+ years later for people to marvel at. Or be confused by.
I always liked the idea of it but never got around doing it … mainly because I imagine the outtake is massively underwhelming unless you’re directly attached to it.
Well, I’ve been proved right … but in a way I love and am amazed at.
As many of you know, I was in a band called Bangkok Shakes.
Thee were 2 iterations of the band – with different singers and bass players – with the 2nd version almost becoming something of some note.
Till it didn’t.
Anyway, while I had a huge amount of fun – touring and recording – the fact it all ended when I was 23 or 24 means I only think about it when I occasionally pick up a guitar and play a few of the songs we wrote.
Enter my mate Sam.
I love Sam.
He’s a brilliantly annoying person … and I say that with utter love.
He also buys more ridiculous shit than me, and that’s saying something.
And yet despite his natural tendency for mischief and mayhem, he’s a wonderful, kind and caring human. Or he is until he gets something in his head, and then no one is safe.
Oh the stories I could tell …
In fact, I bet the people at Virgin Broadband are still counting the cost of trying to mess with him because he’s like a crime-fighting cockroach who won’t give up. Or die.
But his behaviour is not always acts of commercial terrorism, as I was soon to discover.
You see one day, he woke up and – for reasons only he will know – I was in his head.
Or specifically, Bangkok Shakes was.
So he decided to go on one of his legendary explorations resulting in me receiving a Whatsapp from him that said, “this is you, isn’t it?” with a link attached.
Ignoring all safety protocol, I found myself on Youtube, staring at this.
This shocked me for 4 very specific reasons.
+ The song it relates to was one I wrote in 1991.
+ It’s a song I didn’t know was anywhere near the internet.
+ It was a very early demo of a song we did, not the final recording.
+ The handwriting on the tape IS MY HANDWRITING. MINE! WTF?!
But wait … there’s more.
You see, I was so shocked that I put a screenshot of the Youtube page on insta regailing the whole story.
Enter Gareth Kay.
Now I love Gareth too.
He’s very different to Sam [thank god, ha] but as wonderful.
Gareth is a music obsessive so imagine my surprise when a day later – after seeing my instagram – he sent me an email with another link in it.
And yes, I pressed it without any consideration of network safety.
Except rather than take me to Youtube, it took me another site altogether … a fan site … a fan site featuring not just the stuff Sam found, but the ENTIRE GROUP OF SONGS FROM THE SESSION WE DID IN 1993.
Not only that, it also showed the inner sleeve of the cassette the demos were in … where I’d carefully written out all the song names and info of the recording. Including the ‘then’ phone number of our drummer, Jason!
Now I was properly flabbergasted.
How?
Why?
Where?
Of course I downloaded the tracks and while they sounded a bit pants – made worse by the recording coming from a tape that was obviously old and a bit screwed up – it was an utterly joyful experience.
A chance to revisit my past.
To be taken back to another time.
Where life was only about excitement, hope and energy.
And while I know we made a better version of this demo – and made a shit load of better songs after it – it was something very special for me. A reconnection to something that was incredibly important to me. Something I hoped would be the foundation of my entire life.
But how did this tape end up on this blokes website?
Well, it gets weirder … because this bloke is based in Perth, Australia.
He loves 80/90s rock and trades tapes from that era to build up his collection … which means that a tape that I helped create and wrote out in Nottingham, THIRTY ONE YEARS AGO in Nottingham, England, somehow ended up in the possession of a person literally on the other side of the planet who decided he liked it so much, he added it to the internet.
And I couldn’t thank him enough.
Not just for the memory and the connection to my home and history bu because I remember everything about that recording …
After spending a month in hospital because my retina in my eye continually collapsed, this was the first thing I did ‘back in the real world’.
It was a Sunday and I remember our singer – Joe – bitching about having to carry my amps into the studio as I was not allowed to lift anything heavy for a few months to ensure there was no strain on my eye whatsoever.
It was a quick session, designed to try out a few songs and be used to play to a few promotors we knew – but never for wider public listening – so if someone told me then that 3 decades later, I’d be listening to it on the internet from New Zealand, I’d have said you’re mad. And not just because no one would know what the internet was back then.
It was pretty emotional to hear it … and to play it to my family … because it represents a time where pretty much everything from that era has either gone or been left behind.
+ My parents were alive when we recorded that.
+ Dad hadn’t even had his stroke at that point.
+ So Mum was still working.
+ I lived in my family home.
+ I had no idea I was going to leave Nottingham.
+ I was working, but we were being courted by record companies so I thought things were about to change.
+ My wife – who was in Australia, a place I’d never been to at that point – would have been 17.
So Otis was -21, hahaha.
It was a chapter of my life that was wonderful, but I thought fully closed.
And while that door has not been smashed open, listening to those songs on that wonky tape cracked it open a little.
Which is why I laughed when Sam then came back again with another link … this time taking me to a page of old gig dates, where on Saturday 17th of some month and year, we played at the then iconic Narrowboat [RIP], scene of some of the best nights of my life.
We often look back at life with rose-tinted glasses.
Reimagining our history to be something more than it was.
But on this occasion, it was better than I remembered.
Not because of the music or my overly fancy handwriting … but because it allowed relatively new friends to walk around my old life … to let them inadvertendly know a bit more about the person they’d only casually heard about in convesation … to give me the gift of shining sunlight upon a time of my life I’d almost forgotten … a time of my life that was deeply important and special to me … one I never thought I’d be able to expeience again, let alone be able to finally share with the family I love.
And it’s because of that I want to say a huge thank you to Sam and Gareth, they may never know what they have done for me.
Just like that guy in Perth who somehow got a tape I wrote out in my bedroom in the early 90’s in West Bridgford, Nottingham.
They say elephants never forget, but neither does the internet.
And while that might be scary for some, it’s made me realise that maybe the time capsule is an even better idea than the worldwide web.
Filed under: Advertising, Age, Agency Culture, Attitude & Aptitude, Colleagues
OK, I appreciate the last couple of days of posts have been long and self indulgent, so I thought I’d reward you with one that’s more concise and takes the piss out of me like you used to take the piss out of me. When I let you comment on here, haha.
So a few weeks ago, I saw a photo on a Facebook group I’m in that’s connected to an old agency I worked at.
Under the photo was this comment by the ‘star’ of the photo about the guy in the corner.
“I recognise him but can’t remember his name – a planner I think.”
This was the photo …
Immediately, I knew who they were referring to, because that bloke with the serial killer stare is me.
FUCKING HELL.
Look at the state of me.
I look like the sort of person who should be appearing in a ‘Police most wanted’ TV show rather than an ad agency party.
And why do my fingers look like they are a bad AI version of fingers? OK, I know they’re wrapped around a glass but what the fuck?!
My hair looks like a bad Chopper Read and my 5 o’clock shadow looks like it’s 8 o’clock.
Or more specifically, the Eric Band version of Chopper.
In fact the only bright side is that as questionable as I look now, I look less dodgy than I did around 30 years ago.
I know that’s not much, but it’s all I’ve got which begs the question, why aren’t skincare companies targeting ad agency people for their products – or at the very least, using us as people to demonstrate the ‘before/after’ efficacy of their product – because if anybody can prove its powers, it’s us.
Filed under: A Bit Of Inspiration, Age, Attitude & Aptitude, Childhood, Comment, Culture, Emotion, Family, Mum, Mum & Dad
Recently I was talking to a friend of mine about getting old.
Not in terms of age, but attitude.
We were discussing how there are some people we meet who just seem to embrace stepping out of life.
OK, maybe that’s a bit dramatic … more they choose to only focus on what is of interest to them, but there’s a seemingly deliberate ‘closing off’ to the things that are new or different or just happening around them.
It’s like they’ve put on a pair of ‘cultural blinkers’ they don’t intend to ever take off. Expressed in how they look. How they talk. What they like. What they say.
Now … there is absolutely nothing wrong with these people. They can do what the fuck they like. But it’s definitely not how I look – and live – my life.
And then my friend said something that caught me off guard.
He told me this story of someone he knew who used to tell him, “don’t let the old man in”.
[I subsequently discovered, thanks to a post on exactly the same subject by Kevin Chesters, it was a song by country singer, Toby Keith, who was inspired to write it after a chat with Clint Eastwood – who was about to turn 88 years old – while playing golf]
Anyway, I found it fascinating.
Not just the turn of phrase, but the implication that ‘stepping out of pop culture’ was, at a certain point, a default setting.
That to avoid doing that required a commitment to not doing that.
With hindsight, it should have been obvious, given – as I wrote in her post last week – my Mum was the embodiment of that attitude.
She absolutely did not want others to define her – or judge her – by her age.
And while that didn’t mean she dressed like some suburban version of Madonna, circa 1984 [or even 2023 for that matter] it did mean she was always open to what others were open to.
She followed young comedians … she went to see new movies … she read modern literature … she studied politics …
She didn’t necessarily like – or understand it all – but she was open to learning about it.
Because in her mind, the best way to embrace life was to have a curious mind, and for her, that meant caring about what others cared about.
And I took that all for granted until my mate said ‘don’t let the old man in’ and then I realised it was a conscious effort.
I distinctly remember her telling me about a time someone said they were surprised ‘someone of her age’ would be interested in a particular subject or activity. I still remember the defiance in her voice when she said, “I don’t want to live by their outdated expectations”.
Now you have to understand my Mum was the opposite of a rebel.
She was a kind, considerate, compassionate person. But in terms of not living up to stereotypes, she was an anarchist.
That doesn’t mean she ever did something she didn’t want to do simply because younger people did, it just means she found things interesting that people who ‘let the old man in’ didn’t.
This was a revelation to me.
Not just because I now realised my Mum had actively chosen to refuse to embrace the ‘default’ setting, but I was doing the same.
Please don’t think I’m suggesting I’m on the cutting edge of anything … but by the same token, I’m also not closing myself off to life either.
In fact, I’d go as far as to say, the older I get, the more open I am to stuff.
Views. Fashion. Food. Music. Health. Ideals. Art. Everything …
And while I originally thought this was my default setting, I’m now realising it’s not.
It’s an active choice.
A desire to stay open and interested.
Being in a young persons industry helps.
Working with international rockstars and fashion gods helps.
Having parents who were always looking forward, not behind, helps.
But it is also my choice. I just didn’t realise it.
Which suddenly explains so much that I didn’t realise till that conversation.
From the things I buy … the multitude of magazines I read … the things that grab my attention … the people I hire.
It’s the realisation that I live by a ferocious, subconscious desire to keep the old man out.
Not because I want to be young. But because I definitely don’t want to be old.
In terms of attitude, not age.
Which is why I now realise people who say others are ‘growing old disgracefully’ have got it wrong.
Because they’re not growing old disgracefully, they’re growing old with curiosity’.
And as aging traits go, that’s surely pretty awesome?
Filed under: A Bit Of Inspiration, Age, Attitude & Aptitude, Bands, Bangkok Shakes, Childhood, Culture, Music, Nottingham, Paul, Queen, Relevance, Resonance, Respect
When I was a kid in Nottingham, there were 3 independent record shops I continually went to.
WayAhead, Rob’s Records and Selectadisc.
OK, part of this was because there were no major record shops in Nottingham at that time – Our Price, Virgin and HMV all arrived [and left] years later – so unless you were happy with the extremely limited range available in Boots, they were your only options.
Not that they were a ‘lesser’ experience to the big chains. Far from it.
In fact WayAhead became my Mecca because it was a pure rock and metal store. The only one in Nottingham … a place that loved the music rather than just sold it. A place – when I look back – that not only helped forge my identity as a teen, but gave me a space where I could feel safe and supported in it.
It’s also the location where I queued up all night just to ensure I could get Queen tickets for their Works Tour. So the memories are deep and strong.
Rob’s Records was a second hand store up a small alley called Hurts Yard.
WayAhead used to be a few doors down, but they moved to a much bigger location when [1] metal music became mass in the mid-80’s and [2] the shop couldn’t fit customers in because too many people were crammed around the Pinball table and Track and Field arcade game that was in the front of their store. [See photo above]
But I digress …
To be honest, Rob’s Records was a shambles.
Messy … cramped … records stacked tight in big boxes and plastic bins placed literally all over the place. But it had cheap records so I’d find myself in there searching for some rare Queen albums or singles… normally after having a fried chicken lunch from the place that was a cut-price KFC in name, cleanliness and taste.
And then there was Selectadisc.
Set over 2 floors, it was the music lovers, music shop.
A dimly lit, warm cocoon that incubated you from the world outside.
In fact, it was considered an institution by record/vinyl fans all over the world thanks to its continued support for new and up and coming bands.
That said I didn’t love it … it loved The Smiths for a start … but it did have a lot of variety. It also had a great noticeboard where people could put up ads … especially for musicians for bands. We found our first singer, Rob Reid, from an ad we put up there … someone who helped give me some of the best times of my teens and who I am still in touch with to this day.
All of these places were like a wonderland to me.
I may have entered from the street, but I found myself on a different planet.
I would spend hours there on a Saturday… listening, talking, looking, reading. Occasionally even buying.
And while Rob’s Records and Selectadisc didn’t offer me the same community as WayAhead … they mattered to me. A lot.
Sadly, only Rob’s Records remain … but what caused me to write this post is because I recently saw a photo of the upstairs of Selectadisc and it stopped me in my tracks.
Not because of the memories it ignited.
Nor because of the state of it.
But because of its size.
Specifically, how small it was.
I appreciate when you’re younger you overestimate size … but this wasn’t when I was a child, I was in my teens.
And even though it wasn’t my fave record shop, I still remember it like it was a Cathedral of Sound.
Maybe it was because it was bigger than both WayAhead and Rob’s Records.
Maybe it was because it was on 2 floors where the others were just on one.
Or maybe it was because it offered me an escape from normal life to a place that was filled with sound and people who shared a similar love to it as me.
There’s never been a place like those record shops for me.
The closest was Funan Mall in Singapore – a whole building dedicated to selling electronics and gadgets.
A place where I could happily spend hours just looking at the latest new tech that had come in from China … where Jill sent me to after I’d proposed so I could calm down from the intense emotions of the morning.
But even then … even with all that … those 3 record shops in Nottingham will be where a part of my soul resides.
A place that was educational, recreational, and experiential.
Society is worse off without these places.
Yes, I know culturally they have been replaced by a bunch of other places – from the barbers shop to the chicken shop – but records shop were more than a place to hang and talk, they were a place where you grew.
So even though this photo of Selectadisc highlights how small it actually was … it’s impact on who I was remains huge.