Filed under: 2026, A Bit Of Inspiration, Advertising, Agency Culture, Attitude & Aptitude, Complicity, Confidence, Conformity, Creative Brief, Creative Development, Creativity, Culture, Frameworks, Marketing, Marketing Fail, Marketing Science, Relevance, Reputation, Resonance, Respect
The last 2 posts of this week have been pretty heavy … or, even angry.
And I make no apologies for that when I see how the talent in our industry are being undermined by people who only care about themselves than elevating the real value of what we do.
But even I need a rest from it, which is why I thought I’d talk about this …
This is the window display of a shop near the Colenso office.
Now I know they say New Zealand is 20 years behind the rest of the world but even then, it’s mind-blowing this is still up.
I mean, look at it?
It’s to even the overly sexualized image, it’s how fucking rubbish it is.
Like an outtake from this old Hagen Diaz ice cream ad by BBH, putting aside the production quality of this spot FROM 1992, is still better than this suntanning bullshit …
On one hand I’m almost impressed, because it takes a lot of delusional confidence to use this image, and while I get that I ‘noticed it’, that doesn’t mean it’s smart. And that’s where a lot of people go wrong with creativity – thinking that anything that stands out means it’s justifiable. Because while there are moments where ‘shock’ has a strategic rationale, it loses its value when [1] it’s for something no one gives a fuck about because it’s pure superficiality and [2] when every other fucker is adopting the same approach, because then you’re not standing out – just blending in.
Creativity is far more about smartness and sharpness than blatant attempts at shock value … but in the hands of those who don’t know or care what creativity can do – or be – for them, you end up with shit like this.
Or the Heinz/Heineken bullshit collab.
The thing they marketed as ‘the collab you’ve been waiting for’ – hahahahahaha, yeah right.
Of course I appreciate some people will read this and say I don’t know what I’m talking about, to which I will ask who is saying that.
Because I am pretty certain the majority of them will be people who’ve never made any actual creative work, let alone anything of note.
Work can be powerful, differentiated and impactful in a whole host of ways … starting with knowing the people you’re specifically talking to.
And that’s the problem, too many companies have no idea who they’re talking to, so try to talk to everyone.
Which is why you end up with that ketchup beer bullshit – or worse – that Maxwell House disaster.
Don’t get me wrong, I love causing mischief as much as the next guy. Probably more.
And I have probably done more of it than most … including some utter disasters, including the infamous ‘KitKat Royal Break’ nightmare.
But as I said, great creativity is inherently smart, sharp and surprising – rather than just playing the ‘superficial shock’ card – which is why whenever I am in this situation, I always remember something the great Rupert Howell – no slouch in provocative approaches – once said to me:
“Robert. One of the most important lessons to learn is ‘just because you can, doesn’t mean you should”.
Reinforcing why we need more people educating the industry on ‘taste and trouble’ rather than how to blindly follow a framework that has zero nuance, understanding or space for context, category or audience.